By Matt's Gallery on 7 October 2014
Current Exhibition REVOLVER II Part 1, a curatorial collaboration by Michael Newman and Robin Klassnik featuring Deirdre O’Dwyer, Lizzie Hughes, Danh Võ, Lucia Nogueira, continues to 5 October 2014. X Marks the Bokship hosts a programme of events. Exhibitions for Susan Hiller, Mike Nelson, Lindsay Seers, Willie Doherty, Graham Fagen, Imogen Stidworthy, Paul Rooney and Jordan Baseman. Nathaniel Mellors nominated for Contemporary Arts Society’s Annual Award.
Posted in News | Tagged AKINCI, Animate Projects, BALTIC 39, CGP London, Danh Vo, De Pont Museum, Deirdre O'Dwyer, Den Haag, Generation, Graham Fagen, Hayward Gallery, Hayward Touring, Imogen Stidworthy, James Coleman, Jordan Baseman, Le Cartel, Lindsay Seers, Listening, Lizzie Hughes, Lucia Nogueira, Marseille, Michael Newman, Nathaniel Mellors, Peter Liversidge, Revolver, Sam Belifante, Sao Paulo, Scotland, Stroom, Susan Hiller, Taipei Biennial, Tillburg, Willie Doherty, X Marks the Bokship |
By Matt's Gallery on 1 August 2014
Gallery News Forthcoming Exhibition REVOLVER II, a curatorial collaboration by Michael Newman and Robin Klassnik, 10 September–14 December 2014 REVOLVER II comprises a fast-paced three-part series of group exhibitions to investigate the manifestation of knowledge in relation to artists who work with or reference text and publishing. All selected works over the series of the […]
Posted in News | Tagged AKINCI, Alison Turnbull, Amsterdam, Animate Projects, BALTIC 39, Barcelona, Benedict Drew, Blackpool, CGP London, Channels, Craig Barnes, Danh Vo, David Batchelor, De Pont Museum, Deirdre O'Dwyer, Den Haag, Focal Point Gallery, Galeria Leme, Generation, Graham Fagen, Hayley Newman, Hayward Gallery, Hayward Touring, Imogen Stidworthy, James Coleman, Jennet Thomas, Jordan Baseman, Latvia, Le Cartel, Lindsay Seers, Lisa Cooley Gallery, Listening, Lizzie Hughes, Lucia Nogueira, Marseille, Michael Newman, Michaelis Galleries, Monocular, Nathaniel Mellors, Outlandia, Peter Liversidge, Remote Performances, Revolver, Royal Acdemy of Arts, Sam Belifante, Sami Artist Centre, Sao Paulo, Scotland, Shandy Hall, Space-Time: The Future, Stroom, Supernormal Festival, Susan Hiller, Taipei Biennial, The Book Lovers, The Gluts, The Grundy Gallery, Tillburg, Toulouse, Willie Doherty, Wysing Art Centre, X Marks the Bokship |
By Matt's Gallery on 1 December 2010
Next exhibition at Matt’s Gallery: Slow Action by Ben Rivers. Other artists’ news includes Jordan Baseman winning an award at the Los Angeles Animation Festival; Mike Nelson At Camden Arts Centre and Willie Doherty in Manifesta 8.
