By Matt's Gallery on 7 February 2019
In Memory of Susan Hiller 7 March 1940 – 28 January 2019 “In all my work I was attempting to erase the supposed boundary between dream life and waking life. Because what I do… is to pull out for scrutiny those images or ideas which are visual, visible, but are rendered invisible and therefore marginalized.” Susan Hiller, […]
Posted in News | Tagged 1980, A Murder of Crows, A---Z, Aalto Natives, Alice Channer, Alison Turnbull, Anne Bean, Anne Duffau, artist residency, Bad Mantra, Benedict Drew, Birmingham, Blackrock, Bloomberg N, Carey Young, Channels, Charlotte Higgins, City Art Centre, Copenhagen Contemporary, COUM Transmissions, Daniel Sturgis, Danielle Arnaud, David Troostwyk, Dilston Grove, Dominic Johnson, Drawing Biennial 2019, Drawing Room, Edinburgh, Erkka Nissinen, Fotogalleriet, gendersick, Genesis P-Orridge, Govan Project Space, Graham Fagen, Hail the new Etruscan, Helen Mirra, heterochromia iridum, Ikon, IMT Gallery, Jordan Baseman, Kerry Trengove, Kiasma, Kipper Kids, Large Glass, Lindsay Seers, Lydney Park Estate, Marianna Simnett, Mark Wallinger, Martello Street, Matt's Gallery, Matthew Krishanu, MAXXI, Melanie Jackson, Midlands Arts Centre, Mike Nelson, Nathaniel Mellors, obituary, Oona Grimes, Oslo, Radio Influenza, Richard Grayson, Robin Klassnik, Rome, Space studios, Stephen Cripps, Susan Hiller, Tate Britain, Tate Collection, Tate Modern, The Coral Reef, Tomico Lemos Auad, Ulay, Venice Biennale, Wellcome, Work in Progress
By Matt's Gallery on 31 May 2018
Current Richard Grayson, By Our Own Hand, Matt’s Gallery, Nine Elms, The Residence, 42-44 Ponton Road, SW8 5BA, Opening Event: Friday 1 June 4 – 8pm, exhibition continues 2 – 3 June 2018, 12 – 5pm By Our Own Hand is the first exhibition in Matt’s Gallery’s new space in Nine Elms. In 2019 Matt’s Gallery will open at Bellway’s The […]
Posted in News | Tagged 16 Nicholson Street Gallery, A to B in MK, A Woman's Place at Knole, Abroath, Again, Alberta Whittle, Alberto Giacometti, Alice Day Williams, Alison Turnbull, All the World's a Sunny Day, Allison Janae Hamilton, Am I Not A Man and A Brother, Andrew Gilbert, Andrew Hairstans, Anina Major, Another Country, Arts Catalyst, Arts Council Collection, Attenborough Arts Centre, Auth Rangelay Yaar, Banner Repeater, Barbara Casavecchia, Baron Sackville, BBC Radio 4, Belfast, Belgium, Bellway, Ben Rivers, Benedict Drew, Bermondsey, Bernice Donszelmann, Beth Collar, Birthe Jorgensen, Blackpool, Borbala Szanto, Boredom Is Always Counter-Revolutionary, Boulby Underground Laboratory, Brigid McLeer, British Council, British Museum, Bruce McLean, Bury Place, Butterflies in Colombia, By Our Own Hand, Capital Crime, Cast Iron Radio, Channels, Charing Cross Hospital, Choco, CJ Mahony, Constantine Brancusi, Contemporary Art Society, Contemporary Art Society Special Collection Scheme, Cornwall, Dana Hargrove, David Brooks, David Collens, Dawn Gavin, De La Warr Pavilion, Dear Climate, Deeper in the Pyramid, Dieter Roth, Durham University, Eight Colourful Friends, Eighty Circles Through Canada (The Last Possessions Of An Orcadian Mountain Man) (2013), Elaine Rutherford, Eliza Gluckman, Ellie Ga, Emily Orley, Emily Speed, Erkka Nissinen, Esther Leslie, Euan Gray, Every Thought There Ever Was, extinction, Fathom, Fiona Crisp, Focal Point Gallery, Gabriela Salazar, General