By Matt's Gallery on 6 August 2018
Upcoming The series of 10-day shows continues from September onwards, plus other events at Matt’s Gallery, London Bronwen Buckeridge, Widowhood, Matt’s Gallery, London, 2 September 2018, 2-6pm Widowhood is a live audio performance with racing pigeons and the pigeon men who train them. The work is driven by an interest in the complex relationship racing pigeons […]
Posted in News | Tagged A Woman's Place at Knole, Aesthetica Short Film Festival, Again more things (a table ruin), Alberto Giacometti, Alison Turnbull, Allison Janae, Allison Janae Hamilton, Alter Heroes Coalition, Arts Catalyst, Attenborough Arts Centre, auto-bituary, BANFF, Benedict Drew, Borbala Szanto, Bronwen Buckeridge, Cibelle Cavalli Bastos, Constan, David Brooks, David Collens, Dear Climate, Dieter Roth, Dundee, Earagail Arts Festival, Eighty Circles Through Canada, Ellie Ga, Erkka Nissinen, Every Thought Ther, exhibition, Focal Point Gallery, FRONT International, Gabriela Salazar, General Rehearsal, Generator Projects, Gery Georgieva, Graham Fagen, Guerre/Jardin, Gwanju Biennial, Hara Woltz, Hayley Newman, Hellmouth, Henry Moore, Hospitalfield, I don't know what I'm doing but I'm trying very hard, I live without living in me, Indicators: Artists on Climate Change, Japanese Paintings, Jenny Kendler, Jo Bruton, Jo Stockham, John Hansard Gallery, John Moores Painting Prize, John Moores Painting Prize 2018, Juan Cruz, Justin Brice Guariglia, KADIST, Kent Monkman, Kiasma, Knole House, leah capaldi, Letterkenny Regional Cultural Centre, Lindsay Seers, Longing and Consolidation, Louise Bourgeois, Mark Dion, Mary Mattingly, Matt's Gallery, Maya Lin, Meg Webster, Melanie Jackson, Michael Curran, Mike Nelson, Mimosa House, MMOMA, Moscow Museum of Modern Art, Muriel Spark, Naomi Pearce, Nathaniel Mellors, Nora Lawrence, OilY, Pawel Althamer, photography, Pigeon Race, Portrait of a Sculptor, possessions_inc, Primary, Rebecca Lennon, REMAINS, Richard Grayson, robotics, Rodic Davidson Architects, Ron Henocq Fine Art, Sarah Diver, shame, Sherrie L, Southend-on-Sea, Steve Rowell, Storm King Art Center, Summerhall, Super Sohrab, Super Taus, Sursock Museum, Tabita Rezaire, Tavares Strachan, The Anti Ecstatic Machines, The Gluts, The MAC, The Mothership residency, The Walker Art Gallery, Tomas Klassnik, Tomaso Binga, University of Leicester, V-A-C, V-A-C Collection, Vancouver, video, Watou Arts Festival, Whitechapel Gallery, Widowhood, Willem de Kooning, Willie Doherty, Yolanda López |
By Matt's Gallery on 31 May 2018
Current Richard Grayson, By Our Own Hand, Matt’s Gallery, Nine Elms, The Residence, 42-44 Ponton Road, SW8 5BA, Opening Event: Friday 1 June 4 – 8pm, exhibition continues 2 – 3 June 2018, 12 – 5pm By Our Own Hand is the first exhibition in Matt’s Gallery’s new space in Nine Elms. In 2019 Matt’s Gallery will open at Bellway’s The […]
