By Matt's Gallery on 6 June 2019
Upcoming Dean Kenning, Psychobotanical, Matt’s Gallery, London, private view 7 June 6-9pm, exhibition open Wed-Sun 12-6pm, 8-30 June 2019 For the 3x3x3 metre gallery space at 92 Webster Road, Kenning plans to extend and tumefy an on-going series of sculptural pieces, which feature throbbing plant-like protuberances. Encircling this motorised work the gallery’s walls will play […]
Posted in News | Tagged 3D printing, A length of spit dangled from a mouth., Aalst, Amberes, Anne Bean, Antwerp, Bad Mantra, Bad Mantras, Bath, Berlin, Botanical Drift, Broadside ballads, Cample Line, casting, catalogue, cityscapes, CNC, collaborative, Cornwall, cut up, David Austen, David Osbaldeston, Dean Kenning, diagrams, Dialogues with People, digital animation, Digital commission, Double Act, Dumfries, Dundee Contemporary Arts, Duveen Galleries. Duveen, Elizabeth Magill, England and Co. Gallery, Erkka Nissinen, Ghetto Priest, Graham Fagen, graphic, Hayley Newman, Helston, Hogarth and the Art of Noise, IG Metall, IKON Gallery, Imogen Stidqorthy, Jordan Baseman, Kestle Barton, LA, Luke McCreadie, M HKA, Matt's Gallery, Melanie Jackson, Michael Stanley, Mike Nelson, Mono, monoprint, monuments, MuKHA, Nathaniel Mellors, Netwerk Aalst, Nicola Bealing, performance, photography, plants, printmaking, Psychobotanical, publication, Radio Influenza, Roberto Bolano, sculpture, Simon Marsh, Tate Britain, Tate Britain Commission, text-based, The Aerodrome, The Asset Strippers, The Box, The Box LA, The Foundling Museum, The Holburne Museum, The Slave's Lament, Thornhill, Toine Horvers, welding, Wellcome, William Hogarth, writing
By Matt's Gallery on 3 April 2019
Current Matthew Krishanu, House of Crows, Matt’s Gallery, London, continues until 7 April, open daily 12-6pm Matt’s Gallery’s current exhibition at Webster Road centres around two series of images that the painter Matthew Krishanu has been developing over a number of years: House of God, which depicts landscapes punctuated by the crosses of churches, and Crow, a […]
Posted in News | Tagged 1d for Abroad, A New Song (To an Old Tune), Aalst, Alabama, Alison Turnbull, Bath, Beaconsfield, Belgium, Benedict Drew, Berwick, Beth Collar, Birmingham Alabama, Body and Soul, Brian Catling, CGP London, character, Copenhagen, Copenhagen Contemporary, Crow, CUDDY, Daddy Issues, David Austen, Dean Kenning, Dialogues with People, Digital commission, Dilston Grove, Dundee Contemporary, Duveen Galleries, Emojimio, Forma, Forma Arts Media, From Me to You, Ghetto Priest, Graham Fagen, Henry Moore, Henry Moore Foundation, Hogarth & the Art of Noise, Holburne Museum, House of Crows, icon, Imogen Stidworthy, In the Labyrinth, Ingleby Gallery, Isotopica, Istanbul, John Walter, Jordan Baseman, labyrinth, Large Glass, lino cut, Lucy Gunning, Marianna Simnett, Matt's Gallery, Matthew Krishanu, Maus Contemporary, Michael Curran, Mike Nelson, monuments, motif, Muriel Spark, narrative, Netwerk Aalst, Nicola Bealing, painter, painting, performance, poet, print, print-making, printmaking, Protocinema, Radio Influenza, Ren Henocq, Resonance FM, Ron Henocq Fine Art, Roy Voss, RWA Bristol, sculptor, sculpture, SEIZURE, Simon Tyszko, site-specific, Southwark Park, Spanish flu, stories, Tate Britain, Tate Britain Commission, The Asset Strippers, The Foundling Museum, The Gymnasium Gallery, The Needle and the Larynx, The Origin of Life, The Public Image: Scottish Lady Tiger, The Slave's Lament, The Vorrh, The Vorrh Trilogy, The Way Things Are, The Whole Fantasy (with holes), Thinking Here of How the Words Formulate Inside My Head As I Am Just Thinking, Tintype, Turner Prize, Underworld, USA, Webster Road, Wellcome, WKV, Württembergischer Kunstverein, Württembergischer Kunstverein Stuttgart
