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Ghetto Priest
April 2018
By Matt's Gallery on 3 April 2018
Upcoming Jo Bruton, Run, Matt’s Gallery, 92 Webster Road, London, 7 – 15 April, Private View 6 April 6-9pm Jo Bruton’s second show at Matt’s Gallery sees the artist expanding her practice as a painter into a series of printed wallpapers. Hand painted, digitally produced and then pasted to the walls of the gallery, the piece has […]
Posted in News | Tagged A Woman's Place at Knole, Acme Fire Station, Again, Alberta Whittle, Alberto Giacometti, Alfacar, Alice May Williams, Alison Turnbull, All The Wor, All the World's a Sunny Day, Allison Janae Hamilton, Am I Not A Man and A Brother, Andrew Gilbert, Andrew Hairstans, Andy Fisher, Anil Seth, Anina Major, Another Country: Aspects of Scottish Emigration to the United States, April, Art Monthly, Arts Catalyst, Artur Zmijewski, Avatar Therapy, Banner Repeater, Barbara Kruger, Baron Sackville, BBC Radio 4, Benedict Drew, Benjamin Swaim, Bermondsey, Berwick Visual Arts, Beth Forde, Birthe Jorgensen, British Council, Candice Lin, Caspar Heinemann, Cecil Collins, Channels, Chris Frith, CJ Mahony, Collyer Bristow Gallery, Colombia, Constantine Brancusi, Contemporary Art Society, Dana Hargrove, David Austen, David Brooks, David Collens, Dawn Gavin, De La Warr Pavilion, Dear Climate, Deeper in the Pyramid, Dieter Roth, Doris McCarthy Gallery, Dr Blanca Huertas, Durham University, Edward Hopper, Eighty Circles Through Canada (The Last Possessions of An Orcadian Mountain Man), Elaine Rutherford, Elena Bajo, Elisabeth Frink, Eliza Gluckman, Ellie Ga, Emily Speed, Emma Bolland, Erkka Nissinen, Esther Leslie, Euan Gray, Fiction as Method, Finnish Pavilion, Fiona Banner, Fiona Crisp, Focal Point Gallery, Futures & Fictions, Gabriela Salazar, Galeria Moises Perez De Albeniz, Galerie Crevecoeur, Gallery 4, Gallery of Modern Art (GoMA), General Rehearsal, Gerard Byrne, Ghetto Priest, Glasgow, Graham Fagen, Grand Union, Grundy Art Gallery, Hans-Peter Feldmann, Hara Woltz, Helen Marten, Henning Bohl, Henry Moore, Hospitalfield, Ian Hamilton Finlay, In the Future, Indicators: Artists on Climate Change, Institute for Computational Comology, Irineu Destourelles, Isobel Wohl, It's all the same fucking day man..., Jakob Kolding, Jala Wahid, James Miranda Barry, Janani Balasubramanian, Jane Evelyn Atwood, Jenny Kendler, Jih-Fie Cheng, JMW Turner, Jo Bruton, John Beadle, John Cunningham, John Hansard, John Smith, Jonathan Trayner, Jordan Baseman, Julien Ceccaldi, Justin Brice Guariglia, KADIST, Katharina Poos, Katherine Angel, Katherine Ka Yi Liu, kennardphillips, Kiasma, Kirsten Cooke, Knole House, Laboratori Nazionale del Gran Sasso, Leo Kelly, Linda Stupart, Lindsay Seers, Lionheart, Lisson Gallery, London, Louise Bourgeois, Lubaina Himid, Lucy Day, MA BIBLIOTHEQUE, Margot Norton, Maria Abramovic, Mark Dion, Mary Mattingly, Mas Arte Mas Accion, Material Sight, Matt's Gallery, May, Maya Lin, Meg Webster, Melanie Jackson, Melanie Wilson, Mieke Bal, Mike Nelson, milk, Minnesota, MMOMA, MONA, More Things (a table ruin), Moscow Museum of Modern Art, Muirhead Bone, Nathaniel Mellors, National Art Gallery of The Bahamas, National Gallery of Victoria, Natural History Museum London, New Museum, NGV Triennial, Nicholas Brooks, Nick Mwaluko, Nora Lawrence, Northern Gallery of Contemporary Art, Officine Grandi Riparazioni, On Violence, Orlando, Ourhouse, ourneys with 'The Waste Land', Patrick Heron, Paul Buck, Paul Nash, Paula Rego, Pavel Büchler, Pawel Althamer, Plans & Records, Polygraphs, possessions_inc, Primary, Progressive Rocks, Project/Number, Project/Numebr, Rebecca Jagoe, Renaud Jerez, Repeater Books, Representation of the People Act, Richard Grayson, Richard Guzman, Ridinghouse, Ron Henocq Fine Art, Roy Voss, Rudy Loewe, Sackler Centre for Consciousness, Saint