By Matt's Gallery on 6 June 2019
Upcoming Dean Kenning, Psychobotanical, Matt’s Gallery, London, private view 7 June 6-9pm, exhibition open Wed-Sun 12-6pm, 8-30 June 2019 For the 3x3x3 metre gallery space at 92 Webster Road, Kenning plans to extend and tumefy an on-going series of sculptural pieces, which feature throbbing plant-like protuberances. Encircling this motorised work the gallery’s walls will play […]
Posted in News | Tagged 3D printing, A length of spit dangled from a mouth., Aalst, Amberes, Anne Bean, Antwerp, Bad Mantra, Bad Mantras, Bath, Berlin, Botanical Drift, Broadside ballads, Cample Line, casting, catalogue, cityscapes, CNC, collaborative, Cornwall, cut up, David Austen, David Osbaldeston, Dean Kenning, diagrams, Dialogues with People, digital animation, Digital commission, Double Act, Dumfries, Dundee Contemporary Arts, Duveen Galleries. Duveen, Elizabeth Magill, England and Co. Gallery, Erkka Nissinen, Ghetto Priest, Graham Fagen, graphic, Hayley Newman, Helston, Hogarth and the Art of Noise, IG Metall, IKON Gallery, Imogen Stidqorthy, Jordan Baseman, Kestle Barton, LA, Luke McCreadie, M HKA, Matt's Gallery, Melanie Jackson, Michael Stanley, Mike Nelson, Mono, monoprint, monuments, MuKHA, Nathaniel Mellors, Netwerk Aalst, Nicola Bealing, performance, photography, plants, printmaking, Psychobotanical, publication, Radio Influenza, Roberto Bolano, sculpture, Simon Marsh, Tate Britain, Tate Britain Commission, text-based, The Aerodrome, The Asset Strippers, The Box, The Box LA, The Foundling Museum, The Holburne Museum, The Slave's Lament, Thornhill, Toine Horvers, welding, Wellcome, William Hogarth, writing
By Matt's Gallery on 2 August 2013
Matt’s Gallery is co-curating (with the Nerve Centre, Derry) a large exhibition by Willie Doherty as part of Derry’s City of Culture programme. Elsewhere, Mike Nelson has been commissioned to make new work for Contemporary Art Gallery, Vancouver; Lindsay Seers is exhibiting at MONA, Tasmania; Imogen Stidworthy is in the first edition of Bergen Assembly and Nathaniel Mellors is artist in residence at the Hammer Museum, LA.
Posted in News | Tagged Baltimore Museum of Art, Bartlett Fellow, Benedict Drew, Bergen Assembly, David Osbaldeston, Derry, Filmfestival Kitzbühel, Fiona Crisp, Focal Point Gallery, Hammer Museum, Imogen Stidworthy, Irish Museum of Modern Art, Jennet Thomas, Jimmie Durham, John Russell, Jordan Baseman, Lindsay Seers, M HKA, Matt Stokes, Michael Curran, Mike Nelson, Museum Boijmans Van Beuningen, Museum of Old and New Art, Nathaniel Mellors, Paul Rooney, Phoenix, QUAD Derby, Roy Voss, Stryx, Susan Hiller, The Bluecoat, Two Queens, University of Newcastle, UNSEEN, Willie Doherty, Young Projects Gallery |
By Matt's Gallery on 1 June 2013
Deadness by Jordan Baseman is now open at Matt’s Gallery and Susan Hiller’s recent Matt’s Gallery commission Channels tours to France. Artist’s exhibitions elsewhere include Imogen Stidworthy at M HKA, Nathaniel Mellors at Baltimore Museum of Art, Willie Doherty at IMMA, Graham Fagen at the Royal Scottish Academy and Lindsay Seers at Toulouse International Art Festival.
Posted in News | Tagged A Preface, Acts of Voicing, Alison Turnbull, ANDOR, Austin Forum, Baltimore Museum of Art, Benedict Drew, Between the Late and the Early, CAC Synagogue Delme, Centro de Arte Moderna, Ceri Hand Gallery, Channels, Chapter, David Osbaldeston, Deadness, Deep Feelings. From Antiquity to Now, For What It Is, FRAC Ile-de-France/Le Plateau, Fresh Trauma, Galápagos, Galway Arts Festival, Graham Fagen, Homelands British Council Touring Exhibition, Imogen Stidworthy, Irish Museum of Modern Art, Jimmie Durham, Jo Bruton, John Russell, Jordan Baseman, Kunsthalle Krems, Lindsay Seers, M HKA, Nathaniel Mellors, Northern Ireland: 30 Years of Photography, O Chair O Flesh, Roy Voss, SNAP: Art at the Aldeburgh Festival, Susan Hiller, The Collection as a Character, The Encyclopedic Palace, The Royal Scottish Academy, The Royal Standard, Total Museum, Toulouse International Art Festival, Treignac Projet, Venice Biennale, Willie Doherty, Wysing Arts Centre |
By Matt's Gallery on 1 April 2013
The latest news from Matt’s Gallery including new exhibitions at the gallery and artists’ projects worldwide. Jordan Baseman’s Deadness opens on 26 May, private view 2-5pm.
