Hospitalfield
![Imogen Stidworthy, 'Iris 1 [A Fragment]', video still, 2018. Courtesy of the artist and Matt's Gallery.](https://i0.wp.com/news.mattsgallery.org/wp-content/uploads/2019/09/STIDWORTHY-Image-1500x843.jpg?fit=300%2C169&ssl=1)
October 2019
By Matt's Gallery on 1 October 2019
Matt’s Gallery’s 40th Birthday Matt’s Gallery celebrated its 40th anniversary with a fundraising dinner to support the move to a permanent new space at Nine Elms, Wandsworth. Due to open in Spring 2020, the complex will incorporate two double-height gallery spaces, a library and archive space and two affordable artists’ studios. The Mayor of Wandsworth, […]
Posted in News | Tagged 40th Anniversary, Alison Turnbull, Angus Braithwaite, Anne Bean, Ben Rivers, Benedict Drew, Beth Collar, Bronwen Buckeridge, David Batchelor, David Osbaldeston, Dean Kenning, Emma Hart, Frieze Masters, Ghost TV, Graham Fagen, Hayley Newman, Hospitalfield, Imogen Stidworthy, Jimmie Durham, Joey Holder, Jordan Baseman, Keith Sargent, leah capaldi, Lindsay Seers, Lindsey Mendick, Marianna Simnett, Matt's Gallery, Mike Nelson, Nathaniel Mellors, New Contemporaries, Nicola Bealing, Oona Grimes, Photo Paris, Radio Influenza, Richard Wilson, Robin Klassnik, Science Gallery London, Sophie Jung, Susan Hiller, Tate Britain, tongue-tied, Wellcome, Willie Doherty | Leave a response

December 2018
By Matt's Gallery on 4 December 2018
Upcoming John Walter, Booze Guitar, Matt’s Gallery, 92 Webster Road, London, 8-16 December, Private View 7 December 6-9pm Read more. In 2019… Matt’s Gallery thanks Ron Henocq Fine Art for their generous support. Artists’ News Lindsay Seers, Every Thought There Ever Was, Focal Point Gallery, Southend-on-Sea, until 23 December 2018 It’s your last chance to see this major […]
Posted in News | Tagged 20:50, A Virus Walks into a Bar, Aalto Natives, Alter Heroes Coalition, Anne Bean, Another Country, Artist in Residence, Benedict Drew, Blood in My Milk, Bloomberg New Contemporaries, Bonington Gallery, Booze Guitar, Bow Gamelan Ensemble, Camberwell Space, Camberwell UAL, CAPSID, City Art Centre, City Art Centre Edinburgh, Cooper Gallery, Daniel Sturgis, Danielle Arnaud, David Osbaldeston v The Serving Library, David Troostwyk, Dean Kenning, Dialogues with People, Digital commission, Duncan of Jordanstone College of Art & Design, Dundee, Ecstasy in Norwich, Edinburgh, Elizabeth Magill, Erkka Nissinen, Every Thought There Ever Was, Focal Point Gallery, Graham Fagen, Great Noises that Fill the Air, Hayward Gallery, Headland, HOME Manchester, Hospitalfield, House Taken Over, Imogen St, IMT Gallery, Job Opportunity, John Hansard Gallery, John Walter, Jordan Baseman, Julian of Norwich, L'Atteso, leah capaldi, Lindsey Seers, London, Low Form, LOWER.GREEN, Marianna Simnett, Marked, Matt's Gallery, MAXXI, Melanie Jackson, Mike Nelson, Mimosa House, Nathaniel Mellors, New Museum, New York, OGR Torino, Oona Grimes, Public Engagement Officer, Radio Influenza, Richard Wilson, Rome, Ron Henocq, Shape Shifters, Shooting and Fishing, SLG, Snow Crash, South London Gallery, Southend-on-Sea, Spanish flu, Stuttgart, Susan Hiller, Tasmania, The Anti Ecstatic Machines, The MAC, The New Art Gallery Walsall, The Public is Warned, The Serving Library, The Unconformity, TSL, Wellcome, Württembergischer Kunstverein Stuttgart | Leave a response

August 2018
By Matt's Gallery on 6 August 2018
