Richard Grayson
April 2020
By Matt's Gallery on 2 April 2020
This is a space we would usually dedicate to news and updates from Matt’s Gallery and our represented and associated artists over a two-month period. With the temporary closure of arts spaces across the globe, artists, galleries and institutions are generously making a huge variety of resources publicly available online. This month, we have put together a selection […]
Posted in News | Tagged Anne Bean, Benedict Drew, Brian Catling, David Tolley, Fiona Crisp, Jennet Thomas, Jordan Baseman, Keith Sargent, Leo Chadburn, Lindsay Seers, Marianna Simnett, Matt's Gallery, MattFlix, Michael Curran, Nathaniel Mellors, Nicola Bealing, Nooshin Farhid, Open School East, Paul Eachus, possessions_inc, Radio Influenza, Richard Grayson, TateShots, The God In Hackney, Wellcome | Leave a response
August 2019
By Matt's Gallery on 2 August 2019
Matt’s Gallery is closed throughout August and will reopen in September. Upcoming Susan Hiller, Ghost / TV, Matt’s Gallery, London. Private view 22 September 3-6pm, 25 September -27 October 2019, Wed-Sun 12- 6pm Matt’s Gallery presents Ghost / TV an exhibition of objects and video by Susan Hiller that continues her investigations into the numinous, the ephemeral, […]
Posted in News | Tagged Adrien Tirtiaux, Alain Ayers, Alain Robbe-Grillet, Allan Sekula, Amberes, Andrea Fraser, Anne-Mie Van Kerckhoven, Antwerp, ArtMonthly, Bart Prinsen, Brian Catling, British Museum, Broadside Etchings, Cevdet Erek, Chantal Peñalosa, Danny Devos, David Austen, David Lamelas, David Osbaldeston, Dog Show, Erkka Nissinen, Eva Donckers, Georges Smits, Gordon Matta-Clark, Graham Fagen, Hayley Newman, Hugo Roelandt, Imogen Stidworthy, Ink, installation, Jimmie Durham, Jo Bruton, John Hansard Gallery, Jordan Baseman, Kathryn Klassnik, Katrin Kamrau, Laure Prouvost, Laurie Parsons, leah capaldi, Lindsay Seers, Linen, Luc Deleu, Luc Tuymans, M HKA, Mariner, Marlene Dumas, Mathieu Verhaeghe, Matt's Gallery, Micheal Stanley, Michèle Matyn, Mike Nelson, Nathaniel Mellors, Nicola Bealing, Nicolás Uriburu, Oil, Paul Hendrikse, Philip K Dick, Possesions_inc, Radio Influenza, Ria Pacquée and items from the Roberto Bolaño Archive., Richard Grayson, Rinus Van de Velde, Roberto Bolano, Robin Klassnik, Rose Finn-Kelcey, Ruth Sacks, Slave's Lament, Sophie Podolski, Southwark Park Galleries, Spray Paint, Stephen Willats, Susan Hiller, Tate Britain, The Arts Institute, The Asset Strippers, The Edge, The Foundling Museum, The Rime of the Ancient Mariner, Venice Biennale, video, video still, Walter Swennen | Leave a response
February 2019
By Matt's Gallery on 7 February 2019
In Memory of Susan Hiller 7 March 1940 – 28 January 2019 “In all my work I was attempting to erase the supposed boundary between dream life and waking life. Because what I do… is to pull out for scrutiny those images or ideas which are visual, visible, but are rendered invisible and therefore marginalized.” Susan Hiller, […]
