Liverpool Biennial
April 2014
By Matt's Gallery on 3 April 2014
Gallery News Current Exhibition Benedict Drew, Heads May Roll, until 20 April 2014 For his first solo commission at Matt’s Gallery, Benedict Drew presents a large-scale installation. The work scrutinises the effect and intent of mediated images, synthesised voice and the fractured narrative of instructional speech. Artists’ News Graham Fagen selected to represent Scotland […]
Posted in News | Tagged Alison Turnbull, Anne Bean, Austria, Avis Newman, Benedict Drew, Birmingham Museum and Art Gallery, Collective Gallery, David Osba, Dundee, FACT, Generation, Gracefield Arts Centre, Graham Fagen, Hammer Museum, Hayley Newman, High House Production Park, Hospitalfield Arts, Imogen Stidworthy, Jennet Thomas, Jordan Baseman, Kirchstetten, Kunstverein Freiburg, LA, Latvia National Arts Museum, Lindsay Seers, Liverpool Biennial, Maclaurin Gallery, Mike Nelson, Modern Art Oxford, MONA, Mummery + Schnelle, Nathaniel Mellors, Nottingham, PKM Gallery, Reactor, Scottish National Gallery of Modern Art, Stigter van Doesburg, Tasmania, The Dick Institute, The Gluts, The McManus, The Power Plant, The View, Thinking City, Toronto, TORQUE, Venice Biennale, Wysing Arts Centre | Leave a response
December 2012
By Matt's Gallery on 2 December 2012
Matt’s Gallery is pleased to represent Benedict Drew. Read all the other gallery news including forthcoming exhibitions at the gallery and elsewhere. International exhibitions include Lindsay Seers, Willie Doherty, Nathaniel Mellors and Alison Turnbull.
Posted in News | Tagged Acts of Voicing, Again A Time Machine, Alison Turnbull, Ariadne's Thread, Art Exchange, Art Space Gallery, Benedict Drew, Birmingham Museum and Art Gallery, Camden Arts Centre, Casa del Lector, Channel 4, Channels, CRICOTEKA, David Osbaldeston, Eastside Projects, Emma Hart, Film in Space, Fruitmarket Gallery, Galápagos, GoMA, Graham Fagen, Hayley Newman, Here comes Franz, Imogen Stidworthy, Inspired Editions: Prints and Multiples, Jarman Award, Kiasma, Kunsthall Oslo, Large Glass, Lindsay Seers, Liverpool Biennial, M6, Mike Nelson, MONITOR, Narratives of Arrival and Resolution, Nathaniel Mellors, Paul Rooney, Radical Languages, Reality Bites, Recent collaborations before THE SAPROPHAGE, Revealed: Government Art Collection, Robert Burns Birthplace Museum, Secretion, Statens Museum for Kunst, Susan Hiller, Tales of the City, The Modern Institute, Victoria Gallery and Museum, Willie Doherty, With an Apple I Will Astonish, Württenburger Kunstverein Stuttgart | Leave a response
October 2012
By Matt's Gallery on 1 October 2012
October news from Matt’s Gallery: Revolver continues at the gallery and Brian Catling’s novel The Vorrh is launched. Artists’ exhibitions elsewhere include projects by Mike Nelson, Fiona Crisp, and Emma Hart. Nathaniel Mellors, Benedict Drew and Ben Rivers are shortlisted for the prestigious Jarman Award.
