Kiasma
February 2019
By Matt's Gallery on 7 February 2019
In Memory of Susan Hiller 7 March 1940 – 28 January 2019 “In all my work I was attempting to erase the supposed boundary between dream life and waking life. Because what I do… is to pull out for scrutiny those images or ideas which are visual, visible, but are rendered invisible and therefore marginalized.” Susan Hiller, […]
Posted in News | Tagged 1980, A Murder of Crows, A---Z, Aalto Natives, Alice Channer, Alison Turnbull, Anne Bean, Anne Duffau, artist residency, Bad Mantra, Benedict Drew, Birmingham, Blackrock, Bloomberg N, Carey Young, Channels, Charlotte Higgins, City Art Centre, Copenhagen Contemporary, COUM Transmissions, Daniel Sturgis, Danielle Arnaud, David Troostwyk, Dilston Grove, Dominic Johnson, Drawing Biennial 2019, Drawing Room, Edinburgh, Erkka Nissinen, Fotogalleriet, gendersick, Genesis P-Orridge, Govan Project Space, Graham Fagen, Hail the new Etruscan, Helen Mirra, heterochromia iridum, Ikon, IMT Gallery, Jordan Baseman, Kerry Trengove, Kiasma, Kipper Kids, Large Glass, Lindsay Seers, Lydney Park Estate, Marianna Simnett, Mark Wallinger, Martello Street, Matt's Gallery, Matthew Krishanu, MAXXI, Melanie Jackson, Midlands Arts Centre, Mike Nelson, Nathaniel Mellors, obituary, Oona Grimes, Oslo, Radio Influenza, Richard Grayson, Robin Klassnik, Rome, Space studios, Stephen Cripps, Susan Hiller, Tate Britain, Tate Collection, Tate Modern, The Coral Reef, Tomico Lemos Auad, Ulay, Venice Biennale, Wellcome, Work in Progress
August 2018
By Matt's Gallery on 6 August 2018
Upcoming The series of 10-day shows continues from September onwards, plus other events at Matt’s Gallery, London Bronwen Buckeridge, Widowhood, Matt’s Gallery, London, 2 September 2018, 2-6pm Widowhood is a live audio performance with racing pigeons and the pigeon men who train them. The work is driven by an interest in the complex relationship racing pigeons […]
Posted in News | Tagged A Woman's Place at Knole, Aesthetica Short Film Festival, Again more things (a table ruin), Alberto Giacometti, Alison Turnbull, Allison Janae, Allison Janae Hamilton, Alter Heroes Coalition, Arts Catalyst, Attenborough Arts Centre, auto-bituary, BANFF, Benedict Drew, Borbala Szanto, Bronwen Buckeridge, Cibelle Cavalli Bastos, Constan, David Brooks, David Collens, Dear Climate, Dieter Roth, Dundee, Earagail Arts Festival, Eighty Circles Through Canada, Ellie Ga, Erkka Nissinen, Every Thought Ther, exhibition, Focal Point Gallery, FRONT International, Gabriela Salazar, General Rehearsal, Generator Projects, Gery Georgieva, Graham Fagen, Guerre/Jardin, Gwanju Biennial, Hara Woltz, Hayley Newman, Hellmouth, Henry Moore, Hospitalfield, I don't know what I'm doing but I'm trying very hard, I live without living in me, Indicators: Artists on Climate Change, Japanese Paintings, Jenny Kendler, Jo Bruton, Jo Stockham, John Hansard Gallery, John Moores Painting Prize, John Moores Painting Prize 2018, Juan Cruz, Justin Brice Guariglia, KADIST, Kent Monkman, Kiasma, Knole House, leah capaldi, Letterkenny Regional Cultural Centre, Lindsay Seers, Longing and Consolidation, Louise Bourgeois, Mark Dion, Mary Mattingly, Matt's Gallery, Maya Lin, Meg Webster, Melanie Jackson, Michael Curran, Mike