By Matt's Gallery on 28 September 2017
Current Marianna Simnett, Worst Gift, Matt’s Gallery, until 22 October 2017, Wednesday – Sunday, 12 – 6pm Matt’s Gallery is pleased to present Worst Gift, a new film installation by Marianna Simnett. Comprising video, liquid, light and sound, Worst Gift continues Simnett’s ongoing exploration of female subjectivity and bodily integrity as they relate to the power dynamics […]
Posted in News | Tagged 57th Venice Biennale, Acme Fire Station, Alexander and Bonin, Alvar Aalto, Art Licks Weekend, Art Licks Weekend 2017, Arts Catalyst, Arts Council England, ASC Gallery, Austrian Cultural Forum, Benedict Drew, Berwick Visual Arts, Bloomsbury, Charlie Fox, Dane Sutherland, Darren Banks, De La Warr Pavilion, DisObey, Erkka Nissinen, Esther Leslie, Finland, Finnish Pavilion, Fiona Crisp, Frequency Festival, Galerie Peter Kilchmann, Gallery of Modern Art (GoMA), Graham Fagen, Grundy Art Gallery, Holly Antrum, Imogen Stidworthy, India Harvey, Joe Graham, Jordan Baseman, Joseph Mallord William Turner, KELDER, Laura Dee Milnes, leah capaldi, Leo Chadburn, Lincoln Voices, Lindsay Seers, Lucinda Chua, Lucy Clout, Making Milk: The Past, Marianna Simnett, Melanie Jackson, Modern Art Oxford, MONA, Mona Hatoum, MONITOR, Museum of Applied Arts & Sciences, Nathaniel Mellors, National Galleries Scotland, National Gallery Jamaica, Palazzo Franchetti, possessions_inc, Present and Future of Our Primary Food, Retrospective, Richard Grayson, Rose Finn-Kelcey, Roy Voss, Sluice Biennale 2017, Steven Dickie, Susan Hiller, Tate, The Aalto Natives, The New Art Gallery Walsall, The Slave's Lament, Turner, Unconcious Archives, University of Lincoln, Venice Biennale, Wellcome Collection, Wellcome Trust, Willie Doherty |
By Matt's Gallery on 28 July 2017
Upcoming Marianna Simnett, Worst Gift, Matt’s Gallery, private view 03 September 3 – 6pm, exhibition runs 06 September – 22 October 2017, Wednesday – Sunday, 12 – 6pm Matt’s Gallery is pleased to present Worst Gift, a new film installation by Marianna Simnett. Comprising video, liquid, light and sound, Worst Gift continues Simnett’s ongoing exploration of female […]
Posted in News | Tagged @MattsGalleryLondon, 57th Venice Biennale, Australia, Benedict Drew, Bianca Beetson, Botox, Braziers Park, Canberra Contemporary Art Space, Catherine Laudenbach, Claudia Chaseling, Close-Up Cinema, Cove Park, De La Warr Pavilion, Erkka Nissinen, Film Installation, Finland, Finnish Pavilion, Gallery of Modern Art (GoMA), Glasgow, Graham Fagen, Imogen Stidworthy, Jay Kochel, Jay Younger, Jordan Baseman, Lindsay Seers, Loch Long, Marianna Simnett, Melanie Jackson, Modern Art Oxford, Museum of Applied Arts & Sciences, Museum of English Rural Life, Nathaniel Mellors, National Galleries Scotland, Palazzo Franchetti, possessions_inc, Rebecca Sellek, Retrospective, Richard Grayson, Rose Finn-Kelcey, Roy Voss, SUPERNORMAL, Susan Hiller, Tasmania, The Mattress Museum, University of Lincoln, Venice, Venice Biennale, Wellcome Collection, Wellcome Trust, Whitechapel Gallery, Willie Doherty |
By Matt's Gallery on 3 April 2014
Gallery News Current Exhibition Benedict Drew, Heads May Roll, until 20 April 2014 For his first solo commission at Matt’s Gallery, Benedict Drew presents a large-scale installation. The work scrutinises the effect and intent of mediated images, synthesised voice and the fractured narrative of instructional speech. Artists’ News Graham Fagen selected to represent Scotland […]
Posted in News | Tagged Alison Turnbull, Anne Bean, Austria, Avis Newman, Benedict Drew, Birmingham Museum and Art Gallery, Collective Gallery, David Osba, Dundee, FACT, Generation, Gracefield Arts Centre, Graham Fagen, Hammer Museum, Hayley Newman, High House Production Park, Hospitalfield Arts, Imogen Stidworthy, Jennet Thomas, Jordan Baseman, Kirchstetten, Kunstverein Freiburg, LA, Latvia National Arts Museum, Lindsay Seers, Liverpool Biennial, Maclaurin Gallery, Mike Nelson, Modern Art Oxford, MONA, Mummery + Schnelle, Nathaniel Mellors, Nottingham, PKM Gallery, Reactor, Scottish National Gallery of Modern Art, Stigter van Doesburg, Tasmania, The Dick Institute, The Gluts, The McManus, The Power Plant, The View, Thinking City, Toronto, TORQUE, Venice Biennale, Wysing Arts Centre |
By Matt's Gallery on 1 November 2011
Emma Hart’s solo exhibition at Matt’s Gallery runs until 20 November 2011. Jordan Baseman’s film Green Lady and book 1973 will be screened and launched at Genesis Cinema. Emma Hart has won a Film and Video Umbrella/ Jarman Award and Nathaniel Mellors is taking part in Performa 11.
