By Matt's Gallery on 3 April 2019
Current Matthew Krishanu, House of Crows, Matt’s Gallery, London, continues until 7 April, open daily 12-6pm Matt’s Gallery’s current exhibition at Webster Road centres around two series of images that the painter Matthew Krishanu has been developing over a number of years: House of God, which depicts landscapes punctuated by the crosses of churches, and Crow, a […]
Posted in News | Tagged 1d for Abroad, A New Song (To an Old Tune), Aalst, Alabama, Alison Turnbull, Bath, Beaconsfield, Belgium, Benedict Drew, Berwick, Beth Collar, Birmingham Alabama, Body and Soul, Brian Catling, CGP London, character, Copenhagen, Copenhagen Contemporary, Crow, CUDDY, Daddy Issues, David Austen, Dean Kenning, Dialogues with People, Digital commission, Dilston Grove, Dundee Contemporary, Duveen Galleries, Emojimio, Forma, Forma Arts Media, From Me to You, Ghetto Priest, Graham Fagen, Henry Moore, Henry Moore Foundation, Hogarth & the Art of Noise, Holburne Museum, House of Crows, icon, Imogen Stidworthy, In the Labyrinth, Ingleby Gallery, Isotopica, Istanbul, John Walter, Jordan Baseman, labyrinth, Large Glass, lino cut, Lucy Gunning, Marianna Simnett, Matt's Gallery, Matthew Krishanu, Maus Contemporary, Michael Curran, Mike Nelson, monuments, motif, Muriel Spark, narrative, Netwerk Aalst, Nicola Bealing, painter, painting, performance, poet, print, print-making, printmaking, Protocinema, Radio Influenza, Ren Henocq, Resonance FM, Ron Henocq Fine Art, Roy Voss, RWA Bristol, sculptor, sculpture, SEIZURE, Simon Tyszko, site-specific, Southwark Park, Spanish flu, stories, Tate Britain, Tate Britain Commission, The Asset Strippers, The Foundling Museum, The Gymnasium Gallery, The Needle and the Larynx, The Origin of Life, The Public Image: Scottish Lady Tiger, The Slave's Lament, The Vorrh, The Vorrh Trilogy, The Way Things Are, The Whole Fantasy (with holes), Thinking Here of How the Words Formulate Inside My Head As I Am Just Thinking, Tintype, Turner Prize, Underworld, USA, Webster Road, Wellcome, WKV, Württembergischer Kunstverein, Württembergischer Kunstverein Stuttgart
By Matt's Gallery on 7 February 2019
In Memory of Susan Hiller 7 March 1940 – 28 January 2019 “In all my work I was attempting to erase the supposed boundary between dream life and waking life. Because what I do… is to pull out for scrutiny those images or ideas which are visual, visible, but are rendered invisible and therefore marginalized.” Susan Hiller, […]
Posted in News | Tagged 1980, A Murder of Crows, A---Z, Aalto Natives, Alice Channer, Alison Turnbull, Anne Bean, Anne Duffau, artist residency, Bad Mantra, Benedict Drew, Birmingham, Blackrock, Bloomberg N, Carey Young, Channels, Charlotte Higgins, City Art Centre, Copenhagen Contemporary, COUM Transmissions, Daniel Sturgis, Danielle Arnaud, David Troostwyk, Dilston Grove, Dominic Johnson, Drawing Biennial 2019, Drawing Room, Edinburgh, Erkka Nissinen, Fotogalleriet, gendersick, Genesis P-Orridge, Govan Project Space, Graham Fagen, Hail the new Etruscan, Helen Mirra, heterochromia iridum, Ikon, IMT Gallery, Jordan Baseman, Kerry Trengove, Kiasma, Kipper Kids, Large Glass, Lindsay Seers, Lydney Park Estate, Marianna Simnett, Mark Wallinger, Martello Street, Matt's Gallery, Matthew Krishanu, MAXXI, Melanie Jackson, Midlands Arts Centre, Mike Nelson, Nathaniel Mellors, obituary, Oona Grimes, Oslo, Radio Influenza, Richard Grayson, Robin Klassnik, Rome, Space studios, Stephen Cripps, Susan Hiller, Tate Britain, Tate Collection, Tate Modern, The Coral Reef, Tomico Lemos Auad, Ulay, Venice Biennale, Wellcome, Work in Progress
By Matt's Gallery on 4 December 2018
Upcoming John Walter, Booze Guitar, Matt’s Gallery, 92 Webster Road, London, 8-16 December, Private View 7 December 6-9pm Read more. In 2019… Matt’s Gallery thanks Ron Henocq Fine Art for their generous support. Artists’ News Lindsay Seers, Every Thought There Ever Was, Focal Point Gallery, Southend-on-Sea, until 23 December 2018 It’s your last chance to see this major […]
