photography
June 2019
By Matt's Gallery on 6 June 2019
Upcoming Dean Kenning, Psychobotanical, Matt’s Gallery, London, private view 7 June 6-9pm, exhibition open Wed-Sun 12-6pm, 8-30 June 2019 For the 3x3x3 metre gallery space at 92 Webster Road, Kenning plans to extend and tumefy an on-going series of sculptural pieces, which feature throbbing plant-like protuberances. Encircling this motorised work the gallery’s walls will play […]
Posted in News | Tagged 3D printing, A length of spit dangled from a mouth., Aalst, Amberes, Anne Bean, Antwerp, Bad Mantra, Bad Mantras, Bath, Berlin, Botanical Drift, Broadside ballads, Cample Line, casting, catalogue, cityscapes, CNC, collaborative, Cornwall, cut up, David Austen, David Osbaldeston, Dean Kenning, diagrams, Dialogues with People, digital animation, Digital commission, Double Act, Dumfries, Dundee Contemporary Arts, Duveen Galleries. Duveen, Elizabeth Magill, England and Co. Gallery, Erkka Nissinen, Ghetto Priest, Graham Fagen, graphic, Hayley Newman, Helston, Hogarth and the Art of Noise, IG Metall, IKON Gallery, Imogen Stidqorthy, Jordan Baseman, Kestle Barton, LA, Luke McCreadie, M HKA, Matt's Gallery, Melanie Jackson, Michael Stanley, Mike Nelson, Mono, monoprint, monuments, MuKHA, Nathaniel Mellors, Netwerk Aalst, Nicola Bealing, performance, photography, plants, printmaking, Psychobotanical, publication, Radio Influenza, Roberto Bolano, sculpture, Simon Marsh, Tate Britain, Tate Britain Commission, text-based, The Aerodrome, The Asset Strippers, The Box, The Box LA, The Foundling Museum, The Holburne Museum, The Slave's Lament, Thornhill, Toine Horvers, welding, Wellcome, William Hogarth, writing
August 2018
By Matt's Gallery on 6 August 2018
Upcoming The series of 10-day shows continues from September onwards, plus other events at Matt’s Gallery, London Bronwen Buckeridge, Widowhood, Matt’s Gallery, London, 2 September 2018, 2-6pm Widowhood is a live audio performance with racing pigeons and the pigeon men who train them. The work is driven by an interest in the complex relationship racing pigeons […]
Posted in News | Tagged A Woman's Place at Knole, Aesthetica Short Film Festival, Again more things (a table ruin), Alberto Giacometti, Alison Turnbull, Allison Janae, Allison Janae Hamilton, Alter Heroes Coalition, Arts Catalyst, Attenborough Arts Centre, auto-bituary, BANFF, Benedict Drew, Borbala Szanto, Bronwen Buckeridge, Cibelle Cavalli Bastos, Constan, David Brooks, David Collens, Dear Climate, Dieter Roth, Dundee, Earagail Arts Festival, Eighty Circles Through Canada, Ellie Ga, Erkka Nissinen, Every Thought Ther, exhibition, Focal Point Gallery, FRONT International, Gabriela Salazar, General Rehearsal, Generator Projects, Gery Georgieva, Graham Fagen, Guerre/Jardin, Gwanju Biennial, Hara Woltz, Hayley Newman, Hellmouth, Henry Moore, Hospitalfield, I don't know what I'm doing but I'm trying very hard, I live without living in me, Indicators: Artists on Climate Change, Japanese Paintings, Jenny Kendler, Jo Bruton, Jo Stockham, John Hansard Gallery, John Moores Painting Prize, John Moores Painting Prize 2018, Juan Cruz, Justin Brice Guariglia, KADIST, Kent Monkman, Kiasma, Knole House, leah capaldi, Letterkenny Regional Cultural Centre, Lindsay Seers, Longing and Consolidation, Louise Bourgeois, Mark Dion, Mary Mattingly, Matt's Gallery, Maya Lin, Meg Webster, Melanie Jackson, Michael Curran, Mike Nelson, Mimosa House, MMOMA, Moscow Museum of Modern Art, Muriel Spark, Naomi Pearce, Nathaniel Mellors, Nora Lawrence, OilY, Pawel