By Matt's Gallery on 5 October 2016
Matt’s Gallery’s new space in Bermondsey opens with Leah Capaldi’s Lay Down Matt’s Gallery’s new temporary space on Decima Street in Bermondsey opens with Leah Capaldi’s solo show Lay Down on Saturday 29th October 2016 from 3 – 6pm. Join us to celebrate a new era in Matt’s Gallery’s 36 year history, as […]
Posted in News | Tagged 12-hour action group, 1786, 2016, 22/2/1992, A Crack in the Light, A Drama in Time, abstract art, Aesthetica Film Festival, Aesthetica Short Film Festival, Alison Turnbull, American West, An Introduction to Bliss for Two Voices with Chorus, Animal Condensed, Animal Expanded, Anne Bean, Anthony Bale, archive, Art Seen Contemporary Projects, Artist in Residence, BAFTA, Benedict Drew, Bergen Triennale, Bermondsey, Birckbeck School of Arts, Blackout, Blackpool, Block 336, Bloomsbury Festival, Body, Bogota, Boulby, Bow Gamelan Ensemble, breastmilk, British, British art, British Art Show 8, Brixton, Bronwen Buckeridge, California, Calton Hill, Calton Road, Centro de Memoria, Cheyenne, China, City of Malmo, Cloud Diagram, Collage, Columbia, Columbian flag, Concreta Magazine, Conway Hall, Cooper Gallery, Cyprus, decima street, Dee Smith, Deeper in the Pyramid, Dolph Projects, Domestique, Dublin, Duncan of Jordanstone College of Art & Design, Dundee, Durden and Ray, Edinburgh, Edinburgh Festival, Ellen Zweig, Episode 5, Esther Leslie, EXCHANGE, femininity, film, Film and Drama Studio, Fiona Crisp, Fluid Physicalities, Fraser Muggeridge, Gdansk, Gdansk City Gallery 2, Graham Fagen, Grundy Art Gallery, Hayley Newman, Heart Beat Ear Drum, Imogen Stidworthy, Imperfect geometry for a concrete quarry, Irish independence, Jacob's Ladder, Jamaica, Jennet Thomas, Johann Jacobs Museum, Jordan Baseman, Kalkbrottet, Kerlin Gallery, Keynes Library, Kingston, lay down, leah capaldi, Lee Smith, Leith, Leverhume, Liberties, Limhamn, London, Loose Ends, Los Angeles, Lucy Gluckman, Malmo, Malmö Konsthall, Mansion, Margaret Tatcher, Mas Arte Mas Accion, Matt's Gallery, Matt’s Gallery + BLACKROCK, Melanie Jackson, Mike Nelson, motherhood, Move, Negative Capability, NEON: The Charged Line, New Church, New Orleans, New Orleans Film Festival, New Street, New Town, Nicosia, North East Contemporary Arts Network, Norwich, Norwich University of the Arts, November, Now it is Permitted: 24 Wayside Pulpits, October, of other spaces: where does gesture become event?, Official Selection, oil on canvas, Old Street Dust (polychrome), Old Town, online commission, Oracle, painting, Patrick Geddes, Paul Burwell, Paz y Reconciliacion, Penzance, performance, performance lecture, photography, Poland, possessions_inc, Queen Mary University, Re:Bandera, Richard Grayson, Richard Wilson, Robert Burns, Roger Buergel, Roy Voss, Savanah-La-Mar, SE1, September, Sequencer, sex, Sex Discrimination Act, solo show, Solzhenitsyn's bread, sound piece, Stephan McNeilly, Suzhou, Suzhou Documents, Sweden, Swedenborg House, The Ground, The Grundy Gallery, The Live Authenticity Flesh, The Roselle, The Unspeakable Freedom Device, This Is Tomorrow, two-screen video, Unreliable Matriarchs, Unspeakable Freedom >> Tastes like Chicken, USA, Utah, video still, Wapiti, War/Garden (after Tubby), What I thought I saw saw me, Willie Doherty, Window Gallery, Wyoming, Wyoming State Archives, York, Z'EV |
By Matt's Gallery on 1 October 2012
October news from Matt’s Gallery: Revolver continues at the gallery and Brian Catling’s novel The Vorrh is launched. Artists’ exhibitions elsewhere include projects by Mike Nelson, Fiona Crisp, and Emma Hart. Nathaniel Mellors, Benedict Drew and Ben Rivers are shortlisted for the prestigious Jarman Award.
