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Ghetto Priest
June 2019
By Matt's Gallery on 6 June 2019
Upcoming Dean Kenning, Psychobotanical, Matt’s Gallery, London, private view 7 June 6-9pm, exhibition open Wed-Sun 12-6pm, 8-30 June 2019 For the 3x3x3 metre gallery space at 92 Webster Road, Kenning plans to extend and tumefy an on-going series of sculptural pieces, which feature throbbing plant-like protuberances. Encircling this motorised work the gallery’s walls will play […]
Posted in News | Tagged 3D printing, A length of spit dangled from a mouth., Aalst, Amberes, Anne Bean, Antwerp, Bad Mantra, Bad Mantras, Bath, Berlin, Botanical Drift, Broadside ballads, Cample Line, casting, catalogue, cityscapes, CNC, collaborative, Cornwall, cut up, David Austen, David Osbaldeston, Dean Kenning, diagrams, Dialogues with People, digital animation, Digital commission, Double Act, Dumfries, Dundee Contemporary Arts, Duveen Galleries. Duveen, Elizabeth Magill, England and Co. Gallery, Erkka Nissinen, Ghetto Priest, Graham Fagen, graphic, Hayley Newman, Helston, Hogarth and the Art of Noise, IG Metall, IKON Gallery, Imogen Stidqorthy, Jordan Baseman, Kestle Barton, LA, Luke McCreadie, M HKA, Matt's Gallery, Melanie Jackson, Michael Stanley, Mike Nelson, Mono, monoprint, monuments, MuKHA, Nathaniel Mellors, Netwerk Aalst, Nicola Bealing, performance, photography, plants, printmaking, Psychobotanical, publication, Radio Influenza, Roberto Bolano, sculpture, Simon Marsh, Tate Britain, Tate Britain Commission, text-based, The Aerodrome, The Asset Strippers, The Box, The Box LA, The Foundling Museum, The Holburne Museum, The Slave's Lament, Thornhill, Toine Horvers, welding, Wellcome, William Hogarth, writing
April 2019
By Matt's Gallery on 3 April 2019
Current Matthew Krishanu, House of Crows, Matt’s Gallery, London, continues until 7 April, open daily 12-6pm Matt’s Gallery’s current exhibition at Webster Road centres around two series of images that the painter Matthew Krishanu has been developing over a number of years: House of God, which depicts landscapes punctuated by the crosses of churches, and Crow, a […]
Posted in News | Tagged 1d for Abroad, A New Song (To an Old Tune), Aalst, Alabama, Alison Turnbull, Bath, Beaconsfield, Belgium, Benedict Drew, Berwick, Beth Collar, Birmingham Alabama, Body and Soul, Brian Catling, CGP London, character, Copenhagen, Copenhagen Contemporary, Crow, CUDDY, Daddy Issues, David Austen, Dean Kenning, Dialogues with People, Digital commission, Dilston Grove, Dundee Contemporary, Duveen Galleries, Emojimio, Forma, Forma Arts Media, From Me to You, Ghetto Priest, Graham Fagen, Henry Moore, Henry Moore Foundation, Hogarth & the Art of Noise, Holburne Museum, House of Crows, icon, Imogen Stidworthy, In the Labyrinth, Ingleby Gallery, Isotopica, Istanbul, John Walter, Jordan Baseman, labyrinth, Large Glass, lino cut, Lucy Gunning, Marianna Simnett, Matt's Gallery, Matthew Krishanu, Maus Contemporary, Michael Curran, Mike Nelson, monuments, motif, Muriel Spark, narrative, Netwerk Aalst, Nicola Bealing, painter, painting, performance, poet, print, print-making, printmaking, Protocinema, Radio Influenza, Ren Henocq, Resonance FM, Ron Henocq Fine Art, Roy Voss, RWA Bristol, sculptor, sculpture, SEIZURE, Simon Tyszko, site-specific, Southwark Park, Spanish flu, stories, Tate Britain, Tate Britain Commission, The Asset Strippers, The Foundling Museum, The Gymnasium Gallery, The Needle and the Larynx, The Origin of Life, The Public Image: Scottish Lady Tiger, The Slave's Lament, The Vorrh, The Vorrh Trilogy, The Way Things Are, The Whole Fantasy (with holes), Thinking Here of How the Words Formulate Inside My Head As I Am Just Thinking, Tintype, Turner Prize, Underworld, USA, Webster Road, Wellcome, WKV, Württembergischer Kunstverein, Württembergischer Kunstverein Stuttgart
