By Matt's Gallery on 5 October 2016
Matt’s Gallery’s new space in Bermondsey opens with Leah Capaldi’s Lay Down Matt’s Gallery’s new temporary space on Decima Street in Bermondsey opens with Leah Capaldi’s solo show Lay Down on Saturday 29th October 2016 from 3 – 6pm. Join us to celebrate a new era in Matt’s Gallery’s 36 year history, as […]
Posted in News | Tagged 12-hour action group, 1786, 2016, 22/2/1992, A Crack in the Light, A Drama in Time, abstract art, Aesthetica Film Festival, Aesthetica Short Film Festival, Alison Turnbull, American West, An Introduction to Bliss for Two Voices with Chorus, Animal Condensed, Animal Expanded, Anne Bean, Anthony Bale, archive, Art Seen Contemporary Projects, Artist in Residence, BAFTA, Benedict Drew, Bergen Triennale, Bermondsey, Birckbeck School of Arts, Blackout, Blackpool, Block 336, Bloomsbury Festival, Body, Bogota, Boulby, Bow Gamelan Ensemble, breastmilk, British, British art, British Art Show 8, Brixton, Bronwen Buckeridge, California, Calton Hill, Calton Road, Centro de Memoria, Cheyenne, China, City of Malmo, Cloud Diagram, Collage, Columbia, Columbian flag, Concreta Magazine, Conway Hall, Cooper Gallery, Cyprus, decima street, Dee Smith, Deeper in the Pyramid, Dolph Projects, Domestique, Dublin, Duncan of Jordanstone College of Art & Design, Dundee, Durden and Ray, Edinburgh, Edinburgh Festival, Ellen Zweig, Episode 5, Esther Leslie, EXCHANGE, femininity, film, Film and Drama Studio, Fiona Crisp, Fluid Physicalities, Fraser Muggeridge, Gdansk, Gdansk City Gallery 2, Graham Fagen, Grundy Art Gallery, Hayley Newman, Heart Beat Ear Drum, Imogen Stidworthy, Imperfect geometry for a concrete quarry, Irish independence, Jacob's Ladder, Jamaica, Jennet Thomas, Johann Jacobs Museum, Jordan Baseman, Kalkbrottet, Kerlin Gallery, Keynes Library, Kingston, lay down, leah capaldi, Lee Smith, Leith, Leverhume, Liberties, Limhamn, London, Loose Ends, Los Angeles, Lucy Gluckman, Malmo, Malmö Konsthall, Mansion, Margaret Tatcher, Mas Arte Mas Accion, Matt's Gallery, Matt’s Gallery + BLACKROCK, Melanie Jackson, Mike Nelson, motherhood, Move, Negative Capability, NEON: The Charged Line, New Church, New Orleans, New Orleans Film Festival, New Street, New Town, Nicosia, North East Contemporary Arts Network, Norwich, Norwich University of the Arts, November, Now it is Permitted: 24 Wayside Pulpits, October, of other spaces: where does gesture become event?, Official Selection, oil on canvas, Old Street Dust (polychrome), Old Town, online commission, Oracle, painting, Patrick Geddes, Paul Burwell, Paz y Reconciliacion, Penzance, performance, performance lecture, photography, Poland, possessions_inc, Queen Mary University, Re:Bandera, Richard Grayson, Richard Wilson, Robert Burns, Roger Buergel, Roy Voss, Savanah-La-Mar, SE1, September, Sequencer, sex, Sex Discrimination Act, solo show, Solzhenitsyn's bread, sound piece, Stephan McNeilly, Suzhou, Suzhou Documents, Sweden, Swedenborg House, The Ground, The Grundy Gallery, The Live Authenticity Flesh, The Roselle, The Unspeakable Freedom Device, This Is Tomorrow, two-screen video, Unreliable Matriarchs, Unspeakable Freedom >> Tastes like Chicken, USA, Utah, video still, Wapiti, War/Garden (after Tubby), What I thought I saw saw me, Willie Doherty, Window Gallery, Wyoming, Wyoming State Archives, York, Z'EV |
By Matt's Gallery on 1 June 2011
All the latest from Matt’s Gallery: Mike Nelson is representing Great Britain in Venice and Imogen Stidworthy’s exhibition at the gallery continues. Nathaniel Mellors is also showing in Venice, and has contributed to major group shows in Prague, Turin, and The British Art Show 7.
