By Matt's Gallery on 8 April 2021
MattFlix Mania Akbari & Douglas White, Lubion, Until 5.59pm 23 April 2021 MattFlix presents Lubion (2019), a short film by Mania Akbari and Douglas White, screening for one month at mattflix.video. Taking its title from the eponymous IVF hormone treatment undertaken by Akbari, Lubion journeys through a shifting psychological and corporeal terrain borne of the […]
Posted in News | Tagged 019 Gallery, 13th Gwangju Biennale, Art Fictions, Arts Chaplaincy Projects, Care(less), David Osbaldeston, Douglas White, Elizabeth Fullerton, Graham Fagen, Hari MacMillan, Horrific Object, Idmonster, John Frankland, John Moores Painting Prize 2020, Jordan Baseman, Keith Sargent, Kunsthal Aarhus, Lindsay Seers, Lucy Gunning, MattFlix, MattFlix Archive, Matthew Krishanu, Melanie Jackson, Michael Curran, Mike Nelson, Mississippi Museum of Art, Nathaniel Mellors, New Symphony of Time, Nicola Bealing, PALFREY, Pendle Poucher, Plicnick Space Initiative, Rachel Lowe, RECIPES UNDER CONFINEMENT, Suky Best, The Serving Library, The Slave's Lament |
By Matt's Gallery on 2 December 2019
Current Clare Gasson, ACT, Matt’s Gallery, London, Private View Friday 6 December 6-9pm, exhibition open daily 7 – 15 December 2019 Matt’s Gallery presents ACT, an exhibition by Clare Gasson. The exhibition centres around a collection of abstract drawings produced by the artist in a series started in 1999. The pieces are drawn on one side […]
Posted in News | Tagged ACT, Alison Turnbull, Anne Bean, BACKLIT, Bastards, Benedict Drew, Bow Gamelan Ensemble, Box of Delights, Camberwell Space, Clare Gasson, Coventry Biennial, David Troostwyk / Matt’s Gallery Studio Award, DRAF, Elephnt West, EXAGGERATE EVERYTHING, Fraser Muggeridge Studio, Graham Fagen, Gropius Bau, Hannah Skinner, Hayley Newman, Jo Bruton, Jordan Baseman, leah capaldi, Lucy Gunning, Marianna Simnett, Matt's Gallery, Mike Nelson, Nathaniel Mellors, Nicola Bealing, Oona Grimes, Patrick Goddard, Richard Wilson, Ridiculous!, Robin Klassnik, Saicoro, Salisbury Arts Centre, Science Gallery London, Susan Hiller, The Bower, The Koppel Project, Tintype Gallery, Trip to Eclipse, Willie Doherty |
By Matt's Gallery on 3 April 2019
Current Matthew Krishanu, House of Crows, Matt’s Gallery, London, continues until 7 April, open daily 12-6pm Matt’s Gallery’s current exhibition at Webster Road centres around two series of images that the painter Matthew Krishanu has been developing over a number of years: House of God, which depicts landscapes punctuated by the crosses of churches, and Crow, a […]
Posted in News | Tagged 1d for Abroad, A New Song (To an Old Tune), Aalst, Alabama, Alison Turnbull, Bath, Beaconsfield, Belgium, Benedict Drew, Berwick, Beth Collar, Birmingham Alabama, Body and Soul, Brian Catling, CGP London, character, Copenhagen, Copenhagen Contemporary, Crow, CUDDY, Daddy Issues, David Austen, Dean Kenning, Dialogues with People, Digital commission, Dilston Grove, Dundee Contemporary, Duveen Galleries, Emojimio, Forma, Forma Arts Media, From Me to You, Ghetto Priest, Graham Fagen, Henry Moore, Henry Moore Foundation, Hogarth & the Art of Noise, Holburne Museum, House of Crows, icon, Imogen Stidworthy, In the Labyrinth, Ingleby Gallery, Isotopica, Istanbul, John Walter, Jordan Baseman, labyrinth, Large Glass, lino cut, Lucy Gunning, Marianna Simnett, Matt's Gallery, Matthew Krishanu, Maus Contemporary, Michael Curran, Mike Nelson, monuments, motif, Muriel Spark, narrative, Netwerk Aalst, Nicola