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By Matt's Gallery on 2 October 2018
Upcoming at Matt’s Gallery, 92 Webster Road, SE16 4DF Borbala Szanto, Hyphen, Matt’s Gallery, London, private view 5 October 6-9pm, exhibition open daily 12-6pm, 6-14 October 2018 Read more. Rebecca Lennon, WORDS ARE ANGULAR SHARP, TENANT, Matt’s Gallery, London, private view 19 October 6-9pm, exhibition open daily 12-6pm, 20-28 October 2018 November 2018 Jo Stockham, […]
Posted in News | Tagged Aesthetica Film Festival, Alison Turnbull, Amikam Toren, Angus Braithwaite, Anne Bean, Art Licks Weekend, Art Licks Weekend 2018, Art Seen, Beirut, Benedict Drew, Blanca Huertas, Bonington Gallery, Borbala Szanto, Bow Arts Trust, British Council, David Osbaldeston, Edinburgh, Erkka Nissinen, Focal Point Gallery, Fort Worth, Fort Worth Contemporary Arts, Graham Fagen, Gwangju Biennale, Imogen Stidworthy, Jennet Thomas, Jo Bruton, Jo Stockham, John Moores Painting Prize 2018, Jordan Baseman, Knole House, leah capaldi, Lindsay Seers, London, Lucy Gunning, Marianna Simnett, Marina Warner, Mas Arte Mas Accion, Matt's Gallery, MAXXI, Middlesbrough, Middlesbrough Art Weekender, Mike Nelson, Mimosa House, Naomi Pearce, Nathaniel Mellors, New Museum, New York, Nicosia, Nottingham, OGR Torino, Punto y Raya Festival, Rebecca Lennon, Richard Grayson, Richard Wilson, Royal Scottish Academy of Art and Architecture, RSA, South Korea, Southend-on-Sea, Storm King Art Center, Stuttgart, Sursock Museum, Texas, The Bower, The Nunnery, The Serving Library, Tina Keane, Torino, V-A-C Foundation, Venice, Webster Road, Wellcome, WKV, Wroclaw, Württembergischer Kunstverein Stuttgart, York |
By Matt's Gallery on 6 August 2018
Upcoming The series of 10-day shows continues from September onwards, plus other events at Matt’s Gallery, London Bronwen Buckeridge, Widowhood, Matt’s Gallery, London, 2 September 2018, 2-6pm Widowhood is a live audio performance with racing pigeons and the pigeon men who train them. The work is driven by an interest in the complex relationship racing pigeons […]
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By Matt's Gallery on 31 May 2018
Current Richard Grayson, By Our Own Hand, Matt’s Gallery, Nine Elms, The Residence, 42-44 Ponton Road, SW8 5BA, Opening Event: Friday 1 June 4 – 8pm, exhibition continues 2 – 3 June 2018, 12 – 5pm By Our Own Hand is the first exhibition in Matt’s Gallery’s new space in Nine Elms. In 2019 Matt’s Gallery will open at Bellway’s The […]
Posted in News | Tagged 16 Nicholson Street Gallery, A to B in MK, A Woman's Place at Knole, Abroath, Again, Alberta Whittle, Alberto Giacometti, Alice Day Williams, Alison Turnbull, All the World's a Sunny Day, Allison Janae Hamilton, Am I Not A Man and A Brother, Andrew Gilbert, Andrew Hairstans, Anina Major, Another Country, Arts Catalyst, Arts Council Collection, Attenborough Arts Centre, Auth Rangelay Yaar, Banner Repeater, Barbara Casavecchia, Baron Sackville, BBC Radio 4, Belfast, Belgium, Bellway, Ben Rivers, Benedict Drew, Bermondsey, Bernice Donszelmann, Beth Collar, Birthe Jorgensen, Blackpool, Borbala Szanto, Boredom Is Always Counter-Revolutionary, Boulby Underground Laboratory, Brigid McLeer, British Council, British Museum, Bruce McLean, Bury Place, Butterflies in Colombia, By Our Own Hand, Capital Crime, Cast Iron Radio, Channels, Charing Cross Hospital, Choco, CJ Mahony, Constantine Brancusi, Contemporary Art Society, Contemporary Art Society Special Collection Scheme, Cornwall, Dana Hargrove, David Brooks, David Collens, Dawn Gavin, De La Warr Pavilion, Dear Climate, Deeper in the Pyramid, Dieter Roth, Durham University, Eight Colourful Friends, Eighty Circles Through Canada (The Last Possessions Of An Orcadian Mountain Man) (2013), Elaine Rutherford, Eliza Gluckman, Ellie