Nelson, Mimosa House, MMOMA, Moscow Museum of Modern Art, Muriel Spark, Naomi Pearce, Nathaniel Mellors, Nora Lawrence, OilY, Pawel Althamer, photography, Pigeon Race, Portrait of a Sculptor, possessions_inc, Primary, Rebecca Lennon, REMAINS, Richard Grayson, robotics, Rodic Davidson Architects, Ron Henocq Fine Art, Sarah Diver, shame, Sherrie L, Southend-on-Sea, Steve Rowell, Storm King Art Center, Summerhall, Super Sohrab, Super Taus, Sursock Museum, Tabita Rezaire, Tavares Strachan, The Anti Ecstatic Machines, The Gluts, The MAC, The Mothership residency, The Walker Art Gallery, Tomas Klassnik, Tomaso Binga, University of Leicester, V-A-C, V-A-C Collection, Vancouver, video, Watou Arts Festival, Whitechapel Gallery, Widowhood, Willem de Kooning, Willie Doherty, Yolanda López | Leave a response
June 2018
By Matt's Gallery on 31 May 2018
Current Richard Grayson, By Our Own Hand, Matt’s Gallery, Nine Elms, The Residence, 42-44 Ponton Road, SW8 5BA, Opening Event: Friday 1 June 4 – 8pm, exhibition continues 2 – 3 June 2018, 12 – 5pm By Our Own Hand is the first exhibition in Matt’s Gallery’s new space in Nine Elms. In 2019 Matt’s Gallery will open at Bellway’s The […]
Posted in News | Tagged 16 Nicholson Street Gallery, A to B in MK, A Woman's Place at Knole, Abroath, Again, Alberta Whittle, Alberto Giacometti, Alice Day Williams, Alison Turnbull, All the World's a Sunny Day, Allison Janae Hamilton, Am I Not A Man and A Brother, Andrew Gilbert, Andrew Hairstans, Anina Major, Another Country, Arts Catalyst, Arts Council Collection, Attenborough Arts Centre, Auth Rangelay Yaar, Banner Repeater, Barbara Casavecchia, Baron Sackville, BBC Radio 4, Belfast, Belgium, Bellway, Ben Rivers, Benedict Drew, Bermondsey, Bernice Donszelmann, Beth Collar, Birthe Jorgensen, Blackpool, Borbala Szanto, Boredom Is Always Counter-Revolutionary, Boulby Underground Laboratory, Brigid McLeer, British Council, British Museum, Bruce McLean, Bury Place, Butterflies in Colombia, By Our Own Hand, Capital Crime, Cast Iron Radio, Channels, Charing Cross Hospital, Choco, CJ Mahony, Constantine Brancusi, Contemporary Art Society, Contemporary Art Society Special Collection Scheme, Cornwall, Dana Hargrove, David Brooks, David Collens, Dawn Gavin, De La Warr Pavilion, Dear Climate, Deeper in the Pyramid, Dieter Roth, Durham University, Eight Colourful Friends, Eighty Circles Through Canada (The Last Possessions Of An Orcadian Mountain Man) (2013), Elaine Rutherford, Eliza Gluckman, Ellie Ga, Emily Orley, Emily Speed, Erkka Nissinen, Esther Leslie, Euan Gray, Every Thought There Ever Was, extinction, Fathom, Fiona Crisp, Focal Point Gallery, Gabriela Salazar, General Rehearsal, Ghost Strata, Glasgow, Graham Fagen, Grand Union, Groundwork, Grundy Art Gallery, Guy Debord, Hara Woltz, Hayley Newman, Helen Robertson, Henry Moore, Homage to Marcel Duchamp (2017), Hospitalfield, If Mimicry Minded, Illuminations (2018), In My Shoes, In the Future, Indicators: Artists on Climate Change, Institute for Computational Cosmology, Irineu Destourelles, James Baldwin, James O’Leary, Jane Rendell, Japanese Paintings, Jenni Lomax, Jenny Kendler, Jo Bruton, Jo Stockholm, Joey Holder, John Beadle, John Hansard Gallery, John Moore Painting Prize 2018, Juan Cruz, Justin