Upcoming The series of 10-day shows continues from September onwards, plus other events at Matt’s Gallery, London Bronwen Buckeridge, Widowhood, Matt’s Gallery, London, 2 September 2018, 2-6pm Widowhood is a live audio performance with racing pigeons and the pigeon men who train them. The work is driven by an interest in the complex relationship racing pigeons […]
Posted in News | Tagged A Woman's Place at Knole, Aesthetica Short Film Festival, Again more things (a table ruin), Alberto Giacometti, Alison Turnbull, Allison Janae, Allison Janae Hamilton, Alter Heroes Coalition, Arts Catalyst, Attenborough Arts Centre, auto-bituary, BANFF, Benedict Drew, Borbala Szanto, Bronwen Buckeridge, Cibelle Cavalli Bastos, Constan, David Brooks, David Collens, Dear Climate, Dieter Roth, Dundee, Earagail Arts Festival, Eighty Circles Through Canada, Ellie Ga, Erkka Nissinen, Every Thought Ther, exhibition, Focal Point Gallery, FRONT International, Gabriela Salazar, General Rehearsal, Generator Projects, Gery Georgieva, Graham Fagen, Guerre/Jardin, Gwanju Biennial, Hara Woltz, Hayley Newman, Hellmouth, Henry Moore, Hospitalfield, I don't know what I'm doing but I'm trying very hard, I live without living in me, Indicators: Artists on Climate Change, Japanese Paintings, Jenny Kendler, Jo Bruton, Jo Stockham, John Hansard Gallery, John Moores Painting Prize, John Moores Painting Prize 2018, Juan Cruz, Justin Brice Guariglia, KADIST, Kent Monkman, Kiasma, Knole House, leah capaldi, Letterkenny Regional Cultural Centre, Lindsay Seers, Longing and Consolidation, Louise Bourgeois, Mark Dion, Mary Mattingly, Matt's Gallery, Maya Lin, Meg Webster, Melanie Jackson, Michael Curran, Mike Nelson, Mimosa House, MMOMA, Moscow Museum of Modern Art, Muriel Spark, Naomi Pearce, Nathaniel Mellors, Nora Lawrence, OilY, Pawel Althamer, photography, Pigeon Race, Portrait of a Sculptor, possessions_inc, Primary, Rebecca Lennon, REMAINS, Richard Grayson, robotics, Rodic Davidson Architects, Ron Henocq Fine Art, Sarah Diver, shame, Sherrie L, Southend-on-Sea, Steve Rowell, Storm King Art Center, Summerhall, Super Sohrab, Super Taus, Sursock Museum, Tabita Rezaire, Tavares Strachan, The Anti Ecstatic Machines, The Gluts, The MAC, The Mothership residency, The Walker Art Gallery, Tomas Klassnik, Tomaso Binga, University of Leicester, V-A-C, V-A-C Collection, Vancouver, video, Watou Arts Festival, Whitechapel Gallery, Widowhood, Willem de Kooning, Willie Doherty, Yolanda López | Leave a response

June 2018
By Matt's Gallery on 31 May 2018
Current Richard Grayson, By Our Own Hand, Matt’s Gallery, Nine Elms, The Residence, 42-44 Ponton Road, SW8 5BA, Opening Event: Friday 1 June 4 – 8pm, exhibition continues 2 – 3 June 2018, 12 – 5pm By Our Own Hand is the first exhibition in Matt’s Gallery’s new space in Nine Elms. In 2019 Matt’s Gallery will open at Bellway’s The […]
Posted in News | Tagged 16 Nicholson Street Gallery, A to B in MK, A Woman's Place at Knole, Abroath, Again, Alberta Whittle, Alberto Giacometti, Alice Day Williams, Alison Turnbull, All the World's a Sunny Day, Allison Janae Hamilton, Am I Not A Man and A Brother, Andrew Gilbert, Andrew Hairstans, Anina Major, Another Country, Arts Catalyst, Arts Council Collection, Attenborough Arts Centre, Auth Rangelay Yaar, Banner Repeater, Barbara Casavecchia, Baron Sackville, BBC Radio 4, Belfast, Belgium, Bellway, Ben Rivers, Benedict Drew, Bermondsey, Bernice