By Matt's Gallery on 31 May 2018
Current Richard Grayson, By Our Own Hand, Matt’s Gallery, Nine Elms, The Residence, 42-44 Ponton Road, SW8 5BA, Opening Event: Friday 1 June 4 – 8pm, exhibition continues 2 – 3 June 2018, 12 – 5pm By Our Own Hand is the first exhibition in Matt’s Gallery’s new space in Nine Elms. In 2019 Matt’s Gallery will open at Bellway’s The […]
Posted in News | Tagged 16 Nicholson Street Gallery, A to B in MK, A Woman's Place at Knole, Abroath, Again, Alberta Whittle, Alberto Giacometti, Alice Day Williams, Alison Turnbull, All the World's a Sunny Day, Allison Janae Hamilton, Am I Not A Man and A Brother, Andrew Gilbert, Andrew Hairstans, Anina Major, Another Country, Arts Catalyst, Arts Council Collection, Attenborough Arts Centre, Auth Rangelay Yaar, Banner Repeater, Barbara Casavecchia, Baron Sackville, BBC Radio 4, Belfast, Belgium, Bellway, Ben Rivers, Benedict Drew, Bermondsey, Bernice Donszelmann, Beth Collar, Birthe Jorgensen, Blackpool, Borbala Szanto, Boredom Is Always Counter-Revolutionary, Boulby Underground Laboratory, Brigid McLeer, British Council, British Museum, Bruce McLean, Bury Place, Butterflies in Colombia, By Our Own Hand, Capital Crime, Cast Iron Radio, Channels, Charing Cross Hospital, Choco, CJ Mahony, Constantine Brancusi, Contemporary Art Society, Contemporary Art Society Special Collection Scheme, Cornwall, Dana Hargrove, David Brooks, David Collens, Dawn Gavin, De La Warr Pavilion, Dear Climate, Deeper in the Pyramid, Dieter Roth, Durham University, Eight Colourful Friends, Eighty Circles Through Canada (The Last Possessions Of An Orcadian Mountain Man) (2013), Elaine Rutherford, Eliza Gluckman, Ellie Ga, Emily Orley, Emily Speed, Erkka Nissinen, Esther Leslie, Euan Gray, Every Thought There Ever Was, extinction, Fathom, Fiona Crisp, Focal Point Gallery, Gabriela Salazar, General Rehearsal, Ghost Strata, Glasgow, Graham Fagen, Grand Union, Groundwork, Grundy Art Gallery, Guy Debord, Hara Woltz, Hayley Newman, Helen Robertson, Henry Moore, Homage to Marcel Duchamp (2017), Hospitalfield, If Mimicry Minded, Illuminations (2018), In My Shoes, In the Future, Indicators: Artists on Climate Change, Institute for Computational Cosmology, Irineu Destourelles, James Baldwin, James O’Leary, Jane Rendell, Japanese Paintings, Jenni Lomax, Jenny Kendler, Jo Bruton, Jo Stockholm, Joey Holder, John Beadle, John Hansard Gallery, John Moore Painting Prize 2018, Juan Cruz, Justin Brice Guariglia, KADIST, Katherine Ka Yi Liu, Katja Hilevaara, Kent, Kiasma, Knole House, Krabi, Kristen Kreider, Laboratori Nazionali del Gran Sasso, Landing Girls, leah capaldi, Lindsay Seers, Lionheart, Liu Xiaodong, Liverpool, Liverpool John Moores University, London, Longing and Consolidation, Longside Gallery, Louise Bourgeois, Lubaina Himid, Lubaina Himid MBE, Lucy Day, Lucy Gunning, Maria Fusco, Mark Dion, Marvin Gaye Chetwynd, Mary Mattingly, Material Sight, Matt's Gallery, Maya Lin, Meg Webster, Melanie Jackson, Melanie Wilson, Mike Nelson, milk, Milton Keynes, Milton Keynes Community Collaborators, MMOMA, More Things (a table ruin) (2014), Moscow Museum of Modern Art, Mosfellsbaer, Naomi Pearce, Nathaniel Mellors, National Art Gallery of The Bahamas, New York, Nicola