Rehearsal, Ghost Strata, Glasgow, Graham Fagen, Grand Union, Groundwork, Grundy Art Gallery, Guy Debord, Hara Woltz, Hayley Newman, Helen Robertson, Henry Moore, Homage to Marcel Duchamp (2017), Hospitalfield, If Mimicry Minded, Illuminations (2018), In My Shoes, In the Future, Indicators: Artists on Climate Change, Institute for Computational Cosmology, Irineu Destourelles, James Baldwin, James O’Leary, Jane Rendell, Japanese Paintings, Jenni Lomax, Jenny Kendler, Jo Bruton, Jo Stockholm, Joey Holder, John Beadle, John Hansard Gallery, John Moore Painting Prize 2018, Juan Cruz, Justin Brice Guariglia, KADIST, Katherine Ka Yi Liu, Katja Hilevaara, Kent, Kiasma, Knole House, Krabi, Kristen Kreider, Laboratori Nazionali del Gran Sasso, Landing Girls, leah capaldi, Lindsay Seers, Lionheart, Liu Xiaodong, Liverpool, Liverpool John Moores University, London, Longing and Consolidation, Longside Gallery, Louise Bourgeois, Lubaina Himid, Lubaina Himid MBE, Lucy Day, Lucy Gunning, Maria Fusco, Mark Dion, Marvin Gaye Chetwynd, Mary Mattingly, Material Sight, Matt's Gallery, Maya Lin, Meg Webster, Melanie Jackson, Melanie Wilson, Mike Nelson, milk, Milton Keynes, Milton Keynes Community Collaborators, MMOMA, More Things (a table ruin) (2014), Moscow Museum of Modern Art, Mosfellsbaer, Naomi Pearce, Nathaniel Mellors, National Art Gallery of The Bahamas, New York, Nicola Bealing, Nine Elms, Nora Lawrence, Nottingham, Officine Grandi Riparazioni, OGR, Orlando, Outpatients Unit, Overlay, Pacific rainforest, Pawel Althamer, Petrovka Street gallery, Plans & Records, possessions_inc, Primary, Psi Girls (1999), Rasheed Araeen, Redway, REMAINS, Representation of the People Act, Richard Grayson, Richard Guzman, Rodic Davidson Architects, Ron Heneocq Fine Art, Rosalind Davies, Routledge, Roy Voss, Sackville-West, Sao Paulo, Sarah Diver, Scotland, Sherrie Levine, Social Facts, Sonia Farmer, Southampton, Southend-on-Sea, Steve Rowell, Storm King Art Center, Susan Hiller, tatami, Tavares Strachan, Thailand, The Aalto Natives, The Bahamas, The Creative Critic: Writing as/about Practice, The MAC, The Residence, The Slave's Lament, The Walker Art Gallery, Tim Etchells, Turin, University of Leicester, V-A-C Foundation, V&A Wallpaper Archive, Venice Biennale, Virginia Woolf, Vita Sackville-West, Wandsworth, Watou Arts Festival, We Suffer to Remain, Whitstable Biennale, Willem de Kooning, Willie Doherty, Yorkshire Sculpture Park |
By Matt's Gallery on 3 April 2018
Upcoming Jo Bruton, Run, Matt’s Gallery, 92 Webster Road, London, 7 – 15 April, Private View 6 April 6-9pm Jo Bruton’s second show at Matt’s Gallery sees the artist expanding her practice as a painter into a series of printed wallpapers. Hand painted, digitally produced and then pasted to the walls of the gallery, the piece has […]
Posted in News | Tagged A Woman's Place at Knole, Acme Fire Station, Again, Alberta Whittle, Alberto Giacometti, Alfacar, Alice May Williams, Alison Turnbull, All The Wor, All the World's a Sunny Day, Allison Janae Hamilton, Am I Not A Man and A Brother, Andrew Gilbert, Andrew Hairstans, Andy Fisher, Anil Seth, Anina Major, Another Country: Aspects of Scottish Emigration to the United States, April, Art Monthly, Arts Catalyst, Artur Zmijewski, Avatar Therapy, Banner Repeater, Barbara Kruger, Baron Sackville, BBC Radio 4, Benedict