Bealing, painter, painting, performance, poet, print, print-making, printmaking, Protocinema, Radio Influenza, Ren Henocq, Resonance FM, Ron Henocq Fine Art, Roy Voss, RWA Bristol, sculptor, sculpture, SEIZURE, Simon Tyszko, site-specific, Southwark Park, Spanish flu, stories, Tate Britain, Tate Britain Commission, The Asset Strippers, The Foundling Museum, The Gymnasium Gallery, The Needle and the Larynx, The Origin of Life, The Public Image: Scottish Lady Tiger, The Slave's Lament, The Vorrh, The Vorrh Trilogy, The Way Things Are, The Whole Fantasy (with holes), Thinking Here of How the Words Formulate Inside My Head As I Am Just Thinking, Tintype, Turner Prize, Underworld, USA, Webster Road, Wellcome, WKV, Württembergischer Kunstverein, Württembergischer Kunstverein Stuttgart
By Matt's Gallery on 2 October 2018
Upcoming at Matt’s Gallery, 92 Webster Road, SE16 4DF Borbala Szanto, Hyphen, Matt’s Gallery, London, private view 5 October 6-9pm, exhibition open daily 12-6pm, 6-14 October 2018 Read more. Rebecca Lennon, WORDS ARE ANGULAR SHARP, TENANT, Matt’s Gallery, London, private view 19 October 6-9pm, exhibition open daily 12-6pm, 20-28 October 2018 November 2018 Jo Stockham, […]
Posted in News | Tagged Aesthetica Film Festival, Alison Turnbull, Amikam Toren, Angus Braithwaite, Anne Bean, Art Licks Weekend, Art Licks Weekend 2018, Art Seen, Beirut, Benedict Drew, Blanca Huertas, Bonington Gallery, Borbala Szanto, Bow Arts Trust, British Council, David Osbaldeston, Edinburgh, Erkka Nissinen, Focal Point Gallery, Fort Worth, Fort Worth Contemporary Arts, Graham Fagen, Gwangju Biennale, Imogen Stidworthy, Jennet Thomas, Jo Bruton, Jo Stockham, John Moores Painting Prize 2018, Jordan Baseman, Knole House, leah capaldi, Lindsay Seers, London, Lucy Gunning, Marianna Simnett, Marina Warner, Mas Arte Mas Accion, Matt's Gallery, MAXXI, Middlesbrough, Middlesbrough Art Weekender, Mike Nelson, Mimosa House, Naomi Pearce, Nathaniel Mellors, New Museum, New York, Nicosia, Nottingham, OGR Torino, Punto y Raya Festival, Rebecca Lennon, Richard Grayson, Richard Wilson, Royal Scottish Academy of Art and Architecture, RSA, South Korea, Southend-on-Sea, Storm King Art Center, Stuttgart, Sursock Museum, Texas, The Bower, The Nunnery, The Serving Library, Tina Keane, Torino, V-A-C Foundation, Venice, Webster Road, Wellcome, WKV, Wroclaw, Württembergischer Kunstverein Stuttgart, York |
By Matt's Gallery on 31 May 2018
Current Richard Grayson, By Our Own Hand, Matt’s Gallery, Nine Elms, The Residence, 42-44 Ponton Road, SW8 5BA, Opening Event: Friday 1 June 4 – 8pm, exhibition continues 2 – 3 June 2018, 12 – 5pm By Our Own Hand is the first exhibition in Matt’s Gallery’s new space in Nine Elms. In 2019 Matt’s Gallery will open at Bellway’s The […]
Posted in News | Tagged 16 Nicholson Street Gallery, A to B in MK, A Woman's Place at Knole, Abroath, Again, Alberta Whittle, Alberto Giacometti, Alice Day Williams, Alison Turnbull, All the World's a Sunny Day, Allison Janae Hamilton, Am I Not A Man and A Brother, Andrew Gilbert, Andrew Hairstans, Anina Major, Another Country, Arts Catalyst, Arts Council Collection, Attenborough Arts Centre, Auth Rangelay Yaar, Banner Repeater, Barbara Casavecchia, Baron Sackville, BBC Radio 4, Belfast, Belgium, Bellway, Ben Rivers, Benedict Drew, Bermondsey, Bernice Donszelmann, Beth Collar, Birthe Jorgensen, Blackpool, Borbala Szanto, Boredom Is Always Counter-Revolutionary, Boulby Underground Laboratory, Brigid McLeer, British