John's Art Center, Sarah Diver, Sarah Wood., Sharon Kivland, Sherrie Levine, Skye Arundhati-Thomas, Social Facts, Sonia Farmer, Special Collection Scheme, Sternberg Press, Steve Rowell, Storm King Art Center, Suffering, Sump, Susan Hiller, Tacita Dean, Tai Shani, Talking Art 2, Tavares Strachan, The Aalto Natives, The Bahamas, The MAC, The New Art Gallery Walsall, The Slave's Lament, the stars above the ocean the ocean beneath the stars, The Way T, The Way Things Are, Timothy Dixon, Toronto, Totah, Travis Alabanza, Turin, Turner Contemporary, UCL, V-A-C Foundation, Vanessa Place, Venice Biennale, violence, Virginia Woolf, Vita Sackville-West, Viznar, Vladimir Nabokov, We Suffer to Remain, Wellcome Trust, Willie Doherty, Williem de Kooning | Leave a response
February 2018
By Matt's Gallery on 31 January 2018
Upcoming Matt’s Gallery, 92 Webster Road, SE16 4DF, London Elizabeth Magill, 23 February – 4 March 2018 Mandy Ure, 9 – 18 March 2018 Angus Braithwaite, 23 March – 1 April 2018 In the coming months, Matt’s Gallery will present a rapid succession of short exhibitions and events at 92 Webster Road. The Gallery’s practice […]
Posted in News | Tagged 92 Webster Road, A Drama in Time, A’ ye wha live and never think, Abstract, Ade Adesina, Adrian Wiszniewski, Alex Gartenfeld, Alexander Fraser, Alfons Bytautus, Alison Turnbull, Andrea Zittel, Andy Warhol, ANIMAL CONDENSED > ANIMAL EXPANDED #1, ANIMAL CONDENSED > ANIMAL EXPANDED #2, Anna Oppermann, Anne Bean, Anne Redpath, art, Barbara Kruger, Bermondsey, Beth Forde, Beyond Future is Past, Bill Woodrow, Bruce Nauman, Burns Unbroke, Carolee Schneemann, CASS Sculpture Foundation, Chinese New Year, Cobra Museum of Modern Art, Collyer Bristow Gallery, contemporary art, Contemporary Art Society Collection Scheme, Dave Stephens, David Austen, David Michie, David Michie RSA, Derrick Guild, Dieter Roth, Doris McCarthy Gallery, Douglas Huebler, Eduardo Palozzi, Elaine Sturtevant, Elizabeth Blackadder, Elspeth Lamb, Erkka Nissinen, Falling in Love with a Chair, Field Test (monochrome), Fiona Crips, Fluxus festival, Frances Walker, Franz Erhard Walther, Galerie Crevecoeur, Game Killed, Gean Moreno, George Donald, Georgie Grace, Gerard Byrne, Ghetto Priest, Glasgow's Gallery of Modern Art, GoMA, Gone To The West Indies, Gordon Bryce, Graham Fagen, Hans-Peter Feldmann, Harley Brothers, Henning Bohl, Hisham Matar, Hito Steyerl, Ian Hamilton Finlay, ICA Miami, In the Future, Institute of Contemporary Art, Jane Evelyn Atwood, Jaroslaw Kozlowski, Jennet Thomas, Jennifer McRae, Joyce Pensato, Julien Ceccaldi, kennardphillips, Kiasma, Kirkland Main, Klassnik Corporation, Kunsthalle Münster, Leo Kelly, Lewis Robinson, Lindsay Seers, Lionheart, London, Marion Smith, Martin Kippenberger, Mary Bourne, Material Sight, Matt's Gallery, Meadows Gallery, Miami, Michael Docherty, Mike Nelson, MoCa Trowbridge, MONA, Muirhead Bone, Nathaniel Mellors, National Gallery of Victoria, New Museum, NGV Triennial, Northern Gallery for Contemporary Art, On A Scotch Bard, Orange and Pineapple, Ourhouse Episode -1:Time, Pablo Picasso, Peninsula Arts Gallery, Philip Guston, Phillip King, Phoenix Brighton, Plymouth Contemporary Artist Showcase 2018, Polygraphs, possessions_inc, Progressive Rocks, Queenstown, Reiner Ruthenbeck, Renaud Jerez, Richard Grayson, Richard Long, Robert Burns, Ron Henocq Fine Art, Rosemarie Trockel, Royal Scottish Academy, RSA Collection, Serial Composition, Sophisticated Neanderthal Interview, Stephanie Seidel, Suffering, Sunderland, Tetsumi Kudo, The Aalto Natives, The Everywhere Studio, The New Art Gallery Walsall, The Sitting Room, The Slave's Lament, The Sleeping Procession, The Unconformity, The Vomiter, Tomas Klassnik, Venice Biennale, Victor Burgin, Victoria Crowe, Winter Flower, Words and Colors, Yves Klein, ŻAK | BRANICKA | Leave a response