By Matt's Gallery on 1 June 2011
All the latest from Matt’s Gallery: Mike Nelson is representing Great Britain in Venice and Imogen Stidworthy’s exhibition at the gallery continues. Nathaniel Mellors is also showing in Venice, and has contributed to major group shows in Prague, Turin, and The British Art Show 7.
Posted in News | Tagged (.), A Midsummer Night's Dram, AE Harris Factory, Alison Turnbull, Anne Bean, Ben Rivers, British Art Show 7, British Pavilion, Bury Art Gallery, Cafe Oto, CCA, Contemporary Art at WOMAD, Cove Park Residency, David Osbaldeston, Devonport Gallery, Dilston Grove, Dis-covery, Eastside Projects, Fondazione Sandretto Re Rebaudengo, Friendship of the Peoples, Giving Soul, Graham Fagen, ILLUMInations, Imogen Stidworthy, Intersection: Intimacy and Spectacle, It has to be this way 2, Jennet Thomas, Jo Bruton, Jordan Baseman, la Biennale di Venezia, Lindsay Seers, Lofoten International Art Festival, McKenzie, Melanie Jackson, Mike Nelson, Narrative Show, Nathaniel Mellors, Outpost, Paul Burwell, Paul Rooney, Prague Quadrennial, Radar, Roy Voss, Rugby Art Gallery and Museum, Scottish Summer Exhibition, Sentences, Simon Oldfield Gallery, Slow Action, Southbank Centre, St John's College Oxford, TAPS and PAST: Improvisations with Paul Burwell, The Flemming Collection, The Trilogy (Extramission 2), The Un-knitted Lives of Young Girls, This is not a performance or a lecture, Transition Gallery, Un'Expressione Geografica, WAKE: visible tracks of turbulence, Working Against the System |
By Matt's Gallery on 1 April 2011
Next exhibition at Matt’s Gallery: Imogen Stidworthy. Other artists’ news includes Nathaniel Mellors at the ICA, London; Lindsay Seers at the Baltic, Gateshead; Susan Hiller at Tate Britain; Mike Nelson in the Singapore Biennale; and Jordan Baseman in residence at St John’s College, Oxford.
Posted in News | Tagged Acme Studios Fire Station Centenary, Alison Turnbull, BALTIC, Beaconsfield, Biennale di Venezia, Brian Catling, British Art Show 7, British Pavilion, cabin:codex- CAB Re-launch Project, Cell Project Space, Centre for Contemporary Arts, Centrespace Visual Research Centre, David Osbaldeston, Dis-covery, DJCAD, Dorchester Abbey, E:vent Gallery, Eastside Projects, Emma Hart, Extramission 6 (Swallowing Black Maria), Focal Point Gallery, Fondazione Sandretto Re Rebaudengo, Fraternise- the Salon, Galerie Georges-Philippe & Nathalie Vallois, Gallery of Modern Art, Hayley Newman, HOMER-HEPAESTUS, Hunterian Museum, ICA London, ILLUMInations, Images Festival, Imogen Stidworthy, It has to be this way 2, Jam, Jaroslaw Kozlowski, Joe Devlin, Jordan Baseman, Labyrinth of Living Exhibits, Light Projects, Lindsay Seers, London Independent Film Festival, Lucy Gunning, Michael Curran, Mike Nelson, Narrative Show, Nathaniel Mellors, Open House, Orbitecture II, Ourhouse, Parlour Principia, Paul Rooney, Quotation Marks: Jarosaw Kozowski, Rugby Art Gallery and Museum, Rupert Ackroyd, Salamanca Art Centre, Singapore Biennale, St John's College Oxford, Storey Gallery, Suppono Subpono, Susan Hiller, Swedenborg House, Tate Britain, The Big Society, The Book of Voices, The Russian Club Gallery, The Trilogy (Extramission 2), Tramway, Un'Expressione Geografica, When the Dead help the Living |
By Matt's Gallery on 1 November 2010
Nathaniel Mellors first museum show opens in the Netherlands; Richard Grayson shows his recent Matt’s Gallery work in Switzerland; and Ben Rivers’ Slow Action will be next at Matt’s Gallery.
Posted in News | Tagged Alison Turnbull, Animate Projects, aspex, Ben Rivers, British Art Show 7, British Council Collection, British Pavilion, Camden Arts Centre, Centre of Contemporary Art Znaki Czasu, Centre Pompidou, Châtelet Theatre, David Roberts Art Foundation, De Hallen, Dis-covery, EFTERBILLEDER [Persistence of Vision], FACT, FLAMIN Productions Development Award, For St Agnes, Graham Fagen, Imogen Stidworthy, It has to be this way 1.5, It has to be this way 2, Jennet Thomas, Jordan Baseman, Kunstmuseum des Kantons Thurgau, Kunstpavillon, Leonard Hutton Galleries, Lindsay Seers, Liverpool Biennial, Los Angeles Animation Festival, Manifesta, Mead Gallery, Mike Nelson, Modern Love, More Pricks than Kicks, Nathaniel Mellors, National Gallery Denmark, Natural History Museum London, Never the Same River (Possible Futures Probably Pasts), Nottingham Contemporary, Ourhouse, Palais de Tokyo, Parallel Remix, Paul Hamlyn Award, Rencontres Internationales Paris/Berlin/Madrid, Richard Grayson, Rough Machine commissions, Roy Voss, School of Change, Seeing Colour, Simon Oldfield Gallery, Slow Action, St Agnes Park, St John's College Oxford, Steps into the Arcane, Tate Britain, The Golden Space City of God, The Work, Venice Biennale, Wadi Hilweh Information Centre, Willie Doherty |
By Matt's Gallery on 1 September 2010
Artists’ news and projects this month includes: Mike Nelson’s The Coral Reef is on show at Tate Britain; Lindsay Seers is showing at Mead Gallery, Warwick; and Polytechnic curated by Richard Grayson is on at Raven Row.
