By Matt's Gallery on 6 June 2019
Upcoming Dean Kenning, Psychobotanical, Matt’s Gallery, London, private view 7 June 6-9pm, exhibition open Wed-Sun 12-6pm, 8-30 June 2019 For the 3x3x3 metre gallery space at 92 Webster Road, Kenning plans to extend and tumefy an on-going series of sculptural pieces, which feature throbbing plant-like protuberances. Encircling this motorised work the gallery’s walls will play […]
Posted in News | Tagged 3D printing, A length of spit dangled from a mouth., Aalst, Amberes, Anne Bean, Antwerp, Bad Mantra, Bad Mantras, Bath, Berlin, Botanical Drift, Broadside ballads, Cample Line, casting, catalogue, cityscapes, CNC, collaborative, Cornwall, cut up, David Austen, David Osbaldeston, Dean Kenning, diagrams, Dialogues with People, digital animation, Digital commission, Double Act, Dumfries, Dundee Contemporary Arts, Duveen Galleries. Duveen, Elizabeth Magill, England and Co. Gallery, Erkka Nissinen, Ghetto Priest, Graham Fagen, graphic, Hayley Newman, Helston, Hogarth and the Art of Noise, IG Metall, IKON Gallery, Imogen Stidqorthy, Jordan Baseman, Kestle Barton, LA, Luke McCreadie, M HKA, Matt's Gallery, Melanie Jackson, Michael Stanley, Mike Nelson, Mono, monoprint, monuments, MuKHA, Nathaniel Mellors, Netwerk Aalst, Nicola Bealing, performance, photography, plants, printmaking, Psychobotanical, publication, Radio Influenza, Roberto Bolano, sculpture, Simon Marsh, Tate Britain, Tate Britain Commission, text-based, The Aerodrome, The Asset Strippers, The Box, The Box LA, The Foundling Museum, The Holburne Museum, The Slave's Lament, Thornhill, Toine Horvers, welding, Wellcome, William Hogarth, writing
By Matt's Gallery on 3 April 2014
Gallery News Current Exhibition Benedict Drew, Heads May Roll, until 20 April 2014 For his first solo commission at Matt’s Gallery, Benedict Drew presents a large-scale installation. The work scrutinises the effect and intent of mediated images, synthesised voice and the fractured narrative of instructional speech. Artists’ News Graham Fagen selected to represent Scotland […]
Posted in News | Tagged Alison Turnbull, Anne Bean, Austria, Avis Newman, Benedict Drew, Birmingham Museum and Art Gallery, Collective Gallery, David Osba, Dundee, FACT, Generation, Gracefield Arts Centre, Graham Fagen, Hammer Museum, Hayley Newman, High House Production Park, Hospitalfield Arts, Imogen Stidworthy, Jennet Thomas, Jordan Baseman, Kirchstetten, Kunstverein Freiburg, LA, Latvia National Arts Museum, Lindsay Seers, Liverpool Biennial, Maclaurin Gallery, Mike Nelson, Modern Art Oxford, MONA, Mummery + Schnelle, Nathaniel Mellors, Nottingham, PKM Gallery, Reactor, Scottish National Gallery of Modern Art, Stigter van Doesburg, Tasmania, The Dick Institute, The Gluts, The McManus, The Power Plant, The View, Thinking City, Toronto, TORQUE, Venice Biennale, Wysing Arts Centre |
By Matt's Gallery on 22 January 2014
Benedict Drew’s first solo commission at Matt’s Gallery, Heads May Roll, opens. Mike Nelson’s Amnesiac Hide opens at The Power Plant, Toronto; Lindsay Seers’ Urban Visionaries at Canary Wharf Screen, London; plus exhibitions for Nathaniel Mellors, Alison Turnbull, Jordan Baseman, David Osbaldeston, Hayley Newman, Willie Doherty, Imogen Stidworthy and Graham Fagen.
Posted in News | Tagged 176 Zabludowicz Collection, Alison Turnbull, Art on the Underground, Bemis Center for Contemporary Arts, Benedict Drew, Central Saint Martins, David Osbaldeston, De La Warr Pavilion, FLAMIN, Gallery of Modern Art, Glasgow, Graham Fagen, Hammer Museum, Hayley Newman, Imogen Stidworthy, Jordan Baseman, Kerlin Gallery, LA, Lindsay Seers, London, Mike Nelson, MONA, Museum of Old and New Art, Nathaniel Mellors, Oxford Film Festival, Philip Hoare, Tasmania, The Contemporary Art Gallery in Vancouver, The Gluts, The Horse Hosptial, The Power Plant, Toronto, Willie Doherty |