Bealing, Nine Elms, Nora Lawrence, Nottingham, Officine Grandi Riparazioni, OGR, Orlando, Outpatients Unit, Overlay, Pacific rainforest, Pawel Althamer, Petrovka Street gallery, Plans & Records, possessions_inc, Primary, Psi Girls (1999), Rasheed Araeen, Redway, REMAINS, Representation of the People Act, Richard Grayson, Richard Guzman, Rodic Davidson Architects, Ron Heneocq Fine Art, Rosalind Davies, Routledge, Roy Voss, Sackville-West, Sao Paulo, Sarah Diver, Scotland, Sherrie Levine, Social Facts, Sonia Farmer, Southampton, Southend-on-Sea, Steve Rowell, Storm King Art Center, Susan Hiller, tatami, Tavares Strachan, Thailand, The Aalto Natives, The Bahamas, The Creative Critic: Writing as/about Practice, The MAC, The Residence, The Slave's Lament, The Walker Art Gallery, Tim Etchells, Turin, University of Leicester, V-A-C Foundation, V&A Wallpaper Archive, Venice Biennale, Virginia Woolf, Vita Sackville-West, Wandsworth, Watou Arts Festival, We Suffer to Remain, Whitstable Biennale, Willem de Kooning, Willie Doherty, Yorkshire Sculpture Park |
By Matt's Gallery on 1 August 2012
Revolver, a new curatorial initiative at Matt’s Gallery, opens. Roy Voss, Cast opens at Dilston Grove. Projects elsewhere include Lindsay Seers’ Artangel commission, Imogen Stidworthy in Busan Biennale and Nathaniel Mellors in Media City Seoul.
Posted in News | Tagged 408 tons of imperfect geometry, A drawing while waiting for an idea, A Matter of Life and Death and Singing, Alison Turnbull, Amikam Toren, Andrew Kötting, Anne Bean, Artangel, Brian Catling, Busan Biennial, Cast, CCA, Crazee Golf, David Osbaldeston, Dilston Grove, dOCUMENTA (13), Dutch Pavilion in Venice, Emma Hart, European Live Art Archive, Gallerei Festiviteten, Gary Stevens, Glasgow Print Studio, GoMA, Graham Fagen, Hayley Newman, Here comes Franz, I Would Breathe Water, Imogen Stidworthy, Jarman Award, Jimmie Durham, Jordan Baseman, Juneau Projects, Large Glass, Layla Curtis, Lindsay Seers, Liverpool Biennial, Lucy Gunning, M HKA, Malmö Konsthall, Media City Seoul, Mike Nelson, Møte (Meeting), Nathaniel Mellors, Neugerriemschneider, Niet Normaal: Difference on Display, Northern Art Prize, Nowhere Less Now, On the Edge of the World, Oriel Myrrdin Gallery, Ourhouse E3 feat BAD COPY, Paul Carter, Paul Rooney, Pursuit of Perfection: the Politics of Sport, Revolver, Richard Grayson, Richard Wilson, Robin Klassnik, Roy Voss, Salle de Bains, Sarah Scout Presents, SF Shorts, South London Gallery, space that saw (platform for a performance in two parts), Susan Hiller, Tales of the City, The all-resistant eye, The Bluecoat, The London Open, The Medium is the Message: words in printmaking since the 1960s, The Tin Tabernacle, Tintype Gallery, Victory Gallery and Museum, What We Have Done What We Are About To Do, Whitechapel Gallery, Whitstable Biennale, Willie Doherty, Zacheta National Gallery of Art |
By Matt's Gallery on 1 August 2011
Forthcoming exhibitions: Emma Hart at Matt’s Gallery and Brian Catling, QUILL TWO, Matt’s Gallery at Dilston Grove. Other news includes Nathaniel Mellors winning the Cobra Art Prize; Imogen Stidworthy is shortlisted for the Jarman Award, and Mike Nelson and Susan Hiller are in a group show at MoMA PS1, New York.
