By Matt's Gallery on 29 June 2017
We are delighted to announce that we have secured another four years of funding as an Arts Council England NPO. Upcoming Willie Doherty, Loose Ends, Matt’s Gallery, private view 02 July 3 – 6pm, exhibition runs 05 – 30 July 2017, Wednesday – Sunday, 12 – 6pm Matt’s Gallery presents Loose Ends, a recent two-screen video installation […]
Posted in News | Tagged @MattsGalleryLondon, 1977, 2013, 31 Women, 57th Venice Biennale, Alison Turnbull, All the World's a Sunny Day, Andaz London, Anne Bean, Art Night 2017, Arts Council England, Arts Council of Ireland, Australia, Benedict Drew, Braddon, Breese Little, Canberra Contemporary Art Space, De La Warr, De La Warr Pavilion, Dmitry Ozerkov, Donegal County Council, Dublin, Erkka Nissinen, Film London Jarman Award, Finnish Pavilion, Flurry, FRAME Visual Art Finland, Gallery of Modern Art (GoMA), Glasstress, Graham Fagen, HYPERactive, ICA, Instagram, Irish Film Institute, Jordan Baseman, Kerlin Gallery, kill switch, Leo Kelly, Letterkenny, Lindsay Seers, London, Loose Ends, Marianna Simnett, Masonic Temple, Matt's Gallery, Maus Contemporary, Melanie Jackson, MONA, MONA Tasmania, Museum of English Rural Life, Nathaniel Mellors, National Galleries Scotland, National Project Award, Nerve Centre, No Return, Orto Botanico, Palazzo Franchetti, Pittsburgh, Polygraphs, possessions_inc, Richard Grayson, Roy Voss, Seventeen, so it is, Stanley Picker Lectures, The Aalto Natives, The Black Sea, The Chapel of House of St. Barnabas, The Mattress Factory, The Needle and the Larynx, The Regional Cultural Centre, The Slave's, The Slave's Lament, The Tickle-Down Syndrome, The Uniformity Queenstown, Venice, Whitechapel Gallery, Willie Doherty |
By Matt's Gallery on 5 October 2016
Matt’s Gallery’s new space in Bermondsey opens with Leah Capaldi’s Lay Down Matt’s Gallery’s new temporary space on Decima Street in Bermondsey opens with Leah Capaldi’s solo show Lay Down on Saturday 29th October 2016 from 3 – 6pm. Join us to celebrate a new era in Matt’s Gallery’s 36 year history, as […]
Posted in News | Tagged 12-hour action group, 1786, 2016, 22/2/1992, A Crack in the Light, A Drama in Time, abstract art, Aesthetica Film Festival, Aesthetica Short Film Festival, Alison Turnbull, American West, An Introduction to Bliss for Two Voices with Chorus, Animal Condensed, Animal Expanded, Anne Bean, Anthony Bale, archive, Art Seen Contemporary Projects, Artist in Residence, BAFTA, Benedict Drew, Bergen Triennale, Bermondsey, Birckbeck School of Arts, Blackout, Blackpool, Block 336, Bloomsbury Festival, Body, Bogota, Boulby, Bow Gamelan Ensemble, breastmilk, British, British art, British Art Show 8, Brixton, Bronwen Buckeridge, California, Calton Hill, Calton Road, Centro de Memoria, Cheyenne, China, City of Malmo, Cloud Diagram, Collage, Columbia, Columbian flag, Concreta Magazine, Conway Hall, Cooper Gallery, Cyprus, decima street, Dee Smith, Deeper in the Pyramid, Dolph Projects, Domestique, Dublin, Duncan of Jordanstone College of Art & Design, Dundee, Durden and Ray, Edinburgh, Edinburgh Festival, Ellen Zweig, Episode 5, Esther Leslie, EXCHANGE, femininity, film, Film and Drama Studio, Fiona Crisp, Fluid Physicalities, Fraser Muggeridge, Gdansk, Gdansk City Gallery 2, Graham Fagen, Grundy Art Gallery, Hayley Newman, Heart Beat Ear Drum, Imogen Stidworthy, Imperfect geometry for a concrete quarry, Irish independence, Jacob's Ladder, Jamaica, Jennet Thomas, Johann Jacobs Museum, Jordan Baseman, Kalkbrottet, Kerlin Gallery, Keynes Library, Kingston, lay down, leah capaldi, Lee Smith, Leith, Leverhume, Liberties, Limhamn, London, Loose Ends, Los Angeles, Lucy Gluckman, Malmo, Malmö Konsthall, Mansion, Margaret Tatcher, Mas Arte Mas Accion, Matt's Gallery, Matt’s Gallery + BLACKROCK, Melanie Jackson, Mike Nelson, motherhood, Move, Negative Capability, NEON: The Charged Line, New Church, New Orleans, New Orleans Film Festival, New Street, New Town, Nicosia, North East Contemporary Arts Network, Norwich, Norwich University of the Arts, November, Now it is Permitted: 24 Wayside Pulpits, October, of other spaces: where does gesture become event?, Official Selection, oil on canvas, Old Street Dust (polychrome), Old Town, online commission, Oracle, painting, Patrick Geddes, Paul Burwell, Paz y Reconciliacion, Penzance, performance, performance lecture, photography, Poland, possessions_inc, Queen Mary University, Re:Bandera, Richard Grayson, Richard Wilson, Robert Burns, Roger Buergel, Roy Voss, Savanah-La-Mar, SE1, September, Sequencer, sex, Sex Discrimination Act, solo show, Solzhenitsyn's bread, sound piece, Stephan McNeilly, Suzhou, Suzhou Documents, Sweden, Swedenborg House, The Ground, The Grundy Gallery, The Live Authenticity Flesh, The Roselle, The Unspeakable Freedom Device, This Is Tomorrow, two-screen video, Unreliable Matriarchs, Unspeakable Freedom >> Tastes like Chicken, USA, Utah, video still, Wapiti, War/Garden (after Tubby), What I thought I saw saw me, Willie Doherty, Window Gallery, Wyoming, Wyoming State Archives, York, Z'EV |