Ga, Emily Orley, Emily Speed, Erkka Nissinen, Esther Leslie, Euan Gray, Every Thought There Ever Was, extinction, Fathom, Fiona Crisp, Focal Point Gallery, Gabriela Salazar, General Rehearsal, Ghost Strata, Glasgow, Graham Fagen, Grand Union, Groundwork, Grundy Art Gallery, Guy Debord, Hara Woltz, Hayley Newman, Helen Robertson, Henry Moore, Homage to Marcel Duchamp (2017), Hospitalfield, If Mimicry Minded, Illuminations (2018), In My Shoes, In the Future, Indicators: Artists on Climate Change, Institute for Computational Cosmology, Irineu Destourelles, James Baldwin, James O’Leary, Jane Rendell, Japanese Paintings, Jenni Lomax, Jenny Kendler, Jo Bruton, Jo Stockholm, Joey Holder, John Beadle, John Hansard Gallery, John Moore Painting Prize 2018, Juan Cruz, Justin Brice Guariglia, KADIST, Katherine Ka Yi Liu, Katja Hilevaara, Kent, Kiasma, Knole House, Krabi, Kristen Kreider, Laboratori Nazionali del Gran Sasso, Landing Girls, leah capaldi, Lindsay Seers, Lionheart, Liu Xiaodong, Liverpool, Liverpool John Moores University, London, Longing and Consolidation, Longside Gallery, Louise Bourgeois, Lubaina Himid, Lubaina Himid MBE, Lucy Day, Lucy Gunning, Maria Fusco, Mark Dion, Marvin Gaye Chetwynd, Mary Mattingly, Material Sight, Matt's Gallery, Maya Lin, Meg Webster, Melanie Jackson, Melanie Wilson, Mike Nelson, milk, Milton Keynes, Milton Keynes Community Collaborators, MMOMA, More Things (a table ruin) (2014), Moscow Museum of Modern Art, Mosfellsbaer, Naomi Pearce, Nathaniel Mellors, National Art Gallery of The Bahamas, New York, Nicola Bealing, Nine Elms, Nora Lawrence, Nottingham, Officine Grandi Riparazioni, OGR, Orlando, Outpatients Unit, Overlay, Pacific rainforest, Pawel Althamer, Petrovka Street gallery, Plans & Records, possessions_inc, Primary, Psi Girls (1999), Rasheed Araeen, Redway, REMAINS, Representation of the People Act, Richard Grayson, Richard Guzman, Rodic Davidson Architects, Ron Heneocq Fine Art, Rosalind Davies, Routledge, Roy Voss, Sackville-West, Sao Paulo, Sarah Diver, Scotland, Sherrie Levine, Social Facts, Sonia Farmer, Southampton, Southend-on-Sea, Steve Rowell, Storm King Art Center, Susan Hiller, tatami, Tavares Strachan, Thailand, The Aalto Natives, The Bahamas, The Creative Critic: Writing as/about Practice, The MAC, The Residence, The Slave's Lament, The Walker Art Gallery, Tim Etchells, Turin, University of Leicester, V-A-C Foundation, V&A Wallpaper Archive, Venice Biennale, Virginia Woolf, Vita Sackville-West, Wandsworth, Watou Arts Festival, We Suffer to Remain, Whitstable Biennale, Willem de Kooning, Willie Doherty, Yorkshire Sculpture Park |
By Matt's Gallery on 3 April 2018
Upcoming Jo Bruton, Run, Matt’s Gallery, 92 Webster Road, London, 7 – 15 April, Private View 6 April 6-9pm Jo Bruton’s second show at Matt’s Gallery sees the artist expanding her practice as a painter into a series of printed wallpapers. Hand painted, digitally produced and then pasted to the walls of the gallery, the piece has […]
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By Matt's Gallery on 28 September 2017
Current Marianna Simnett, Worst Gift, Matt’s Gallery, until 22 October 2017, Wednesday – Sunday, 12 – 6pm Matt’s Gallery is pleased to present Worst Gift, a new film installation by Marianna Simnett. Comprising video, liquid, light and sound, Worst Gift continues Simnett’s ongoing exploration of female subjectivity and bodily integrity as they relate to the power dynamics […]
