By Matt's Gallery on 6 August 2018
Upcoming The series of 10-day shows continues from September onwards, plus other events at Matt’s Gallery, London Bronwen Buckeridge, Widowhood, Matt’s Gallery, London, 2 September 2018, 2-6pm Widowhood is a live audio performance with racing pigeons and the pigeon men who train them. The work is driven by an interest in the complex relationship racing pigeons […]
Posted in News | Tagged A Woman's Place at Knole, Aesthetica Short Film Festival, Again more things (a table ruin), Alberto Giacometti, Alison Turnbull, Allison Janae, Allison Janae Hamilton, Alter Heroes Coalition, Arts Catalyst, Attenborough Arts Centre, auto-bituary, BANFF, Benedict Drew, Borbala Szanto, Bronwen Buckeridge, Cibelle Cavalli Bastos, Constan, David Brooks, David Collens, Dear Climate, Dieter Roth, Dundee, Earagail Arts Festival, Eighty Circles Through Canada, Ellie Ga, Erkka Nissinen, Every Thought Ther, exhibition, Focal Point Gallery, FRONT International, Gabriela Salazar, General Rehearsal, Generator Projects, Gery Georgieva, Graham Fagen, Guerre/Jardin, Gwanju Biennial, Hara Woltz, Hayley Newman, Hellmouth, Henry Moore, Hospitalfield, I don't know what I'm doing but I'm trying very hard, I live without living in me, Indicators: Artists on Climate Change, Japanese Paintings, Jenny Kendler, Jo Bruton, Jo Stockham, John Hansard Gallery, John Moores Painting Prize, John Moores Painting Prize 2018, Juan Cruz, Justin Brice Guariglia, KADIST, Kent Monkman, Kiasma, Knole House, leah capaldi, Letterkenny Regional Cultural Centre, Lindsay Seers, Longing and Consolidation, Louise Bourgeois, Mark Dion, Mary Mattingly, Matt's Gallery, Maya Lin, Meg Webster, Melanie Jackson, Michael Curran, Mike Nelson, Mimosa House, MMOMA, Moscow Museum of Modern Art, Muriel Spark, Naomi Pearce, Nathaniel Mellors, Nora Lawrence, OilY, Pawel Althamer, photography, Pigeon Race, Portrait of a Sculptor, possessions_inc, Primary, Rebecca Lennon, REMAINS, Richard Grayson, robotics, Rodic Davidson Architects, Ron Henocq Fine Art, Sarah Diver, shame, Sherrie L, Southend-on-Sea, Steve Rowell, Storm King Art Center, Summerhall, Super Sohrab, Super Taus, Sursock Museum, Tabita Rezaire, Tavares Strachan, The Anti Ecstatic Machines, The Gluts, The MAC, The Mothership residency, The Walker Art Gallery, Tomas Klassnik, Tomaso Binga, University of Leicester, V-A-C, V-A-C Collection, Vancouver, video, Watou Arts Festival, Whitechapel Gallery, Widowhood, Willem de Kooning, Willie Doherty, Yolanda López |
By Matt's Gallery on 1 August 2014
Gallery News Forthcoming Exhibition REVOLVER II, a curatorial collaboration by Michael Newman and Robin Klassnik, 10 September–14 December 2014 REVOLVER II comprises a fast-paced three-part series of group exhibitions to investigate the manifestation of knowledge in relation to artists who work with or reference text and publishing. All selected works over the series of the […]
Posted in News | Tagged AKINCI, Alison Turnbull, Amsterdam, Animate Projects, BALTIC 39, Barcelona, Benedict Drew, Blackpool, CGP London, Channels, Craig Barnes, Danh Vo, David Batchelor, De Pont Museum, Deirdre O'Dwyer, Den Haag, Focal Point Gallery, Galeria Leme, Generation, Graham Fagen, Hayley Newman, Hayward Gallery, Hayward Touring, Imogen Stidworthy, James Coleman, Jennet Thomas, Jordan Baseman, Latvia, Le Cartel, Lindsay Seers, Lisa Cooley Gallery, Listening, Lizzie Hughes, Lucia Nogueira, Marseille, Michael Newman, Michaelis Galleries, Monocular, Nathaniel Mellors, Outlandia, Peter Liversidge, Remote Performances, Revolver, Royal Acdemy of Arts, Sam Belifante, Sami Artist Centre, Sao Paulo, Scotland, Shandy Hall, Space-Time: The Future, Stroom, Supernormal Festival, Susan Hiller, Taipei Biennial, The Book Lovers, The Gluts, The Grundy Gallery, Tillburg, Toulouse, Willie Doherty, Wysing Art Centre, X Marks the Bokship |
By Matt's Gallery on 3 April 2014