Council, British Museum, Bruce McLean, Bury Place, Butterflies in Colombia, By Our Own Hand, Capital Crime, Cast Iron Radio, Channels, Charing Cross Hospital, Choco, CJ Mahony, Constantine Brancusi, Contemporary Art Society, Contemporary Art Society Special Collection Scheme, Cornwall, Dana Hargrove, David Brooks, David Collens, Dawn Gavin, De La Warr Pavilion, Dear Climate, Deeper in the Pyramid, Dieter Roth, Durham University, Eight Colourful Friends, Eighty Circles Through Canada (The Last Possessions Of An Orcadian Mountain Man) (2013), Elaine Rutherford, Eliza Gluckman, Ellie Ga, Emily Orley, Emily Speed, Erkka Nissinen, Esther Leslie, Euan Gray, Every Thought There Ever Was, extinction, Fathom, Fiona Crisp, Focal Point Gallery, Gabriela Salazar, General Rehearsal, Ghost Strata, Glasgow, Graham Fagen, Grand Union, Groundwork, Grundy Art Gallery, Guy Debord, Hara Woltz, Hayley Newman, Helen Robertson, Henry Moore, Homage to Marcel Duchamp (2017), Hospitalfield, If Mimicry Minded, Illuminations (2018), In My Shoes, In the Future, Indicators: Artists on Climate Change, Institute for Computational Cosmology, Irineu Destourelles, James Baldwin, James O’Leary, Jane Rendell, Japanese Paintings, Jenni Lomax, Jenny Kendler, Jo Bruton, Jo Stockholm, Joey Holder, John Beadle, John Hansard Gallery, John Moore Painting Prize 2018, Juan Cruz, Justin Brice Guariglia, KADIST, Katherine Ka Yi Liu, Katja Hilevaara, Kent, Kiasma, Knole House, Krabi, Kristen Kreider, Laboratori Nazionali del Gran Sasso, Landing Girls, leah capaldi, Lindsay Seers, Lionheart, Liu Xiaodong, Liverpool, Liverpool John Moores University, London, Longing and Consolidation, Longside Gallery, Louise Bourgeois, Lubaina Himid, Lubaina Himid MBE, Lucy Day, Lucy Gunning, Maria Fusco, Mark Dion, Marvin Gaye Chetwynd, Mary Mattingly, Material Sight, Matt's Gallery, Maya Lin, Meg Webster, Melanie Jackson, Melanie Wilson, Mike Nelson, milk, Milton Keynes, Milton Keynes Community Collaborators, MMOMA, More Things (a table ruin) (2014), Moscow Museum of Modern Art, Mosfellsbaer, Naomi Pearce, Nathaniel Mellors, National Art Gallery of The Bahamas, New York, Nicola Bealing, Nine Elms, Nora Lawrence, Nottingham, Officine Grandi Riparazioni, OGR, Orlando, Outpatients Unit, Overlay, Pacific rainforest, Pawel Althamer, Petrovka Street gallery, Plans & Records, possessions_inc, Primary, Psi Girls (1999), Rasheed Araeen, Redway, REMAINS, Representation of the People Act, Richard Grayson, Richard Guzman, Rodic Davidson Architects, Ron Heneocq Fine Art, Rosalind Davies, Routledge, Roy Voss, Sackville-West, Sao Paulo, Sarah Diver, Scotland, Sherrie Levine, Social Facts, Sonia Farmer, Southampton, Southend-on-Sea, Steve Rowell, Storm King Art Center, Susan Hiller, tatami, Tavares Strachan, Thailand, The Aalto Natives, The Bahamas, The Creative Critic: Writing as/about Practice, The MAC, The Residence, The Slave's Lament, The Walker Art Gallery, Tim Etchells, Turin, University of Leicester, V-A-C Foundation, V&A Wallpaper Archive, Venice Biennale, Virginia Woolf, Vita Sackville-West, Wandsworth, Watou Arts Festival, We Suffer to Remain, Whitstable Biennale, Willem de Kooning, Willie Doherty, Yorkshire Sculpture Park |
By Matt's Gallery on 1 August 2012
Revolver, a new curatorial initiative at Matt’s Gallery, opens. Roy Voss, Cast opens at Dilston Grove. Projects elsewhere include Lindsay Seers’ Artangel commission, Imogen Stidworthy in Busan Biennale and Nathaniel Mellors in Media City Seoul.