Posted in News | Tagged 16 Nicholson Street Gallery, A to B in MK, A Woman's Place at Knole, Abroath, Again, Alberta Whittle, Alberto Giacometti, Alice Day Williams, Alison Turnbull, All the World's a Sunny Day, Allison Janae Hamilton, Am I Not A Man and A Brother, Andrew Gilbert, Andrew Hairstans, Anina Major, Another Country, Arts Catalyst, Arts Council Collection, Attenborough Arts Centre, Auth Rangelay Yaar, Banner Repeater, Barbara Casavecchia, Baron Sackville, BBC Radio 4, Belfast, Belgium, Bellway, Ben Rivers, Benedict Drew, Bermondsey, Bernice Donszelmann, Beth Collar, Birthe Jorgensen, Blackpool, Borbala Szanto, Boredom Is Always Counter-Revolutionary, Boulby Underground Laboratory, Brigid McLeer, British Council, British Museum, Bruce McLean, Bury Place, Butterflies in Colombia, By Our Own Hand, Capital Crime, Cast Iron Radio, Channels, Charing Cross Hospital, Choco, CJ Mahony, Constantine Brancusi, Contemporary Art Society, Contemporary Art Society Special Collection Scheme, Cornwall, Dana Hargrove, David Brooks, David Collens, Dawn Gavin, De La Warr Pavilion, Dear Climate, Deeper in the Pyramid, Dieter Roth, Durham University, Eight Colourful Friends, Eighty Circles Through Canada (The Last Possessions Of An Orcadian Mountain Man) (2013), Elaine Rutherford, Eliza Gluckman, Ellie Ga, Emily Orley, Emily Speed, Erkka Nissinen, Esther Leslie, Euan Gray, Every Thought There Ever Was, extinction, Fathom, Fiona Crisp, Focal Point Gallery, Gabriela Salazar, General Rehearsal, Ghost Strata, Glasgow, Graham Fagen, Grand Union, Groundwork, Grundy Art Gallery, Guy Debord, Hara Woltz, Hayley Newman, Helen Robertson, Henry Moore, Homage to Marcel Duchamp (2017), Hospitalfield, If Mimicry Minded, Illuminations (2018), In My Shoes, In the Future, Indicators: Artists on Climate Change, Institute for Computational Cosmology, Irineu Destourelles, James Baldwin, James O’Leary, Jane Rendell, Japanese Paintings, Jenni Lomax, Jenny Kendler, Jo Bruton, Jo Stockholm, Joey Holder, John Beadle, John Hansard Gallery, John Moore Painting Prize 2018, Juan Cruz, Justin Brice Guariglia, KADIST, Katherine Ka Yi Liu, Katja Hilevaara, Kent, Kiasma, Knole House, Krabi, Kristen Kreider, Laboratori Nazionali del Gran Sasso, Landing Girls, leah capaldi, Lindsay Seers, Lionheart, Liu Xiaodong, Liverpool, Liverpool John Moores University, London, Longing and Consolidation, Longside Gallery, Louise Bourgeois, Lubaina Himid, Lubaina Himid MBE, Lucy Day, Lucy Gunning, Maria Fusco, Mark Dion, Marvin Gaye Chetwynd, Mary Mattingly, Material Sight, Matt's Gallery, Maya Lin, Meg Webster, Melanie Jackson, Melanie Wilson, Mike Nelson, milk, Milton Keynes, Milton Keynes Community Collaborators, MMOMA, More Things (a table ruin) (2014), Moscow Museum of Modern Art, Mosfellsbaer, Naomi Pearce, Nathaniel Mellors, National Art Gallery of The Bahamas, New York, Nicola Bealing, Nine Elms, Nora Lawrence, Nottingham, Officine Grandi Riparazioni, OGR, Orlando, Outpatients Unit, Overlay, Pacific rainforest, Pawel Althamer, Petrovka Street gallery, Plans & Records, possessions_inc, Primary, Psi Girls (1999), Rasheed Araeen, Redway, REMAINS, Representation of the People Act, Richard Grayson, Richard Guzman, Rodic Davidson Architects, Ron Heneocq Fine Art, Rosalind Davies, Routledge, Roy Voss, Sackville-West, Sao Paulo, Sarah Diver, Scotland, Sherrie Levine, Social Facts, Sonia Farmer, Southampton, Southend-on-Sea, Steve Rowell, Storm King Art Center, Susan Hiller, tatami, Tavares Strachan, Thailand, The Aalto Natives, The Bahamas, The Creative Critic: Writing as/about Practice, The MAC, The Residence, The Slave's Lament, The Walker Art Gallery, Tim Etchells, Turin, University of Leicester, V-A-C Foundation, V&A Wallpaper Archive, Venice Biennale, Virginia Woolf, Vita Sackville-West, Wandsworth, Watou Arts Festival, We Suffer to Remain, Whitstable Biennale, Willem de Kooning, Willie Doherty, Yorkshire Sculpture Park |