Drew, Benjamin Swaim, Bermondsey, Berwick Visual Arts, Beth Forde, Birthe Jorgensen, British Council, Candice Lin, Caspar Heinemann, Cecil Collins, Channels, Chris Frith, CJ Mahony, Collyer Bristow Gallery, Colombia, Constantine Brancusi, Contemporary Art Society, Dana Hargrove, David Austen, David Brooks, David Collens, Dawn Gavin, De La Warr Pavilion, Dear Climate, Deeper in the Pyramid, Dieter Roth, Doris McCarthy Gallery, Dr Blanca Huertas, Durham University, Edward Hopper, Eighty Circles Through Canada (The Last Possessions of An Orcadian Mountain Man), Elaine Rutherford, Elena Bajo, Elisabeth Frink, Eliza Gluckman, Ellie Ga, Emily Speed, Emma Bolland, Erkka Nissinen, Esther Leslie, Euan Gray, Fiction as Method, Finnish Pavilion, Fiona Banner, Fiona Crisp, Focal Point Gallery, Futures & Fictions, Gabriela Salazar, Galeria Moises Perez De Albeniz, Galerie Crevecoeur, Gallery 4, Gallery of Modern Art (GoMA), General Rehearsal, Gerard Byrne, Ghetto Priest, Glasgow, Graham Fagen, Grand Union, Grundy Art Gallery, Hans-Peter Feldmann, Hara Woltz, Helen Marten, Henning Bohl, Henry Moore, Hospitalfield, Ian Hamilton Finlay, In the Future, Indicators: Artists on Climate Change, Institute for Computational Comology, Irineu Destourelles, Isobel Wohl, It's all the same fucking day man..., Jakob Kolding, Jala Wahid, James Miranda Barry, Janani Balasubramanian, Jane Evelyn Atwood, Jenny Kendler, Jih-Fie Cheng, JMW Turner, Jo Bruton, John Beadle, John Cunningham, John Hansard, John Smith, Jonathan Trayner, Jordan Baseman, Julien Ceccaldi, Justin Brice Guariglia, KADIST, Katharina Poos, Katherine Angel, Katherine Ka Yi Liu, kennardphillips, Kiasma, Kirsten Cooke, Knole House, Laboratori Nazionale del Gran Sasso, Leo Kelly, Linda Stupart, Lindsay Seers, Lionheart, Lisson Gallery, London, Louise Bourgeois, Lubaina Himid, Lucy Day, MA BIBLIOTHEQUE, Margot Norton, Maria Abramovic, Mark Dion, Mary Mattingly, Mas Arte Mas Accion, Material Sight, Matt's Gallery, May, Maya Lin, Meg Webster, Melanie Jackson, Melanie Wilson, Mieke Bal, Mike Nelson, milk, Minnesota, MMOMA, MONA, More Things (a table ruin), Moscow Museum of Modern Art, Muirhead Bone, Nathaniel Mellors, National Art Gallery of The Bahamas, National Gallery of Victoria, Natural History Museum London, New Museum, NGV Triennial, Nicholas Brooks, Nick Mwaluko, Nora Lawrence, Northern Gallery of Contemporary Art, Officine Grandi Riparazioni, On Violence, Orlando, Ourhouse, ourneys with 'The Waste Land', Patrick Heron, Paul Buck, Paul Nash, Paula Rego, Pavel Büchler, Pawel Althamer, Plans & Records, Polygraphs, possessions_inc, Primary, Progressive Rocks, Project/Number, Project/Numebr, Rebecca Jagoe, Renaud Jerez, Repeater Books, Representation of the People Act, Richard Grayson, Richard Guzman, Ridinghouse, Ron Henocq Fine Art, Roy Voss, Rudy Loewe, Sackler Centre for Consciousness, Saint John's Art Center, Sarah Diver, Sarah Wood., Sharon Kivland, Sherrie Levine, Skye Arundhati-Thomas, Social Facts, Sonia Farmer, Special Collection Scheme, Sternberg Press, Steve Rowell, Storm King Art Center, Suffering, Sump, Susan Hiller, Tacita Dean, Tai Shani, Talking Art 2, Tavares Strachan, The Aalto Natives, The Bahamas, The MAC, The New Art Gallery Walsall, The Slave's Lament, the stars above the ocean the ocean beneath the stars, The Way T, The Way Things Are, Timothy Dixon, Toronto, Totah, Travis Alabanza, Turin, Turner Contemporary, UCL, V-A-C Foundation, Vanessa Place, Venice Biennale, violence, Virginia Woolf, Vita Sackville-West, Viznar, Vladimir Nabokov, We Suffer to Remain, Wellcome Trust, Willie Doherty, Williem de Kooning |