Althamer, photography, Pigeon Race, Portrait of a Sculptor, possessions_inc, Primary, Rebecca Lennon, REMAINS, Richard Grayson, robotics, Rodic Davidson Architects, Ron Henocq Fine Art, Sarah Diver, shame, Sherrie L, Southend-on-Sea, Steve Rowell, Storm King Art Center, Summerhall, Super Sohrab, Super Taus, Sursock Museum, Tabita Rezaire, Tavares Strachan, The Anti Ecstatic Machines, The Gluts, The MAC, The Mothership residency, The Walker Art Gallery, Tomas Klassnik, Tomaso Binga, University of Leicester, V-A-C, V-A-C Collection, Vancouver, video, Watou Arts Festival, Whitechapel Gallery, Widowhood, Willem de Kooning, Willie Doherty, Yolanda López | Leave a response
December 2016
By Matt's Gallery on 30 November 2016
Current Leah Capaldi, Lay Down, Matt’s Gallery’s new temporary space, 11 November – 18 December 2016, Friday – Sunday, 12 – 6pm Lay Down is the first major solo show by artist Leah Capaldi. The exhibition opens Matt’s Gallery’s temporary new space in Bermondsey, marking a new era for the gallery as it moves south […]
Posted in News | Tagged 12-hour action group, 1970s, 22/2/1992, 5A Studios, A Crack in the Light, A Tale I Know Nothing About, abstract film, abstraction, activism, Adele Patrick, Al Gunby, Alison Turnbull, Amelia Jones, American West, An Introduction to Bliss for Two Voices with Chorus, Angus Braithwaite, Anne Bean, Art Council England, Art Seen Contemporary Projects and Editions, Artangel, Arthur Manzo, Artist News, Artists News, audio, Barbara Capaldi, Benedict Drew, Bergen Triennale, Bermondsey, Bill Roberts, binaural, Blackout, Blackpool, Bless Klepcharek, Body, Bogota, Bolder 2, British Art Show 8. Southampton City Art Gallery, CCA, Centre of Contemporary Art, Centro de Memoria, Cheyenne, Close-Up Cinema, Cloud Diagram, Columbia, commission, Concreta Magazine, Cooper Gallery, Cowboy, Cyprus, decima street, Dee Smith, Derry, Divided Self, Dolph Projects, Domestique, Duncan of Jordanstone College of Art & Design, Dundee, dystopia, East London, Edge of Frame: Elemental Animation, Elias Bate, Eliza Gluckman, Elliot Ross, embodiment, Essex Road, Essex Road III, EXCHANGE, femininity, film, Fiona Crisp, gender codes, Glasgow Women's Library, Glynn Vivian Art Gallery, Gordon Raeburn, Graham Fagen. NEON: The Charged Line, Grundy Art Gallery, Hackney Council, Hayley Newman, Imogen Stidworthy, Imperfect geometry for a concrete quarry, installation, Jason Moffat, Jennet Thomson, John Frankland, John Hansard Gallery, Jonathan Bassett, Jonathan Caruana, Jordan Baseman, Josh Gardener, Kalkbrottet, KAPUT, landscape, Laura Mulvey, Lawrence Leaman, lay down, leah capaldi, lecture, Lee Smith, Liberties, Limhamn, Lindsay Seers, Little Boy, Liverpool, London, London Short Film Festival, Londonderry, Lucy Day, Lynda Morris, Mabley Green, Malmo, Mansion, Marina Vishmidt, Mas Arte Mas Accion, Matt's Gallery, Mike Nelson, motherhood, Multiplicities II, Negative Capability, Nicosia, North East Contemporary Arts Network, North London, Nowhere Less Now, of other spaces: where does gesture become event?, online commission, Paul Russell, Paz y Reconciliacion, PEER, Penzance, performance, petition, photography, possessions_inc, Price and Myers, Re:Bandera, Richard Grayson, Roddy Canas, sculpture, Sequencer, sex, Sex Discrimination Act, Shoreditch Park, somantic effects, Southampton, spectatorship, swansea, Sweden, systems of representation, The Artangel Collection, The Crazy House, The Dissolution of the Western Empire, the horror of the modern world, The Saw Tooth Wave, This Is Tomorrow, Thomas More, Tim Lucas, Tintype, University of Brighton, Utopia, video, wales, Walker Art Gallery, Wapiti, War/Garden (after Tubby), West Taylor, women, Wyoming, Wyoming State Archive | Leave a response