Posted in News | Tagged 57th Venice Biennale, Acme Fire Station, Alexander and Bonin, Alvar Aalto, Art Licks Weekend, Art Licks Weekend 2017, Arts Catalyst, Arts Council England, ASC Gallery, Austrian Cultural Forum, Benedict Drew, Berwick Visual Arts, Bloomsbury, Charlie Fox, Dane Sutherland, Darren Banks, De La Warr Pavilion, DisObey, Erkka Nissinen, Esther Leslie, Finland, Finnish Pavilion, Fiona Crisp, Frequency Festival, Galerie Peter Kilchmann, Gallery of Modern Art (GoMA), Graham Fagen, Grundy Art Gallery, Holly Antrum, Imogen Stidworthy, India Harvey, Joe Graham, Jordan Baseman, Joseph Mallord William Turner, KELDER, Laura Dee Milnes, leah capaldi, Leo Chadburn, Lincoln Voices, Lindsay Seers, Lucinda Chua, Lucy Clout, Making Milk: The Past, Marianna Simnett, Melanie Jackson, Modern Art Oxford, MONA, Mona Hatoum, MONITOR, Museum of Applied Arts & Sciences, Nathaniel Mellors, National Galleries Scotland, National Gallery Jamaica, Palazzo Franchetti, possessions_inc, Present and Future of Our Primary Food, Retrospective, Richard Grayson, Rose Finn-Kelcey, Roy Voss, Sluice Biennale 2017, Steven Dickie, Susan Hiller, Tate, The Aalto Natives, The New Art Gallery Walsall, The Slave's Lament, Turner, Unconcious Archives, University of Lincoln, Venice Biennale, Wellcome Collection, Wellcome Trust, Willie Doherty |
By Matt's Gallery on 28 July 2017
Upcoming Marianna Simnett, Worst Gift, Matt’s Gallery, private view 03 September 3 – 6pm, exhibition runs 06 September – 22 October 2017, Wednesday – Sunday, 12 – 6pm Matt’s Gallery is pleased to present Worst Gift, a new film installation by Marianna Simnett. Comprising video, liquid, light and sound, Worst Gift continues Simnett’s ongoing exploration of female […]
Posted in News | Tagged @MattsGalleryLondon, 57th Venice Biennale, Australia, Benedict Drew, Bianca Beetson, Botox, Braziers Park, Canberra Contemporary Art Space, Catherine Laudenbach, Claudia Chaseling, Close-Up Cinema, Cove Park, De La Warr Pavilion, Erkka Nissinen, Film Installation, Finland, Finnish Pavilion, Gallery of Modern Art (GoMA), Glasgow, Graham Fagen, Imogen Stidworthy, Jay Kochel, Jay Younger, Jordan Baseman, Lindsay Seers, Loch Long, Marianna Simnett, Melanie Jackson, Modern Art Oxford, Museum of Applied Arts & Sciences, Museum of English Rural Life, Nathaniel Mellors, National Galleries Scotland, Palazzo Franchetti, possessions_inc, Rebecca Sellek, Retrospective, Richard Grayson, Rose Finn-Kelcey, Roy Voss, SUPERNORMAL, Susan Hiller, Tasmania, The Mattress Museum, University of Lincoln, Venice, Venice Biennale, Wellcome Collection, Wellcome Trust, Whitechapel Gallery, Willie Doherty |
By Matt's Gallery on 29 June 2017
We are delighted to announce that we have secured another four years of funding as an Arts Council England NPO. Upcoming Willie Doherty, Loose Ends, Matt’s Gallery, private view 02 July 3 – 6pm, exhibition runs 05 – 30 July 2017, Wednesday – Sunday, 12 – 6pm Matt’s Gallery presents Loose Ends, a recent two-screen video installation […]
Posted in News | Tagged @MattsGalleryLondon, 1977, 2013, 31 Women, 57th Venice Biennale, Alison Turnbull, All the World's a Sunny Day, Andaz London, Anne Bean, Art Night 2017, Arts Council England, Arts Council of Ireland, Australia, Benedict Drew, Braddon, Breese Little, Canberra Contemporary Art Space, De La Warr, De La Warr Pavilion, Dmitry Ozerkov, Donegal County Council, Dublin, Erkka Nissinen, Film London Jarman Award, Finnish Pavilion, Flurry, FRAME Visual Art Finland, Gallery of Modern Art (GoMA), Glasstress, Graham Fagen, HYPERactive, ICA, Instagram, Irish Film Institute, Jordan Baseman, Kerlin Gallery, kill switch, Leo Kelly, Letterkenny, Lindsay Seers, London, Loose Ends, Marianna Simnett, Masonic Temple, Matt's Gallery, Maus Contemporary, Melanie Jackson, MONA, MONA Tasmania, Museum of English Rural Life, Nathaniel Mellors, National Galleries Scotland, National Project Award, Nerve Centre, No Return, Orto Botanico, Palazzo Franchetti, Pittsburgh, Polygraphs, possessions_inc, Richard Grayson, Roy Voss, Seventeen, so it is, Stanley Picker Lectures, The Aalto Natives, The Black Sea, The Chapel of House of St. Barnabas, The Mattress Factory, The Needle and the Larynx, The Regional Cultural Centre, The Slave's, The Slave's Lament, The Tickle-Down Syndrome, The Uniformity Queenstown, Venice, Whitechapel Gallery, Willie Doherty |