By Matt's Gallery on 1 December 2017
Matt’s Gallery is moving to Ron Henocq Fine Art Matt’s Gallery is pleased to announce that in January 2018 it will move to Ron Henocq Fine Art, 92 Webster Road, Bermondsey, London, SE16 4DF. Located next door to Coleman Project Space and a few minutes walk from CGP London/Dilston Grove, 92 was home to the artists Roger Shaw and […]
Posted in News | Tagged ACME, ALEX, Alex Gartenfeld, Alexander and Bonin, Alexis Hunter, Andrea Zittel, Andy Warhol, Anna Oppermann, Atlantic Dialogue, Atlantic Project, Barbara Kruger, Berlin, Bermondsey, Bermondsey Artist Group, Berwick Visual Arts, Beth Forde, Bexhill On Sea, Bill Woodrow, Bruce Neuman, Burns Unbroke, Cafe Gallery, Carolee Schneemann, CASS Sculpture Foundation, Castrato, CGP London, Channels, Coleman Project Space, David Austen, De La Warr Pavilion, Dieter Roth, Dilstion Grove, Edinburgh, Eduardo Paolozzi, El Paso, Elaine Sturtevant, Esslingen, Everything at Once, Gabriel Hartley, Galerie Peter Kilchmann, Gean Moreno, Gerard Byrne, Glasgow, GoMA, Graham Fagen, Grundy Art Gallery, Hans-Peter Feldmann, Hito Steyerl, Home, Home (Waiting), Ian Hamilton Finlay, ICA, Imogen Stidworthy, Institute for Contemporary Art, Jane Evelyn Atwood, Jaroslaw Kozlowski, Joseph Mallord William Turner, Joyce Pensato, kennardphillips, Kiluanji Kia Henda, Legacies, Leo Kelly, Lindsay Seers, Lisson Gallery, Liu Chuang, MAAS, Marie Lund, Martin Kippenberger, Matt's Gallery, Mayflower 400, Melanie Jackson, Miami, Michael Curran, Mike Nelson, MONA, Mona Hatoum, Muirhead Bone, Museum of Applied Arts and Science, Museum Villa Merkel, New York, Nilbar Gures, Nine Elms, No Return, Pablo Picasso, Pennsylvania, Philip Guston, Phillip King, Polygraphs, possessions_inc, Queenstown, Richard Grayson, Rita McBride, Roger Shaw, Ron Henocq Fine Art, Rosemanrie Tockel, Roy Voss, Ryoji Ikeda, SAPLM, Sean Steadman, South Bank, Southwark Park, SPACE, Stanley Picker Traineeship, steel, Stephanie Seidel, Suffering, Summerhall, SUPERFLEX, Susan Hiller, Switzerland, Tasmania, Tesumi Kudo, The Drowned, The Everywhere Studio, The New Art Gallery Walsall, The Sleeping Procession, The Store Studios, The Unconformity, The Vinyl Factory, The Way Things Are, THIS IS A VOICE, Tom Trevor, tools that see (possessions of a thrif) - compressor, Ursula Biemann, Wang Shang, Webster Road, Wellcome Collection, West Sussex, Willie Doherty, Words and Colors, Yves Klein, ZAK | BRANKICA, Zurich |
By Matt's Gallery on 1 August 2015
Matt’s Gallery’s Autumn Programme launches with a solo exhibition of recent works by Gerard Hemsworth. Also in September the first public event as part of The Blackrock Artist Residency Programme will see works by residency artists Rebecca Birch, Bronwen Buckeridge, David Cheeseman and Roy Voss sited throughout the Lydney Park Estate on the edge of the Forest of Dean, Gloucestershire. Plus exhibitions for Alison Turnbull, Hayley Newman, Imogen Stidworthy, Melanie Jackson, Jennet Thomas, Paul Rooney, Richard Grayson, Mike Nelson, Matthew Tickle, Anne Bean, Lindsay Seers and Benedict Drew.