Posted in News | Tagged 10 x 10 London, 408 tons of imperfect geometry, 971 horses and 4 zebras, A Matter of Life and Death and Singing, Acts of Voicing, AFTER/HOURS/DROP/BOX, Alison Turnbull, ANDOR, Anna Barham, Ariadne's Thread, Artangel, Artists at Work, Beacon Art Projects, Benedict Drew, Beyond the Corrupted Eye, Brian Catling, Busan Biennial: Garden of Learning, C-salen, Casa del Lector, Cinéphémère and Club Silencio, CIRCA Projects, COMPASS, Crazee Golf, Emma Hart, Fiona Crisp, Fruitmarket Gallery, Galápagos, Gallery North, GoMA, Graham Fagen, Graham Gussin, Here comes Franz, Ikon, Imogen Stidworthy, Inspired Editions: Prints and Multiples, Intersections: Science in Contemporary Art, Jarman Award, Jennet Thomas, Jimmie Durham, Jordan Baseman, Kiasma, Large Glass, Lindsay Seers, Liverpool Biennial, M HKA, Maastricht, Malmö Konsthall, Mardin Bienali, Media City Seoul, Mike Nelson, Moby Dick Big Read, Nathaniel Mellors, Neugerriemschneider, Nowhere Less Now, Oaxaca FilmFest, Ourhouse, Outpost, Paraphrasing Babel, Paul Rooney, Rachel Lowe, Revolver, Richard Grayson, Robert Burns Birthplace Museum, Robin Klassnik, Roy Voss, School of Change, Secretion, Somerset House, space that saw (platform for a performance in two parts), Statens Museum for Kunst, Susan Hiller, Tai Shani, Tales of the City, The Tin Tabernacle, The Voice and the Lens, The Vorrh, Tina Keane, Tintype Gallery, TO DO, Victoria Gallery and Museum, Weizmann Institute of Science, What is a Document?, Will Cobbing, Willie Doherty, Wimbledon Space, With an Apple I Will Astonish, Württenburger Kunstverein Stuttgart, Zacheta National Gallery of Art |
By Matt's Gallery on 1 August 2012
Revolver, a new curatorial initiative at Matt’s Gallery, opens. Roy Voss, Cast opens at Dilston Grove. Projects elsewhere include Lindsay Seers’ Artangel commission, Imogen Stidworthy in Busan Biennale and Nathaniel Mellors in Media City Seoul.
Posted in News | Tagged 408 tons of imperfect geometry, A drawing while waiting for an idea, A Matter of Life and Death and Singing, Alison Turnbull, Amikam Toren, Andrew Kötting, Anne Bean, Artangel, Brian Catling, Busan Biennial, Cast, CCA, Crazee Golf, David Osbaldeston, Dilston Grove, dOCUMENTA (13), Dutch Pavilion in Venice, Emma Hart, European Live Art Archive, Gallerei Festiviteten, Gary Stevens, Glasgow Print Studio, GoMA, Graham Fagen, Hayley Newman, Here comes Franz, I Would Breathe Water, Imogen Stidworthy, Jarman Award, Jimmie Durham, Jordan Baseman, Juneau Projects, Large Glass, Layla Curtis, Lindsay Seers, Liverpool Biennial, Lucy Gunning, M HKA, Malmö Konsthall, Media City Seoul, Mike Nelson, Møte (Meeting), Nathaniel Mellors, Neugerriemschneider, Niet Normaal: Difference on Display, Northern Art Prize, Nowhere Less Now, On the Edge of the World, Oriel Myrrdin Gallery, Ourhouse E3 feat BAD COPY, Paul Carter, Paul Rooney, Pursuit of Perfection: the Politics of Sport, Revolver, Richard Grayson, Richard Wilson, Robin Klassnik, Roy Voss, Salle de Bains, Sarah Scout Presents, SF Shorts, South London Gallery, space that saw (platform for a performance in two parts), Susan Hiller, Tales of the City, The all-resistant eye, The Bluecoat, The London Open, The Medium is the Message: words in printmaking since the 1960s, The Tin Tabernacle, Tintype Gallery, Victory Gallery and Museum, What We Have Done What We Are About To Do, Whitechapel Gallery, Whitstable Biennale, Willie Doherty, Zacheta National Gallery of Art |
![📻This weekend, listen to Lindsay Seers (@lindsayseers1) in conversation with Elizabeth Fullerton (@fullerton_eliz) on @artfictions2020 podcast, where they chat about Seers' work via Russel Hoban's 1980 novel 'Riddley Walker'.
Layering ideas and various time zones, their conversation explores imposter syndrome, hunger for power, problems with articulation, excess of language, confusion, the puppet who overwhelms the puppetmaster, the search for new forms of artwork, becoming a camera, character instability, non normative brains, compassion, discomfort, connections, coincidences, blips, misunderstandings, signs, traces, unknown causes, unknown effects, mass hallucination, states of becoming, constant evolution, multitude of narratives, grand historical narratives, personal history, quantum theory, quantum biology, metaphysics, unified consciousness, the impossibility of identifying origin, and eye gouging.
Listen now!
[ID: A photograph of artist Lindsay Seers holding up the novel Riddley Walker, which obscures part of her face. Behind her sits two of her camera dummies: blue ventriloquist dummies wearing sailor hats.]](https://news.mattsgallery.org/wp-content/plugins/instagram-feed/img/placeholder.png)