Gallery News Current Exhibition Benedict Drew, Heads May Roll, until 20 April 2014 For his first solo commission at Matt’s Gallery, Benedict Drew presents a large-scale installation. The work scrutinises the effect and intent of mediated images, synthesised voice and the fractured narrative of instructional speech. Artists’ News Graham Fagen selected to represent Scotland […]
Posted in News | Tagged Alison Turnbull, Anne Bean, Austria, Avis Newman, Benedict Drew, Birmingham Museum and Art Gallery, Collective Gallery, David Osba, Dundee, FACT, Generation, Gracefield Arts Centre, Graham Fagen, Hammer Museum, Hayley Newman, High House Production Park, Hospitalfield Arts, Imogen Stidworthy, Jennet Thomas, Jordan Baseman, Kirchstetten, Kunstverein Freiburg, LA, Latvia National Arts Museum, Lindsay Seers, Liverpool Biennial, Maclaurin Gallery, Mike Nelson, Modern Art Oxford, MONA, Mummery + Schnelle, Nathaniel Mellors, Nottingham, PKM Gallery, Reactor, Scottish National Gallery of Modern Art, Stigter van Doesburg, Tasmania, The Dick Institute, The Gluts, The McManus, The Power Plant, The View, Thinking City, Toronto, TORQUE, Venice Biennale, Wysing Arts Centre |
By Matt's Gallery on 22 January 2014
Benedict Drew’s first solo commission at Matt’s Gallery, Heads May Roll, opens. Mike Nelson’s Amnesiac Hide opens at The Power Plant, Toronto; Lindsay Seers’ Urban Visionaries at Canary Wharf Screen, London; plus exhibitions for Nathaniel Mellors, Alison Turnbull, Jordan Baseman, David Osbaldeston, Hayley Newman, Willie Doherty, Imogen Stidworthy and Graham Fagen.
Posted in News | Tagged 176 Zabludowicz Collection, Alison Turnbull, Art on the Underground, Bemis Center for Contemporary Arts, Benedict Drew, Central Saint Martins, David Osbaldeston, De La Warr Pavilion, FLAMIN, Gallery of Modern Art, Glasgow, Graham Fagen, Hammer Museum, Hayley Newman, Imogen Stidworthy, Jordan Baseman, Kerlin Gallery, LA, Lindsay Seers, London, Mike Nelson, MONA, Museum of Old and New Art, Nathaniel Mellors, Oxford Film Festival, Philip Hoare, Tasmania, The Contemporary Art Gallery in Vancouver, The Gluts, The Horse Hosptial, The Power Plant, Toronto, Willie Doherty |
By Matt's Gallery on 1 March 2010
Richard Grayson exhibits Messiah, originally commissioned by Matt’s Gallery in 2004, at 17th Biennale of Sydney, 12 May-1 August 2010, curated by David Elliott. Mike Nelson selected to represent Britain at the 2011 Venice Biennale. The British Pavilion at the Venice Biennale is commissioned by the British Council Jennet Thomas All Suffering SOON TO END! […]
Posted in News | Tagged 176 Zabludowicz Collection, 303 Gallery, Aberdeen University, All Suffering SOON TO END!, Animate Projects, Anne Bean, Arnolfini, Arts Council Collection, AV Festival, BALTIC, Beaconsfield, Biennale of Sydney, British Pavilion, Building a Nation, Cafe Carbon, Cafe Oto, Carolyn Thompson, Castlefield Gallery, Catalyst Arts, CCA, Crash, Crossing Zones, David Osbaldeston, ekleksographia, Fiona Crisp, Fordham Gallery, Gagosian Gallery, Galerie Raum Mit Licht, Glasgow Sculpture Studios, Glimmer: The 8th Hull International Short Film Festival, Gstaad Film Festival, Hands On, Haus der Kultuern der Welt, Hayley Newman, Ian Breakwell, Imogen Stidworthy, Impressions Gallery, International Festival of Artists' Films, Jennet Thomas, Jimmie Durham, John Frankland, John Rylands Library, Jordan Baseman, Lucy Gunning, Melanie Jackson, Messiah, Metal, Michael Curran, Mike Nelson, MONITOR, Nathaniel Mellors, National Review of Live Art 2010, Nature's Great Experiment, Newlyn Art Gallery, Out of Time (The Light of Day/The Action of Play, Picture This, Quiver of Arrows, Red Jail, Richard Grayson, Richard Wilson, Roy Voss, Seven Ages of Britain, Subterrania, Tate Britain, The Arches, The Drawing Room, The Elusive State of Happiness, The Gathering, The Gluts, The Library of Babel/In and Out of Place, The Most Powerful Thing in this World..., The Provincial Forge, The Quad Gallery, The Russian Club, The Urpflanze (Part 1), Universal Miniature Golf (The Promised Land), Vane Contemporary Art, Venice Biennale, William Blake and the Naked Tea Party, Yorkshire Sculpture Park |