Posted in News | Tagged Alison Turnbull, Alma Enterprises, ArtPace, Ben Rivers, Bournemouth Arts by the Sea Festival, Brian Catling, British Art Show 7, British Pavilion, Carl von Weiler, CCA, Centro Andaluz de Arte Contemporaneo, City Gallery, Cobra Art Prize, Comma Press, CRAC Alsace, Dark Matters, Dilston Grove, Disturbance, Dublin City Gallery The Hugh Lane, Edinburgh Documentary Film Festival, Ellipse, Emma Hart, EROI, Fiona Crisp, Focal Point Gallery, Fondazione Antonio Ratti, Fondazione Sandretto Re Rebaudengo, For a Republic of Dreams, Galerie Arena, Galleria d'Arte Moderna, Gallery TPW, Government Art Collection: Selected by Cornelia Parker: Richard of York Gave Battle in Vain, Graham Fagen, Hayley Newman, Helmsdale, Hypercolon, I will talk with anyone who will talk with me, If only you could see us now: the Robert Chipperfield Bequest, Imogen Stidworthy, Ingleby Gallery, Jarman Award, Jimmie Durham, Jordan Baseman, Kenneth Armitage Foundation, la Biennale di Venezia, La chanson, Lemistry: A Celebration of the Work of Stanislaw Lem, Lindsay Seers, Lofoten International Art Festival, Lucy Gunning, Metro Arts, Mike Nelson, MoMA PS1, Mystics or Rationalists?, Nathaniel Mellors, Outrageous Fortune, Paul Rooney, QUILL TWO, Rachel Withers, Richard Grayson, Rugby Art Gallery and Museum, Scottish Summer Exhibition, September 11, SMART Project Space, Southampton City Art Gallery, Susan Hiller, Suzanne Treister, Ten Women who use Film, The Dandy Doctrine, The Flemming Collection, The Golden Space City of God, The Objectivist Studio, The Provisional Texture of Reality, The Trilogy (Extramission 2), This is what I do, Timespan, TO DO, TokyoWonderSite, ubuweb, Un'Expressione Geografica, Unfinished Business, Wallington Hall, Whitechapel Gallery, Whitworth Art Gallery, Willie Doherty |
By Matt's Gallery on 1 July 2011
Last chance to see: Imogen Stidworthy (.) at Matt’s Gallery. Forthcoming exhibition: Emma Hart, TO DO. Elsewhere, Mike Nelson and Nathaniel Mellors are both exhibiting in La Biennale di Venezia, and Jo Bruton is showing new paintings in London.
Posted in News | Tagged (.), Alison Turnbull, Anne Bean, Ben Rivers, British Art Show 7, British Pavilion, Carl von Weiler, CCA, Contemporary Art at WOMAD, CRAC Alsace, Dilston Grove, Emma Hart, EROI, Fiona Crisp, Focal Point Gallery, Fondazione Antonio Ratti, Fondazione Sandretto Re Rebaudengo, For a Republic of Dreams, Forcemeat, Friendship of the Peoples, Galerie Arena, Galleria d'Arte Moderna, Giving Soul, Graham Fagen, Hayward Project Space, If only you could see us now: the Robert Chipperfield Bequest, ILLUMInations, Imogen Stidworthy, Jimmie Durham, Jo Bruton, la Biennale di Venezia, Lindsay Seers, Lucy Gunning, Melanie Jackson, Mike Nelson, Nathaniel Mellors, Outrageous Fortune, Rachel Withers, Richard Grayson, Roy Voss, Rugby Art Gallery and Museum, Sack Barrow, Scottish Summer Exhibition, Simon Oldfield Gallery, Southampton City Art Gallery, Susan Hiller, Suzanne Treister, The Flemming Collection, The Golden Space City of God, The Provisional Texture of Reality, The Trilogy (Extramission 2), Transition Gallery, Un'Expressione Geografica, Unfinished Business, WAKE: visible tracks of turbulence, Wallington Hall, Wallspace, Willie Doherty, Working Against the System |
By Matt's Gallery on 1 April 2011
Next exhibition at Matt’s Gallery: Imogen Stidworthy. Other artists’ news includes Nathaniel Mellors at the ICA, London; Lindsay Seers at the Baltic, Gateshead; Susan Hiller at Tate Britain; Mike Nelson in the Singapore Biennale; and Jordan Baseman in residence at St John’s College, Oxford.
