By Matt's Gallery on 8 April 2021
MattFlix Mania Akbari & Douglas White, Lubion, Until 5.59pm 23 April 2021 MattFlix presents Lubion (2019), a short film by Mania Akbari and Douglas White, screening for one month at mattflix.video. Taking its title from the eponymous IVF hormone treatment undertaken by Akbari, Lubion journeys through a shifting psychological and corporeal terrain borne of the […]
Posted in News | Tagged 019 Gallery, 13th Gwangju Biennale, Art Fictions, Arts Chaplaincy Projects, Care(less), David Osbaldeston, Douglas White, Elizabeth Fullerton, Graham Fagen, Hari MacMillan, Horrific Object, Idmonster, John Frankland, John Moores Painting Prize 2020, Jordan Baseman, Keith Sargent, Kunsthal Aarhus, Lindsay Seers, Lucy Gunning, MattFlix, MattFlix Archive, Matthew Krishanu, Melanie Jackson, Michael Curran, Mike Nelson, Mississippi Museum of Art, Nathaniel Mellors, New Symphony of Time, Nicola Bealing, PALFREY, Pendle Poucher, Plicnick Space Initiative, Rachel Lowe, RECIPES UNDER CONFINEMENT, Suky Best, The Serving Library, The Slave's Lament |
By Matt's Gallery on 21 August 2020
We are reopening by appointment. Click here to book your visit. Annie Whiles, Rock/Dog/Wood, 2020. Courtesy of the artist and Matt’s Gallery, London. “Until recently, I thought the moon was doing the shining. From within. Emanating. Quite recently, I read that the length of time required for a signal to travel across the vastness of […]
Posted in News | Tagged Art Licks, Esther Leslie, EVA, Graham Fagen, Janette Parris, Matt's Gallery, Melanie Jackson, The Listening Thing, The Slave's Lament |
By Matt's Gallery on 6 June 2019
Upcoming Dean Kenning, Psychobotanical, Matt’s Gallery, London, private view 7 June 6-9pm, exhibition open Wed-Sun 12-6pm, 8-30 June 2019 For the 3x3x3 metre gallery space at 92 Webster Road, Kenning plans to extend and tumefy an on-going series of sculptural pieces, which feature throbbing plant-like protuberances. Encircling this motorised work the gallery’s walls will play […]
Posted in News | Tagged 3D printing, A length of spit dangled from a mouth., Aalst, Amberes, Anne Bean, Antwerp, Bad Mantra, Bad Mantras, Bath, Berlin, Botanical Drift, Broadside ballads, Cample Line, casting, catalogue, cityscapes, CNC, collaborative, Cornwall, cut up, David Austen, David Osbaldeston, Dean Kenning, diagrams, Dialogues with People, digital animation, Digital commission, Double Act, Dumfries, Dundee Contemporary Arts, Duveen Galleries. Duveen, Elizabeth Magill, England and Co. Gallery, Erkka Nissinen, Ghetto Priest, Graham Fagen, graphic, Hayley Newman, Helston, Hogarth and the Art of Noise, IG Metall, IKON Gallery, Imogen Stidqorthy, Jordan Baseman, Kestle Barton, LA, Luke McCreadie, M HKA, Matt's Gallery, Melanie Jackson, Michael Stanley, Mike Nelson, Mono, monoprint, monuments, MuKHA, Nathaniel Mellors, Netwerk Aalst, Nicola Bealing, performance, photography, plants, printmaking, Psychobotanical, publication, Radio Influenza, Roberto Bolano, sculpture, Simon Marsh, Tate Britain, Tate Britain Commission, text-based, The Aerodrome, The Asset Strippers, The Box, The Box LA, The Foundling Museum, The Holburne Museum, The Slave's Lament, Thornhill, Toine Horvers, welding, Wellcome, William Hogarth, writing
