South London Gallery
By Matt's Gallery on 4 December 2018
Upcoming John Walter, Booze Guitar, Matt’s Gallery, 92 Webster Road, London, 8-16 December, Private View 7 December 6-9pm Read more. In 2019… Matt’s Gallery thanks Ron Henocq Fine Art for their generous support. Artists’ News Lindsay Seers, Every Thought There Ever Was, Focal Point Gallery, Southend-on-Sea, until 23 December 2018 It’s your last chance to see this major […]
Posted in News | Tagged 20:50, A Virus Walks into a Bar, Aalto Natives, Alter Heroes Coalition, Anne Bean, Another Country, Artist in Residence, Benedict Drew, Blood in My Milk, Bloomberg New Contemporaries, Bonington Gallery, Booze Guitar, Bow Gamelan Ensemble, Camberwell Space, Camberwell UAL, CAPSID, City Art Centre, City Art Centre Edinburgh, Cooper Gallery, Daniel Sturgis, Danielle Arnaud, David Osbaldeston v The Serving Library, David Troostwyk, Dean Kenning, Dialogues with People, Digital commission, Duncan of Jordanstone College of Art & Design, Dundee, Ecstasy in Norwich, Edinburgh, Elizabeth Magill, Erkka Nissinen, Every Thought There Ever Was, Focal Point Gallery, Graham Fagen, Great Noises that Fill the Air, Hayward Gallery, Headland, HOME Manchester, Hospitalfield, House Taken Over, Imogen St, IMT Gallery, Job Opportunity, John Hansard Gallery, John Walter, Jordan Baseman, Julian of Norwich, L'Atteso, leah capaldi, Lindsey Seers, London, Low Form, LOWER.GREEN, Marianna Simnett, Marked, Matt's Gallery, MAXXI, Melanie Jackson, Mike Nelson, Mimosa House, Nathaniel Mellors, New Museum, New York, OGR Torino, Oona Grimes, Public Engagement Officer, Radio Influenza, Richard Wilson, Rome, Ron Henocq, Shape Shifters, Shooting and Fishing, SLG, Snow Crash, South London Gallery, Southend-on-Sea, Spanish flu, Stuttgart, Susan Hiller, Tasmania, The Anti Ecstatic Machines, The MAC, The New Art Gallery Walsall, The Public is Warned, The Serving Library, The Unconformity, TSL, Wellcome, Württembergischer Kunstverein Stuttgart | Leave a response
By Matt's Gallery on 1 August 2012
Revolver, a new curatorial initiative at Matt’s Gallery, opens. Roy Voss, Cast opens at Dilston Grove. Projects elsewhere include Lindsay Seers’ Artangel commission, Imogen Stidworthy in Busan Biennale and Nathaniel Mellors in Media City Seoul.
Posted in News | Tagged 408 tons of imperfect geometry, A drawing while waiting for an idea, A Matter of Life and Death and Singing, Alison Turnbull, Amikam Toren, Andrew Kötting, Anne Bean, Artangel, Brian Catling, Busan Biennial, Cast, CCA, Crazee Golf, David Osbaldeston, Dilston Grove, dOCUMENTA (13), Dutch Pavilion in Venice, Emma Hart, European Live Art Archive, Gallerei Festiviteten, Gary Stevens, Glasgow Print Studio, GoMA, Graham Fagen, Hayley Newman, Here comes Franz, I Would Breathe Water, Imogen Stidworthy, Jarman Award, Jimmie Durham, Jordan Baseman, Juneau Projects, Large Glass, Layla Curtis, Lindsay Seers, Liverpool Biennial, Lucy Gunning, M HKA, Malmö Konsthall, Media City Seoul, Mike Nelson, Møte (Meeting), Nathaniel Mellors, Neugerriemschneider, Niet Normaal: Difference on Display, Northern Art Prize, Nowhere Less Now, On the Edge of the World, Oriel Myrrdin Gallery, Ourhouse E3 feat BAD COPY, Paul Carter, Paul Rooney, Pursuit of Perfection: the Politics of Sport, Revolver, Richard Grayson, Richard Wilson, Robin Klassnik, Roy Voss, Salle de Bains, Sarah Scout Presents, SF Shorts, South London Gallery, space that saw (platform for a performance in two parts), Susan Hiller, Tales of the City, The all-resistant eye, The Bluecoat, The London Open, The Medium is the Message: words in printmaking since the 1960s, The Tin Tabernacle, Tintype Gallery, Victory Gallery and Museum, What We Have Done What We Are About To Do, Whitechapel Gallery, Whitstable Biennale, Willie Doherty, Zacheta National Gallery of Art | Leave a response