Donszelmann, Beth Collar, Birthe Jorgensen, Blackpool, Borbala Szanto, Boredom Is Always Counter-Revolutionary, Boulby Underground Laboratory, Brigid McLeer, British Council, British Museum, Bruce McLean, Bury Place, Butterflies in Colombia, By Our Own Hand, Capital Crime, Cast Iron Radio, Channels, Charing Cross Hospital, Choco, CJ Mahony, Constantine Brancusi, Contemporary Art Society, Contemporary Art Society Special Collection Scheme, Cornwall, Dana Hargrove, David Brooks, David Collens, Dawn Gavin, De La Warr Pavilion, Dear Climate, Deeper in the Pyramid, Dieter Roth, Durham University, Eight Colourful Friends, Eighty Circles Through Canada (The Last Possessions Of An Orcadian Mountain Man) (2013), Elaine Rutherford, Eliza Gluckman, Ellie Ga, Emily Orley, Emily Speed, Erkka Nissinen, Esther Leslie, Euan Gray, Every Thought There Ever Was, extinction, Fathom, Fiona Crisp, Focal Point Gallery, Gabriela Salazar, General Rehearsal, Ghost Strata, Glasgow, Graham Fagen, Grand Union, Groundwork, Grundy Art Gallery, Guy Debord, Hara Woltz, Hayley Newman, Helen Robertson, Henry Moore, Homage to Marcel Duchamp (2017), Hospitalfield, If Mimicry Minded, Illuminations (2018), In My Shoes, In the Future, Indicators: Artists on Climate Change, Institute for Computational Cosmology, Irineu Destourelles, James Baldwin, James O’Leary, Jane Rendell, Japanese Paintings, Jenni Lomax, Jenny Kendler, Jo Bruton, Jo Stockholm, Joey Holder, John Beadle, John Hansard Gallery, John Moore Painting Prize 2018, Juan Cruz, Justin Brice Guariglia, KADIST, Katherine Ka Yi Liu, Katja Hilevaara, Kent, Kiasma, Knole House, Krabi, Kristen Kreider, Laboratori Nazionali del Gran Sasso, Landing Girls, leah capaldi, Lindsay Seers, Lionheart, Liu Xiaodong, Liverpool, Liverpool John Moores University, London, Longing and Consolidation, Longside Gallery, Louise Bourgeois, Lubaina Himid, Lubaina Himid MBE, Lucy Day, Lucy Gunning, Maria Fusco, Mark Dion, Marvin Gaye Chetwynd, Mary Mattingly, Material Sight, Matt's Gallery, Maya Lin, Meg Webster, Melanie Jackson, Melanie Wilson, Mike Nelson, milk, Milton Keynes, Milton Keynes Community Collaborators, MMOMA, More Things (a table ruin) (2014), Moscow Museum of Modern Art, Mosfellsbaer, Naomi Pearce, Nathaniel Mellors, National Art Gallery of The Bahamas, New York, Nicola Bealing, Nine Elms, Nora Lawrence, Nottingham, Officine Grandi Riparazioni, OGR, Orlando, Outpatients Unit, Overlay, Pacific rainforest, Pawel Althamer, Petrovka Street gallery, Plans & Records, possessions_inc, Primary, Psi Girls (1999), Rasheed Araeen, Redway, REMAINS, Representation of the People Act, Richard Grayson, Richard Guzman, Rodic Davidson Architects, Ron Heneocq Fine Art, Rosalind Davies, Routledge, Roy Voss, Sackville-West, Sao Paulo, Sarah Diver, Scotland, Sherrie Levine, Social Facts, Sonia Farmer, Southampton, Southend-on-Sea, Steve Rowell, Storm King Art Center, Susan Hiller, tatami, Tavares Strachan, Thailand, The Aalto Natives, The Bahamas, The Creative Critic: Writing as/about Practice, The MAC, The Residence, The Slave's Lament, The Walker Art Gallery, Tim Etchells, Turin, University of Leicester, V-A-C Foundation, V&A Wallpaper Archive, Venice Biennale, Virginia Woolf, Vita Sackville-West, Wandsworth, Watou Arts Festival, We Suffer to Remain, Whitstable Biennale, Willem de Kooning, Willie Doherty, Yorkshire Sculpture Park | Leave a response

April 2018