By Matt's Gallery on 7 February 2019
In Memory of Susan Hiller 7 March 1940 – 28 January 2019 “In all my work I was attempting to erase the supposed boundary between dream life and waking life. Because what I do… is to pull out for scrutiny those images or ideas which are visual, visible, but are rendered invisible and therefore marginalized.” Susan Hiller, […]
Posted in News | Tagged 1980, A Murder of Crows, A---Z, Aalto Natives, Alice Channer, Alison Turnbull, Anne Bean, Anne Duffau, artist residency, Bad Mantra, Benedict Drew, Birmingham, Blackrock, Bloomberg N, Carey Young, Channels, Charlotte Higgins, City Art Centre, Copenhagen Contemporary, COUM Transmissions, Daniel Sturgis, Danielle Arnaud, David Troostwyk, Dilston Grove, Dominic Johnson, Drawing Biennial 2019, Drawing Room, Edinburgh, Erkka Nissinen, Fotogalleriet, gendersick, Genesis P-Orridge, Govan Project Space, Graham Fagen, Hail the new Etruscan, Helen Mirra, heterochromia iridum, Ikon, IMT Gallery, Jordan Baseman, Kerry Trengove, Kiasma, Kipper Kids, Large Glass, Lindsay Seers, Lydney Park Estate, Marianna Simnett, Mark Wallinger, Martello Street, Matt's Gallery, Matthew Krishanu, MAXXI, Melanie Jackson, Midlands Arts Centre, Mike Nelson, Nathaniel Mellors, obituary, Oona Grimes, Oslo, Radio Influenza, Richard Grayson, Robin Klassnik, Rome, Space studios, Stephen Cripps, Susan Hiller, Tate Britain, Tate Collection, Tate Modern, The Coral Reef, Tomico Lemos Auad, Ulay, Venice Biennale, Wellcome, Work in Progress
By Matt's Gallery on 10 February 2013
All the latest news from Matt’s Gallery: Exhibitions at the gallery by Susan Hiller and Mike Nelson; and exhibitions internationally by Matt’s Gallery artists including Imogen Stidworthy, Benedict Drew, Hayley Newman and Robin Klassnik.
Posted in News | Tagged 971 horses and 4 zebras, AKINCI, Akumulatory 2, Alison Turnbull, Ariadne's Thread, Art Exchange, Art Space Gallery, Benedict Drew, Berlin Independent Film Festival, Birmingham Museum and Art Gallery, Camden Arts Centre, Casa del Lector, Castlefield Gallery, Channels, Contemporary Art Spaces Tasmania, DEPO, Eastside Projects, EFA Project Space, Emma Hart, Fargo Film Festival, Film in Space, Fiona Crisp, Garage Rotterdam, Hayley Newman, How to Tell a Story, Imogen Stidworthy, John Hansard Gallery, Jordan Baseman, Kiasma, Lindsay Seers, Looking at the View, M HKA, M6, Melanie Jackson, Mike Nelson, Milton Keynes Gallery, More things (To the memory of Honoré de Balzac), Museum of Contemporary Art Krakow, Narratives of Arrival and Resolution, Nathaniel Mellors, Newlyn Art Gallery, Rachel Lowe, Reality Bites, Relatively Absolute, Revealed: Government Art Collection, Revolving Woman, Robin Klassnik, Sacha, Secretion, Statens Museum for Kunst, Susan Hiller, Tate Britain, The Book Lovers, The Exchange, The Future's Not What It Used to Be, To that Wallpaper Vault, Transformation, Transformism, University of Bristol, While It Lasts, Willie Doherty, Wysing Arts Centre |
By Matt's Gallery on 1 April 2011
Next exhibition at Matt’s Gallery: Imogen Stidworthy. Other artists’ news includes Nathaniel Mellors at the ICA, London; Lindsay Seers at the Baltic, Gateshead; Susan Hiller at Tate Britain; Mike Nelson in the Singapore Biennale; and Jordan Baseman in residence at St John’s College, Oxford.