By Matt's Gallery on 3 April 2018
Upcoming Jo Bruton, Run, Matt’s Gallery, 92 Webster Road, London, 7 – 15 April, Private View 6 April 6-9pm Jo Bruton’s second show at Matt’s Gallery sees the artist expanding her practice as a painter into a series of printed wallpapers. Hand painted, digitally produced and then pasted to the walls of the gallery, the piece has […]
Posted in News | Tagged A Woman's Place at Knole, Acme Fire Station, Again, Alberta Whittle, Alberto Giacometti, Alfacar, Alice May Williams, Alison Turnbull, All The Wor, All the World's a Sunny Day, Allison Janae Hamilton, Am I Not A Man and A Brother, Andrew Gilbert, Andrew Hairstans, Andy Fisher, Anil Seth, Anina Major, Another Country: Aspects of Scottish Emigration to the United States, April, Art Monthly, Arts Catalyst, Artur Zmijewski, Avatar Therapy, Banner Repeater, Barbara Kruger, Baron Sackville, BBC Radio 4, Benedict Drew, Benjamin Swaim, Bermondsey, Berwick Visual Arts, Beth Forde, Birthe Jorgensen, British Council, Candice Lin, Caspar Heinemann, Cecil Collins, Channels, Chris Frith, CJ Mahony, Collyer Bristow Gallery, Colombia, Constantine Brancusi, Contemporary Art Society, Dana Hargrove, David Austen, David Brooks, David Collens, Dawn Gavin, De La Warr Pavilion, Dear Climate, Deeper in the Pyramid, Dieter Roth, Doris McCarthy Gallery, Dr Blanca Huertas, Durham University, Edward Hopper, Eighty Circles Through Canada (The Last Possessions of An Orcadian Mountain Man), Elaine Rutherford, Elena Bajo, Elisabeth Frink, Eliza Gluckman, Ellie Ga, Emily Speed, Emma Bolland, Erkka Nissinen, Esther Leslie, Euan Gray, Fiction as Method, Finnish Pavilion, Fiona Banner, Fiona Crisp, Focal Point Gallery, Futures & Fictions, Gabriela Salazar, Galeria Moises Perez De Albeniz, Galerie Crevecoeur, Gallery 4, Gallery of Modern Art (GoMA), General Rehearsal, Gerard Byrne, Ghetto Priest, Glasgow, Graham Fagen, Grand Union, Grundy Art Gallery, Hans-Peter Feldmann, Hara Woltz, Helen Marten, Henning Bohl, Henry Moore, Hospitalfield, Ian Hamilton Finlay, In the Future, Indicators: Artists on Climate Change, Institute for Computational Comology, Irineu Destourelles, Isobel Wohl, It's all the same fucking day man..., Jakob Kolding, Jala Wahid, James Miranda Barry, Janani Balasubramanian, Jane Evelyn Atwood, Jenny Kendler, Jih-Fie Cheng, JMW Turner, Jo Bruton, John Beadle, John Cunningham, John Hansard, John Smith, Jonathan Trayner, Jordan Baseman, Julien Ceccaldi, Justin Brice Guariglia, KADIST, Katharina Poos, Katherine Angel, Katherine Ka Yi Liu, kennardphillips, Kiasma, Kirsten Cooke, Knole House, Laboratori Nazionale del Gran Sasso, Leo Kelly, Linda Stupart, Lindsay Seers, Lionheart, Lisson Gallery, London, Louise Bourgeois, Lubaina Himid, Lucy Day, MA BIBLIOTHEQUE, Margot Norton, Maria Abramovic, Mark Dion, Mary Mattingly, Mas Arte Mas Accion, Material Sight, Matt's Gallery, May, Maya Lin, Meg Webster, Melanie Jackson, Melanie Wilson, Mieke Bal, Mike Nelson, milk, Minnesota, MMOMA, MONA, More Things (a table ruin), Moscow Museum of Modern Art, Muirhead