By Matt's Gallery on 3 April 2018
Upcoming Jo Bruton, Run, Matt’s Gallery, 92 Webster Road, London, 7 – 15 April, Private View 6 April 6-9pm Jo Bruton’s second show at Matt’s Gallery sees the artist expanding her practice as a painter into a series of printed wallpapers. Hand painted, digitally produced and then pasted to the walls of the gallery, the piece has […]
Posted in News | Tagged A Woman's Place at Knole, Acme Fire Station, Again, Alberta Whittle, Alberto Giacometti, Alfacar, Alice May Williams, Alison Turnbull, All The Wor, All the World's a Sunny Day, Allison Janae Hamilton, Am I Not A Man and A Brother, Andrew Gilbert, Andrew Hairstans, Andy Fisher, Anil Seth, Anina Major, Another Country: Aspects of Scottish Emigration to the United States, April, Art Monthly, Arts Catalyst, Artur Zmijewski, Avatar Therapy, Banner Repeater, Barbara Kruger, Baron Sackville, BBC Radio 4, Benedict Drew, Benjamin Swaim, Bermondsey, Berwick Visual Arts, Beth Forde, Birthe Jorgensen, British Council, Candice Lin, Caspar Heinemann, Cecil Collins, Channels, Chris Frith, CJ Mahony, Collyer Bristow Gallery, Colombia, Constantine Brancusi, Contemporary Art Society, Dana Hargrove, David Austen, David Brooks, David Collens, Dawn Gavin, De La Warr Pavilion, Dear Climate, Deeper in the Pyramid, Dieter Roth, Doris McCarthy Gallery, Dr Blanca Huertas, Durham University, Edward Hopper, Eighty Circles Through Canada (The Last Possessions of An Orcadian Mountain Man), Elaine Rutherford, Elena Bajo, Elisabeth Frink, Eliza Gluckman, Ellie Ga, Emily Speed, Emma Bolland, Erkka Nissinen, Esther Leslie, Euan Gray, Fiction as Method, Finnish Pavilion, Fiona Banner, Fiona Crisp, Focal Point Gallery, Futures & Fictions, Gabriela Salazar, Galeria Moises Perez De Albeniz, Galerie Crevecoeur, Gallery 4, Gallery of Modern Art (GoMA), General Rehearsal, Gerard Byrne, Ghetto Priest, Glasgow, Graham Fagen, Grand Union, Grundy Art Gallery, Hans-Peter Feldmann, Hara Woltz, Helen Marten, Henning Bohl, Henry Moore, Hospitalfield, Ian Hamilton Finlay, In the Future, Indicators: Artists on Climate Change, Institute for Computational Comology, Irineu Destourelles, Isobel Wohl, It's all the same fucking day man..., Jakob Kolding, Jala Wahid, James Miranda Barry, Janani Balasubramanian, Jane Evelyn Atwood, Jenny Kendler, Jih-Fie Cheng, JMW Turner, Jo Bruton, John Beadle, John Cunningham, John Hansard, John Smith, Jonathan Trayner, Jordan Baseman, Julien Ceccaldi, Justin Brice Guariglia, KADIST, Katharina Poos, Katherine Angel, Katherine Ka Yi Liu, kennardphillips, Kiasma, Kirsten Cooke, Knole House, Laboratori Nazionale del Gran Sasso, Leo Kelly, Linda Stupart, Lindsay Seers, Lionheart, Lisson Gallery, London, Louise Bourgeois, Lubaina Himid, Lucy Day, MA BIBLIOTHEQUE, Margot Norton, Maria Abramovic, Mark Dion, Mary Mattingly, Mas Arte Mas Accion, Material Sight, Matt's Gallery, May, Maya Lin, Meg Webster, Melanie Jackson, Melanie Wilson, Mieke Bal, Mike Nelson, milk, Minnesota, MMOMA, MONA, More Things (a table ruin), Moscow Museum of Modern Art, Muirhead Bone, Nathaniel Mellors, National Art Gallery of The Bahamas, National Gallery of Victoria, Natural History Museum London, New Museum, NGV Triennial, Nicholas Brooks, Nick Mwaluko, Nora Lawrence, Northern Gallery of Contemporary Art, Officine Grandi Riparazioni, On Violence, Orlando, Ourhouse, ourneys with 'The Waste Land', Patrick Heron, Paul