By Matt's Gallery on 7 February 2019
In Memory of Susan Hiller 7 March 1940 – 28 January 2019 “In all my work I was attempting to erase the supposed boundary between dream life and waking life. Because what I do… is to pull out for scrutiny those images or ideas which are visual, visible, but are rendered invisible and therefore marginalized.” Susan Hiller, […]
Posted in News | Tagged 1980, A Murder of Crows, A---Z, Aalto Natives, Alice Channer, Alison Turnbull, Anne Bean, Anne Duffau, artist residency, Bad Mantra, Benedict Drew, Birmingham, Blackrock, Bloomberg N, Carey Young, Channels, Charlotte Higgins, City Art Centre, Copenhagen Contemporary, COUM Transmissions, Daniel Sturgis, Danielle Arnaud, David Troostwyk, Dilston Grove, Dominic Johnson, Drawing Biennial 2019, Drawing Room, Edinburgh, Erkka Nissinen, Fotogalleriet, gendersick, Genesis P-Orridge, Govan Project Space, Graham Fagen, Hail the new Etruscan, Helen Mirra, heterochromia iridum, Ikon, IMT Gallery, Jordan Baseman, Kerry Trengove, Kiasma, Kipper Kids, Large Glass, Lindsay Seers, Lydney Park Estate, Marianna Simnett, Mark Wallinger, Martello Street, Matt's Gallery, Matthew Krishanu, MAXXI, Melanie Jackson, Midlands Arts Centre, Mike Nelson, Nathaniel Mellors, obituary, Oona Grimes, Oslo, Radio Influenza, Richard Grayson, Robin Klassnik, Rome, Space studios, Stephen Cripps, Susan Hiller, Tate Britain, Tate Collection, Tate Modern, The Coral Reef, Tomico Lemos Auad, Ulay, Venice Biennale, Wellcome, Work in Progress
By Matt's Gallery on 4 December 2018
Upcoming John Walter, Booze Guitar, Matt’s Gallery, 92 Webster Road, London, 8-16 December, Private View 7 December 6-9pm Read more. In 2019… Matt’s Gallery thanks Ron Henocq Fine Art for their generous support. Artists’ News Lindsay Seers, Every Thought There Ever Was, Focal Point Gallery, Southend-on-Sea, until 23 December 2018 It’s your last chance to see this major […]
Posted in News | Tagged 20:50, A Virus Walks into a Bar, Aalto Natives, Alter Heroes Coalition, Anne Bean, Another Country, Artist in Residence, Benedict Drew, Blood in My Milk, Bloomberg New Contemporaries, Bonington Gallery, Booze Guitar, Bow Gamelan Ensemble, Camberwell Space, Camberwell UAL, CAPSID, City Art Centre, City Art Centre Edinburgh, Cooper Gallery, Daniel Sturgis, Danielle Arnaud, David Osbaldeston v The Serving Library, David Troostwyk, Dean Kenning, Dialogues with People, Digital commission, Duncan of Jordanstone College of Art & Design, Dundee, Ecstasy in Norwich, Edinburgh, Elizabeth Magill, Erkka Nissinen, Every Thought There Ever Was, Focal Point Gallery, Graham Fagen, Great Noises that Fill the Air, Hayward Gallery, Headland, HOME Manchester, Hospitalfield, House Taken Over, Imogen St, IMT Gallery, Job Opportunity, John Hansard Gallery, John Walter, Jordan Baseman, Julian of Norwich, L'Atteso, leah capaldi, Lindsey Seers, London, Low Form, LOWER.GREEN, Marianna Simnett, Marked, Matt's Gallery, MAXXI, Melanie Jackson, Mike Nelson, Mimosa House, Nathaniel Mellors, New Museum, New York, OGR Torino, Oona Grimes, Public Engagement Officer, Radio Influenza, Richard Wilson, Rome, Ron Henocq, Shape Shifters, Shooting and Fishing, SLG, Snow Crash, South London Gallery, Southend-on-Sea, Spanish flu, Stuttgart, Susan Hiller, Tasmania, The Anti Ecstatic Machines, The MAC, The New Art Gallery Walsall, The Public is Warned, The Serving Library, The Unconformity, TSL, Wellcome, Württembergischer Kunstverein Stuttgart |