Posted in News | Tagged 408 tons of imperfect geometry, A drawing while waiting for an idea, A Matter of Life and Death and Singing, Alison Turnbull, Amikam Toren, Andrew Kötting, Anne Bean, Artangel, Brian Catling, Busan Biennial, Cast, CCA, Crazee Golf, David Osbaldeston, Dilston Grove, dOCUMENTA (13), Dutch Pavilion in Venice, Emma Hart, European Live Art Archive, Gallerei Festiviteten, Gary Stevens, Glasgow Print Studio, GoMA, Graham Fagen, Hayley Newman, Here comes Franz, I Would Breathe Water, Imogen Stidworthy, Jarman Award, Jimmie Durham, Jordan Baseman, Juneau Projects, Large Glass, Layla Curtis, Lindsay Seers, Liverpool Biennial, Lucy Gunning, M HKA, Malmö Konsthall, Media City Seoul, Mike Nelson, Møte (Meeting), Nathaniel Mellors, Neugerriemschneider, Niet Normaal: Difference on Display, Northern Art Prize, Nowhere Less Now, On the Edge of the World, Oriel Myrrdin Gallery, Ourhouse E3 feat BAD COPY, Paul Carter, Paul Rooney, Pursuit of Perfection: the Politics of Sport, Revolver, Richard Grayson, Richard Wilson, Robin Klassnik, Roy Voss, Salle de Bains, Sarah Scout Presents, SF Shorts, South London Gallery, space that saw (platform for a performance in two parts), Susan Hiller, Tales of the City, The all-resistant eye, The Bluecoat, The London Open, The Medium is the Message: words in printmaking since the 1960s, The Tin Tabernacle, Tintype Gallery, Victory Gallery and Museum, What We Have Done What We Are About To Do, Whitechapel Gallery, Whitstable Biennale, Willie Doherty, Zacheta National Gallery of Art |
By Matt's Gallery on 1 August 2011
Forthcoming exhibitions: Emma Hart at Matt’s Gallery and Brian Catling, QUILL TWO, Matt’s Gallery at Dilston Grove. Other news includes Nathaniel Mellors winning the Cobra Art Prize; Imogen Stidworthy is shortlisted for the Jarman Award, and Mike Nelson and Susan Hiller are in a group show at MoMA PS1, New York.