Posted in News | Tagged Acme Studios Fire Station Centenary, Alison Turnbull, BALTIC, Beaconsfield, Biennale di Venezia, Brian Catling, British Art Show 7, British Pavilion, cabin:codex- CAB Re-launch Project, Cell Project Space, Centre for Contemporary Arts, Centrespace Visual Research Centre, David Osbaldeston, Dis-covery, DJCAD, Dorchester Abbey, E:vent Gallery, Eastside Projects, Emma Hart, Extramission 6 (Swallowing Black Maria), Focal Point Gallery, Fondazione Sandretto Re Rebaudengo, Fraternise- the Salon, Galerie Georges-Philippe & Nathalie Vallois, Gallery of Modern Art, Hayley Newman, HOMER-HEPAESTUS, Hunterian Museum, ICA London, ILLUMInations, Images Festival, Imogen Stidworthy, It has to be this way 2, Jam, Jaroslaw Kozlowski, Joe Devlin, Jordan Baseman, Labyrinth of Living Exhibits, Light Projects, Lindsay Seers, London Independent Film Festival, Lucy Gunning, Michael Curran, Mike Nelson, Narrative Show, Nathaniel Mellors, Open House, Orbitecture II, Ourhouse, Parlour Principia, Paul Rooney, Quotation Marks: Jarosaw Kozowski, Rugby Art Gallery and Museum, Rupert Ackroyd, Salamanca Art Centre, Singapore Biennale, St John's College Oxford, Storey Gallery, Suppono Subpono, Susan Hiller, Swedenborg House, Tate Britain, The Big Society, The Book of Voices, The Russian Club Gallery, The Trilogy (Extramission 2), Tramway, Un'Expressione Geografica, When the Dead help the Living |
By Matt's Gallery on 1 September 2010
Artists’ news and projects this month includes: Mike Nelson’s The Coral Reef is on show at Tate Britain; Lindsay Seers is showing at Mead Gallery, Warwick; and Polytechnic curated by Richard Grayson is on at Raven Row.
Posted in News | Tagged Alison Turnbull, Artists' Laboratory, aspex, Available Light Collective, Bat Yam Museum of Contemporary Art (MoBY), Beaconsfield, Beamclub, British Art Show 7, British Council Collection, British Pavilion, COLLABORATORS2, David Roberts Art Foundation, De Hallen, Emporte Moi, Five Years, FLAMIN Productions Development Award, Frieze Art Fair, Gallery Live At Sion Hill, Gasworks, Hayley Newman, Ian McKeever, Imogen Stidworthy, It has to be this way 1.5, It has to be this way 2, Jennet Thomas, Jordan Baseman, Juan Cruz, Kiasma, Korean International Art Fair, Kunstmuseum des Kantons Thurgau, Leonard Hutton Galleries, Lindsay Seers, Liverpool Biennial, Lucy Gunning, Manifesta, Matthew Tickle, Mead Gallery, Melanie Jackson Hydrarchy: Power and Resistance at Sea, Melbourne Underground Film Festival, Michael Curran, Mike Nelson, Modern Love, More Pricks than Kicks, Musee d'Art Contemporain du Val-de-Marne, Nathaniel Mellors, National Gallery of Denmark, Natural History Museum London, Observatory, Ourhouse, Parallel Remix, Paul Burwell, Polytechnic, Provenance, Raven Row, Richard Grayson, ROOM, Roy Voss, Royal Academy, San Francisco International Festival of Short Films, School of Change, Signals, Simon Oldfield Gallery, St John's College Oxford, Statens Museum for Kunst, STATIC Gallery, Steps into the Arcane, TAPS: Improvisations with Paul Burwell, Tate Britain, The Dandy Doctrine, The Golden Space City of God, The Pleasure Dame, The Truth Was Always There, Venice Biennale, What I Thought at The Time, Willie Doherty |
By Matt's Gallery on 1 May 2010