Brice Guariglia, KADIST, Katherine Ka Yi Liu, Katja Hilevaara, Kent, Kiasma, Knole House, Krabi, Kristen Kreider, Laboratori Nazionali del Gran Sasso, Landing Girls, leah capaldi, Lindsay Seers, Lionheart, Liu Xiaodong, Liverpool, Liverpool John Moores University, London, Longing and Consolidation, Longside Gallery, Louise Bourgeois, Lubaina Himid, Lubaina Himid MBE, Lucy Day, Lucy Gunning, Maria Fusco, Mark Dion, Marvin Gaye Chetwynd, Mary Mattingly, Material Sight, Matt's Gallery, Maya Lin, Meg Webster, Melanie Jackson, Melanie Wilson, Mike Nelson, milk, Milton Keynes, Milton Keynes Community Collaborators, MMOMA, More Things (a table ruin) (2014), Moscow Museum of Modern Art, Mosfellsbaer, Naomi Pearce, Nathaniel Mellors, National Art Gallery of The Bahamas, New York, Nicola Bealing, Nine Elms, Nora Lawrence, Nottingham, Officine Grandi Riparazioni, OGR, Orlando, Outpatients Unit, Overlay, Pacific rainforest, Pawel Althamer, Petrovka Street gallery, Plans & Records, possessions_inc, Primary, Psi Girls (1999), Rasheed Araeen, Redway, REMAINS, Representation of the People Act, Richard Grayson, Richard Guzman, Rodic Davidson Architects, Ron Heneocq Fine Art, Rosalind Davies, Routledge, Roy Voss, Sackville-West, Sao Paulo, Sarah Diver, Scotland, Sherrie Levine, Social Facts, Sonia Farmer, Southampton, Southend-on-Sea, Steve Rowell, Storm King Art Center, Susan Hiller, tatami, Tavares Strachan, Thailand, The Aalto Natives, The Bahamas, The Creative Critic: Writing as/about Practice, The MAC, The Residence, The Slave's Lament, The Walker Art Gallery, Tim Etchells, Turin, University of Leicester, V-A-C Foundation, V&A Wallpaper Archive, Venice Biennale, Virginia Woolf, Vita Sackville-West, Wandsworth, Watou Arts Festival, We Suffer to Remain, Whitstable Biennale, Willem de Kooning, Willie Doherty, Yorkshire Sculpture Park | Leave a response
April 2018
By Matt's Gallery on 3 April 2018
Upcoming Jo Bruton, Run, Matt’s Gallery, 92 Webster Road, London, 7 – 15 April, Private View 6 April 6-9pm Jo Bruton’s second show at Matt’s Gallery sees the artist expanding her practice as a painter into a series of printed wallpapers. Hand painted, digitally produced and then pasted to the walls of the gallery, the piece has […]
Posted in News | Tagged A Woman's Place at Knole, Acme Fire Station, Again, Alberta Whittle, Alberto Giacometti, Alfacar, Alice May Williams, Alison Turnbull, All The Wor, All the World's a Sunny Day, Allison Janae Hamilton, Am I Not A Man and A Brother, Andrew Gilbert, Andrew Hairstans, Andy Fisher, Anil Seth, Anina Major, Another Country: Aspects of Scottish Emigration to the United States, April, Art Monthly, Arts Catalyst, Artur Zmijewski, Avatar Therapy, Banner Repeater, Barbara Kruger, Baron Sackville, BBC Radio 4, Benedict Drew, Benjamin Swaim, Bermondsey, Berwick Visual Arts, Beth Forde, Birthe Jorgensen, British Council, Candice Lin, Caspar Heinemann, Cecil Collins, Channels, Chris Frith, CJ Mahony, Collyer Bristow Gallery, Colombia, Constantine Brancusi, Contemporary Art Society, Dana Hargrove, David Austen, David Brooks, David Collens, Dawn Gavin, De La Warr Pavilion, Dear Climate, Deeper in the Pyramid, Dieter Roth, Doris McCarthy Gallery, Dr Blanca Huertas, Durham University, Edward