Posted in News | Tagged Acme Studios Fire Station Centenary, Alison Turnbull, BALTIC, Beaconsfield, Biennale di Venezia, Brian Catling, British Art Show 7, British Pavilion, cabin:codex- CAB Re-launch Project, Cell Project Space, Centre for Contemporary Arts, Centrespace Visual Research Centre, David Osbaldeston, Dis-covery, DJCAD, Dorchester Abbey, E:vent Gallery, Eastside Projects, Emma Hart, Extramission 6 (Swallowing Black Maria), Focal Point Gallery, Fondazione Sandretto Re Rebaudengo, Fraternise- the Salon, Galerie Georges-Philippe & Nathalie Vallois, Gallery of Modern Art, Hayley Newman, HOMER-HEPAESTUS, Hunterian Museum, ICA London, ILLUMInations, Images Festival, Imogen Stidworthy, It has to be this way 2, Jam, Jaroslaw Kozlowski, Joe Devlin, Jordan Baseman, Labyrinth of Living Exhibits, Light Projects, Lindsay Seers, London Independent Film Festival, Lucy Gunning, Michael Curran, Mike Nelson, Narrative Show, Nathaniel Mellors, Open House, Orbitecture II, Ourhouse, Parlour Principia, Paul Rooney, Quotation Marks: Jarosaw Kozowski, Rugby Art Gallery and Museum, Rupert Ackroyd, Salamanca Art Centre, Singapore Biennale, St John's College Oxford, Storey Gallery, Suppono Subpono, Susan Hiller, Swedenborg House, Tate Britain, The Big Society, The Book of Voices, The Russian Club Gallery, The Trilogy (Extramission 2), Tramway, Un'Expressione Geografica, When the Dead help the Living |
By Matt's Gallery on 1 December 2010
Next exhibition at Matt’s Gallery: Slow Action by Ben Rivers. Other artists’ news includes Jordan Baseman winning an award at the Los Angeles Animation Festival; Mike Nelson At Camden Arts Centre and Willie Doherty in Manifesta 8.
Posted in News | Tagged Aberdeen Art Gallery, Animate Projects, Anne Bean, aspex, Ben Rivers, Best Laid Plans, British Art Show 7, British Pavilion, Camden Arts Centre, Centre Pompidou, Châtelet Theatre, Coming of Age, David Roberts Art Foundation, De La Warr Pavilion, Dis-covery, EFTERBILLEDER [Persistence of Vision], FACT, Garage, ICA London, Imogen Stidworthy, It has to be this way 1.5, Jaroslaw Kozlowski, Jennet Thomas, Jimmie Durham, Jordan Baseman, Kunstmuseum des Kantons Thurgau, Kunstpavillon, Lindsay Seers, Los Angeles Animation Festival, Manifesta, Melanie Jackson, Mike Nelson, More Pricks than Kicks, Moving Portraits, Nathaniel Mellors, Never the Same River (Possible Futures, Nikolaj Copenhagen Contemporary Art Center, Nottingham Contemporary, Palais de Tokyo, Paul Hamlyn Award, Paul Rooney, Probably Pasts), Rencontres Internationales Paris/Berlin/Madrid, Richard Grayson, Rough Machine commissions, Slow Action, Sorrow and Obsession, St John's College Oxford, Steps into the Arcane, Tate Britain, The Art Exchange, The Drawing Room, The Golden Space City of God, The Great North Museum, The Life of the Mind: Love, The New Art Gallery Walsall, The New Décor, The Trouble with Sculpture, The Urpflanze (1.1), The Work, Venice Biennale, Willie Doherty |
By Matt's Gallery on 1 November 2010
Nathaniel Mellors first museum show opens in the Netherlands; Richard Grayson shows his recent Matt’s Gallery work in Switzerland; and Ben Rivers’ Slow Action will be next at Matt’s Gallery.