Posted in News | Tagged 971 horses and 4 zebras, Acts of Voicing, Akumulatory 2, Alison Turnbull, Belfast Exposed, Benedict Drew, Centro de Arte Moderna, Ceri Hand Gallery, Common, David Osbaldeston, Deadness, Deep Feelings. From Antiquity to Now, Dr. Bhau Daji Museum, Fondazione Sandretto Re Rebaudengo, Fordham Gallery, Fresh Trauma, Galápagos, Hayley Newman, Homelands British Council Touring Exhibition, Imogen Stidworthy, Index Gallery, Jordan Baseman, Kunsthalle Krems, Lindsay Seers, M HKA, Matthew Tickle, Michael Curran, Monash University Museum of Art, Museum of Contemporary Art Krakow, Nathaniel Mellors, Northern Ireland: 30 Years of Photography, Onboard Marlow, Robin Klassnik, Site Festival, Susan Hiller, The Book Lovers, The Collection as a Character, The Sacred & Profane Love Machine, To that Wallpaper Vault, Total Museum, Toulouse International Art Festival, Willie Doherty, Wysing Arts Centre |
By Matt's Gallery on 10 February 2013
All the latest news from Matt’s Gallery: Exhibitions at the gallery by Susan Hiller and Mike Nelson; and exhibitions internationally by Matt’s Gallery artists including Imogen Stidworthy, Benedict Drew, Hayley Newman and Robin Klassnik.
Posted in News | Tagged 971 horses and 4 zebras, AKINCI, Akumulatory 2, Alison Turnbull, Ariadne's Thread, Art Exchange, Art Space Gallery, Benedict Drew, Berlin Independent Film Festival, Birmingham Museum and Art Gallery, Camden Arts Centre, Casa del Lector, Castlefield Gallery, Channels, Contemporary Art Spaces Tasmania, DEPO, Eastside Projects, EFA Project Space, Emma Hart, Fargo Film Festival, Film in Space, Fiona Crisp, Garage Rotterdam, Hayley Newman, How to Tell a Story, Imogen Stidworthy, John Hansard Gallery, Jordan Baseman, Kiasma, Lindsay Seers, Looking at the View, M HKA, M6, Melanie Jackson, Mike Nelson, Milton Keynes Gallery, More things (To the memory of Honoré de Balzac), Museum of Contemporary Art Krakow, Narratives of Arrival and Resolution, Nathaniel Mellors, Newlyn Art Gallery, Rachel Lowe, Reality Bites, Relatively Absolute, Revealed: Government Art Collection, Revolving Woman, Robin Klassnik, Sacha, Secretion, Statens Museum for Kunst, Susan Hiller, Tate Britain, The Book Lovers, The Exchange, The Future's Not What It Used to Be, To that Wallpaper Vault, Transformation, Transformism, University of Bristol, While It Lasts, Willie Doherty, Wysing Arts Centre |
By Matt's Gallery on 1 October 2012
October news from Matt’s Gallery: Revolver continues at the gallery and Brian Catling’s novel The Vorrh is launched. Artists’ exhibitions elsewhere include projects by Mike Nelson, Fiona Crisp, and Emma Hart. Nathaniel Mellors, Benedict Drew and Ben Rivers are shortlisted for the prestigious Jarman Award.