Hopper, Eighty Circles Through Canada (The Last Possessions of An Orcadian Mountain Man), Elaine Rutherford, Elena Bajo, Elisabeth Frink, Eliza Gluckman, Ellie Ga, Emily Speed, Emma Bolland, Erkka Nissinen, Esther Leslie, Euan Gray, Fiction as Method, Finnish Pavilion, Fiona Banner, Fiona Crisp, Focal Point Gallery, Futures & Fictions, Gabriela Salazar, Galeria Moises Perez De Albeniz, Galerie Crevecoeur, Gallery 4, Gallery of Modern Art (GoMA), General Rehearsal, Gerard Byrne, Ghetto Priest, Glasgow, Graham Fagen, Grand Union, Grundy Art Gallery, Hans-Peter Feldmann, Hara Woltz, Helen Marten, Henning Bohl, Henry Moore, Hospitalfield, Ian Hamilton Finlay, In the Future, Indicators: Artists on Climate Change, Institute for Computational Comology, Irineu Destourelles, Isobel Wohl, It's all the same fucking day man..., Jakob Kolding, Jala Wahid, James Miranda Barry, Janani Balasubramanian, Jane Evelyn Atwood, Jenny Kendler, Jih-Fie Cheng, JMW Turner, Jo Bruton, John Beadle, John Cunningham, John Hansard, John Smith, Jonathan Trayner, Jordan Baseman, Julien Ceccaldi, Justin Brice Guariglia, KADIST, Katharina Poos, Katherine Angel, Katherine Ka Yi Liu, kennardphillips, Kiasma, Kirsten Cooke, Knole House, Laboratori Nazionale del Gran Sasso, Leo Kelly, Linda Stupart, Lindsay Seers, Lionheart, Lisson Gallery, London, Louise Bourgeois, Lubaina Himid, Lucy Day, MA BIBLIOTHEQUE, Margot Norton, Maria Abramovic, Mark Dion, Mary Mattingly, Mas Arte Mas Accion, Material Sight, Matt's Gallery, May, Maya Lin, Meg Webster, Melanie Jackson, Melanie Wilson, Mieke Bal, Mike Nelson, milk, Minnesota, MMOMA, MONA, More Things (a table ruin), Moscow Museum of Modern Art, Muirhead Bone, Nathaniel Mellors, National Art Gallery of The Bahamas, National Gallery of Victoria, Natural History Museum London, New Museum, NGV Triennial, Nicholas Brooks, Nick Mwaluko, Nora Lawrence, Northern Gallery of Contemporary Art, Officine Grandi Riparazioni, On Violence, Orlando, Ourhouse, ourneys with 'The Waste Land', Patrick Heron, Paul Buck, Paul Nash, Paula Rego, Pavel Büchler, Pawel Althamer, Plans & Records, Polygraphs, possessions_inc, Primary, Progressive Rocks, Project/Number, Project/Numebr, Rebecca Jagoe, Renaud Jerez, Repeater Books, Representation of the People Act, Richard Grayson, Richard Guzman, Ridinghouse, Ron Henocq Fine Art, Roy Voss, Rudy Loewe, Sackler Centre for Consciousness, Saint John's Art Center, Sarah Diver, Sarah Wood., Sharon Kivland, Sherrie Levine, Skye Arundhati-Thomas, Social Facts, Sonia Farmer, Special Collection Scheme, Sternberg Press, Steve Rowell, Storm King Art Center, Suffering, Sump, Susan Hiller, Tacita Dean, Tai Shani, Talking Art 2, Tavares Strachan, The Aalto Natives, The Bahamas, The MAC, The New Art Gallery Walsall, The Slave's Lament, the stars above the ocean the ocean beneath the stars, The Way T, The Way Things Are, Timothy Dixon, Toronto, Totah, Travis Alabanza, Turin, Turner Contemporary, UCL, V-A-C Foundation, Vanessa Place, Venice Biennale, violence, Virginia Woolf, Vita Sackville-West, Viznar, Vladimir Nabokov, We Suffer to Remain, Wellcome Trust, Willie Doherty, Williem de Kooning | Leave a response
February 2018
By Matt's Gallery on 31 January 2018