Posted in News | Tagged Alison Turnbull, Artists' Laboratory, aspex, Available Light Collective, Bat Yam Museum of Contemporary Art (MoBY), Beaconsfield, Beamclub, British Art Show 7, British Council Collection, British Pavilion, COLLABORATORS2, David Roberts Art Foundation, De Hallen, Emporte Moi, Five Years, FLAMIN Productions Development Award, Frieze Art Fair, Gallery Live At Sion Hill, Gasworks, Hayley Newman, Ian McKeever, Imogen Stidworthy, It has to be this way 1.5, It has to be this way 2, Jennet Thomas, Jordan Baseman, Juan Cruz, Kiasma, Korean International Art Fair, Kunstmuseum des Kantons Thurgau, Leonard Hutton Galleries, Lindsay Seers, Liverpool Biennial, Lucy Gunning, Manifesta, Matthew Tickle, Mead Gallery, Melanie Jackson Hydrarchy: Power and Resistance at Sea, Melbourne Underground Film Festival, Michael Curran, Mike Nelson, Modern Love, More Pricks than Kicks, Musee d'Art Contemporain du Val-de-Marne, Nathaniel Mellors, National Gallery of Denmark, Natural History Museum London, Observatory, Ourhouse, Parallel Remix, Paul Burwell, Polytechnic, Provenance, Raven Row, Richard Grayson, ROOM, Roy Voss, Royal Academy, San Francisco International Festival of Short Films, School of Change, Signals, Simon Oldfield Gallery, St John's College Oxford, Statens Museum for Kunst, STATIC Gallery, Steps into the Arcane, TAPS: Improvisations with Paul Burwell, Tate Britain, The Dandy Doctrine, The Golden Space City of God, The Pleasure Dame, The Truth Was Always There, Venice Biennale, What I Thought at The Time, Willie Doherty |
By Matt's Gallery on 1 July 2010
Richard Grayson exhibits Messiah, originally commissioned by Matt’s Gallery in 2004, at 17th Biennale of Sydney, 12 May-1 August 2010, curated by David Elliott. Mike Nelson selected to represent Britain at the 2011 Venice Biennale. The British Pavilion at the Venice Biennale is commissioned by the British Council. Next exhibition at Matt’s Gallery The next […]
Posted in News | Tagged Alison Turnbull, Architectural Fictions, Biennale of Sydney, British Council, British Council Collection, Darwin Now, Dilston Grove, Edinburgh Sculpture Workshop, Emporte Moi, FACT, Fiona Crisp, Five Years, Hayley Newman, It has to be this way 1, It has to be this way 2, Jordan Baseman, Kunstmuseum des Kantons Thurgau, Lindsay Seers, Magazine 10, Matthew Tickle, Mead Gallery, Melbourne Underground Film Festival, Messiah, Mike Nelson, Musee d'Art Contemporain du Val-de-Marne, Observatory, On the Edge of the World, Paul Burwell, Paul Rooney, Richard Grayson, Roy Voss, Seeing Colour, South Hill Park Bracknell Gallery, St John's College Oxford, Statens Museum for Kunst, Steps into the Arcane, Susan Hiller, TAPS: Improvisations with Paul Burwell, Tatton Park Biennial, The Crystal Palace Destroyed, The Persistence of Vision, Venice Biennale, What I Thought at The Time, WORKS|PROJECTS |
By Matt's Gallery on 1 May 2010
Richard Grayson exhibits Messiah, originally commissioned by Matt’s Gallery in 2004, at 17th Biennale of Sydney, 12 May-1 August 2010, curated by David Elliott. Mike Nelson selected to represent Britain at the 2011 Venice Biennale. British Pavilion at the Venice Biennale is commissioned by the British Council. Jennet Thomas All Suffering SOON TO END! (installation […]
Posted in News | Tagged Alexander and Bonin, Alison Turnbull, All Suffering SOON TO END!, Animate Projects, Baillieu Library, Banned Books in Australia, Beaconsfield, Biennale of Sydney, British Pavilion, Bury St Edmunds Art Gallery, Carolyn Thompson, Castlefield Gallery, Darwin Now, David Osbaldeston, Embassy Gallery, Emporte Moi, Hayley Newman, It has to be this way 2, Jennet Thomas, Jordan Baseman, Lack, Lindsay Seers, Lucy Gunning, McKenzie, Mead Gallery, Melanie Jackson, Memories are Made of This: Sound and Museum at Liverpool Sound City, Messiah, Michael Curran, Mike Nelson, Modern Art Oxford, MONITOR, Musee d'Art Contemporain du Val-de-Marne, Nathaniel Mellors, Nature's Great Experiment, On the Edge of the World, Out of Time (The Light of Day/The Action of Play, Paul Rooney, Richard Grayson, Roy Voss, Royal Botanic Garden, Sameness & DIfference, Seven Ages of Britain, St Andrew's Church, Statens Museum for Kunst, Susan Hiller, Tate Britain, The Drawing Room, The Russian Club, The Urpflanze (Part 1), Venice Biennale, Wellcome Collection's Identity Project, Willie Doherty |