Posted in News | Tagged 10 x 10 London, 408 tons of imperfect geometry, 971 horses and 4 zebras, A Matter of Life and Death and Singing, Acts of Voicing, AFTER/HOURS/DROP/BOX, Alison Turnbull, ANDOR, Anna Barham, Ariadne's Thread, Artangel, Artists at Work, Beacon Art Projects, Benedict Drew, Beyond the Corrupted Eye, Brian Catling, Busan Biennial: Garden of Learning, C-salen, Casa del Lector, Cinéphémère and Club Silencio, CIRCA Projects, COMPASS, Crazee Golf, Emma Hart, Fiona Crisp, Fruitmarket Gallery, Galápagos, Gallery North, GoMA, Graham Fagen, Graham Gussin, Here comes Franz, Ikon, Imogen Stidworthy, Inspired Editions: Prints and Multiples, Intersections: Science in Contemporary Art, Jarman Award, Jennet Thomas, Jimmie Durham, Jordan Baseman, Kiasma, Large Glass, Lindsay Seers, Liverpool Biennial, M HKA, Maastricht, Malmö Konsthall, Mardin Bienali, Media City Seoul, Mike Nelson, Moby Dick Big Read, Nathaniel Mellors, Neugerriemschneider, Nowhere Less Now, Oaxaca FilmFest, Ourhouse, Outpost, Paraphrasing Babel, Paul Rooney, Rachel Lowe, Revolver, Richard Grayson, Robert Burns Birthplace Museum, Robin Klassnik, Roy Voss, School of Change, Secretion, Somerset House, space that saw (platform for a performance in two parts), Statens Museum for Kunst, Susan Hiller, Tai Shani, Tales of the City, The Tin Tabernacle, The Voice and the Lens, The Vorrh, Tina Keane, Tintype Gallery, TO DO, Victoria Gallery and Museum, Weizmann Institute of Science, What is a Document?, Will Cobbing, Willie Doherty, Wimbledon Space, With an Apple I Will Astonish, Württenburger Kunstverein Stuttgart, Zacheta National Gallery of Art |
By Matt's Gallery on 1 August 2012
Revolver, a new curatorial initiative at Matt’s Gallery, opens. Roy Voss, Cast opens at Dilston Grove. Projects elsewhere include Lindsay Seers’ Artangel commission, Imogen Stidworthy in Busan Biennale and Nathaniel Mellors in Media City Seoul.
Posted in News | Tagged 408 tons of imperfect geometry, A drawing while waiting for an idea, A Matter of Life and Death and Singing, Alison Turnbull, Amikam Toren, Andrew Kötting, Anne Bean, Artangel, Brian Catling, Busan Biennial, Cast, CCA, Crazee Golf, David Osbaldeston, Dilston Grove, dOCUMENTA (13), Dutch Pavilion in Venice, Emma Hart, European Live Art Archive, Gallerei Festiviteten, Gary Stevens, Glasgow Print Studio, GoMA, Graham Fagen, Hayley Newman, Here comes Franz, I Would Breathe Water, Imogen Stidworthy, Jarman Award, Jimmie Durham, Jordan Baseman, Juneau Projects, Large Glass, Layla Curtis, Lindsay Seers, Liverpool Biennial, Lucy Gunning, M HKA, Malmö Konsthall, Media City Seoul, Mike Nelson, Møte (Meeting), Nathaniel Mellors, Neugerriemschneider, Niet Normaal: Difference on Display, Northern Art Prize, Nowhere Less Now, On the Edge of the World, Oriel Myrrdin Gallery, Ourhouse E3 feat BAD COPY, Paul Carter, Paul Rooney, Pursuit of Perfection: the Politics of Sport, Revolver, Richard Grayson, Richard Wilson, Robin Klassnik, Roy Voss, Salle de Bains, Sarah Scout Presents, SF Shorts, South London Gallery, space that saw (platform for a performance in two parts), Susan Hiller, Tales of the City, The all-resistant eye, The Bluecoat, The London Open, The Medium is the Message: words in printmaking since the 1960s, The Tin Tabernacle, Tintype Gallery, Victory Gallery and Museum, What We Have Done What We Are About To Do, Whitechapel Gallery, Whitstable Biennale, Willie Doherty, Zacheta National Gallery of Art |
By Matt's Gallery on 1 June 2012
Current exhibitions at Matt’s Gallery: Fiona Crisp and Jennet Thomas. Elsewhere, Willie Doherty, Susan Hiller and Jimmie Durham are all showing new work in Kassel as part of the major international exhibition dOCUMENTA (13).
Posted in News | Tagged A drawing while waiting for an idea, A Matter of Life and Death and Singing, Alison Turnbull, Amikam Toren, Art & Humour: What Could be and What is, BALTIC 39, Disturbance, dOCUMENTA (13), Entangled2, Fiona Crisp, First International Kiev Biennale, Focal Point Gallery, Forde, Gallerei Festiviteten, GoMA, Graham Fagen, Jennet Thomas, Jimmie Durham, Large Glass, Lindsay Seers, M HKA, Møte (Meeting), Negative Capability: The Stourhead Cycle, Ourhouse E3 feat BAD COPY, Panegyric, Paul Carter, Richard Grayson, Richard Wilson, Roy Voss, Salle de Bains, Samstag Museum Adelaide, School of Change, Susan Hiller, SWITCH, Tales of the City, The London Open, THIS THIS MONSTER THIS THINGS, Towner Gallery, Triumph, Turner Contemporary, Whitechapel Gallery, Willie Doherty |