By Matt's Gallery on 6 August 2018
Upcoming The series of 10-day shows continues from September onwards, plus other events at Matt’s Gallery, London Bronwen Buckeridge, Widowhood, Matt’s Gallery, London, 2 September 2018, 2-6pm Widowhood is a live audio performance with racing pigeons and the pigeon men who train them. The work is driven by an interest in the complex relationship racing pigeons […]
Posted in News | Tagged A Woman's Place at Knole, Aesthetica Short Film Festival, Again more things (a table ruin), Alberto Giacometti, Alison Turnbull, Allison Janae, Allison Janae Hamilton, Alter Heroes Coalition, Arts Catalyst, Attenborough Arts Centre, auto-bituary, BANFF, Benedict Drew, Borbala Szanto, Bronwen Buckeridge, Cibelle Cavalli Bastos, Constan, David Brooks, David Collens, Dear Climate, Dieter Roth, Dundee, Earagail Arts Festival, Eighty Circles Through Canada, Ellie Ga, Erkka Nissinen, Every Thought Ther, exhibition, Focal Point Gallery, FRONT International, Gabriela Salazar, General Rehearsal, Generator Projects, Gery Georgieva, Graham Fagen, Guerre/Jardin, Gwanju Biennial, Hara Woltz, Hayley Newman, Hellmouth, Henry Moore, Hospitalfield, I don't know what I'm doing but I'm trying very hard, I live without living in me, Indicators: Artists on Climate Change, Japanese Paintings, Jenny Kendler, Jo Bruton, Jo Stockham, John Hansard Gallery, John Moores Painting Prize, John Moores Painting Prize 2018, Juan Cruz, Justin Brice Guariglia, KADIST, Kent Monkman, Kiasma, Knole House, leah capaldi, Letterkenny Regional Cultural Centre, Lindsay Seers, Longing and Consolidation, Louise Bourgeois, Mark Dion, Mary Mattingly, Matt's Gallery, Maya Lin, Meg Webster, Melanie Jackson, Michael Curran, Mike Nelson, Mimosa House, MMOMA, Moscow Museum of Modern Art, Muriel Spark, Naomi Pearce, Nathaniel Mellors, Nora Lawrence, OilY, Pawel Althamer, photography, Pigeon Race, Portrait of a Sculptor, possessions_inc, Primary, Rebecca Lennon, REMAINS, Richard Grayson, robotics, Rodic Davidson Architects, Ron Henocq Fine Art, Sarah Diver, shame, Sherrie L, Southend-on-Sea, Steve Rowell, Storm King Art Center, Summerhall, Super Sohrab, Super Taus, Sursock Museum, Tabita Rezaire, Tavares Strachan, The Anti Ecstatic Machines, The Gluts, The MAC, The Mothership residency, The Walker Art Gallery, Tomas Klassnik, Tomaso Binga, University of Leicester, V-A-C, V-A-C Collection, Vancouver, video, Watou Arts Festival, Whitechapel Gallery, Widowhood, Willem de Kooning, Willie Doherty, Yolanda López |
By Matt's Gallery on 31 May 2018
Current Richard Grayson, By Our Own Hand, Matt’s Gallery, Nine Elms, The Residence, 42-44 Ponton Road, SW8 5BA, Opening Event: Friday 1 June 4 – 8pm, exhibition continues 2 – 3 June 2018, 12 – 5pm By Our Own Hand is the first exhibition in Matt’s Gallery’s new space in Nine Elms. In 2019 Matt’s Gallery will open at Bellway’s The […]