Posted in News | Tagged Alison Turnbull, Alma Enterprises, ArtPace, Ben Rivers, Bournemouth Arts by the Sea Festival, Brian Catling, British Art Show 7, British Pavilion, Carl von Weiler, CCA, Centro Andaluz de Arte Contemporaneo, City Gallery, Cobra Art Prize, Comma Press, CRAC Alsace, Dark Matters, Dilston Grove, Disturbance, Dublin City Gallery The Hugh Lane, Edinburgh Documentary Film Festival, Ellipse, Emma Hart, EROI, Fiona Crisp, Focal Point Gallery, Fondazione Antonio Ratti, Fondazione Sandretto Re Rebaudengo, For a Republic of Dreams, Galerie Arena, Galleria d'Arte Moderna, Gallery TPW, Government Art Collection: Selected by Cornelia Parker: Richard of York Gave Battle in Vain, Graham Fagen, Hayley Newman, Helmsdale, Hypercolon, I will talk with anyone who will talk with me, If only you could see us now: the Robert Chipperfield Bequest, Imogen Stidworthy, Ingleby Gallery, Jarman Award, Jimmie Durham, Jordan Baseman, Kenneth Armitage Foundation, la Biennale di Venezia, La chanson, Lemistry: A Celebration of the Work of Stanislaw Lem, Lindsay Seers, Lofoten International Art Festival, Lucy Gunning, Metro Arts, Mike Nelson, MoMA PS1, Mystics or Rationalists?, Nathaniel Mellors, Outrageous Fortune, Paul Rooney, QUILL TWO, Rachel Withers, Richard Grayson, Rugby Art Gallery and Museum, Scottish Summer Exhibition, September 11, SMART Project Space, Southampton City Art Gallery, Susan Hiller, Suzanne Treister, Ten Women who use Film, The Dandy Doctrine, The Flemming Collection, The Golden Space City of God, The Objectivist Studio, The Provisional Texture of Reality, The Trilogy (Extramission 2), This is what I do, Timespan, TO DO, TokyoWonderSite, ubuweb, Un'Expressione Geografica, Unfinished Business, Wallington Hall, Whitechapel Gallery, Whitworth Art Gallery, Willie Doherty |
By Matt's Gallery on 1 July 2011
Last chance to see: Imogen Stidworthy (.) at Matt’s Gallery. Forthcoming exhibition: Emma Hart, TO DO. Elsewhere, Mike Nelson and Nathaniel Mellors are both exhibiting in La Biennale di Venezia, and Jo Bruton is showing new paintings in London.
Posted in News | Tagged (.), Alison Turnbull, Anne Bean, Ben Rivers, British Art Show 7, British Pavilion, Carl von Weiler, CCA, Contemporary Art at WOMAD, CRAC Alsace, Dilston Grove, Emma Hart, EROI, Fiona Crisp, Focal Point Gallery, Fondazione Antonio Ratti, Fondazione Sandretto Re Rebaudengo, For a Republic of Dreams, Forcemeat, Friendship of the Peoples, Galerie Arena, Galleria d'Arte Moderna, Giving Soul, Graham Fagen, Hayward Project Space, If only you could see us now: the Robert Chipperfield Bequest, ILLUMInations, Imogen Stidworthy, Jimmie Durham, Jo Bruton, la Biennale di Venezia, Lindsay Seers, Lucy Gunning, Melanie Jackson, Mike Nelson, Nathaniel Mellors, Outrageous Fortune, Rachel Withers, Richard Grayson, Roy Voss, Rugby Art Gallery and Museum, Sack Barrow, Scottish Summer Exhibition, Simon Oldfield Gallery, Southampton City Art Gallery, Susan Hiller, Suzanne Treister, The Flemming Collection, The Golden Space City of God, The Provisional Texture of Reality, The Trilogy (Extramission 2), Transition Gallery, Un'Expressione Geografica, Unfinished Business, WAKE: visible tracks of turbulence, Wallington Hall, Wallspace, Willie Doherty, Working Against the System |
By Matt's Gallery on 1 April 2011
Next exhibition at Matt’s Gallery: Imogen Stidworthy. Other artists’ news includes Nathaniel Mellors at the ICA, London; Lindsay Seers at the Baltic, Gateshead; Susan Hiller at Tate Britain; Mike Nelson in the Singapore Biennale; and Jordan Baseman in residence at St John’s College, Oxford.