Posted in News | Tagged 1980, A Murder of Crows, A---Z, Aalto Natives, Alice Channer, Alison Turnbull, Anne Bean, Anne Duffau, artist residency, Bad Mantra, Benedict Drew, Birmingham, Blackrock, Bloomberg N, Carey Young, Channels, Charlotte Higgins, City Art Centre, Copenhagen Contemporary, COUM Transmissions, Daniel Sturgis, Danielle Arnaud, David Troostwyk, Dilston Grove, Dominic Johnson, Drawing Biennial 2019, Drawing Room, Edinburgh, Erkka Nissinen, Fotogalleriet, gendersick, Genesis P-Orridge, Govan Project Space, Graham Fagen, Hail the new Etruscan, Helen Mirra, heterochromia iridum, Ikon, IMT Gallery, Jordan Baseman, Kerry Trengove, Kiasma, Kipper Kids, Large Glass, Lindsay Seers, Lydney Park Estate, Marianna Simnett, Mark Wallinger, Martello Street, Matt's Gallery, Matthew Krishanu, MAXXI, Melanie Jackson, Midlands Arts Centre, Mike Nelson, Nathaniel Mellors, obituary, Oona Grimes, Oslo, Radio Influenza, Richard Grayson, Robin Klassnik, Rome, Space studios, Stephen Cripps, Susan Hiller, Tate Britain, Tate Collection, Tate Modern, The Coral Reef, Tomico Lemos Auad, Ulay, Venice Biennale, Wellcome, Work in Progress
October 2018
By Matt's Gallery on 2 October 2018
Upcoming at Matt’s Gallery, 92 Webster Road, SE16 4DF Borbala Szanto, Hyphen, Matt’s Gallery, London, private view 5 October 6-9pm, exhibition open daily 12-6pm, 6-14 October 2018 Read more. Rebecca Lennon, WORDS ARE ANGULAR SHARP, TENANT, Matt’s Gallery, London, private view 19 October 6-9pm, exhibition open daily 12-6pm, 20-28 October 2018 November 2018 Jo Stockham, […]
Posted in News | Tagged Aesthetica Film Festival, Alison Turnbull, Amikam Toren, Angus Braithwaite, Anne Bean, Art Licks Weekend, Art Licks Weekend 2018, Art Seen, Beirut, Benedict Drew, Blanca Huertas, Bonington Gallery, Borbala Szanto, Bow Arts Trust, British Council, David Osbaldeston, Edinburgh, Erkka Nissinen, Focal Point Gallery, Fort Worth, Fort Worth Contemporary Arts, Graham Fagen, Gwangju Biennale, Imogen Stidworthy, Jennet Thomas, Jo Bruton, Jo Stockham, John Moores Painting Prize 2018, Jordan Baseman, Knole House, leah capaldi, Lindsay Seers, London, Lucy Gunning, Marianna Simnett, Marina Warner, Mas Arte Mas Accion, Matt's Gallery, MAXXI, Middlesbrough, Middlesbrough Art Weekender, Mike Nelson, Mimosa House, Naomi Pearce, Nathaniel Mellors, New Museum, New York, Nicosia, Nottingham, OGR Torino, Punto y Raya Festival, Rebecca Lennon, Richard Grayson, Richard Wilson, Royal Scottish Academy of Art and Architecture, RSA, South Korea, Southend-on-Sea, Storm King Art Center, Stuttgart, Sursock Museum, Texas, The Bower, The Nunnery, The Serving Library, Tina Keane, Torino, V-A-C Foundation, Venice, Webster Road, Wellcome, WKV, Wroclaw, Württembergischer Kunstverein Stuttgart, York | Leave a response
August 2018
By Matt's Gallery on 6 August 2018
Upcoming The series of 10-day shows continues from September onwards, plus other events at Matt’s Gallery, London Bronwen Buckeridge, Widowhood, Matt’s Gallery, London, 2 September 2018, 2-6pm Widowhood is a live audio performance with racing pigeons and the pigeon men who train them. The work is driven by an interest in the complex relationship racing pigeons […]
Posted in News | Tagged A Woman's Place at Knole, Aesthetica Short Film Festival, Again more things (a table ruin), Alberto Giacometti, Alison Turnbull, Allison Janae, Allison Janae Hamilton, Alter Heroes Coalition, Arts Catalyst, Attenborough Arts Centre, auto-bituary, BANFF, Benedict Drew, Borbala Szanto, Bronwen Buckeridge, Cibelle Cavalli Bastos, Constan, David Brooks, David Collens, Dear Climate, Dieter Roth, Dundee, Earagail Arts Festival, Eighty Circles Through Canada, Ellie Ga, Erkka Nissinen, Every Thought Ther, exhibition, Focal Point Gallery, FRONT International, Gabriela Salazar, General Rehearsal, Generator Projects, Gery Georgieva, Graham Fagen, Guerre/Jardin, Gwanju Biennial, Hara Woltz, Hayley Newman, Hellmouth, Henry Moore, Hospitalfield, I don't know what I'm doing but I'm trying very hard, I live