Posted in News | Tagged 16 Nicholson Street Gallery, A to B in MK, A Woman's Place at Knole, Abroath, Again, Alberta Whittle, Alberto Giacometti, Alice Day Williams, Alison Turnbull, All the World's a Sunny Day, Allison Janae Hamilton, Am I Not A Man and A Brother, Andrew Gilbert, Andrew Hairstans, Anina Major, Another Country, Arts Catalyst, Arts Council Collection, Attenborough Arts Centre, Auth Rangelay Yaar, Banner Repeater, Barbara Casavecchia, Baron Sackville, BBC Radio 4, Belfast, Belgium, Bellway, Ben Rivers, Benedict Drew, Bermondsey, Bernice Donszelmann, Beth Collar, Birthe Jorgensen, Blackpool, Borbala Szanto, Boredom Is Always Counter-Revolutionary, Boulby Underground Laboratory, Brigid McLeer, British Council, British Museum, Bruce McLean, Bury Place, Butterflies in Colombia, By Our Own Hand, Capital Crime, Cast Iron Radio, Channels, Charing Cross Hospital, Choco, CJ Mahony, Constantine Brancusi, Contemporary Art Society, Contemporary Art Society Special Collection Scheme, Cornwall, Dana Hargrove, David Brooks, David Collens, Dawn Gavin, De La Warr Pavilion, Dear Climate, Deeper in the Pyramid, Dieter Roth, Durham University, Eight Colourful Friends, Eighty Circles Through Canada (The Last Possessions Of An Orcadian Mountain Man) (2013), Elaine Rutherford, Eliza Gluckman, Ellie Ga, Emily Orley, Emily Speed, Erkka Nissinen, Esther Leslie, Euan Gray, Every Thought There Ever Was, extinction, Fathom, Fiona Crisp, Focal Point Gallery, Gabriela Salazar, General Rehearsal, Ghost Strata, Glasgow, Graham Fagen, Grand Union, Groundwork, Grundy Art Gallery, Guy Debord, Hara Woltz, Hayley Newman, Helen Robertson, Henry Moore, Homage to Marcel Duchamp (2017), Hospitalfield, If Mimicry Minded, Illuminations (2018), In My Shoes, In the Future, Indicators: Artists on Climate Change, Institute for Computational Cosmology, Irineu Destourelles, James Baldwin, James O’Leary, Jane Rendell, Japanese Paintings, Jenni Lomax, Jenny Kendler, Jo Bruton, Jo Stockholm, Joey Holder, John Beadle, John Hansard Gallery, John Moore Painting Prize 2018, Juan Cruz, Justin Brice Guariglia, KADIST, Katherine Ka Yi Liu, Katja Hilevaara, Kent, Kiasma, Knole House, Krabi, Kristen Kreider, Laboratori Nazionali del Gran Sasso, Landing Girls, leah capaldi, Lindsay Seers, Lionheart, Liu Xiaodong, Liverpool, Liverpool John Moores University, London, Longing and Consolidation, Longside Gallery, Louise Bourgeois, Lubaina Himid, Lubaina Himid MBE, Lucy Day, Lucy Gunning, Maria Fusco, Mark Dion, Marvin Gaye Chetwynd, Mary Mattingly, Material Sight, Matt's Gallery, Maya Lin, Meg Webster, Melanie Jackson, Melanie Wilson, Mike Nelson, milk, Milton Keynes, Milton Keynes Community Collaborators, MMOMA, More Things (a table ruin) (2014), Moscow Museum of Modern Art, Mosfellsbaer, Naomi Pearce, Nathaniel Mellors, National Art Gallery of The Bahamas, New York, Nicola Bealing, Nine Elms, Nora Lawrence, Nottingham, Officine Grandi Riparazioni, OGR, Orlando, Outpatients Unit, Overlay, Pacific rainforest, Pawel Althamer, Petrovka Street gallery, Plans & Records, possessions_inc, Primary, Psi Girls (1999), Rasheed