Upcoming Matt’s Gallery, 92 Webster Road, SE16 4DF, London Elizabeth Magill, 23 February – 4 March 2018 Mandy Ure, 9 – 18 March 2018 Angus Braithwaite, 23 March – 1 April 2018 In the coming months, Matt’s Gallery will present a rapid succession of short exhibitions and events at 92 Webster Road. The Gallery’s practice […]
Posted in News | Tagged 92 Webster Road, A Drama in Time, A’ ye wha live and never think, Abstract, Ade Adesina, Adrian Wiszniewski, Alex Gartenfeld, Alexander Fraser, Alfons Bytautus, Alison Turnbull, Andrea Zittel, Andy Warhol, ANIMAL CONDENSED > ANIMAL EXPANDED #1, ANIMAL CONDENSED > ANIMAL EXPANDED #2, Anna Oppermann, Anne Bean, Anne Redpath, art, Barbara Kruger, Bermondsey, Beth Forde, Beyond Future is Past, Bill Woodrow, Bruce Nauman, Burns Unbroke, Carolee Schneemann, CASS Sculpture Foundation, Chinese New Year, Cobra Museum of Modern Art, Collyer Bristow Gallery, contemporary art, Contemporary Art Society Collection Scheme, Dave Stephens, David Austen, David Michie, David Michie RSA, Derrick Guild, Dieter Roth, Doris McCarthy Gallery, Douglas Huebler, Eduardo Palozzi, Elaine Sturtevant, Elizabeth Blackadder, Elspeth Lamb, Erkka Nissinen, Falling in Love with a Chair, Field Test (monochrome), Fiona Crips, Fluxus festival, Frances Walker, Franz Erhard Walther, Galerie Crevecoeur, Game Killed, Gean Moreno, George Donald, Georgie Grace, Gerard Byrne, Ghetto Priest, Glasgow's Gallery of Modern Art, GoMA, Gone To The West Indies, Gordon Bryce, Graham Fagen, Hans-Peter Feldmann, Harley Brothers, Henning Bohl, Hisham Matar, Hito Steyerl, Ian Hamilton Finlay, ICA Miami, In the Future, Institute of Contemporary Art, Jane Evelyn Atwood, Jaroslaw Kozlowski, Jennet Thomas, Jennifer McRae, Joyce Pensato, Julien Ceccaldi, kennardphillips, Kiasma, Kirkland Main, Klassnik Corporation, Kunsthalle Münster, Leo Kelly, Lewis Robinson, Lindsay Seers, Lionheart, London, Marion Smith, Martin Kippenberger, Mary Bourne, Material Sight, Matt's Gallery, Meadows Gallery, Miami, Michael Docherty, Mike Nelson, MoCa Trowbridge, MONA, Muirhead Bone, Nathaniel Mellors, National Gallery of Victoria, New Museum, NGV Triennial, Northern Gallery for Contemporary Art, On A Scotch Bard, Orange and Pineapple, Ourhouse Episode -1:Time, Pablo Picasso, Peninsula Arts Gallery, Philip Guston, Phillip King, Phoenix Brighton, Plymouth Contemporary Artist Showcase 2018, Polygraphs, possessions_inc, Progressive Rocks, Queenstown, Reiner Ruthenbeck, Renaud Jerez, Richard Grayson, Richard Long, Robert Burns, Ron Henocq Fine Art, Rosemarie Trockel, Royal Scottish Academy, RSA Collection, Serial Composition, Sophisticated Neanderthal Interview, Stephanie Seidel, Suffering, Sunderland, Tetsumi Kudo, The Aalto Natives, The Everywhere Studio, The New Art Gallery Walsall, The Sitting Room, The Slave's Lament, The Sleeping Procession, The Unconformity, The Vomiter, Tomas Klassnik, Venice Biennale, Victor Burgin, Victoria Crowe, Winter Flower, Words and Colors, Yves Klein, ŻAK | BRANICKA | Leave a response
February 2013
By Matt's Gallery on 10 February 2013
All the latest news from Matt’s Gallery: Exhibitions at the gallery by Susan Hiller and Mike Nelson; and exhibitions internationally by Matt’s Gallery artists including Imogen Stidworthy, Benedict Drew, Hayley Newman and Robin Klassnik.