Posted in News | Tagged Alison Turnbull, Animate Projects, aspex, Ben Rivers, British Art Show 7, British Council Collection, British Pavilion, Camden Arts Centre, Centre of Contemporary Art Znaki Czasu, Centre Pompidou, Châtelet Theatre, David Roberts Art Foundation, De Hallen, Dis-covery, EFTERBILLEDER [Persistence of Vision], FACT, FLAMIN Productions Development Award, For St Agnes, Graham Fagen, Imogen Stidworthy, It has to be this way 1.5, It has to be this way 2, Jennet Thomas, Jordan Baseman, Kunstmuseum des Kantons Thurgau, Kunstpavillon, Leonard Hutton Galleries, Lindsay Seers, Liverpool Biennial, Los Angeles Animation Festival, Manifesta, Mead Gallery, Mike Nelson, Modern Love, More Pricks than Kicks, Nathaniel Mellors, National Gallery Denmark, Natural History Museum London, Never the Same River (Possible Futures Probably Pasts), Nottingham Contemporary, Ourhouse, Palais de Tokyo, Parallel Remix, Paul Hamlyn Award, Rencontres Internationales Paris/Berlin/Madrid, Richard Grayson, Rough Machine commissions, Roy Voss, School of Change, Seeing Colour, Simon Oldfield Gallery, Slow Action, St Agnes Park, St John's College Oxford, Steps into the Arcane, Tate Britain, The Golden Space City of God, The Work, Venice Biennale, Wadi Hilweh Information Centre, Willie Doherty |
By Matt's Gallery on 1 September 2010
Artists’ news and projects this month includes: Mike Nelson’s The Coral Reef is on show at Tate Britain; Lindsay Seers is showing at Mead Gallery, Warwick; and Polytechnic curated by Richard Grayson is on at Raven Row.
Posted in News | Tagged Alison Turnbull, Artists' Laboratory, aspex, Available Light Collective, Bat Yam Museum of Contemporary Art (MoBY), Beaconsfield, Beamclub, British Art Show 7, British Council Collection, British Pavilion, COLLABORATORS2, David Roberts Art Foundation, De Hallen, Emporte Moi, Five Years, FLAMIN Productions Development Award, Frieze Art Fair, Gallery Live At Sion Hill, Gasworks, Hayley Newman, Ian McKeever, Imogen Stidworthy, It has to be this way 1.5, It has to be this way 2, Jennet Thomas, Jordan Baseman, Juan Cruz, Kiasma, Korean International Art Fair, Kunstmuseum des Kantons Thurgau, Leonard Hutton Galleries, Lindsay Seers, Liverpool Biennial, Lucy Gunning, Manifesta, Matthew Tickle, Mead Gallery, Melanie Jackson Hydrarchy: Power and Resistance at Sea, Melbourne Underground Film Festival, Michael Curran, Mike Nelson, Modern Love, More Pricks than Kicks, Musee d'Art Contemporain du Val-de-Marne, Nathaniel Mellors, National Gallery of Denmark, Natural History Museum London, Observatory, Ourhouse, Parallel Remix, Paul Burwell, Polytechnic, Provenance, Raven Row, Richard Grayson, ROOM, Roy Voss, Royal Academy, San Francisco International Festival of Short Films, School of Change, Signals, Simon Oldfield Gallery, St John's College Oxford, Statens Museum for Kunst, STATIC Gallery, Steps into the Arcane, TAPS: Improvisations with Paul Burwell, Tate Britain, The Dandy Doctrine, The Golden Space City of God, The Pleasure Dame, The Truth Was Always There, Venice Biennale, What I Thought at The Time, Willie Doherty |
By Matt's Gallery on 1 May 2010