Araeen, Redway, REMAINS, Representation of the People Act, Richard Grayson, Richard Guzman, Rodic Davidson Architects, Ron Heneocq Fine Art, Rosalind Davies, Routledge, Roy Voss, Sackville-West, Sao Paulo, Sarah Diver, Scotland, Sherrie Levine, Social Facts, Sonia Farmer, Southampton, Southend-on-Sea, Steve Rowell, Storm King Art Center, Susan Hiller, tatami, Tavares Strachan, Thailand, The Aalto Natives, The Bahamas, The Creative Critic: Writing as/about Practice, The MAC, The Residence, The Slave's Lament, The Walker Art Gallery, Tim Etchells, Turin, University of Leicester, V-A-C Foundation, V&A Wallpaper Archive, Venice Biennale, Virginia Woolf, Vita Sackville-West, Wandsworth, Watou Arts Festival, We Suffer to Remain, Whitstable Biennale, Willem de Kooning, Willie Doherty, Yorkshire Sculpture Park |
By Matt's Gallery on 3 April 2018
Upcoming Jo Bruton, Run, Matt’s Gallery, 92 Webster Road, London, 7 – 15 April, Private View 6 April 6-9pm Jo Bruton’s second show at Matt’s Gallery sees the artist expanding her practice as a painter into a series of printed wallpapers. Hand painted, digitally produced and then pasted to the walls of the gallery, the piece has […]
Posted in News | Tagged A Woman's Place at Knole, Acme Fire Station, Again, Alberta Whittle, Alberto Giacometti, Alfacar, Alice May Williams, Alison Turnbull, All The Wor, All the World's a Sunny Day, Allison Janae Hamilton, Am I Not A Man and A Brother, Andrew Gilbert, Andrew Hairstans, Andy Fisher, Anil Seth, Anina Major, Another Country: Aspects of Scottish Emigration to the United States, April, Art Monthly, Arts Catalyst, Artur Zmijewski, Avatar Therapy, Banner Repeater, Barbara Kruger, Baron Sackville, BBC Radio 4, Benedict Drew, Benjamin Swaim, Bermondsey, Berwick Visual Arts, Beth Forde, Birthe Jorgensen, British Council, Candice Lin, Caspar Heinemann, Cecil Collins, Channels, Chris Frith, CJ Mahony, Collyer Bristow Gallery, Colombia, Constantine Brancusi, Contemporary Art Society, Dana Hargrove, David Austen, David Brooks, David Collens, Dawn Gavin, De La Warr Pavilion, Dear Climate, Deeper in the Pyramid, Dieter Roth, Doris McCarthy Gallery, Dr Blanca Huertas, Durham University, Edward Hopper, Eighty Circles Through Canada (The Last Possessions of An Orcadian Mountain Man), Elaine Rutherford, Elena Bajo, Elisabeth Frink, Eliza Gluckman, Ellie Ga, Emily Speed, Emma Bolland, Erkka Nissinen, Esther Leslie, Euan Gray, Fiction as Method, Finnish Pavilion, Fiona Banner, Fiona Crisp, Focal Point Gallery, Futures & Fictions, Gabriela Salazar, Galeria Moises Perez De Albeniz, Galerie Crevecoeur, Gallery 4, Gallery of Modern Art (GoMA), General Rehearsal, Gerard Byrne, Ghetto Priest, Glasgow, Graham Fagen, Grand Union, Grundy Art Gallery, Hans-Peter Feldmann, Hara Woltz, Helen Marten, Henning Bohl, Henry Moore, Hospitalfield, Ian Hamilton Finlay, In the Future, Indicators: Artists on Climate Change, Institute for Computational Comology, Irineu Destourelles, Isobel Wohl, It's all the same fucking day man..., Jakob Kolding, Jala Wahid, James Miranda Barry, Janani Balasubramanian, Jane Evelyn Atwood, Jenny Kendler, Jih-Fie Cheng, JMW Turner, Jo Bruton, John Beadle, John