University of Lincoln

Graham Fagen, The Slave's Lament, 2015, video still. Image courtesy of the artist.

October 2017

By Matt's Gallery on 28 September 2017

Current Marianna Simnett, Worst Gift, Matt’s Gallery, until 22 October 2017, Wednesday – Sunday, 12 – 6pm Matt’s Gallery is pleased to present Worst Gift, a new film installation by Marianna Simnett. Comprising video, liquid, light and sound, Worst Gift continues Simnett’s ongoing exploration of female subjectivity and bodily integrity as they relate to the power dynamics […]

Posted in News | Tagged 57th Venice Biennale, Acme Fire Station, Alexander and Bonin, Alvar Aalto, Art Licks Weekend, Art Licks Weekend 2017, Arts Catalyst, Arts Council England, ASC Gallery, Austrian Cultural Forum, Benedict Drew, Berwick Visual Arts, Bloomsbury, Charlie Fox, Dane Sutherland, Darren Banks, De La Warr Pavilion, DisObey, Erkka Nissinen, Esther Leslie, Finland, Finnish Pavilion, Fiona Crisp, Frequency Festival, Galerie Peter Kilchmann, Gallery of Modern Art (GoMA), Graham Fagen, Grundy Art Gallery, Holly Antrum, Imogen Stidworthy, India Harvey, Joe Graham, Jordan Baseman, Joseph Mallord William Turner, KELDER, Laura Dee Milnes, leah capaldi, Leo Chadburn, Lincoln Voices, Lindsay Seers, Lucinda Chua, Lucy Clout, Making Milk: The Past, Marianna Simnett, Melanie Jackson, Modern Art Oxford, MONA, Mona Hatoum, MONITOR, Museum of Applied Arts & Sciences, Nathaniel Mellors, National Galleries Scotland, National Gallery Jamaica, Palazzo Franchetti, possessions_inc, Present and Future of Our Primary Food, Retrospective, Richard Grayson, Rose Finn-Kelcey, Roy Voss, Sluice Biennale 2017, Steven Dickie, Susan Hiller, Tate, The Aalto Natives, The New Art Gallery Walsall, The Slave's Lament, Turner, Unconcious Archives, University of Lincoln, Venice Biennale, Wellcome Collection, Wellcome Trust, Willie Doherty | Leave a response

Marianna Simnett, Worst Gift, 2017. Video still. Image courtesy of the artist and Matt's Gallery.

August 2017

By Matt's Gallery on 28 July 2017

Upcoming Marianna Simnett, Worst Gift, Matt’s Gallery, private view 03 September 3 – 6pm, exhibition runs 06 September – 22 October 2017, Wednesday – Sunday, 12 – 6pm Matt’s Gallery is pleased to present Worst Gift, a new film installation by Marianna Simnett. Comprising video, liquid, light and sound, Worst Gift continues Simnett’s ongoing exploration of female […]

Posted in News | Tagged @MattsGalleryLondon, 57th Venice Biennale, Australia, Benedict Drew, Bianca Beetson, Botox, Braziers Park, Canberra Contemporary Art Space, Catherine Laudenbach, Claudia Chaseling, Close-Up Cinema, Cove Park, De La Warr Pavilion, Erkka Nissinen, Film Installation, Finland, Finnish Pavilion, Gallery of Modern Art (GoMA), Glasgow, Graham Fagen, Imogen Stidworthy, Jay Kochel, Jay Younger, Jordan Baseman, Lindsay Seers, Loch Long, Marianna Simnett, Melanie Jackson, Modern Art Oxford, Museum of Applied Arts & Sciences, Museum of English Rural Life, Nathaniel Mellors, National Galleries Scotland, Palazzo Franchetti, possessions_inc, Rebecca Sellek, Retrospective, Richard Grayson, Rose Finn-Kelcey, Roy Voss, SUPERNORMAL, Susan Hiller, Tasmania, The Mattress Museum, University of Lincoln, Venice, Venice Biennale, Wellcome Collection, Wellcome Trust, Whitechapel Gallery, Willie Doherty | Leave a response

Jennet Thomas, The Unspeakable Freedom Device, 2015. Video Still.

June 2015

By Matt's Gallery on 1 June 2015

Matt’s Gallery’s Summer Programme launches with X Marks the Bökship partnering with Matt’s Gallery to present The Crystal Set, a series of recording sessions, workshops and broadcasts from a cast of artists and publishers. In July, David Osbaldeston’s site-specific installation for Matt’s Gallery (Office), The Top & Bottom of It. Mechanism for a Future Reference will open to the public on the first Thursday of each month by prior arrangement. Plus exhibitions for Alison Turnbull, Hayley Newman, Imogen Stidworthy, Melanie Jackson, Jennet Thomas, Anne Bean, Richard Grayson, Mike Nelson and Benedict Drew.

Posted in News | Tagged Alison Turnbull, Anne Bean, Benedict Drew, Collyer Bristow Gallery, David Osbaldeston, Dojima River Biennale, DZIALDOV, EM15 Venice, Focal Point Gallery, Graham Fagen, Grundy Art Gallery, Hayley Newman, Hayward Touring, Imogen Stidworthy, Imperial War Museum London, Jennet Thomas, Jordan Baseman, La Panacee, Lindsay Seers, Melanie Jackson, Mike Nelson, Ormston House Limerick, QUAD, Richard Grayson, Roy Voss, Scotland+Venice, University of Lincoln, Venice Biennale, Whitechapel Open | Leave a response

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October 2017

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