Posted in News | Tagged Acme Studios Fire Station Centenary, Alison Turnbull, BALTIC, Beaconsfield, Biennale di Venezia, Brian Catling, British Art Show 7, British Pavilion, cabin:codex- CAB Re-launch Project, Cell Project Space, Centre for Contemporary Arts, Centrespace Visual Research Centre, David Osbaldeston, Dis-covery, DJCAD, Dorchester Abbey, E:vent Gallery, Eastside Projects, Emma Hart, Extramission 6 (Swallowing Black Maria), Focal Point Gallery, Fondazione Sandretto Re Rebaudengo, Fraternise- the Salon, Galerie Georges-Philippe & Nathalie Vallois, Gallery of Modern Art, Hayley Newman, HOMER-HEPAESTUS, Hunterian Museum, ICA London, ILLUMInations, Images Festival, Imogen Stidworthy, It has to be this way 2, Jam, Jaroslaw Kozlowski, Joe Devlin, Jordan Baseman, Labyrinth of Living Exhibits, Light Projects, Lindsay Seers, London Independent Film Festival, Lucy Gunning, Michael Curran, Mike Nelson, Narrative Show, Nathaniel Mellors, Open House, Orbitecture II, Ourhouse, Parlour Principia, Paul Rooney, Quotation Marks: Jarosaw Kozowski, Rugby Art Gallery and Museum, Rupert Ackroyd, Salamanca Art Centre, Singapore Biennale, St John's College Oxford, Storey Gallery, Suppono Subpono, Susan Hiller, Swedenborg House, Tate Britain, The Big Society, The Book of Voices, The Russian Club Gallery, The Trilogy (Extramission 2), Tramway, Un'Expressione Geografica, When the Dead help the Living |
By Matt's Gallery on 1 September 2010
Artists’ news and projects this month includes: Mike Nelson’s The Coral Reef is on show at Tate Britain; Lindsay Seers is showing at Mead Gallery, Warwick; and Polytechnic curated by Richard Grayson is on at Raven Row.
Posted in News | Tagged Alison Turnbull, Artists' Laboratory, aspex, Available Light Collective, Bat Yam Museum of Contemporary Art (MoBY), Beaconsfield, Beamclub, British Art Show 7, British Council Collection, British Pavilion, COLLABORATORS2, David Roberts Art Foundation, De Hallen, Emporte Moi, Five Years, FLAMIN Productions Development Award, Frieze Art Fair, Gallery Live At Sion Hill, Gasworks, Hayley Newman, Ian McKeever, Imogen Stidworthy, It has to be this way 1.5, It has to be this way 2, Jennet Thomas, Jordan Baseman, Juan Cruz, Kiasma, Korean International Art Fair, Kunstmuseum des Kantons Thurgau, Leonard Hutton Galleries, Lindsay Seers, Liverpool Biennial, Lucy Gunning, Manifesta, Matthew Tickle, Mead Gallery, Melanie Jackson Hydrarchy: Power and Resistance at Sea, Melbourne Underground Film Festival, Michael Curran, Mike Nelson, Modern Love, More Pricks than Kicks, Musee d'Art Contemporain du Val-de-Marne, Nathaniel Mellors, National Gallery of Denmark, Natural History Museum London, Observatory, Ourhouse, Parallel Remix, Paul Burwell, Polytechnic, Provenance, Raven Row, Richard Grayson, ROOM, Roy Voss, Royal Academy, San Francisco International Festival of Short Films, School of Change, Signals, Simon Oldfield Gallery, St John's College Oxford, Statens Museum for Kunst, STATIC Gallery, Steps into the Arcane, TAPS: Improvisations with Paul Burwell, Tate Britain, The Dandy Doctrine, The Golden Space City of God, The Pleasure Dame, The Truth Was Always There, Venice Biennale, What I Thought at The Time, Willie Doherty |
![Currently on show at @ikongallery, Birmingham in 'A Very Special Place: Ikon in the 1990s' is Alison Turnbull's 1990 work on canvas, 'The Echoing Green'.
A survey exhibition featuring works by 40 artists who showed at Ikon in the 1990s, 'A Very Special Place' looks back at the eclecticism of the gallery's programme during that period of time.
Until 30 August 2021 at Ikon Gallery, Birmingham. Open Tue-Sun, 11am-5pm, free entry. Link in @ikongallery's bio for more info.
[ID: A landscape-orientated oil painting with three fields of colour. Around the perimeter of the canvas is painted a light grey. In the centre of the canvas is a chartreuse rectangular field of colour atop a pale pink rectangular colour field. These occupy around 2/3 of the total height and 8/10 of the total width of the canvas. The work is by artist Alison Turnbull, is titled 'The Echoing Green' and was completed in 1990.]](https://news.mattsgallery.org/wp-content/plugins/instagram-feed/img/placeholder.png)