Posted in News | Tagged Aberdeen Art Gallery, Animate Projects, Anne Bean, aspex, Ben Rivers, Best Laid Plans, British Art Show 7, British Pavilion, Camden Arts Centre, Centre Pompidou, Châtelet Theatre, Coming of Age, David Roberts Art Foundation, De La Warr Pavilion, Dis-covery, EFTERBILLEDER [Persistence of Vision], FACT, Garage, ICA London, Imogen Stidworthy, It has to be this way 1.5, Jaroslaw Kozlowski, Jennet Thomas, Jimmie Durham, Jordan Baseman, Kunstmuseum des Kantons Thurgau, Kunstpavillon, Lindsay Seers, Los Angeles Animation Festival, Manifesta, Melanie Jackson, Mike Nelson, More Pricks than Kicks, Moving Portraits, Nathaniel Mellors, Never the Same River (Possible Futures, Nikolaj Copenhagen Contemporary Art Center, Nottingham Contemporary, Palais de Tokyo, Paul Hamlyn Award, Paul Rooney, Probably Pasts), Rencontres Internationales Paris/Berlin/Madrid, Richard Grayson, Rough Machine commissions, Slow Action, Sorrow and Obsession, St John's College Oxford, Steps into the Arcane, Tate Britain, The Art Exchange, The Drawing Room, The Golden Space City of God, The Great North Museum, The Life of the Mind: Love, The New Art Gallery Walsall, The New Décor, The Trouble with Sculpture, The Urpflanze (1.1), The Work, Venice Biennale, Willie Doherty |
By Matt's Gallery on 1 November 2010
Nathaniel Mellors first museum show opens in the Netherlands; Richard Grayson shows his recent Matt’s Gallery work in Switzerland; and Ben Rivers’ Slow Action will be next at Matt’s Gallery.
Posted in News | Tagged Alison Turnbull, Animate Projects, aspex, Ben Rivers, British Art Show 7, British Council Collection, British Pavilion, Camden Arts Centre, Centre of Contemporary Art Znaki Czasu, Centre Pompidou, Châtelet Theatre, David Roberts Art Foundation, De Hallen, Dis-covery, EFTERBILLEDER [Persistence of Vision], FACT, FLAMIN Productions Development Award, For St Agnes, Graham Fagen, Imogen Stidworthy, It has to be this way 1.5, It has to be this way 2, Jennet Thomas, Jordan Baseman, Kunstmuseum des Kantons Thurgau, Kunstpavillon, Leonard Hutton Galleries, Lindsay Seers, Liverpool Biennial, Los Angeles Animation Festival, Manifesta, Mead Gallery, Mike Nelson, Modern Love, More Pricks than Kicks, Nathaniel Mellors, National Gallery Denmark, Natural History Museum London, Never the Same River (Possible Futures Probably Pasts), Nottingham Contemporary, Ourhouse, Palais de Tokyo, Parallel Remix, Paul Hamlyn Award, Rencontres Internationales Paris/Berlin/Madrid, Richard Grayson, Rough Machine commissions, Roy Voss, School of Change, Seeing Colour, Simon Oldfield Gallery, Slow Action, St Agnes Park, St John's College Oxford, Steps into the Arcane, Tate Britain, The Golden Space City of God, The Work, Venice Biennale, Wadi Hilweh Information Centre, Willie Doherty |
By Matt's Gallery on 1 May 2010
Richard Grayson exhibits Messiah, originally commissioned by Matt’s Gallery in 2004, at 17th Biennale of Sydney, 12 May-1 August 2010, curated by David Elliott. Mike Nelson selected to represent Britain at the 2011 Venice Biennale. British Pavilion at the Venice Biennale is commissioned by the British Council. Jennet Thomas All Suffering SOON TO END! (installation […]