Posted in News | Tagged 971 horses and 4 zebras, AKINCI, Akumulatory 2, Alison Turnbull, Ariadne's Thread, Art Exchange, Art Space Gallery, Benedict Drew, Berlin Independent Film Festival, Birmingham Museum and Art Gallery, Camden Arts Centre, Casa del Lector, Castlefield Gallery, Channels, Contemporary Art Spaces Tasmania, DEPO, Eastside Projects, EFA Project Space, Emma Hart, Fargo Film Festival, Film in Space, Fiona Crisp, Garage Rotterdam, Hayley Newman, How to Tell a Story, Imogen Stidworthy, John Hansard Gallery, Jordan Baseman, Kiasma, Lindsay Seers, Looking at the View, M HKA, M6, Melanie Jackson, Mike Nelson, Milton Keynes Gallery, More things (To the memory of Honoré de Balzac), Museum of Contemporary Art Krakow, Narratives of Arrival and Resolution, Nathaniel Mellors, Newlyn Art Gallery, Rachel Lowe, Reality Bites, Relatively Absolute, Revealed: Government Art Collection, Revolving Woman, Robin Klassnik, Sacha, Secretion, Statens Museum for Kunst, Susan Hiller, Tate Britain, The Book Lovers, The Exchange, The Future's Not What It Used to Be, To that Wallpaper Vault, Transformation, Transformism, University of Bristol, While It Lasts, Willie Doherty, Wysing Arts Centre | Leave a response
December 2012
By Matt's Gallery on 2 December 2012
Matt’s Gallery is pleased to represent Benedict Drew. Read all the other gallery news including forthcoming exhibitions at the gallery and elsewhere. International exhibitions include Lindsay Seers, Willie Doherty, Nathaniel Mellors and Alison Turnbull.
Posted in News | Tagged Acts of Voicing, Again A Time Machine, Alison Turnbull, Ariadne's Thread, Art Exchange, Art Space Gallery, Benedict Drew, Birmingham Museum and Art Gallery, Camden Arts Centre, Casa del Lector, Channel 4, Channels, CRICOTEKA, David Osbaldeston, Eastside Projects, Emma Hart, Film in Space, Fruitmarket Gallery, Galápagos, GoMA, Graham Fagen, Hayley Newman, Here comes Franz, Imogen Stidworthy, Inspired Editions: Prints and Multiples, Jarman Award, Kiasma, Kunsthall Oslo, Large Glass, Lindsay Seers, Liverpool Biennial, M6, Mike Nelson, MONITOR, Narratives of Arrival and Resolution, Nathaniel Mellors, Paul Rooney, Radical Languages, Reality Bites, Recent collaborations before THE SAPROPHAGE, Revealed: Government Art Collection, Robert Burns Birthplace Museum, Secretion, Statens Museum for Kunst, Susan Hiller, Tales of the City, The Modern Institute, Victoria Gallery and Museum, Willie Doherty, With an Apple I Will Astonish, Württenburger Kunstverein Stuttgart | Leave a response
October 2012
By Matt's Gallery on 1 October 2012
October news from Matt’s Gallery: Revolver continues at the gallery and Brian Catling’s novel The Vorrh is launched. Artists’ exhibitions elsewhere include projects by Mike Nelson, Fiona Crisp, and Emma Hart. Nathaniel Mellors, Benedict Drew and Ben Rivers are shortlisted for the prestigious Jarman Award.