Bone, Nathaniel Mellors, National Art Gallery of The Bahamas, National Gallery of Victoria, Natural History Museum London, New Museum, NGV Triennial, Nicholas Brooks, Nick Mwaluko, Nora Lawrence, Northern Gallery of Contemporary Art, Officine Grandi Riparazioni, On Violence, Orlando, Ourhouse, ourneys with 'The Waste Land', Patrick Heron, Paul Buck, Paul Nash, Paula Rego, Pavel Büchler, Pawel Althamer, Plans & Records, Polygraphs, possessions_inc, Primary, Progressive Rocks, Project/Number, Project/Numebr, Rebecca Jagoe, Renaud Jerez, Repeater Books, Representation of the People Act, Richard Grayson, Richard Guzman, Ridinghouse, Ron Henocq Fine Art, Roy Voss, Rudy Loewe, Sackler Centre for Consciousness, Saint John's Art Center, Sarah Diver, Sarah Wood., Sharon Kivland, Sherrie Levine, Skye Arundhati-Thomas, Social Facts, Sonia Farmer, Special Collection Scheme, Sternberg Press, Steve Rowell, Storm King Art Center, Suffering, Sump, Susan Hiller, Tacita Dean, Tai Shani, Talking Art 2, Tavares Strachan, The Aalto Natives, The Bahamas, The MAC, The New Art Gallery Walsall, The Slave's Lament, the stars above the ocean the ocean beneath the stars, The Way T, The Way Things Are, Timothy Dixon, Toronto, Totah, Travis Alabanza, Turin, Turner Contemporary, UCL, V-A-C Foundation, Vanessa Place, Venice Biennale, violence, Virginia Woolf, Vita Sackville-West, Viznar, Vladimir Nabokov, We Suffer to Remain, Wellcome Trust, Willie Doherty, Williem de Kooning |
By Matt's Gallery on 28 September 2017
Current Marianna Simnett, Worst Gift, Matt’s Gallery, until 22 October 2017, Wednesday – Sunday, 12 – 6pm Matt’s Gallery is pleased to present Worst Gift, a new film installation by Marianna Simnett. Comprising video, liquid, light and sound, Worst Gift continues Simnett’s ongoing exploration of female subjectivity and bodily integrity as they relate to the power dynamics […]
Posted in News | Tagged 57th Venice Biennale, Acme Fire Station, Alexander and Bonin, Alvar Aalto, Art Licks Weekend, Art Licks Weekend 2017, Arts Catalyst, Arts Council England, ASC Gallery, Austrian Cultural Forum, Benedict Drew, Berwick Visual Arts, Bloomsbury, Charlie Fox, Dane Sutherland, Darren Banks, De La Warr Pavilion, DisObey, Erkka Nissinen, Esther Leslie, Finland, Finnish Pavilion, Fiona Crisp, Frequency Festival, Galerie Peter Kilchmann, Gallery of Modern Art (GoMA), Graham Fagen, Grundy Art Gallery, Holly Antrum, Imogen Stidworthy, India Harvey, Joe Graham, Jordan Baseman, Joseph Mallord William Turner, KELDER, Laura Dee Milnes, leah capaldi, Leo Chadburn, Lincoln Voices, Lindsay Seers, Lucinda Chua, Lucy Clout, Making Milk: The Past, Marianna Simnett, Melanie Jackson, Modern Art Oxford, MONA, Mona Hatoum, MONITOR, Museum of Applied Arts & Sciences, Nathaniel Mellors, National Galleries Scotland, National Gallery Jamaica, Palazzo Franchetti, possessions_inc, Present and Future of Our Primary Food, Retrospective, Richard Grayson, Rose Finn-Kelcey, Roy Voss, Sluice Biennale 2017, Steven Dickie, Susan Hiller, Tate, The Aalto Natives, The New Art Gallery Walsall, The Slave's Lament, Turner, Unconcious Archives, University of Lincoln, Venice Biennale, Wellcome Collection, Wellcome Trust, Willie Doherty |
By Matt's Gallery on 28 July 2017