Posted in News | Tagged 10 x 10 London, 408 tons of imperfect geometry, 971 horses and 4 zebras, A Matter of Life and Death and Singing, Acts of Voicing, AFTER/HOURS/DROP/BOX, Alison Turnbull, ANDOR, Anna Barham, Ariadne's Thread, Artangel, Artists at Work, Beacon Art Projects, Benedict Drew, Beyond the Corrupted Eye, Brian Catling, Busan Biennial: Garden of Learning, C-salen, Casa del Lector, Cinéphémère and Club Silencio, CIRCA Projects, COMPASS, Crazee Golf, Emma Hart, Fiona Crisp, Fruitmarket Gallery, Galápagos, Gallery North, GoMA, Graham Fagen, Graham Gussin, Here comes Franz, Ikon, Imogen Stidworthy, Inspired Editions: Prints and Multiples, Intersections: Science in Contemporary Art, Jarman Award, Jennet Thomas, Jimmie Durham, Jordan Baseman, Kiasma, Large Glass, Lindsay Seers, Liverpool Biennial, M HKA, Maastricht, Malmö Konsthall, Mardin Bienali, Media City Seoul, Mike Nelson, Moby Dick Big Read, Nathaniel Mellors, Neugerriemschneider, Nowhere Less Now, Oaxaca FilmFest, Ourhouse, Outpost, Paraphrasing Babel, Paul Rooney, Rachel Lowe, Revolver, Richard Grayson, Robert Burns Birthplace Museum, Robin Klassnik, Roy Voss, School of Change, Secretion, Somerset House, space that saw (platform for a performance in two parts), Statens Museum for Kunst, Susan Hiller, Tai Shani, Tales of the City, The Tin Tabernacle, The Voice and the Lens, The Vorrh, Tina Keane, Tintype Gallery, TO DO, Victoria Gallery and Museum, Weizmann Institute of Science, What is a Document?, Will Cobbing, Willie Doherty, Wimbledon Space, With an Apple I Will Astonish, Württenburger Kunstverein Stuttgart, Zacheta National Gallery of Art | Leave a response
August 2012
By Matt's Gallery on 1 August 2012
Revolver, a new curatorial initiative at Matt’s Gallery, opens. Roy Voss, Cast opens at Dilston Grove. Projects elsewhere include Lindsay Seers’ Artangel commission, Imogen Stidworthy in Busan Biennale and Nathaniel Mellors in Media City Seoul.
Posted in News | Tagged 408 tons of imperfect geometry, A drawing while waiting for an idea, A Matter of Life and Death and Singing, Alison Turnbull, Amikam Toren, Andrew Kötting, Anne Bean, Artangel, Brian Catling, Busan Biennial, Cast, CCA, Crazee Golf, David Osbaldeston, Dilston Grove, dOCUMENTA (13), Dutch Pavilion in Venice, Emma Hart, European Live Art Archive, Gallerei Festiviteten, Gary Stevens, Glasgow Print Studio, GoMA, Graham Fagen, Hayley Newman, Here comes Franz, I Would Breathe Water, Imogen Stidworthy, Jarman Award, Jimmie Durham, Jordan Baseman, Juneau Projects, Large Glass, Layla Curtis, Lindsay Seers, Liverpool Biennial, Lucy Gunning, M HKA, Malmö Konsthall, Media City Seoul, Mike Nelson, Møte (Meeting), Nathaniel Mellors, Neugerriemschneider, Niet Normaal: Difference on Display, Northern Art Prize, Nowhere Less Now, On the Edge of the World, Oriel Myrrdin Gallery, Ourhouse E3 feat BAD COPY, Paul Carter, Paul Rooney, Pursuit of Perfection: the Politics of Sport, Revolver, Richard Grayson, Richard Wilson, Robin Klassnik, Roy Voss, Salle de Bains, Sarah Scout Presents, SF Shorts, South London Gallery, space that saw (platform for a performance in two parts), Susan Hiller, Tales of the City, The all-resistant eye, The Bluecoat, The London Open, The Medium is the Message: words in printmaking since the 1960s, The Tin Tabernacle, Tintype Gallery, Victory Gallery and Museum, What We Have Done What We Are About To Do, Whitechapel Gallery, Whitstable Biennale, Willie Doherty, Zacheta National Gallery of Art | Leave a response
November 2010
By Matt's Gallery on 1 November 2010
Nathaniel Mellors first museum show opens in the Netherlands; Richard Grayson shows his recent Matt’s Gallery work in Switzerland; and Ben Rivers’ Slow Action will be next at Matt’s Gallery.