Posted in News | Tagged Alison Turnbull, Angus Braithwaite, Anne Bean, Benedict Drew, Berwick Film and Media Festival, Blackrock Residency, Bronwen Buckeridge, Channels, Collyer Bristow Gallery, David Cheeseman, David Osbaldeston, Dilston Grove, Dojima River Biennale, Focal Point Gallery, Gerard Hemsworth, Graham Fagen, Grundy Art Gallery, Hatton Gallery, Hayley Newman, ICA, Imogen Stidworthy, Imperial War Museum London, Jennet Thomas, Jordan Baseman, La Biennale de Lyon Art, La Panacee, Lindsay Seers, Lofoten International Art Festival, Matthew Tickle, Melanie Jackson, Mike Nelson, Ormston House, Paul Rooney, QUAD Derby, Rebecca Birch, Richard Grayson, Roy Voss, Scotland+Venice, Supernormal Festival, Susan Hiller, UTS Gallery Sydney, Venice Biennale, Whitechapel Gallery, X Marks the Bokship |
By Matt's Gallery on 1 August 2014
Gallery News Forthcoming Exhibition REVOLVER II, a curatorial collaboration by Michael Newman and Robin Klassnik, 10 September–14 December 2014 REVOLVER II comprises a fast-paced three-part series of group exhibitions to investigate the manifestation of knowledge in relation to artists who work with or reference text and publishing. All selected works over the series of the […]
Posted in News | Tagged AKINCI, Alison Turnbull, Amsterdam, Animate Projects, BALTIC 39, Barcelona, Benedict Drew, Blackpool, CGP London, Channels, Craig Barnes, Danh Vo, David Batchelor, De Pont Museum, Deirdre O'Dwyer, Den Haag, Focal Point Gallery, Galeria Leme, Generation, Graham Fagen, Hayley Newman, Hayward Gallery, Hayward Touring, Imogen Stidworthy, James Coleman, Jennet Thomas, Jordan Baseman, Latvia, Le Cartel, Lindsay Seers, Lisa Cooley Gallery, Listening, Lizzie Hughes, Lucia Nogueira, Marseille, Michael Newman, Michaelis Galleries, Monocular, Nathaniel Mellors, Outlandia, Peter Liversidge, Remote Performances, Revolver, Royal Acdemy of Arts, Sam Belifante, Sami Artist Centre, Sao Paulo, Scotland, Shandy Hall, Space-Time: The Future, Stroom, Supernormal Festival, Susan Hiller, Taipei Biennial, The Book Lovers, The Gluts, The Grundy Gallery, Tillburg, Toulouse, Willie Doherty, Wysing Art Centre, X Marks the Bokship |
By Matt's Gallery on 1 June 2013
Deadness by Jordan Baseman is now open at Matt’s Gallery and Susan Hiller’s recent Matt’s Gallery commission Channels tours to France. Artist’s exhibitions elsewhere include Imogen Stidworthy at M HKA, Nathaniel Mellors at Baltimore Museum of Art, Willie Doherty at IMMA, Graham Fagen at the Royal Scottish Academy and Lindsay Seers at Toulouse International Art Festival.
Posted in News | Tagged A Preface, Acts of Voicing, Alison Turnbull, ANDOR, Austin Forum, Baltimore Museum of Art, Benedict Drew, Between the Late and the Early, CAC Synagogue Delme, Centro de Arte Moderna, Ceri Hand Gallery, Channels, Chapter, David Osbaldeston, Deadness, Deep Feelings. From Antiquity to Now, For What It Is, FRAC Ile-de-France/Le Plateau, Fresh Trauma, Galápagos, Galway Arts Festival, Graham Fagen, Homelands British Council Touring Exhibition, Imogen Stidworthy, Irish Museum of Modern Art, Jimmie Durham, Jo Bruton, John Russell, Jordan Baseman, Kunsthalle Krems, Lindsay Seers, M HKA, Nathaniel Mellors, Northern Ireland: 30 Years of Photography, O Chair O Flesh, Roy Voss, SNAP: Art at the Aldeburgh Festival, Susan Hiller, The Collection as a Character, The Encyclopedic Palace, The Royal Scottish Academy, The Royal Standard, Total Museum, Toulouse International Art Festival, Treignac Projet, Venice Biennale, Willie Doherty, Wysing Arts Centre |
By Matt's Gallery on 10 February 2013
All the latest news from Matt’s Gallery: Exhibitions at the gallery by Susan Hiller and Mike Nelson; and exhibitions internationally by Matt’s Gallery artists including Imogen Stidworthy, Benedict Drew, Hayley Newman and Robin Klassnik.