Upcoming Marianna Simnett, Worst Gift, Matt’s Gallery, private view 03 September 3 – 6pm, exhibition runs 06 September – 22 October 2017, Wednesday – Sunday, 12 – 6pm Matt’s Gallery is pleased to present Worst Gift, a new film installation by Marianna Simnett. Comprising video, liquid, light and sound, Worst Gift continues Simnett’s ongoing exploration of female […]
Posted in News | Tagged @MattsGalleryLondon, 57th Venice Biennale, Australia, Benedict Drew, Bianca Beetson, Botox, Braziers Park, Canberra Contemporary Art Space, Catherine Laudenbach, Claudia Chaseling, Close-Up Cinema, Cove Park, De La Warr Pavilion, Erkka Nissinen, Film Installation, Finland, Finnish Pavilion, Gallery of Modern Art (GoMA), Glasgow, Graham Fagen, Imogen Stidworthy, Jay Kochel, Jay Younger, Jordan Baseman, Lindsay Seers, Loch Long, Marianna Simnett, Melanie Jackson, Modern Art Oxford, Museum of Applied Arts & Sciences, Museum of English Rural Life, Nathaniel Mellors, National Galleries Scotland, Palazzo Franchetti, possessions_inc, Rebecca Sellek, Retrospective, Richard Grayson, Rose Finn-Kelcey, Roy Voss, SUPERNORMAL, Susan Hiller, Tasmania, The Mattress Museum, University of Lincoln, Venice, Venice Biennale, Wellcome Collection, Wellcome Trust, Whitechapel Gallery, Willie Doherty |
By Matt's Gallery on 29 June 2017
We are delighted to announce that we have secured another four years of funding as an Arts Council England NPO. Upcoming Willie Doherty, Loose Ends, Matt’s Gallery, private view 02 July 3 – 6pm, exhibition runs 05 – 30 July 2017, Wednesday – Sunday, 12 – 6pm Matt’s Gallery presents Loose Ends, a recent two-screen video installation […]
Posted in News | Tagged @MattsGalleryLondon, 1977, 2013, 31 Women, 57th Venice Biennale, Alison Turnbull, All the World's a Sunny Day, Andaz London, Anne Bean, Art Night 2017, Arts Council England, Arts Council of Ireland, Australia, Benedict Drew, Braddon, Breese Little, Canberra Contemporary Art Space, De La Warr, De La Warr Pavilion, Dmitry Ozerkov, Donegal County Council, Dublin, Erkka Nissinen, Film London Jarman Award, Finnish Pavilion, Flurry, FRAME Visual Art Finland, Gallery of Modern Art (GoMA), Glasstress, Graham Fagen, HYPERactive, ICA, Instagram, Irish Film Institute, Jordan Baseman, Kerlin Gallery, kill switch, Leo Kelly, Letterkenny, Lindsay Seers, London, Loose Ends, Marianna Simnett, Masonic Temple, Matt's Gallery, Maus Contemporary, Melanie Jackson, MONA, MONA Tasmania, Museum of English Rural Life, Nathaniel Mellors, National Galleries Scotland, National Project Award, Nerve Centre, No Return, Orto Botanico, Palazzo Franchetti, Pittsburgh, Polygraphs, possessions_inc, Richard Grayson, Roy Voss, Seventeen, so it is, Stanley Picker Lectures, The Aalto Natives, The Black Sea, The Chapel of House of St. Barnabas, The Mattress Factory, The Needle and the Larynx, The Regional Cultural Centre, The Slave's, The Slave's Lament, The Tickle-Down Syndrome, The Uniformity Queenstown, Venice, Whitechapel Gallery, Willie Doherty |
By Matt's Gallery on 31 January 2017
Current Ian McKeever, Against Architecture, Matt’s Gallery, private view 05 February 3 – 6pm, exhibition runs 09 February – 19 March 2017, Thursday – Sunday, 12 – 6pm For his fourth exhibition at Matt’s Gallery, Ian McKeever is exhibiting a selection from two recent series, Eagduru and Against Architecture (both 2012-13), which combine painting and […]