Posted in News | Tagged 10 x 10 London, 408 tons of imperfect geometry, 971 horses and 4 zebras, A Matter of Life and Death and Singing, Acts of Voicing, AFTER/HOURS/DROP/BOX, Alison Turnbull, ANDOR, Anna Barham, Ariadne's Thread, Artangel, Artists at Work, Beacon Art Projects, Benedict Drew, Beyond the Corrupted Eye, Brian Catling, Busan Biennial: Garden of Learning, C-salen, Casa del Lector, Cinéphémère and Club Silencio, CIRCA Projects, COMPASS, Crazee Golf, Emma Hart, Fiona Crisp, Fruitmarket Gallery, Galápagos, Gallery North, GoMA, Graham Fagen, Graham Gussin, Here comes Franz, Ikon, Imogen Stidworthy, Inspired Editions: Prints and Multiples, Intersections: Science in Contemporary Art, Jarman Award, Jennet Thomas, Jimmie Durham, Jordan Baseman, Kiasma, Large Glass, Lindsay Seers, Liverpool Biennial, M HKA, Maastricht, Malmö Konsthall, Mardin Bienali, Media City Seoul, Mike Nelson, Moby Dick Big Read, Nathaniel Mellors, Neugerriemschneider, Nowhere Less Now, Oaxaca FilmFest, Ourhouse, Outpost, Paraphrasing Babel, Paul Rooney, Rachel Lowe, Revolver, Richard Grayson, Robert Burns Birthplace Museum, Robin Klassnik, Roy Voss, School of Change, Secretion, Somerset House, space that saw (platform for a performance in two parts), Statens Museum for Kunst, Susan Hiller, Tai Shani, Tales of the City, The Tin Tabernacle, The Voice and the Lens, The Vorrh, Tina Keane, Tintype Gallery, TO DO, Victoria Gallery and Museum, Weizmann Institute of Science, What is a Document?, Will Cobbing, Willie Doherty, Wimbledon Space, With an Apple I Will Astonish, Württenburger Kunstverein Stuttgart, Zacheta National Gallery of Art | Leave a response
September 2010
By Matt's Gallery on 1 September 2010
Artists’ news and projects this month includes: Mike Nelson’s The Coral Reef is on show at Tate Britain; Lindsay Seers is showing at Mead Gallery, Warwick; and Polytechnic curated by Richard Grayson is on at Raven Row.
Posted in News | Tagged Alison Turnbull, Artists' Laboratory, aspex, Available Light Collective, Bat Yam Museum of Contemporary Art (MoBY), Beaconsfield, Beamclub, British Art Show 7, British Council Collection, British Pavilion, COLLABORATORS2, David Roberts Art Foundation, De Hallen, Emporte Moi, Five Years, FLAMIN Productions Development Award, Frieze Art Fair, Gallery Live At Sion Hill, Gasworks, Hayley Newman, Ian McKeever, Imogen Stidworthy, It has to be this way 1.5, It has to be this way 2, Jennet Thomas, Jordan Baseman, Juan Cruz, Kiasma, Korean International Art Fair, Kunstmuseum des Kantons Thurgau, Leonard Hutton Galleries, Lindsay Seers, Liverpool Biennial, Lucy Gunning, Manifesta, Matthew Tickle, Mead Gallery, Melanie Jackson Hydrarchy: Power and Resistance at Sea, Melbourne Underground Film Festival, Michael Curran, Mike Nelson, Modern Love, More Pricks than Kicks, Musee d'Art Contemporain du Val-de-Marne, Nathaniel Mellors, National Gallery of Denmark, Natural History Museum London, Observatory, Ourhouse, Parallel Remix, Paul Burwell, Polytechnic, Provenance, Raven Row, Richard Grayson, ROOM, Roy Voss, Royal Academy, San Francisco International Festival of Short Films, School of Change, Signals, Simon Oldfield Gallery, St John's College Oxford, Statens Museum for Kunst, STATIC Gallery, Steps into the Arcane, TAPS: Improvisations with Paul Burwell, Tate Britain, The Dandy Doctrine, The Golden Space City of God, The Pleasure Dame, The Truth Was Always There, Venice Biennale, What I Thought at The Time, Willie Doherty | Leave a response