without living in me, Indicators: Artists on Climate Change, Japanese Paintings, Jenny Kendler, Jo Bruton, Jo Stockham, John Hansard Gallery, John Moores Painting Prize, John Moores Painting Prize 2018, Juan Cruz, Justin Brice Guariglia, KADIST, Kent Monkman, Kiasma, Knole House, leah capaldi, Letterkenny Regional Cultural Centre, Lindsay Seers, Longing and Consolidation, Louise Bourgeois, Mark Dion, Mary Mattingly, Matt's Gallery, Maya Lin, Meg Webster, Melanie Jackson, Michael Curran, Mike Nelson, Mimosa House, MMOMA, Moscow Museum of Modern Art, Muriel Spark, Naomi Pearce, Nathaniel Mellors, Nora Lawrence, OilY, Pawel Althamer, photography, Pigeon Race, Portrait of a Sculptor, possessions_inc, Primary, Rebecca Lennon, REMAINS, Richard Grayson, robotics, Rodic Davidson Architects, Ron Henocq Fine Art, Sarah Diver, shame, Sherrie L, Southend-on-Sea, Steve Rowell, Storm King Art Center, Summerhall, Super Sohrab, Super Taus, Sursock Museum, Tabita Rezaire, Tavares Strachan, The Anti Ecstatic Machines, The Gluts, The MAC, The Mothership residency, The Walker Art Gallery, Tomas Klassnik, Tomaso Binga, University of Leicester, V-A-C, V-A-C Collection, Vancouver, video, Watou Arts Festival, Whitechapel Gallery, Widowhood, Willem de Kooning, Willie Doherty, Yolanda López | Leave a response
June 2018
By Matt's Gallery on 31 May 2018
Current Richard Grayson, By Our Own Hand, Matt’s Gallery, Nine Elms, The Residence, 42-44 Ponton Road, SW8 5BA, Opening Event: Friday 1 June 4 – 8pm, exhibition continues 2 – 3 June 2018, 12 – 5pm By Our Own Hand is the first exhibition in Matt’s Gallery’s new space in Nine Elms. In 2019 Matt’s Gallery will open at Bellway’s The […]
Posted in News | Tagged 16 Nicholson Street Gallery, A to B in MK, A Woman's Place at Knole, Abroath, Again, Alberta Whittle, Alberto Giacometti, Alice Day Williams, Alison Turnbull, All the World's a Sunny Day, Allison Janae Hamilton, Am I Not A Man and A Brother, Andrew Gilbert, Andrew Hairstans, Anina Major, Another Country, Arts Catalyst, Arts Council Collection, Attenborough Arts Centre, Auth Rangelay Yaar, Banner Repeater, Barbara Casavecchia, Baron Sackville, BBC Radio 4, Belfast, Belgium, Bellway, Ben Rivers, Benedict Drew, Bermondsey, Bernice Donszelmann, Beth Collar, Birthe Jorgensen, Blackpool, Borbala Szanto, Boredom Is Always Counter-Revolutionary, Boulby Underground Laboratory, Brigid McLeer, British Council, British Museum, Bruce McLean, Bury Place, Butterflies in Colombia, By Our Own Hand, Capital Crime, Cast Iron Radio, Channels, Charing Cross Hospital, Choco, CJ Mahony, Constantine Brancusi, Contemporary Art Society, Contemporary Art Society Special Collection Scheme, Cornwall, Dana Hargrove, David Brooks, David Collens, Dawn Gavin, De La Warr Pavilion, Dear Climate, Deeper in the Pyramid, Dieter Roth, Durham University, Eight Colourful Friends, Eighty Circles Through Canada (The Last Possessions Of An Orcadian Mountain Man) (2013), Elaine Rutherford, Eliza Gluckman, Ellie Ga, Emily Orley, Emily Speed, Erkka Nissinen, Esther Leslie, Euan Gray, Every Thought There Ever Was, extinction, Fathom, Fiona Crisp, Focal Point Gallery, Gabriela Salazar, General Rehearsal, Ghost Strata, Glasgow, Graham Fagen, Grand Union, Groundwork, Grundy Art Gallery, Guy Debord, Hara Woltz, Hayley Newman, Helen Robertson, Henry Moore, Homage to Marcel Duchamp (2017), Hospitalfield, If Mimicry Minded, Illuminations (2018), In My Shoes, In the Future, Indicators: Artists on Climate Change, Institute for