Posted in News | Tagged 12-hour action group, AftroScots, Against Architecture, Alberta Whittle, alchemy, Alexis Hunter, Alice Oswald, Ambika P3, An Introduction to Bliss for Two Voices with Chorus, Annabel Nicolson, Anne Bean, Artangel, astrology, At the Center of the World, audio, Benedict Drew, Blackout, Bluecoat, Bolder 2, Bryan Biggs, Cabinet 62, canada, Casebooks, Coleman Project Space, Cooper Gallery, Cullinan Richards, Deeper in the Pyramid, Dr Lauren Kassell, Dr Natalie Kaoukji, Dundee, Eagduru, Elizabeth Magill, Emit, Esther Leslie, Evaporations, Fargo, Fargo Film Festival, galerie de l'UQAM, Galleri Susanne Ottesen, Gallery 4, Gallery of Modern Art, Georgina Starr, Glasgow, Glynn Vivian Art Gallery, GoMA, Graham Fagen, Hackney Council, Ham and Mustard and other forms of Abstract Expressionism, Hammer Museum, Hanna Tuulikki, He Chengyao, HTBA, Hull, Hull Time Based Arts, Humber Street Gallery, Ian McKeever, Imogen Stidworthy, Imperfect geometry for a concrete quarry, Irineu Destourelles, Jeremy Deller, Jimmie Durham, John Akomfrah, John Frankland, John Latham, Jordan Baseman, Jordanstone College of Art & Design, Kalkbrottet, KAPUT, Limhamn, Linder, Lindsay Seers, Liverpool, London, louise dery, Mabley Green, Mark Leckey, Mary Kelly, Matt's Gallery, Melanie Jackson, Michael Maziere, milk, montreal, Mother Tongue, Negative Capability, North East Contemporary Arts Network, Nowhere Less Now 7, of other spaces: where does gesture become event?, painting, PEER, Performance Magazine Online, Polygraphs, Portrait of Alvera Coke (AKA Mama Tosh), possessions_inc, Post Reality, power, prophecy, Public View, Rayanne Bushell, Re-Rooted, Richard Grayson, Richard Napier, Rita Harris, ROOT Festival, Rose English, sculpture, Simon Forman, Sion Parkinson, Sonia Boyce, swansea, Sweden, Tako Taal, The Artangel Collection, The Slave's Lament, University of Cambridge, University of Westminster, USA, Verlag der Buchhandlung Walter Konig, video, wales, Walker Art Gallery, Yinka Shonibare, Yoko Ono |
By Matt's Gallery on 30 November 2016
Current Leah Capaldi, Lay Down, Matt’s Gallery’s new temporary space, 11 November – 18 December 2016, Friday – Sunday, 12 – 6pm Lay Down is the first major solo show by artist Leah Capaldi. The exhibition opens Matt’s Gallery’s temporary new space in Bermondsey, marking a new era for the gallery as it moves south […]
Posted in News | Tagged 12-hour action group, 1970s, 22/2/1992, 5A Studios, A Crack in the Light, A Tale I Know Nothing About, abstract film, abstraction, activism, Adele Patrick, Al Gunby, Alison Turnbull, Amelia Jones, American West, An Introduction to Bliss for Two Voices with Chorus, Angus Braithwaite, Anne Bean, Art Council England, Art Seen Contemporary Projects and Editions, Artangel, Arthur Manzo, Artist News, Artists News, audio, Barbara Capaldi, Benedict Drew, Bergen Triennale, Bermondsey, Bill Roberts, binaural, Blackout, Blackpool, Bless Klepcharek, Body, Bogota, Bolder 2, British Art Show 8. Southampton City Art Gallery, CCA, Centre of Contemporary Art, Centro de Memoria, Cheyenne, Close-Up Cinema, Cloud Diagram, Columbia, commission, Concreta Magazine, Cooper Gallery, Cowboy, Cyprus, decima street, Dee Smith, Derry, Divided