Richard Grayson exhibits Messiah, originally commissioned by Matt’s Gallery in 2004, at 17th Biennale of Sydney, 12 May-1 August 2010, curated by David Elliott. Mike Nelson selected to represent Britain at the 2011 Venice Biennale. British Pavilion at the Venice Biennale is commissioned by the British Council. Jennet Thomas All Suffering SOON TO END! (installation […]
Posted in News | Tagged Alexander and Bonin, Alison Turnbull, All Suffering SOON TO END!, Animate Projects, Baillieu Library, Banned Books in Australia, Beaconsfield, Biennale of Sydney, British Pavilion, Bury St Edmunds Art Gallery, Carolyn Thompson, Castlefield Gallery, Darwin Now, David Osbaldeston, Embassy Gallery, Emporte Moi, Hayley Newman, It has to be this way 2, Jennet Thomas, Jordan Baseman, Lack, Lindsay Seers, Lucy Gunning, McKenzie, Mead Gallery, Melanie Jackson, Memories are Made of This: Sound and Museum at Liverpool Sound City, Messiah, Michael Curran, Mike Nelson, Modern Art Oxford, MONITOR, Musee d'Art Contemporain du Val-de-Marne, Nathaniel Mellors, Nature's Great Experiment, On the Edge of the World, Out of Time (The Light of Day/The Action of Play, Paul Rooney, Richard Grayson, Roy Voss, Royal Botanic Garden, Sameness & DIfference, Seven Ages of Britain, St Andrew's Church, Statens Museum for Kunst, Susan Hiller, Tate Britain, The Drawing Room, The Russian Club, The Urpflanze (Part 1), Venice Biennale, Wellcome Collection's Identity Project, Willie Doherty |
By Matt's Gallery on 1 March 2010
Richard Grayson exhibits Messiah, originally commissioned by Matt’s Gallery in 2004, at 17th Biennale of Sydney, 12 May-1 August 2010, curated by David Elliott. Mike Nelson selected to represent Britain at the 2011 Venice Biennale. The British Pavilion at the Venice Biennale is commissioned by the British Council Jennet Thomas All Suffering SOON TO END! […]
Posted in News | Tagged 176 Zabludowicz Collection, 303 Gallery, Aberdeen University, All Suffering SOON TO END!, Animate Projects, Anne Bean, Arnolfini, Arts Council Collection, AV Festival, BALTIC, Beaconsfield, Biennale of Sydney, British Pavilion, Building a Nation, Cafe Carbon, Cafe Oto, Carolyn Thompson, Castlefield Gallery, Catalyst Arts, CCA, Crash, Crossing Zones, David Osbaldeston, ekleksographia, Fiona Crisp, Fordham Gallery, Gagosian Gallery, Galerie Raum Mit Licht, Glasgow Sculpture Studios, Glimmer: The 8th Hull International Short Film Festival, Gstaad Film Festival, Hands On, Haus der Kultuern der Welt, Hayley Newman, Ian Breakwell, Imogen Stidworthy, Impressions Gallery, International Festival of Artists' Films, Jennet Thomas, Jimmie Durham, John Frankland, John Rylands Library, Jordan Baseman, Lucy Gunning, Melanie Jackson, Messiah, Metal, Michael Curran, Mike Nelson, MONITOR, Nathaniel Mellors, National Review of Live Art 2010, Nature's Great Experiment, Newlyn Art Gallery, Out of Time (The Light of Day/The Action of Play, Picture This, Quiver of Arrows, Red Jail, Richard Grayson, Richard Wilson, Roy Voss, Seven Ages of Britain, Subterrania, Tate Britain, The Arches, The Drawing Room, The Elusive State of Happiness, The Gathering, The Gluts, The Library of Babel/In and Out of Place, The Most Powerful Thing in this World..., The Provincial Forge, The Quad Gallery, The Russian Club, The Urpflanze (Part 1), Universal Miniature Golf (The Promised Land), Vane Contemporary Art, Venice Biennale, William Blake and the Naked Tea Party, Yorkshire Sculpture Park |