Computational Cosmology, Irineu Destourelles, James Baldwin, James O’Leary, Jane Rendell, Japanese Paintings, Jenni Lomax, Jenny Kendler, Jo Bruton, Jo Stockholm, Joey Holder, John Beadle, John Hansard Gallery, John Moore Painting Prize 2018, Juan Cruz, Justin Brice Guariglia, KADIST, Katherine Ka Yi Liu, Katja Hilevaara, Kent, Kiasma, Knole House, Krabi, Kristen Kreider, Laboratori Nazionali del Gran Sasso, Landing Girls, leah capaldi, Lindsay Seers, Lionheart, Liu Xiaodong, Liverpool, Liverpool John Moores University, London, Longing and Consolidation, Longside Gallery, Louise Bourgeois, Lubaina Himid, Lubaina Himid MBE, Lucy Day, Lucy Gunning, Maria Fusco, Mark Dion, Marvin Gaye Chetwynd, Mary Mattingly, Material Sight, Matt's Gallery, Maya Lin, Meg Webster, Melanie Jackson, Melanie Wilson, Mike Nelson, milk, Milton Keynes, Milton Keynes Community Collaborators, MMOMA, More Things (a table ruin) (2014), Moscow Museum of Modern Art, Mosfellsbaer, Naomi Pearce, Nathaniel Mellors, National Art Gallery of The Bahamas, New York, Nicola Bealing, Nine Elms, Nora Lawrence, Nottingham, Officine Grandi Riparazioni, OGR, Orlando, Outpatients Unit, Overlay, Pacific rainforest, Pawel Althamer, Petrovka Street gallery, Plans & Records, possessions_inc, Primary, Psi Girls (1999), Rasheed Araeen, Redway, REMAINS, Representation of the People Act, Richard Grayson, Richard Guzman, Rodic Davidson Architects, Ron Heneocq Fine Art, Rosalind Davies, Routledge, Roy Voss, Sackville-West, Sao Paulo, Sarah Diver, Scotland, Sherrie Levine, Social Facts, Sonia Farmer, Southampton, Southend-on-Sea, Steve Rowell, Storm King Art Center, Susan Hiller, tatami, Tavares Strachan, Thailand, The Aalto Natives, The Bahamas, The Creative Critic: Writing as/about Practice, The MAC, The Residence, The Slave's Lament, The Walker Art Gallery, Tim Etchells, Turin, University of Leicester, V-A-C Foundation, V&A Wallpaper Archive, Venice Biennale, Virginia Woolf, Vita Sackville-West, Wandsworth, Watou Arts Festival, We Suffer to Remain, Whitstable Biennale, Willem de Kooning, Willie Doherty, Yorkshire Sculpture Park | Leave a response
April 2018
By Matt's Gallery on 3 April 2018
Upcoming Jo Bruton, Run, Matt’s Gallery, 92 Webster Road, London, 7 – 15 April, Private View 6 April 6-9pm Jo Bruton’s second show at Matt’s Gallery sees the artist expanding her practice as a painter into a series of printed wallpapers. Hand painted, digitally produced and then pasted to the walls of the gallery, the piece has […]
Posted in News | Tagged A Woman's Place at Knole, Acme Fire Station, Again, Alberta Whittle, Alberto Giacometti, Alfacar, Alice May Williams, Alison Turnbull, All The Wor, All the World's a Sunny Day, Allison Janae Hamilton, Am I Not A Man and A Brother, Andrew Gilbert, Andrew Hairstans, Andy Fisher, Anil Seth, Anina Major, Another Country: Aspects of Scottish Emigration to the United States, April, Art Monthly, Arts Catalyst, Artur Zmijewski, Avatar Therapy, Banner Repeater, Barbara Kruger, Baron Sackville, BBC Radio 4, Benedict Drew, Benjamin Swaim, Bermondsey, Berwick Visual Arts, Beth Forde, Birthe Jorgensen, British Council, Candice Lin, Caspar Heinemann, Cecil Collins, Channels, Chris Frith, CJ Mahony, Collyer Bristow Gallery, Colombia, Constantine Brancusi, Contemporary Art Society, Dana Hargrove, David Austen, David Brooks, David Collens, Dawn Gavin, De La Warr Pavilion, Dear Climate, Deeper in the Pyramid, Dieter Roth, Doris McCarthy Gallery, Dr Blanca Huertas, Durham University, Edward