Richard Grayson exhibits Messiah, originally commissioned by Matt’s Gallery in 2004, at 17th Biennale of Sydney, 12 May-1 August 2010, curated by David Elliott. Mike Nelson selected to represent Britain at the 2011 Venice Biennale. British Pavilion at the Venice Biennale is commissioned by the British Council. Jennet Thomas All Suffering SOON TO END! (installation […]
Posted in News | Tagged Alexander and Bonin, Alison Turnbull, All Suffering SOON TO END!, Animate Projects, Baillieu Library, Banned Books in Australia, Beaconsfield, Biennale of Sydney, British Pavilion, Bury St Edmunds Art Gallery, Carolyn Thompson, Castlefield Gallery, Darwin Now, David Osbaldeston, Embassy Gallery, Emporte Moi, Hayley Newman, It has to be this way 2, Jennet Thomas, Jordan Baseman, Lack, Lindsay Seers, Lucy Gunning, McKenzie, Mead Gallery, Melanie Jackson, Memories are Made of This: Sound and Museum at Liverpool Sound City, Messiah, Michael Curran, Mike Nelson, Modern Art Oxford, MONITOR, Musee d'Art Contemporain du Val-de-Marne, Nathaniel Mellors, Nature's Great Experiment, On the Edge of the World, Out of Time (The Light of Day/The Action of Play, Paul Rooney, Richard Grayson, Roy Voss, Royal Botanic Garden, Sameness & DIfference, Seven Ages of Britain, St Andrew's Church, Statens Museum for Kunst, Susan Hiller, Tate Britain, The Drawing Room, The Russian Club, The Urpflanze (Part 1), Venice Biennale, Wellcome Collection's Identity Project, Willie Doherty |
By Matt's Gallery on 1 March 2010
Richard Grayson exhibits Messiah, originally commissioned by Matt’s Gallery in 2004, at 17th Biennale of Sydney, 12 May-1 August 2010, curated by David Elliott. Mike Nelson selected to represent Britain at the 2011 Venice Biennale. The British Pavilion at the Venice Biennale is commissioned by the British Council Jennet Thomas All Suffering SOON TO END! […]
Posted in News | Tagged 176 Zabludowicz Collection, 303 Gallery, Aberdeen University, All Suffering SOON TO END!, Animate Projects, Anne Bean, Arnolfini, Arts Council Collection, AV Festival, BALTIC, Beaconsfield, Biennale of Sydney, British Pavilion, Building a Nation, Cafe Carbon, Cafe Oto, Carolyn Thompson, Castlefield Gallery, Catalyst Arts, CCA, Crash, Crossing Zones, David Osbaldeston, ekleksographia, Fiona Crisp, Fordham Gallery, Gagosian Gallery, Galerie Raum Mit Licht, Glasgow Sculpture Studios, Glimmer: The 8th Hull International Short Film Festival, Gstaad Film Festival, Hands On, Haus der Kultuern der Welt, Hayley Newman, Ian Breakwell, Imogen Stidworthy, Impressions Gallery, International Festival of Artists' Films, Jennet Thomas, Jimmie Durham, John Frankland, John Rylands Library, Jordan Baseman, Lucy Gunning, Melanie Jackson, Messiah, Metal, Michael Curran, Mike Nelson, MONITOR, Nathaniel Mellors, National Review of Live Art 2010, Nature's Great Experiment, Newlyn Art Gallery, Out of Time (The Light of Day/The Action of Play, Picture This, Quiver of Arrows, Red Jail, Richard Grayson, Richard Wilson, Roy Voss, Seven Ages of Britain, Subterrania, Tate Britain, The Arches, The Drawing Room, The Elusive State of Happiness, The Gathering, The Gluts, The Library of Babel/In and Out of Place, The Most Powerful Thing in this World..., The Provincial Forge, The Quad Gallery, The Russian Club, The Urpflanze (Part 1), Universal Miniature Golf (The Promised Land), Vane Contemporary Art, Venice Biennale, William Blake and the Naked Tea Party, Yorkshire Sculpture Park |