Buck, Paul Nash, Paula Rego, Pavel Büchler, Pawel Althamer, Plans & Records, Polygraphs, possessions_inc, Primary, Progressive Rocks, Project/Number, Project/Numebr, Rebecca Jagoe, Renaud Jerez, Repeater Books, Representation of the People Act, Richard Grayson, Richard Guzman, Ridinghouse, Ron Henocq Fine Art, Roy Voss, Rudy Loewe, Sackler Centre for Consciousness, Saint John's Art Center, Sarah Diver, Sarah Wood., Sharon Kivland, Sherrie Levine, Skye Arundhati-Thomas, Social Facts, Sonia Farmer, Special Collection Scheme, Sternberg Press, Steve Rowell, Storm King Art Center, Suffering, Sump, Susan Hiller, Tacita Dean, Tai Shani, Talking Art 2, Tavares Strachan, The Aalto Natives, The Bahamas, The MAC, The New Art Gallery Walsall, The Slave's Lament, the stars above the ocean the ocean beneath the stars, The Way T, The Way Things Are, Timothy Dixon, Toronto, Totah, Travis Alabanza, Turin, Turner Contemporary, UCL, V-A-C Foundation, Vanessa Place, Venice Biennale, violence, Virginia Woolf, Vita Sackville-West, Viznar, Vladimir Nabokov, We Suffer to Remain, Wellcome Trust, Willie Doherty, Williem de Kooning | Leave a response

April 2016
By Matt's Gallery on 4 April 2016
Forthcoming Exhibitions & Events Jim Woodall, If I Don’t Have You, Matt’s Gallery, 17th April 2016, This exhibition is open for one day only between 12 – 8pm For his one-day exhibition at Matt’s Gallery, If I Don’t Have You, Jim Woodall is making an intervention in gallery 1, removing the back wall of the […]
Posted in News | Tagged -scape: constructing nature, Alison Turnbull, Anne Bean, Artists Behind Bars, Bank Space Gallery, Benedict Drew, Blackrock, Blackrock Residency, British Art Show 8, Canterbury, Contemporary Art Ujazdowski Castle, Fiona Crisp, Galerien Der Stadt Esslingen, Graham Fagen, Harris Museum, Holden Gallery, Hospitalfield, If I Dont Have You, Imogen Stidworthy, Imperfect geometry for a concrete quarry, Jennet Thomas, Jim Woodall, Jordan Baseman, Kalkbrottet, Lindsay Seers, Malmo, Manchester, Margate, Matt's Gallery, Mike Nelson, Museum Boijmans Van Beuningen, Nathaniel Mellors, Nothing Happens Twice, Objects Do Things, Preparing the Site, Preston, Seeing Around Corners, Sensory Spaces 8, States of Mind: tracing the edges of conciousness, Stories in the Dark, The Beaney, The Unspeakable Freedom Device, Turner Contemporary, Unlimited Action: Limits of Performance, Utah Museum of Contemporary Art, Wellcome Collection, Willie Doherty | Leave a response

February 2016
By Matt's Gallery on 1 February 2016
Ongoing Exhibition David Osbaldeston, The Top & Bottom of It. Mechanism for a Future Reference, Matt’s Gallery (Office) A site-specific installation of moving objects and unstable items embedded within the architecture of Matt’s Gallery’s Office, available to view on Thursday 4 February, between working hours of 10.30am–1pm & 2–5.30pm (closed for lunch between 1–2pm). Viewing by prior arrangement only, one person […]
Posted in News | Tagged Anne Bean, Art on the Underground, Benedict Drew, British Art Show 8, Centre d'art Contemporain de la Ferme du Buisson, Contemporary Arts Society, Contemporary Arts Society Award, David Osbaldeston, Firstsite, Graham Fagen, Harris Museum, Hayward Touring, Hospitalfield, Imogen Stidworthy, Jennet Thomas, La Panacee, Listening, London, Matt's Gallery, Mike Nelson, Nathaniel Mellors, Scotland, Talbot Rice Gallery, Venice | Leave a response