Hopper, Eighty Circles Through Canada (The Last Possessions of An Orcadian Mountain Man), Elaine Rutherford, Elena Bajo, Elisabeth Frink, Eliza Gluckman, Ellie Ga, Emily Speed, Emma Bolland, Erkka Nissinen, Esther Leslie, Euan Gray, Fiction as Method, Finnish Pavilion, Fiona Banner, Fiona Crisp, Focal Point Gallery, Futures & Fictions, Gabriela Salazar, Galeria Moises Perez De Albeniz, Galerie Crevecoeur, Gallery 4, Gallery of Modern Art (GoMA), General Rehearsal, Gerard Byrne, Ghetto Priest, Glasgow, Graham Fagen, Grand Union, Grundy Art Gallery, Hans-Peter Feldmann, Hara Woltz, Helen Marten, Henning Bohl, Henry Moore, Hospitalfield, Ian Hamilton Finlay, In the Future, Indicators: Artists on Climate Change, Institute for Computational Comology, Irineu Destourelles, Isobel Wohl, It's all the same fucking day man..., Jakob Kolding, Jala Wahid, James Miranda Barry, Janani Balasubramanian, Jane Evelyn Atwood, Jenny Kendler, Jih-Fie Cheng, JMW Turner, Jo Bruton, John Beadle, John Cunningham, John Hansard, John Smith, Jonathan Trayner, Jordan Baseman, Julien Ceccaldi, Justin Brice Guariglia, KADIST, Katharina Poos, Katherine Angel, Katherine Ka Yi Liu, kennardphillips, Kiasma, Kirsten Cooke, Knole House, Laboratori Nazionale del Gran Sasso, Leo Kelly, Linda Stupart, Lindsay Seers, Lionheart, Lisson Gallery, London, Louise Bourgeois, Lubaina Himid, Lucy Day, MA BIBLIOTHEQUE, Margot Norton, Maria Abramovic, Mark Dion, Mary Mattingly, Mas Arte Mas Accion, Material Sight, Matt's Gallery, May, Maya Lin, Meg Webster, Melanie Jackson, Melanie Wilson, Mieke Bal, Mike Nelson, milk, Minnesota, MMOMA, MONA, More Things (a table ruin), Moscow Museum of Modern Art, Muirhead Bone, Nathaniel Mellors, National Art Gallery of The Bahamas, National Gallery of Victoria, Natural History Museum London, New Museum, NGV Triennial, Nicholas Brooks, Nick Mwaluko, Nora Lawrence, Northern Gallery of Contemporary Art, Officine Grandi Riparazioni, On Violence, Orlando, Ourhouse, ourneys with 'The Waste Land', Patrick Heron, Paul Buck, Paul Nash, Paula Rego, Pavel Büchler, Pawel Althamer, Plans & Records, Polygraphs, possessions_inc, Primary, Progressive Rocks, Project/Number, Project/Numebr, Rebecca Jagoe, Renaud Jerez, Repeater Books, Representation of the People Act, Richard Grayson, Richard Guzman, Ridinghouse, Ron Henocq Fine Art, Roy Voss, Rudy Loewe, Sackler Centre for Consciousness, Saint John's Art Center, Sarah Diver, Sarah Wood., Sharon Kivland, Sherrie Levine, Skye Arundhati-Thomas, Social Facts, Sonia Farmer, Special Collection Scheme, Sternberg Press, Steve Rowell, Storm King Art Center, Suffering, Sump, Susan Hiller, Tacita Dean, Tai Shani, Talking Art 2, Tavares Strachan, The Aalto Natives, The Bahamas, The MAC, The New Art Gallery Walsall, The Slave's Lament, the stars above the ocean the ocean beneath the stars, The Way T, The Way Things Are, Timothy Dixon, Toronto, Totah, Travis Alabanza, Turin, Turner Contemporary, UCL, V-A-C Foundation, Vanessa Place, Venice Biennale, violence, Virginia Woolf, Vita Sackville-West, Viznar, Vladimir Nabokov, We Suffer to Remain, Wellcome Trust, Willie Doherty, Williem de Kooning | Leave a response
February 2018
By Matt's Gallery on 31 January 2018
Upcoming Matt’s Gallery, 92 Webster Road, SE16 4DF, London Elizabeth Magill, 23 February – 4 March 2018 Mandy Ure, 9 – 18 March 2018 Angus Braithwaite, 23 March – 1 April 2018 In the coming months, Matt’s Gallery will present a rapid succession of short exhibitions and events at 92 Webster Road. The Gallery’s practice […]