Posted in News | Tagged 971 horses and 4 zebras, AKINCI, Akumulatory 2, Alison Turnbull, Ariadne's Thread, Art Exchange, Art Space Gallery, Benedict Drew, Berlin Independent Film Festival, Birmingham Museum and Art Gallery, Camden Arts Centre, Casa del Lector, Castlefield Gallery, Channels, Contemporary Art Spaces Tasmania, DEPO, Eastside Projects, EFA Project Space, Emma Hart, Fargo Film Festival, Film in Space, Fiona Crisp, Garage Rotterdam, Hayley Newman, How to Tell a Story, Imogen Stidworthy, John Hansard Gallery, Jordan Baseman, Kiasma, Lindsay Seers, Looking at the View, M HKA, M6, Melanie Jackson, Mike Nelson, Milton Keynes Gallery, More things (To the memory of Honoré de Balzac), Museum of Contemporary Art Krakow, Narratives of Arrival and Resolution, Nathaniel Mellors, Newlyn Art Gallery, Rachel Lowe, Reality Bites, Relatively Absolute, Revealed: Government Art Collection, Revolving Woman, Robin Klassnik, Sacha, Secretion, Statens Museum for Kunst, Susan Hiller, Tate Britain, The Book Lovers, The Exchange, The Future's Not What It Used to Be, To that Wallpaper Vault, Transformation, Transformism, University of Bristol, While It Lasts, Willie Doherty, Wysing Arts Centre |
By Matt's Gallery on 2 December 2012
Matt’s Gallery is pleased to represent Benedict Drew. Read all the other gallery news including forthcoming exhibitions at the gallery and elsewhere. International exhibitions include Lindsay Seers, Willie Doherty, Nathaniel Mellors and Alison Turnbull.
Posted in News | Tagged Acts of Voicing, Again A Time Machine, Alison Turnbull, Ariadne's Thread, Art Exchange, Art Space Gallery, Benedict Drew, Birmingham Museum and Art Gallery, Camden Arts Centre, Casa del Lector, Channel 4, Channels, CRICOTEKA, David Osbaldeston, Eastside Projects, Emma Hart, Film in Space, Fruitmarket Gallery, Galápagos, GoMA, Graham Fagen, Hayley Newman, Here comes Franz, Imogen Stidworthy, Inspired Editions: Prints and Multiples, Jarman Award, Kiasma, Kunsthall Oslo, Large Glass, Lindsay Seers, Liverpool Biennial, M6, Mike Nelson, MONITOR, Narratives of Arrival and Resolution, Nathaniel Mellors, Paul Rooney, Radical Languages, Reality Bites, Recent collaborations before THE SAPROPHAGE, Revealed: Government Art Collection, Robert Burns Birthplace Museum, Secretion, Statens Museum for Kunst, Susan Hiller, Tales of the City, The Modern Institute, Victoria Gallery and Museum, Willie Doherty, With an Apple I Will Astonish, Württenburger Kunstverein Stuttgart |
![📀Out now: ‘Horrific Object’ is a limited debut 7” single by Nathaniel Mellors (@nathanielmellors)(The God In Hackney, Skill 7 Stamina 12, Conemelt). 250 copies on split translucent blue / opaque pink vinyl. Released jointly by The Box Editions (Los Angeles)(@theboxla) and Junior Aspirin Records (Hampshire, UK). With artwork by Tala Madani (@talamadani)! Jazzy, bluesy, horrific.
[ID: cover artwork of Nathaniel Mellors' single 'Horrific Object' by Tala Madani: the artist's name, record title in English and Korean and a quotation which reads "All the air around you is infected" sit on light brown rectangles, over a painted backdrop. A sweep of grey paint covers the bottom half like ground, and the top half, or sky, is made up of gentle blurs of yellow, orange, pink and blue, lengthways. On the grey are two figures, one close-up and one a little further away, who each hold and stare at an object like a blue daub of paint in their hands.]](https://news.mattsgallery.org/wp-content/plugins/instagram-feed/img/placeholder.png)