Cunningham, John Hansard, John Smith, Jonathan Trayner, Jordan Baseman, Julien Ceccaldi, Justin Brice Guariglia, KADIST, Katharina Poos, Katherine Angel, Katherine Ka Yi Liu, kennardphillips, Kiasma, Kirsten Cooke, Knole House, Laboratori Nazionale del Gran Sasso, Leo Kelly, Linda Stupart, Lindsay Seers, Lionheart, Lisson Gallery, London, Louise Bourgeois, Lubaina Himid, Lucy Day, MA BIBLIOTHEQUE, Margot Norton, Maria Abramovic, Mark Dion, Mary Mattingly, Mas Arte Mas Accion, Material Sight, Matt's Gallery, May, Maya Lin, Meg Webster, Melanie Jackson, Melanie Wilson, Mieke Bal, Mike Nelson, milk, Minnesota, MMOMA, MONA, More Things (a table ruin), Moscow Museum of Modern Art, Muirhead Bone, Nathaniel Mellors, National Art Gallery of The Bahamas, National Gallery of Victoria, Natural History Museum London, New Museum, NGV Triennial, Nicholas Brooks, Nick Mwaluko, Nora Lawrence, Northern Gallery of Contemporary Art, Officine Grandi Riparazioni, On Violence, Orlando, Ourhouse, ourneys with 'The Waste Land', Patrick Heron, Paul Buck, Paul Nash, Paula Rego, Pavel Büchler, Pawel Althamer, Plans & Records, Polygraphs, possessions_inc, Primary, Progressive Rocks, Project/Number, Project/Numebr, Rebecca Jagoe, Renaud Jerez, Repeater Books, Representation of the People Act, Richard Grayson, Richard Guzman, Ridinghouse, Ron Henocq Fine Art, Roy Voss, Rudy Loewe, Sackler Centre for Consciousness, Saint John's Art Center, Sarah Diver, Sarah Wood., Sharon Kivland, Sherrie Levine, Skye Arundhati-Thomas, Social Facts, Sonia Farmer, Special Collection Scheme, Sternberg Press, Steve Rowell, Storm King Art Center, Suffering, Sump, Susan Hiller, Tacita Dean, Tai Shani, Talking Art 2, Tavares Strachan, The Aalto Natives, The Bahamas, The MAC, The New Art Gallery Walsall, The Slave's Lament, the stars above the ocean the ocean beneath the stars, The Way T, The Way Things Are, Timothy Dixon, Toronto, Totah, Travis Alabanza, Turin, Turner Contemporary, UCL, V-A-C Foundation, Vanessa Place, Venice Biennale, violence, Virginia Woolf, Vita Sackville-West, Viznar, Vladimir Nabokov, We Suffer to Remain, Wellcome Trust, Willie Doherty, Williem de Kooning |
By Matt's Gallery on 1 December 2017
Matt’s Gallery is moving to Ron Henocq Fine Art Matt’s Gallery is pleased to announce that in January 2018 it will move to Ron Henocq Fine Art, 92 Webster Road, Bermondsey, London, SE16 4DF. Located next door to Coleman Project Space and a few minutes walk from CGP London/Dilston Grove, 92 was home to the artists Roger Shaw and […]
Posted in News | Tagged ACME, ALEX, Alex Gartenfeld, Alexander and Bonin, Alexis Hunter, Andrea Zittel, Andy Warhol, Anna Oppermann, Atlantic Dialogue, Atlantic Project, Barbara Kruger, Berlin, Bermondsey, Bermondsey Artist Group, Berwick Visual Arts, Beth Forde, Bexhill On Sea, Bill Woodrow, Bruce Neuman, Burns Unbroke, Cafe Gallery, Carolee Schneemann, CASS Sculpture Foundation, Castrato, CGP London, Channels, Coleman Project Space, David Austen, De La Warr Pavilion, Dieter Roth, Dilstion Grove, Edinburgh, Eduardo Paolozzi, El Paso, Elaine Sturtevant, Esslingen, Everything at Once, Gabriel Hartley, Galerie Peter Kilchmann, Gean Moreno, Gerard