Posted in News | Tagged 92 Webster Road, A Drama in Time, A’ ye wha live and never think, Abstract, Ade Adesina, Adrian Wiszniewski, Alex Gartenfeld, Alexander Fraser, Alfons Bytautus, Alison Turnbull, Andrea Zittel, Andy Warhol, ANIMAL CONDENSED > ANIMAL EXPANDED #1, ANIMAL CONDENSED > ANIMAL EXPANDED #2, Anna Oppermann, Anne Bean, Anne Redpath, art, Barbara Kruger, Bermondsey, Beth Forde, Beyond Future is Past, Bill Woodrow, Bruce Nauman, Burns Unbroke, Carolee Schneemann, CASS Sculpture Foundation, Chinese New Year, Cobra Museum of Modern Art, Collyer Bristow Gallery, contemporary art, Contemporary Art Society Collection Scheme, Dave Stephens, David Austen, David Michie, David Michie RSA, Derrick Guild, Dieter Roth, Doris McCarthy Gallery, Douglas Huebler, Eduardo Palozzi, Elaine Sturtevant, Elizabeth Blackadder, Elspeth Lamb, Erkka Nissinen, Falling in Love with a Chair, Field Test (monochrome), Fiona Crips, Fluxus festival, Frances Walker, Franz Erhard Walther, Galerie Crevecoeur, Game Killed, Gean Moreno, George Donald, Georgie Grace, Gerard Byrne, Ghetto Priest, Glasgow's Gallery of Modern Art, GoMA, Gone To The West Indies, Gordon Bryce, Graham Fagen, Hans-Peter Feldmann, Harley Brothers, Henning Bohl, Hisham Matar, Hito Steyerl, Ian Hamilton Finlay, ICA Miami, In the Future, Institute of Contemporary Art, Jane Evelyn Atwood, Jaroslaw Kozlowski, Jennet Thomas, Jennifer McRae, Joyce Pensato, Julien Ceccaldi, kennardphillips, Kiasma, Kirkland Main, Klassnik Corporation, Kunsthalle Münster, Leo Kelly, Lewis Robinson, Lindsay Seers, Lionheart, London, Marion Smith, Martin Kippenberger, Mary Bourne, Material Sight, Matt's Gallery, Meadows Gallery, Miami, Michael Docherty, Mike Nelson, MoCa Trowbridge, MONA, Muirhead Bone, Nathaniel Mellors, National Gallery of Victoria, New Museum, NGV Triennial, Northern Gallery for Contemporary Art, On A Scotch Bard, Orange and Pineapple, Ourhouse Episode -1:Time, Pablo Picasso, Peninsula Arts Gallery, Philip Guston, Phillip King, Phoenix Brighton, Plymouth Contemporary Artist Showcase 2018, Polygraphs, possessions_inc, Progressive Rocks, Queenstown, Reiner Ruthenbeck, Renaud Jerez, Richard Grayson, Richard Long, Robert Burns, Ron Henocq Fine Art, Rosemarie Trockel, Royal Scottish Academy, RSA Collection, Serial Composition, Sophisticated Neanderthal Interview, Stephanie Seidel, Suffering, Sunderland, Tetsumi Kudo, The Aalto Natives, The Everywhere Studio, The New Art Gallery Walsall, The Sitting Room, The Slave's Lament, The Sleeping Procession, The Unconformity, The Vomiter, Tomas Klassnik, Venice Biennale, Victor Burgin, Victoria Crowe, Winter Flower, Words and Colors, Yves Klein, ŻAK | BRANICKA | Leave a response
December 2017
By Matt's Gallery on 1 December 2017
Matt’s Gallery is moving to Ron Henocq Fine Art Matt’s Gallery is pleased to announce that in January 2018 it will move to Ron Henocq Fine Art, 92 Webster Road, Bermondsey, London, SE16 4DF. Located next door to Coleman Project Space and a few minutes walk from CGP London/Dilston Grove, 92 was home to the artists Roger Shaw and […]