Self, Dolph Projects, Domestique, Duncan of Jordanstone College of Art & Design, Dundee, dystopia, East London, Edge of Frame: Elemental Animation, Elias Bate, Eliza Gluckman, Elliot Ross, embodiment, Essex Road, Essex Road III, EXCHANGE, femininity, film, Fiona Crisp, gender codes, Glasgow Women's Library, Glynn Vivian Art Gallery, Gordon Raeburn, Graham Fagen. NEON: The Charged Line, Grundy Art Gallery, Hackney Council, Hayley Newman, Imogen Stidworthy, Imperfect geometry for a concrete quarry, installation, Jason Moffat, Jennet Thomson, John Frankland, John Hansard Gallery, Jonathan Bassett, Jonathan Caruana, Jordan Baseman, Josh Gardener, Kalkbrottet, KAPUT, landscape, Laura Mulvey, Lawrence Leaman, lay down, leah capaldi, lecture, Lee Smith, Liberties, Limhamn, Lindsay Seers, Little Boy, Liverpool, London, London Short Film Festival, Londonderry, Lucy Day, Lynda Morris, Mabley Green, Malmo, Mansion, Marina Vishmidt, Mas Arte Mas Accion, Matt's Gallery, Mike Nelson, motherhood, Multiplicities II, Negative Capability, Nicosia, North East Contemporary Arts Network, North London, Nowhere Less Now, of other spaces: where does gesture become event?, online commission, Paul Russell, Paz y Reconciliacion, PEER, Penzance, performance, petition, photography, possessions_inc, Price and Myers, Re:Bandera, Richard Grayson, Roddy Canas, sculpture, Sequencer, sex, Sex Discrimination Act, Shoreditch Park, somantic effects, Southampton, spectatorship, swansea, Sweden, systems of representation, The Artangel Collection, The Crazy House, The Dissolution of the Western Empire, the horror of the modern world, The Saw Tooth Wave, This Is Tomorrow, Thomas More, Tim Lucas, Tintype, University of Brighton, Utopia, video, wales, Walker Art Gallery, Wapiti, War/Garden (after Tubby), West Taylor, women, Wyoming, Wyoming State Archive |
By Matt's Gallery on 5 October 2016
Matt’s Gallery’s new space in Bermondsey opens with Leah Capaldi’s Lay Down Matt’s Gallery’s new temporary space on Decima Street in Bermondsey opens with Leah Capaldi’s solo show Lay Down on Saturday 29th October 2016 from 3 – 6pm. Join us to celebrate a new era in Matt’s Gallery’s 36 year history, as […]
Posted in News | Tagged 12-hour action group, 1786, 2016, 22/2/1992, A Crack in the Light, A Drama in Time, abstract art, Aesthetica Film Festival, Aesthetica Short Film Festival, Alison Turnbull, American West, An Introduction to Bliss for Two Voices with Chorus, Animal Condensed, Animal Expanded, Anne Bean, Anthony Bale, archive, Art Seen Contemporary Projects, Artist in Residence, BAFTA, Benedict Drew, Bergen Triennale, Bermondsey, Birckbeck School of Arts, Blackout, Blackpool, Block 336, Bloomsbury Festival, Body, Bogota, Boulby, Bow Gamelan Ensemble, breastmilk, British, British art, British Art Show 8, Brixton, Bronwen Buckeridge, California, Calton Hill, Calton Road, Centro de Memoria, Cheyenne, China, City of Malmo, Cloud Diagram, Collage, Columbia, Columbian flag, Concreta Magazine, Conway Hall, Cooper Gallery, Cyprus, decima street, Dee Smith, Deeper in the Pyramid, Dolph Projects, Domestique, Dublin, Duncan of Jordanstone College of Art & Design, Dundee, Durden and Ray, Edinburgh, Edinburgh Festival, Ellen Zweig, Episode 5, Esther Leslie, EXCHANGE, femininity, film, Film and Drama