Posted in News | Tagged Alexander and Bonin, Alison Turnbull, All Suffering SOON TO END!, Animate Projects, Baillieu Library, Banned Books in Australia, Beaconsfield, Biennale of Sydney, British Pavilion, Bury St Edmunds Art Gallery, Carolyn Thompson, Castlefield Gallery, Darwin Now, David Osbaldeston, Embassy Gallery, Emporte Moi, Hayley Newman, It has to be this way 2, Jennet Thomas, Jordan Baseman, Lack, Lindsay Seers, Lucy Gunning, McKenzie, Mead Gallery, Melanie Jackson, Memories are Made of This: Sound and Museum at Liverpool Sound City, Messiah, Michael Curran, Mike Nelson, Modern Art Oxford, MONITOR, Musee d'Art Contemporain du Val-de-Marne, Nathaniel Mellors, Nature's Great Experiment, On the Edge of the World, Out of Time (The Light of Day/The Action of Play, Paul Rooney, Richard Grayson, Roy Voss, Royal Botanic Garden, Sameness & DIfference, Seven Ages of Britain, St Andrew's Church, Statens Museum for Kunst, Susan Hiller, Tate Britain, The Drawing Room, The Russian Club, The Urpflanze (Part 1), Venice Biennale, Wellcome Collection's Identity Project, Willie Doherty |
By Matt's Gallery on 1 March 2010
Richard Grayson exhibits Messiah, originally commissioned by Matt’s Gallery in 2004, at 17th Biennale of Sydney, 12 May-1 August 2010, curated by David Elliott. Mike Nelson selected to represent Britain at the 2011 Venice Biennale. The British Pavilion at the Venice Biennale is commissioned by the British Council Jennet Thomas All Suffering SOON TO END! […]
Posted in News | Tagged 176 Zabludowicz Collection, 303 Gallery, Aberdeen University, All Suffering SOON TO END!, Animate Projects, Anne Bean, Arnolfini, Arts Council Collection, AV Festival, BALTIC, Beaconsfield, Biennale of Sydney, British Pavilion, Building a Nation, Cafe Carbon, Cafe Oto, Carolyn Thompson, Castlefield Gallery, Catalyst Arts, CCA, Crash, Crossing Zones, David Osbaldeston, ekleksographia, Fiona Crisp, Fordham Gallery, Gagosian Gallery, Galerie Raum Mit Licht, Glasgow Sculpture Studios, Glimmer: The 8th Hull International Short Film Festival, Gstaad Film Festival, Hands On, Haus der Kultuern der Welt, Hayley Newman, Ian Breakwell, Imogen Stidworthy, Impressions Gallery, International Festival of Artists' Films, Jennet Thomas, Jimmie Durham, John Frankland, John Rylands Library, Jordan Baseman, Lucy Gunning, Melanie Jackson, Messiah, Metal, Michael Curran, Mike Nelson, MONITOR, Nathaniel Mellors, National Review of Live Art 2010, Nature's Great Experiment, Newlyn Art Gallery, Out of Time (The Light of Day/The Action of Play, Picture This, Quiver of Arrows, Red Jail, Richard Grayson, Richard Wilson, Roy Voss, Seven Ages of Britain, Subterrania, Tate Britain, The Arches, The Drawing Room, The Elusive State of Happiness, The Gathering, The Gluts, The Library of Babel/In and Out of Place, The Most Powerful Thing in this World..., The Provincial Forge, The Quad Gallery, The Russian Club, The Urpflanze (Part 1), Universal Miniature Golf (The Promised Land), Vane Contemporary Art, Venice Biennale, William Blake and the Naked Tea Party, Yorkshire Sculpture Park |
![Currently on show at @ikongallery, Birmingham in 'A Very Special Place: Ikon in the 1990s' is Alison Turnbull's 1990 work on canvas, 'The Echoing Green'.
A survey exhibition featuring works by 40 artists who showed at Ikon in the 1990s, 'A Very Special Place' looks back at the eclecticism of the gallery's programme during that period of time.
Until 30 August 2021 at Ikon Gallery, Birmingham. Open Tue-Sun, 11am-5pm, free entry. Link in @ikongallery's bio for more info.
[ID: A landscape-orientated oil painting with three fields of colour. Around the perimeter of the canvas is painted a light grey. In the centre of the canvas is a chartreuse rectangular field of colour atop a pale pink rectangular colour field. These occupy around 2/3 of the total height and 8/10 of the total width of the canvas. The work is by artist Alison Turnbull, is titled 'The Echoing Green' and was completed in 1990.]](https://news.mattsgallery.org/wp-content/plugins/instagram-feed/img/placeholder.png)