Posted in News | Tagged ACME, ALEX, Alex Gartenfeld, Alexander and Bonin, Alexis Hunter, Andrea Zittel, Andy Warhol, Anna Oppermann, Atlantic Dialogue, Atlantic Project, Barbara Kruger, Berlin, Bermondsey, Bermondsey Artist Group, Berwick Visual Arts, Beth Forde, Bexhill On Sea, Bill Woodrow, Bruce Neuman, Burns Unbroke, Cafe Gallery, Carolee Schneemann, CASS Sculpture Foundation, Castrato, CGP London, Channels, Coleman Project Space, David Austen, De La Warr Pavilion, Dieter Roth, Dilstion Grove, Edinburgh, Eduardo Paolozzi, El Paso, Elaine Sturtevant, Esslingen, Everything at Once, Gabriel Hartley, Galerie Peter Kilchmann, Gean Moreno, Gerard Byrne, Glasgow, GoMA, Graham Fagen, Grundy Art Gallery, Hans-Peter Feldmann, Hito Steyerl, Home, Home (Waiting), Ian Hamilton Finlay, ICA, Imogen Stidworthy, Institute for Contemporary Art, Jane Evelyn Atwood, Jaroslaw Kozlowski, Joseph Mallord William Turner, Joyce Pensato, kennardphillips, Kiluanji Kia Henda, Legacies, Leo Kelly, Lindsay Seers, Lisson Gallery, Liu Chuang, MAAS, Marie Lund, Martin Kippenberger, Matt's Gallery, Mayflower 400, Melanie Jackson, Miami, Michael Curran, Mike Nelson, MONA, Mona Hatoum, Muirhead Bone, Museum of Applied Arts and Science, Museum Villa Merkel, New York, Nilbar Gures, Nine Elms, No Return, Pablo Picasso, Pennsylvania, Philip Guston, Phillip King, Polygraphs, possessions_inc, Queenstown, Richard Grayson, Rita McBride, Roger Shaw, Ron Henocq Fine Art, Rosemanrie Tockel, Roy Voss, Ryoji Ikeda, SAPLM, Sean Steadman, South Bank, Southwark Park, SPACE, Stanley Picker Traineeship, steel, Stephanie Seidel, Suffering, Summerhall, SUPERFLEX, Susan Hiller, Switzerland, Tasmania, Tesumi Kudo, The Drowned, The Everywhere Studio, The New Art Gallery Walsall, The Sleeping Procession, The Store Studios, The Unconformity, The Vinyl Factory, The Way Things Are, THIS IS A VOICE, Tom Trevor, tools that see (possessions of a thrif) - compressor, Ursula Biemann, Wang Shang, Webster Road, Wellcome Collection, West Sussex, Willie Doherty, Words and Colors, Yves Klein, ZAK | BRANKICA, Zurich | Leave a response
October 2017
By Matt's Gallery on 28 September 2017
Current Marianna Simnett, Worst Gift, Matt’s Gallery, until 22 October 2017, Wednesday – Sunday, 12 – 6pm Matt’s Gallery is pleased to present Worst Gift, a new film installation by Marianna Simnett. Comprising video, liquid, light and sound, Worst Gift continues Simnett’s ongoing exploration of female subjectivity and bodily integrity as they relate to the power dynamics […]
Posted in News | Tagged 57th Venice Biennale, Acme Fire Station, Alexander and Bonin, Alvar Aalto, Art Licks Weekend, Art Licks Weekend 2017, Arts Catalyst, Arts Council England, ASC Gallery, Austrian Cultural Forum, Benedict Drew, Berwick Visual Arts, Bloomsbury, Charlie Fox, Dane Sutherland, Darren Banks, De La Warr Pavilion, DisObey, Erkka Nissinen, Esther Leslie, Finland, Finnish Pavilion, Fiona Crisp, Frequency Festival, Galerie Peter Kilchmann, Gallery of Modern Art (GoMA), Graham Fagen, Grundy Art Gallery, Holly Antrum, Imogen Stidworthy, India Harvey, Joe Graham, Jordan Baseman, Joseph Mallord William Turner, KELDER, Laura Dee Milnes, leah capaldi, Leo Chadburn, Lincoln Voices, Lindsay Seers, Lucinda Chua, Lucy Clout, Making Milk: The Past, Marianna Simnett, Melanie Jackson, Modern Art Oxford, MONA, Mona Hatoum, MONITOR, Museum of Applied Arts & Sciences, Nathaniel Mellors, National Galleries Scotland, National Gallery Jamaica, Palazzo Franchetti, possessions_inc, Present and Future of Our Primary Food, Retrospective, Richard Grayson, Rose Finn-Kelcey, Roy Voss, Sluice Biennale 2017, Steven Dickie, Susan Hiller, Tate, The Aalto Natives, The New Art Gallery Walsall, The Slave's Lament, Turner, Unconcious Archives, University of Lincoln, Venice Biennale, Wellcome Collection, Wellcome Trust, Willie Doherty | Leave a response