ANDOR
June 2013
By Matt's Gallery on 1 June 2013
Deadness by Jordan Baseman is now open at Matt’s Gallery and Susan Hiller’s recent Matt’s Gallery commission Channels tours to France. Artist’s exhibitions elsewhere include Imogen Stidworthy at M HKA, Nathaniel Mellors at Baltimore Museum of Art, Willie Doherty at IMMA, Graham Fagen at the Royal Scottish Academy and Lindsay Seers at Toulouse International Art Festival.
Posted in News | Tagged A Preface, Acts of Voicing, Alison Turnbull, ANDOR, Austin Forum, Baltimore Museum of Art, Benedict Drew, Between the Late and the Early, CAC Synagogue Delme, Centro de Arte Moderna, Ceri Hand Gallery, Channels, Chapter, David Osbaldeston, Deadness, Deep Feelings. From Antiquity to Now, For What It Is, FRAC Ile-de-France/Le Plateau, Fresh Trauma, Galápagos, Galway Arts Festival, Graham Fagen, Homelands British Council Touring Exhibition, Imogen Stidworthy, Irish Museum of Modern Art, Jimmie Durham, Jo Bruton, John Russell, Jordan Baseman, Kunsthalle Krems, Lindsay Seers, M HKA, Nathaniel Mellors, Northern Ireland: 30 Years of Photography, O Chair O Flesh, Roy Voss, SNAP: Art at the Aldeburgh Festival, Susan Hiller, The Collection as a Character, The Encyclopedic Palace, The Royal Scottish Academy, The Royal Standard, Total Museum, Toulouse International Art Festival, Treignac Projet, Venice Biennale, Willie Doherty, Wysing Arts Centre | Leave a response
October 2012
By Matt's Gallery on 1 October 2012
October news from Matt’s Gallery: Revolver continues at the gallery and Brian Catling’s novel The Vorrh is launched. Artists’ exhibitions elsewhere include projects by Mike Nelson, Fiona Crisp, and Emma Hart. Nathaniel Mellors, Benedict Drew and Ben Rivers are shortlisted for the prestigious Jarman Award.
Posted in News | Tagged 10 x 10 London, 408 tons of imperfect geometry, 971 horses and 4 zebras, A Matter of Life and Death and Singing, Acts of Voicing, AFTER/HOURS/DROP/BOX, Alison Turnbull, ANDOR, Anna Barham, Ariadne's Thread, Artangel, Artists at Work, Beacon Art Projects, Benedict Drew, Beyond the Corrupted Eye, Brian Catling, Busan Biennial: Garden of Learning, C-salen, Casa del Lector, Cinéphémère and Club Silencio, CIRCA Projects, COMPASS, Crazee Golf, Emma Hart, Fiona Crisp, Fruitmarket Gallery, Galápagos, Gallery North, GoMA, Graham Fagen, Graham Gussin, Here comes Franz, Ikon, Imogen Stidworthy, Inspired Editions: Prints and Multiples, Intersections: Science in Contemporary Art, Jarman Award, Jennet Thomas, Jimmie Durham, Jordan Baseman, Kiasma, Large Glass, Lindsay Seers, Liverpool Biennial, M HKA, Maastricht, Malmö Konsthall, Mardin Bienali, Media City Seoul, Mike Nelson, Moby Dick Big Read, Nathaniel Mellors, Neugerriemschneider, Nowhere Less Now, Oaxaca FilmFest, Ourhouse, Outpost, Paraphrasing Babel, Paul Rooney, Rachel Lowe, Revolver, Richard Grayson, Robert Burns Birthplace Museum, Robin Klassnik, Roy Voss, School of Change, Secretion, Somerset House, space that saw (platform for a performance in two parts), Statens Museum for Kunst, Susan Hiller, Tai Shani, Tales of the City, The Tin Tabernacle, The Voice and the Lens, The Vorrh, Tina Keane, Tintype Gallery, TO DO, Victoria Gallery and Museum, Weizmann Institute of Science, What is a Document?, Will Cobbing, Willie Doherty, Wimbledon Space, With an Apple I Will Astonish, Württenburger Kunstverein Stuttgart, Zacheta National Gallery of Art | Leave a response