Posted in News | Tagged Alison Turnbull, Animate Projects, aspex, Ben Rivers, British Art Show 7, British Council Collection, British Pavilion, Camden Arts Centre, Centre of Contemporary Art Znaki Czasu, Centre Pompidou, Châtelet Theatre, David Roberts Art Foundation, De Hallen, Dis-covery, EFTERBILLEDER [Persistence of Vision], FACT, FLAMIN Productions Development Award, For St Agnes, Graham Fagen, Imogen Stidworthy, It has to be this way 1.5, It has to be this way 2, Jennet Thomas, Jordan Baseman, Kunstmuseum des Kantons Thurgau, Kunstpavillon, Leonard Hutton Galleries, Lindsay Seers, Liverpool Biennial, Los Angeles Animation Festival, Manifesta, Mead Gallery, Mike Nelson, Modern Love, More Pricks than Kicks, Nathaniel Mellors, National Gallery Denmark, Natural History Museum London, Never the Same River (Possible Futures Probably Pasts), Nottingham Contemporary, Ourhouse, Palais de Tokyo, Parallel Remix, Paul Hamlyn Award, Rencontres Internationales Paris/Berlin/Madrid, Richard Grayson, Rough Machine commissions, Roy Voss, School of Change, Seeing Colour, Simon Oldfield Gallery, Slow Action, St Agnes Park, St John's College Oxford, Steps into the Arcane, Tate Britain, The Golden Space City of God, The Work, Venice Biennale, Wadi Hilweh Information Centre, Willie Doherty | Leave a response
September 2010
By Matt's Gallery on 1 September 2010
Artists’ news and projects this month includes: Mike Nelson’s The Coral Reef is on show at Tate Britain; Lindsay Seers is showing at Mead Gallery, Warwick; and Polytechnic curated by Richard Grayson is on at Raven Row.
Posted in News | Tagged Alison Turnbull, Artists' Laboratory, aspex, Available Light Collective, Bat Yam Museum of Contemporary Art (MoBY), Beaconsfield, Beamclub, British Art Show 7, British Council Collection, British Pavilion, COLLABORATORS2, David Roberts Art Foundation, De Hallen, Emporte Moi, Five Years, FLAMIN Productions Development Award, Frieze Art Fair, Gallery Live At Sion Hill, Gasworks, Hayley Newman, Ian McKeever, Imogen Stidworthy, It has to be this way 1.5, It has to be this way 2, Jennet Thomas, Jordan Baseman, Juan Cruz, Kiasma, Korean International Art Fair, Kunstmuseum des Kantons Thurgau, Leonard Hutton Galleries, Lindsay Seers, Liverpool Biennial, Lucy Gunning, Manifesta, Matthew Tickle, Mead Gallery, Melanie Jackson Hydrarchy: Power and Resistance at Sea, Melbourne Underground Film Festival, Michael Curran, Mike Nelson, Modern Love, More Pricks than Kicks, Musee d'Art Contemporain du Val-de-Marne, Nathaniel Mellors, National Gallery of Denmark, Natural History Museum London, Observatory, Ourhouse, Parallel Remix, Paul Burwell, Polytechnic, Provenance, Raven Row, Richard Grayson, ROOM, Roy Voss, Royal Academy, San Francisco International Festival of Short Films, School of Change, Signals, Simon Oldfield Gallery, St John's College Oxford, Statens Museum for Kunst, STATIC Gallery, Steps into the Arcane, TAPS: Improvisations with Paul Burwell, Tate Britain, The Dandy Doctrine, The Golden Space City of God, The Pleasure Dame, The Truth Was Always There, Venice Biennale, What I Thought at The Time, Willie Doherty | Leave a response