Beaconsfield
April 2019
By Matt's Gallery on 3 April 2019
Current Matthew Krishanu, House of Crows, Matt’s Gallery, London, continues until 7 April, open daily 12-6pm Matt’s Gallery’s current exhibition at Webster Road centres around two series of images that the painter Matthew Krishanu has been developing over a number of years: House of God, which depicts landscapes punctuated by the crosses of churches, and Crow, a […]
Posted in News | Tagged 1d for Abroad, A New Song (To an Old Tune), Aalst, Alabama, Alison Turnbull, Bath, Beaconsfield, Belgium, Benedict Drew, Berwick, Beth Collar, Birmingham Alabama, Body and Soul, Brian Catling, CGP London, character, Copenhagen, Copenhagen Contemporary, Crow, CUDDY, Daddy Issues, David Austen, Dean Kenning, Dialogues with People, Digital commission, Dilston Grove, Dundee Contemporary, Duveen Galleries, Emojimio, Forma, Forma Arts Media, From Me to You, Ghetto Priest, Graham Fagen, Henry Moore, Henry Moore Foundation, Hogarth & the Art of Noise, Holburne Museum, House of Crows, icon, Imogen Stidworthy, In the Labyrinth, Ingleby Gallery, Isotopica, Istanbul, John Walter, Jordan Baseman, labyrinth, Large Glass, lino cut, Lucy Gunning, Marianna Simnett, Matt's Gallery, Matthew Krishanu, Maus Contemporary, Michael Curran, Mike Nelson, monuments, motif, Muriel Spark, narrative, Netwerk Aalst, Nicola Bealing, painter, painting, performance, poet, print, print-making, printmaking, Protocinema, Radio Influenza, Ren Henocq, Resonance FM, Ron Henocq Fine Art, Roy Voss, RWA Bristol, sculptor, sculpture, SEIZURE, Simon Tyszko, site-specific, Southwark Park, Spanish flu, stories, Tate Britain, Tate Britain Commission, The Asset Strippers, The Foundling Museum, The Gymnasium Gallery, The Needle and the Larynx, The Origin of Life, The Public Image: Scottish Lady Tiger, The Slave's Lament, The Vorrh, The Vorrh Trilogy, The Way Things Are, The Whole Fantasy (with holes), Thinking Here of How the Words Formulate Inside My Head As I Am Just Thinking, Tintype, Turner Prize, Underworld, USA, Webster Road, Wellcome, WKV, Württembergischer Kunstverein, Württembergischer Kunstverein Stuttgart
April 2011
By Matt's Gallery on 1 April 2011
Next exhibition at Matt’s Gallery: Imogen Stidworthy. Other artists’ news includes Nathaniel Mellors at the ICA, London; Lindsay Seers at the Baltic, Gateshead; Susan Hiller at Tate Britain; Mike Nelson in the Singapore Biennale; and Jordan Baseman in residence at St John’s College, Oxford.
Posted in News | Tagged Acme Studios Fire Station Centenary, Alison Turnbull, BALTIC, Beaconsfield, Biennale di Venezia, Brian Catling, British Art Show 7, British Pavilion, cabin:codex- CAB Re-launch Project, Cell Project Space, Centre for Contemporary Arts, Centrespace Visual Research Centre, David Osbaldeston, Dis-covery, DJCAD, Dorchester Abbey, E:vent Gallery, Eastside Projects, Emma Hart, Extramission 6 (Swallowing Black Maria), Focal Point Gallery, Fondazione Sandretto Re Rebaudengo, Fraternise- the Salon, Galerie Georges-Philippe & Nathalie Vallois, Gallery of Modern Art, Hayley Newman, HOMER-HEPAESTUS, Hunterian Museum, ICA London, ILLUMInations, Images Festival, Imogen Stidworthy, It has to be this way 2, Jam, Jaroslaw Kozlowski, Joe Devlin, Jordan Baseman, Labyrinth of Living Exhibits, Light Projects, Lindsay Seers, London Independent Film Festival, Lucy Gunning, Michael Curran, Mike Nelson, Narrative Show, Nathaniel Mellors, Open House, Orbitecture II, Ourhouse, Parlour Principia, Paul Rooney, Quotation Marks: Jarosaw Kozowski, Rugby Art Gallery and Museum, Rupert Ackroyd, Salamanca Art Centre, Singapore Biennale, St John's College Oxford, Storey Gallery, Suppono Subpono, Susan Hiller, Swedenborg House, Tate Britain, The Big Society, The Book of Voices, The Russian Club Gallery, The Trilogy (Extramission 2), Tramway, Un'Expressione Geografica, When the Dead help the Living | Leave a response
September 2010
By Matt's Gallery on 1 September 2010
Artists’ news and projects this month includes: Mike Nelson’s The Coral Reef is on show at Tate Britain; Lindsay Seers is showing at Mead Gallery, Warwick; and Polytechnic curated by Richard Grayson is on at Raven Row.