Posted in News | Tagged (.), A Midsummer Night's Dram, AE Harris Factory, Alison Turnbull, Anne Bean, Ben Rivers, British Art Show 7, British Pavilion, Bury Art Gallery, Cafe Oto, CCA, Contemporary Art at WOMAD, Cove Park Residency, David Osbaldeston, Devonport Gallery, Dilston Grove, Dis-covery, Eastside Projects, Fondazione Sandretto Re Rebaudengo, Friendship of the Peoples, Giving Soul, Graham Fagen, ILLUMInations, Imogen Stidworthy, Intersection: Intimacy and Spectacle, It has to be this way 2, Jennet Thomas, Jo Bruton, Jordan Baseman, la Biennale di Venezia, Lindsay Seers, Lofoten International Art Festival, McKenzie, Melanie Jackson, Mike Nelson, Narrative Show, Nathaniel Mellors, Outpost, Paul Burwell, Paul Rooney, Prague Quadrennial, Radar, Roy Voss, Rugby Art Gallery and Museum, Scottish Summer Exhibition, Sentences, Simon Oldfield Gallery, Slow Action, Southbank Centre, St John's College Oxford, TAPS and PAST: Improvisations with Paul Burwell, The Flemming Collection, The Trilogy (Extramission 2), The Un-knitted Lives of Young Girls, This is not a performance or a lecture, Transition Gallery, Un'Expressione Geografica, WAKE: visible tracks of turbulence, Working Against the System |
By Matt's Gallery on 1 September 2010
Artists’ news and projects this month includes: Mike Nelson’s The Coral Reef is on show at Tate Britain; Lindsay Seers is showing at Mead Gallery, Warwick; and Polytechnic curated by Richard Grayson is on at Raven Row.
Posted in News | Tagged Alison Turnbull, Artists' Laboratory, aspex, Available Light Collective, Bat Yam Museum of Contemporary Art (MoBY), Beaconsfield, Beamclub, British Art Show 7, British Council Collection, British Pavilion, COLLABORATORS2, David Roberts Art Foundation, De Hallen, Emporte Moi, Five Years, FLAMIN Productions Development Award, Frieze Art Fair, Gallery Live At Sion Hill, Gasworks, Hayley Newman, Ian McKeever, Imogen Stidworthy, It has to be this way 1.5, It has to be this way 2, Jennet Thomas, Jordan Baseman, Juan Cruz, Kiasma, Korean International Art Fair, Kunstmuseum des Kantons Thurgau, Leonard Hutton Galleries, Lindsay Seers, Liverpool Biennial, Lucy Gunning, Manifesta, Matthew Tickle, Mead Gallery, Melanie Jackson Hydrarchy: Power and Resistance at Sea, Melbourne Underground Film Festival, Michael Curran, Mike Nelson, Modern Love, More Pricks than Kicks, Musee d'Art Contemporain du Val-de-Marne, Nathaniel Mellors, National Gallery of Denmark, Natural History Museum London, Observatory, Ourhouse, Parallel Remix, Paul Burwell, Polytechnic, Provenance, Raven Row, Richard Grayson, ROOM, Roy Voss, Royal Academy, San Francisco International Festival of Short Films, School of Change, Signals, Simon Oldfield Gallery, St John's College Oxford, Statens Museum for Kunst, STATIC Gallery, Steps into the Arcane, TAPS: Improvisations with Paul Burwell, Tate Britain, The Dandy Doctrine, The Golden Space City of God, The Pleasure Dame, The Truth Was Always There, Venice Biennale, What I Thought at The Time, Willie Doherty |
By Matt's Gallery on 1 July 2010
Richard Grayson exhibits Messiah, originally commissioned by Matt’s Gallery in 2004, at 17th Biennale of Sydney, 12 May-1 August 2010, curated by David Elliott. Mike Nelson selected to represent Britain at the 2011 Venice Biennale. The British Pavilion at the Venice Biennale is commissioned by the British Council. Next exhibition at Matt’s Gallery The next […]
Posted in News | Tagged Alison Turnbull, Architectural Fictions, Biennale of Sydney, British Council, British Council Collection, Darwin Now, Dilston Grove, Edinburgh Sculpture Workshop, Emporte Moi, FACT, Fiona Crisp, Five Years, Hayley Newman, It has to be this way 1, It has to be this way 2, Jordan Baseman, Kunstmuseum des Kantons Thurgau, Lindsay Seers, Magazine 10, Matthew Tickle, Mead Gallery, Melbourne Underground Film Festival, Messiah, Mike Nelson, Musee d'Art Contemporain du Val-de-Marne, Observatory, On the Edge of the World, Paul Burwell, Paul Rooney, Richard Grayson, Roy Voss, Seeing Colour, South Hill Park Bracknell Gallery, St John's College Oxford, Statens Museum for Kunst, Steps into the Arcane, Susan Hiller, TAPS: Improvisations with Paul Burwell, Tatton Park Biennial, The Crystal Palace Destroyed, The Persistence of Vision, Venice Biennale, What I Thought at The Time, WORKS|PROJECTS |