April 2018
By Matt's Gallery on 3 April 2018
Upcoming Jo Bruton, Run, Matt’s Gallery, 92 Webster Road, London, 7 – 15 April, Private View 6 April 6-9pm Jo Bruton’s second show at Matt’s Gallery sees the artist expanding her practice as a painter into a series of printed wallpapers. Hand painted, digitally produced and then pasted to the walls of the gallery, the piece has […]
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February 2018
By Matt's Gallery on 31 January 2018
Upcoming Matt’s Gallery, 92 Webster Road, SE16 4DF, London Elizabeth Magill, 23 February – 4 March 2018 Mandy Ure, 9 – 18 March 2018 Angus Braithwaite, 23 March – 1 April 2018 In the coming months, Matt’s Gallery will present a rapid succession of short exhibitions and events at 92 Webster Road. The Gallery’s practice […]
Posted in News | Tagged 92 Webster Road, A Drama in Time, A’ ye wha live and never think, Abstract, Ade Adesina, Adrian Wiszniewski, Alex Gartenfeld, Alexander Fraser, Alfons Bytautus, Alison Turnbull, Andrea Zittel, Andy Warhol, ANIMAL CONDENSED > ANIMAL EXPANDED #1, ANIMAL CONDENSED > ANIMAL EXPANDED #2, Anna Oppermann, Anne Bean, Anne Redpath, art, Barbara Kruger, Bermondsey, Beth Forde, Beyond Future is Past, Bill Woodrow, Bruce Nauman, Burns Unbroke, Carolee Schneemann, CASS Sculpture Foundation, Chinese New Year, Cobra Museum of Modern Art, Collyer Bristow Gallery, contemporary art, Contemporary Art Society Collection Scheme, Dave Stephens, David Austen, David Michie, David Michie RSA, Derrick Guild, Dieter Roth, Doris McCarthy Gallery, Douglas Huebler, Eduardo Palozzi, Elaine Sturtevant, Elizabeth Blackadder, Elspeth Lamb, Erkka Nissinen, Falling in Love with a Chair, Field Test (monochrome), Fiona Crips, Fluxus festival, Frances Walker, Franz Erhard Walther, Galerie Crevecoeur, Game Killed, Gean Moreno, George Donald, Georgie Grace, Gerard Byrne, Ghetto Priest, Glasgow's Gallery of Modern Art, GoMA, Gone To The West Indies, Gordon Bryce, Graham Fagen, Hans-Peter Feldmann, Harley Brothers, Henning Bohl, Hisham Matar, Hito Steyerl, Ian Hamilton Finlay, ICA Miami, In the Future, Institute of Contemporary Art, Jane Evelyn Atwood, Jaroslaw Kozlowski, Jennet Thomas, Jennifer McRae, Joyce Pensato, Julien Ceccaldi, kennardphillips, Kiasma, Kirkland Main, Klassnik Corporation, Kunsthalle Münster, Leo Kelly, Lewis Robinson, Lindsay Seers, Lionheart, London, Marion Smith, Martin Kippenberger, Mary Bourne, Material Sight, Matt's Gallery, Meadows Gallery, Miami, Michael Docherty, Mike Nelson, MoCa Trowbridge, MONA, Muirhead Bone, Nathaniel Mellors, National Gallery of Victoria, New Museum, NGV Triennial, Northern Gallery for Contemporary Art, On A Scotch Bard, Orange and Pineapple, Ourhouse Episode -1:Time, Pablo Picasso, Peninsula Arts Gallery, Philip Guston, Phillip King, Phoenix Brighton, Plymouth Contemporary Artist Showcase 2018, Polygraphs, possessions_inc, Progressive Rocks, Queenstown, Reiner Ruthenbeck, Renaud Jerez, Richard Grayson, Richard Long, Robert Burns, Ron Henocq Fine Art, Rosemarie Trockel, Royal Scottish Academy, RSA Collection, Serial Composition, Sophisticated Neanderthal Interview, Stephanie Seidel, Suffering, Sunderland, Tetsumi Kudo, The Aalto Natives, The Everywhere Studio, The New Art Gallery Walsall, The Sitting Room, The Slave's Lament, The Sleeping Procession, The Unconformity, The Vomiter, Tomas Klassnik, Venice Biennale, Victor Burgin, Victoria Crowe, Winter Flower, Words and Colors, Yves Klein, ŻAK | BRANICKA | Leave a response