Posted in News | Tagged Alison Turnbull, Artists' Laboratory, aspex, Available Light Collective, Bat Yam Museum of Contemporary Art (MoBY), Beaconsfield, Beamclub, British Art Show 7, British Council Collection, British Pavilion, COLLABORATORS2, David Roberts Art Foundation, De Hallen, Emporte Moi, Five Years, FLAMIN Productions Development Award, Frieze Art Fair, Gallery Live At Sion Hill, Gasworks, Hayley Newman, Ian McKeever, Imogen Stidworthy, It has to be this way 1.5, It has to be this way 2, Jennet Thomas, Jordan Baseman, Juan Cruz, Kiasma, Korean International Art Fair, Kunstmuseum des Kantons Thurgau, Leonard Hutton Galleries, Lindsay Seers, Liverpool Biennial, Lucy Gunning, Manifesta, Matthew Tickle, Mead Gallery, Melanie Jackson Hydrarchy: Power and Resistance at Sea, Melbourne Underground Film Festival, Michael Curran, Mike Nelson, Modern Love, More Pricks than Kicks, Musee d'Art Contemporain du Val-de-Marne, Nathaniel Mellors, National Gallery of Denmark, Natural History Museum London, Observatory, Ourhouse, Parallel Remix, Paul Burwell, Polytechnic, Provenance, Raven Row, Richard Grayson, ROOM, Roy Voss, Royal Academy, San Francisco International Festival of Short Films, School of Change, Signals, Simon Oldfield Gallery, St John's College Oxford, Statens Museum for Kunst, STATIC Gallery, Steps into the Arcane, TAPS: Improvisations with Paul Burwell, Tate Britain, The Dandy Doctrine, The Golden Space City of God, The Pleasure Dame, The Truth Was Always There, Venice Biennale, What I Thought at The Time, Willie Doherty | Leave a response
May 2010
By Matt's Gallery on 1 May 2010
Richard Grayson exhibits Messiah, originally commissioned by Matt’s Gallery in 2004, at 17th Biennale of Sydney, 12 May-1 August 2010, curated by David Elliott. Mike Nelson selected to represent Britain at the 2011 Venice Biennale. British Pavilion at the Venice Biennale is commissioned by the British Council. Jennet Thomas All Suffering SOON TO END! (installation […]
Posted in News | Tagged Alexander and Bonin, Alison Turnbull, All Suffering SOON TO END!, Animate Projects, Baillieu Library, Banned Books in Australia, Beaconsfield, Biennale of Sydney, British Pavilion, Bury St Edmunds Art Gallery, Carolyn Thompson, Castlefield Gallery, Darwin Now, David Osbaldeston, Embassy Gallery, Emporte Moi, Hayley Newman, It has to be this way 2, Jennet Thomas, Jordan Baseman, Lack, Lindsay Seers, Lucy Gunning, McKenzie, Mead Gallery, Melanie Jackson, Memories are Made of This: Sound and Museum at Liverpool Sound City, Messiah, Michael Curran, Mike Nelson, Modern Art Oxford, MONITOR, Musee d'Art Contemporain du Val-de-Marne, Nathaniel Mellors, Nature's Great Experiment, On the Edge of the World, Out of Time (The Light of Day/The Action of Play, Paul Rooney, Richard Grayson, Roy Voss, Royal Botanic Garden, Sameness & DIfference, Seven Ages of Britain, St Andrew's Church, Statens Museum for Kunst, Susan Hiller, Tate Britain, The Drawing Room, The Russian Club, The Urpflanze (Part 1), Venice Biennale, Wellcome Collection's Identity Project, Willie Doherty | Leave a response
March 2010
By Matt's Gallery on 1 March 2010
Richard Grayson exhibits Messiah, originally commissioned by Matt’s Gallery in 2004, at 17th Biennale of Sydney, 12 May-1 August 2010, curated by David Elliott. Mike Nelson selected to represent Britain at the 2011 Venice Biennale. The British Pavilion at the Venice Biennale is commissioned by the British Council Jennet Thomas All Suffering SOON TO END! […]
Posted in News | Tagged 176 Zabludowicz Collection, 303 Gallery, Aberdeen University, All Suffering SOON TO END!, Animate Projects, Anne Bean, Arnolfini, Arts Council Collection, AV Festival, BALTIC, Beaconsfield, Biennale of Sydney, British Pavilion, Building a Nation, Cafe Carbon, Cafe Oto, Carolyn Thompson, Castlefield Gallery, Catalyst Arts, CCA, Crash, Crossing Zones, David Osbaldeston, ekleksographia, Fiona Crisp, Fordham Gallery, Gagosian Gallery, Galerie Raum Mit Licht, Glasgow Sculpture Studios, Glimmer: The 8th Hull International Short Film Festival, Gstaad Film Festival, Hands On, Haus der Kultuern der Welt, Hayley Newman, Ian Breakwell, Imogen Stidworthy, Impressions Gallery, International Festival of Artists' Films, Jennet Thomas, Jimmie Durham, John Frankland, John Rylands Library, Jordan Baseman, Lucy Gunning, Melanie Jackson, Messiah, Metal, Michael Curran, Mike Nelson, MONITOR, Nathaniel Mellors, National Review of Live Art 2010, Nature's Great Experiment, Newlyn Art Gallery, Out of Time (The Light of Day/The Action of Play, Picture This, Quiver of Arrows, Red Jail, Richard Grayson, Richard Wilson, Roy Voss, Seven Ages of Britain, Subterrania, Tate Britain, The Arches, The Drawing Room, The Elusive State of Happiness, The Gathering, The Gluts, The Library of Babel/In and Out of Place, The Most Powerful Thing in this World..., The Provincial Forge, The Quad Gallery, The Russian Club, The Urpflanze (Part 1), Universal Miniature Golf (The Promised Land), Vane Contemporary Art, Venice Biennale, William Blake and the Naked Tea Party, Yorkshire Sculpture Park | Leave a response