Posted in News | Tagged 3rd Athens Biennial, 52nd October Salon, Aberystwyth Art Centre, Anne Bean, Art Monthly, ArtPace, Before the Law, Beyond Deception, Brian Catling, British Art Show 7, British Pavilion, Camden Arts Centre, Centro Cultural Montehermoso, Cobra Museum, Dark Matters, Disturbance, Dublin City Gallery The Hugh Lane, Emma Hart, Erik Steen Gallery, Fondacio Antonio Tapies, Fondazione Sandretto Re Rebaudengo, Genesis Cinema, Government Art Collection: Selected by Cornelia Parker: Richard of York Gave Battle in Vain, Graham Fagen, Hayley Newman, Imogen Stidworthy, In the First Circle, Jennet Thomas, Jerwood/ Film and Video Umbrella Award, Jimmie Durham, Jordan Baseman, Lifelike, Lindsay Seers, Lonestar International Film Festival, mac Birmingham, Mike Nelson, Missing, Modern Art Oxford, MoMA PS1, MONODROME, Museum Ludwig, Nathaniel Mellors, Paul Rooney, Performa 11, Project Arts Centre, R.I.P., Re.act feminism #2, Reclaim the Mural, School of Change, Scottish National Portrait Gallery, September 11, SOLOS, Static, Susan Hiller, Terminal Convention, The Box: Season 6, The Engine Room Festival and Conference, The Last of the Red Wine (the prequel/sequel), The Last Walk, The Slaughterhouse, Their Wonderlands, TO DO, TokyoWonderSite, Un'Expressione Geografica, Venice Biennale, Whitechapel Gallery, Whitworth Art Gallery, Willie Doherty |
By Matt's Gallery on 1 May 2010
Richard Grayson exhibits Messiah, originally commissioned by Matt’s Gallery in 2004, at 17th Biennale of Sydney, 12 May-1 August 2010, curated by David Elliott. Mike Nelson selected to represent Britain at the 2011 Venice Biennale. British Pavilion at the Venice Biennale is commissioned by the British Council. Jennet Thomas All Suffering SOON TO END! (installation […]
Posted in News | Tagged Alexander and Bonin, Alison Turnbull, All Suffering SOON TO END!, Animate Projects, Baillieu Library, Banned Books in Australia, Beaconsfield, Biennale of Sydney, British Pavilion, Bury St Edmunds Art Gallery, Carolyn Thompson, Castlefield Gallery, Darwin Now, David Osbaldeston, Embassy Gallery, Emporte Moi, Hayley Newman, It has to be this way 2, Jennet Thomas, Jordan Baseman, Lack, Lindsay Seers, Lucy Gunning, McKenzie, Mead Gallery, Melanie Jackson, Memories are Made of This: Sound and Museum at Liverpool Sound City, Messiah, Michael Curran, Mike Nelson, Modern Art Oxford, MONITOR, Musee d'Art Contemporain du Val-de-Marne, Nathaniel Mellors, Nature's Great Experiment, On the Edge of the World, Out of Time (The Light of Day/The Action of Play, Paul Rooney, Richard Grayson, Roy Voss, Royal Botanic Garden, Sameness & DIfference, Seven Ages of Britain, St Andrew's Church, Statens Museum for Kunst, Susan Hiller, Tate Britain, The Drawing Room, The Russian Club, The Urpflanze (Part 1), Venice Biennale, Wellcome Collection's Identity Project, Willie Doherty |