Byrne, Glasgow, GoMA, Graham Fagen, Grundy Art Gallery, Hans-Peter Feldmann, Hito Steyerl, Home, Home (Waiting), Ian Hamilton Finlay, ICA, Imogen Stidworthy, Institute for Contemporary Art, Jane Evelyn Atwood, Jaroslaw Kozlowski, Joseph Mallord William Turner, Joyce Pensato, kennardphillips, Kiluanji Kia Henda, Legacies, Leo Kelly, Lindsay Seers, Lisson Gallery, Liu Chuang, MAAS, Marie Lund, Martin Kippenberger, Matt's Gallery, Mayflower 400, Melanie Jackson, Miami, Michael Curran, Mike Nelson, MONA, Mona Hatoum, Muirhead Bone, Museum of Applied Arts and Science, Museum Villa Merkel, New York, Nilbar Gures, Nine Elms, No Return, Pablo Picasso, Pennsylvania, Philip Guston, Phillip King, Polygraphs, possessions_inc, Queenstown, Richard Grayson, Rita McBride, Roger Shaw, Ron Henocq Fine Art, Rosemanrie Tockel, Roy Voss, Ryoji Ikeda, SAPLM, Sean Steadman, South Bank, Southwark Park, SPACE, Stanley Picker Traineeship, steel, Stephanie Seidel, Suffering, Summerhall, SUPERFLEX, Susan Hiller, Switzerland, Tasmania, Tesumi Kudo, The Drowned, The Everywhere Studio, The New Art Gallery Walsall, The Sleeping Procession, The Store Studios, The Unconformity, The Vinyl Factory, The Way Things Are, THIS IS A VOICE, Tom Trevor, tools that see (possessions of a thrif) - compressor, Ursula Biemann, Wang Shang, Webster Road, Wellcome Collection, West Sussex, Willie Doherty, Words and Colors, Yves Klein, ZAK | BRANKICA, Zurich |
By Matt's Gallery on 28 September 2017
Current Marianna Simnett, Worst Gift, Matt’s Gallery, until 22 October 2017, Wednesday – Sunday, 12 – 6pm Matt’s Gallery is pleased to present Worst Gift, a new film installation by Marianna Simnett. Comprising video, liquid, light and sound, Worst Gift continues Simnett’s ongoing exploration of female subjectivity and bodily integrity as they relate to the power dynamics […]
Posted in News | Tagged 57th Venice Biennale, Acme Fire Station, Alexander and Bonin, Alvar Aalto, Art Licks Weekend, Art Licks Weekend 2017, Arts Catalyst, Arts Council England, ASC Gallery, Austrian Cultural Forum, Benedict Drew, Berwick Visual Arts, Bloomsbury, Charlie Fox, Dane Sutherland, Darren Banks, De La Warr Pavilion, DisObey, Erkka Nissinen, Esther Leslie, Finland, Finnish Pavilion, Fiona Crisp, Frequency Festival, Galerie Peter Kilchmann, Gallery of Modern Art (GoMA), Graham Fagen, Grundy Art Gallery, Holly Antrum, Imogen Stidworthy, India Harvey, Joe Graham, Jordan Baseman, Joseph Mallord William Turner, KELDER, Laura Dee Milnes, leah capaldi, Leo Chadburn, Lincoln Voices, Lindsay Seers, Lucinda Chua, Lucy Clout, Making Milk: The Past, Marianna Simnett, Melanie Jackson, Modern Art Oxford, MONA, Mona Hatoum, MONITOR, Museum of Applied Arts & Sciences, Nathaniel Mellors, National Galleries Scotland, National Gallery Jamaica, Palazzo Franchetti, possessions_inc, Present and Future of Our Primary Food, Retrospective, Richard Grayson, Rose Finn-Kelcey, Roy Voss, Sluice Biennale 2017, Steven Dickie, Susan Hiller, Tate, The Aalto Natives, The New Art Gallery Walsall, The Slave's Lament, Turner, Unconcious Archives, University of Lincoln, Venice Biennale, Wellcome Collection, Wellcome Trust, Willie Doherty |