Studio, Fiona Crisp, Fluid Physicalities, Fraser Muggeridge, Gdansk, Gdansk City Gallery 2, Graham Fagen, Grundy Art Gallery, Hayley Newman, Heart Beat Ear Drum, Imogen Stidworthy, Imperfect geometry for a concrete quarry, Irish independence, Jacob's Ladder, Jamaica, Jennet Thomas, Johann Jacobs Museum, Jordan Baseman, Kalkbrottet, Kerlin Gallery, Keynes Library, Kingston, lay down, leah capaldi, Lee Smith, Leith, Leverhume, Liberties, Limhamn, London, Loose Ends, Los Angeles, Lucy Gluckman, Malmo, Malmö Konsthall, Mansion, Margaret Tatcher, Mas Arte Mas Accion, Matt's Gallery, Matt’s Gallery + BLACKROCK, Melanie Jackson, Mike Nelson, motherhood, Move, Negative Capability, NEON: The Charged Line, New Church, New Orleans, New Orleans Film Festival, New Street, New Town, Nicosia, North East Contemporary Arts Network, Norwich, Norwich University of the Arts, November, Now it is Permitted: 24 Wayside Pulpits, October, of other spaces: where does gesture become event?, Official Selection, oil on canvas, Old Street Dust (polychrome), Old Town, online commission, Oracle, painting, Patrick Geddes, Paul Burwell, Paz y Reconciliacion, Penzance, performance, performance lecture, photography, Poland, possessions_inc, Queen Mary University, Re:Bandera, Richard Grayson, Richard Wilson, Robert Burns, Roger Buergel, Roy Voss, Savanah-La-Mar, SE1, September, Sequencer, sex, Sex Discrimination Act, solo show, Solzhenitsyn's bread, sound piece, Stephan McNeilly, Suzhou, Suzhou Documents, Sweden, Swedenborg House, The Ground, The Grundy Gallery, The Live Authenticity Flesh, The Roselle, The Unspeakable Freedom Device, This Is Tomorrow, two-screen video, Unreliable Matriarchs, Unspeakable Freedom >> Tastes like Chicken, USA, Utah, video still, Wapiti, War/Garden (after Tubby), What I thought I saw saw me, Willie Doherty, Window Gallery, Wyoming, Wyoming State Archives, York, Z'EV |
By Matt's Gallery on 1 August 2016
Matt’s Gallery welcomes new Deputy Director Soraya Rodriguez Soraya Rodriguez has been appointed as the new Deputy Director of Matt’s Gallery, “I’m thrilled to be joining Matt’s Gallery at such an exciting time and looking forward to building on its unique legacy.” She joins us having founded and directed Zoo Art Fair from 2004 – […]
Posted in News | Tagged 2 Avenue de Grande-Bretagne, A Drama in Time, Alison Turnbull, Alison Turnbull and Lindsay Seers, An Introduction to Bliss for Two Voices with Chorus, Benedict Drew, Blackrock, Blackrock Residency Programme, British Art Show 8, Cloak, Collyer Bristow Gallery, Concreta Magazine, decima street, Dovecot Studios, Edinburgh Festival, Fiona Crisp, Gag, Graham Fagen, Hayley Newman, Imogen Stidworthy, Imperfect geometry for a concrete quarry, iwillmedievalfutureyou#4, Kalkbrottet, Kerlin Gallery, lay down, leah capaldi, Liberties, Limhamn, Loose Ends, Malmo, Margate, Matt's Gallery, Melanie Jackson, Mike Nelson, Monaco, Nathaniel Mellors, Negative Capability, North East Contemporary Arts Network, Norwich University of the Arts, Nouveau Musée National de Monaco offsite project, Patrick Goddard, possessions_inc, Richard Grayson, Sally O'Reilly, Seeing Round Corners, Soraya Rodriguez, The Scottish Endarkment: Art and Unreason 1945 to the Present, This Is Tomorrow, Turner Contemporary, Willie Doherty |