October 2016
By Matt's Gallery on 5 October 2016
Matt’s Gallery’s new space in Bermondsey opens with Leah Capaldi’s Lay Down Matt’s Gallery’s new temporary space on Decima Street in Bermondsey opens with Leah Capaldi’s solo show Lay Down on Saturday 29th October 2016 from 3 – 6pm. Join us to celebrate a new era in Matt’s Gallery’s 36 year history, as […]
Posted in News | Tagged 12-hour action group, 1786, 2016, 22/2/1992, A Crack in the Light, A Drama in Time, abstract art, Aesthetica Film Festival, Aesthetica Short Film Festival, Alison Turnbull, American West, An Introduction to Bliss for Two Voices with Chorus, Animal Condensed, Animal Expanded, Anne Bean, Anthony Bale, archive, Art Seen Contemporary Projects, Artist in Residence, BAFTA, Benedict Drew, Bergen Triennale, Bermondsey, Birckbeck School of Arts, Blackout, Blackpool, Block 336, Bloomsbury Festival, Body, Bogota, Boulby, Bow Gamelan Ensemble, breastmilk, British, British art, British Art Show 8, Brixton, Bronwen Buckeridge, California, Calton Hill, Calton Road, Centro de Memoria, Cheyenne, China, City of Malmo, Cloud Diagram, Collage, Columbia, Columbian flag, Concreta Magazine, Conway Hall, Cooper Gallery, Cyprus, decima street, Dee Smith, Deeper in the Pyramid, Dolph Projects, Domestique, Dublin, Duncan of Jordanstone College of Art & Design, Dundee, Durden and Ray, Edinburgh, Edinburgh Festival, Ellen Zweig, Episode 5, Esther Leslie, EXCHANGE, femininity, film, Film and Drama Studio, Fiona Crisp, Fluid Physicalities, Fraser Muggeridge, Gdansk, Gdansk City Gallery 2, Graham Fagen, Grundy Art Gallery, Hayley Newman, Heart Beat Ear Drum, Imogen Stidworthy, Imperfect geometry for a concrete quarry, Irish independence, Jacob's Ladder, Jamaica, Jennet Thomas, Johann Jacobs Museum, Jordan Baseman, Kalkbrottet, Kerlin Gallery, Keynes Library, Kingston, lay down, leah capaldi, Lee Smith, Leith, Leverhume, Liberties, Limhamn, London, Loose Ends, Los Angeles, Lucy Gluckman, Malmo, Malmö Konsthall, Mansion, Margaret Tatcher, Mas Arte Mas Accion, Matt's Gallery, Matt’s Gallery + BLACKROCK, Melanie Jackson, Mike Nelson, motherhood, Move, Negative Capability, NEON: The Charged Line, New Church, New Orleans, New Orleans Film Festival, New Street, New Town, Nicosia, North East Contemporary Arts Network, Norwich, Norwich University of the Arts, November, Now it is Permitted: 24 Wayside Pulpits, October, of other spaces: where does gesture become event?, Official Selection, oil on canvas, Old Street Dust (polychrome), Old Town, online commission, Oracle, painting, Patrick Geddes, Paul Burwell, Paz y Reconciliacion, Penzance, performance, performance lecture, photography, Poland, possessions_inc, Queen Mary University, Re:Bandera, Richard Grayson, Richard Wilson, Robert Burns, Roger Buergel, Roy Voss, Savanah-La-Mar, SE1, September, Sequencer, sex, Sex Discrimination Act, solo show, Solzhenitsyn's bread, sound piece, Stephan McNeilly, Suzhou, Suzhou Documents, Sweden, Swedenborg House, The Ground, The Grundy Gallery, The Live Authenticity Flesh, The Roselle, The Unspeakable Freedom Device, This Is Tomorrow, two-screen video, Unreliable Matriarchs, Unspeakable Freedom >> Tastes like Chicken, USA, Utah, video still, Wapiti, War/Garden (after Tubby), What I thought I saw saw me, Willie Doherty, Window Gallery, Wyoming, Wyoming State Archives, York, Z'EV | Leave a response