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The Way Things Are

Matthew Krishanu, Crow (peck), 2018, oil on board. Courtesy of the artist and Matt's Gallery, London.

April 2019

By Matt's Gallery on 3 April 2019

Current Matthew Krishanu, House of Crows, Matt’s Gallery, London, continues until 7 April, open daily 12-6pm Matt’s Gallery’s current exhibition at Webster Road centres around two series of images that the painter Matthew Krishanu has been developing over a number of years: House of God, which depicts landscapes punctuated by the crosses of churches, and Crow, a […]

Posted in News | Tagged 1d for Abroad, A New Song (To an Old Tune), Aalst, Alabama, Alison Turnbull, Bath, Beaconsfield, Belgium, Benedict Drew, Berwick, Beth Collar, Birmingham Alabama, Body and Soul, Brian Catling, CGP London, character, Copenhagen, Copenhagen Contemporary, Crow, CUDDY, Daddy Issues, David Austen, Dean Kenning, Dialogues with People, Digital commission, Dilston Grove, Dundee Contemporary, Duveen Galleries, Emojimio, Forma, Forma Arts Media, From Me to You, Ghetto Priest, Graham Fagen, Henry Moore, Henry Moore Foundation, Hogarth & the Art of Noise, Holburne Museum, House of Crows, icon, Imogen Stidworthy, In the Labyrinth, Ingleby Gallery, Isotopica, Istanbul, John Walter, Jordan Baseman, labyrinth, Large Glass, lino cut, Lucy Gunning, Marianna Simnett, Matt's Gallery, Matthew Krishanu, Maus Contemporary, Michael Curran, Mike Nelson, monuments, motif, Muriel Spark, narrative, Netwerk Aalst, Nicola Bealing, painter, painting, performance, poet, print, print-making, printmaking, Protocinema, Radio Influenza, Ren Henocq, Resonance FM, Ron Henocq Fine Art, Roy Voss, RWA Bristol, sculptor, sculpture, SEIZURE, Simon Tyszko, site-specific, Southwark Park, Spanish flu, stories, Tate Britain, Tate Britain Commission, The Asset Strippers, The Foundling Museum, The Gymnasium Gallery, The Needle and the Larynx, The Origin of Life, The Public Image: Scottish Lady Tiger, The Slave's Lament, The Vorrh, The Vorrh Trilogy, The Way Things Are, The Whole Fantasy (with holes), Thinking Here of How the Words Formulate Inside My Head As I Am Just Thinking, Tintype, Turner Prize, Underworld, USA, Webster Road, Wellcome, WKV, Württembergischer Kunstverein, Württembergischer Kunstverein Stuttgart

Jo Bruton, Run, 2018, production image. Image courtesy of the artist and Matt’s Gallery, London.

April 2018

By Matt's Gallery on 3 April 2018

Upcoming Jo Bruton, Run, Matt’s Gallery, 92 Webster Road, London, 7 – 15 April, Private View 6 April 6-9pm Jo Bruton’s second show at Matt’s Gallery sees the artist expanding her practice as a painter into a series of printed wallpapers. Hand painted, digitally produced and then pasted to the walls of the gallery, the piece has […]

Posted in News | Tagged A Woman's Place at Knole, Acme Fire Station, Again, Alberta Whittle, Alberto Giacometti, Alfacar, Alice May Williams, Alison Turnbull, All The Wor, All the World's a Sunny Day, Allison Janae Hamilton, Am I Not A Man and A Brother, Andrew Gilbert, Andrew Hairstans, Andy Fisher, Anil Seth, Anina Major, Another Country: Aspects of Scottish Emigration to the United States, April, Art Monthly, Arts Catalyst, Artur Zmijewski, Avatar Therapy, Banner Repeater, Barbara Kruger, Baron Sackville, BBC Radio 4, Benedict Drew, Benjamin Swaim, Bermondsey, Berwick Visual Arts, Beth Forde, Birthe Jorgensen, British Council, Candice Lin, Caspar Heinemann, Cecil Collins, Channels, Chris Frith, CJ Mahony, Collyer Bristow Gallery, Colombia, Constantine Brancusi, Contemporary Art Society, Dana Hargrove, David Austen, David Brooks, David Collens, Dawn Gavin, De La Warr Pavilion, Dear Climate, Deeper in the Pyramid, Dieter Roth, Doris McCarthy Gallery, Dr Blanca Huertas, Durham University, Edward Hopper, Eighty Circles Through Canada (The Last Possessions of An Orcadian Mountain Man), Elaine Rutherford, Elena Bajo, Elisabeth Frink, Eliza Gluckman, Ellie Ga, Emily Speed, Emma Bolland, Erkka Nissinen, Esther Leslie, Euan Gray, Fiction as Method, Finnish Pavilion, Fiona Banner, Fiona Crisp, Focal Point Gallery, Futures & Fictions, Gabriela Salazar, Galeria Moises Perez De Albeniz, Galerie Crevecoeur, Gallery 4, Gallery of Modern Art (GoMA), General Rehearsal, Gerard Byrne, Ghetto Priest, Glasgow, Graham Fagen, Grand Union, Grundy Art Gallery, Hans-Peter Feldmann, Hara Woltz, Helen Marten, Henning Bohl, Henry Moore, Hospitalfield, Ian Hamilton Finlay, In the Future, Indicators: Artists on Climate Change, Institute for Computational Comology, Irineu Destourelles, Isobel Wohl, It's all the same fucking day man..., Jakob Kolding, Jala Wahid, James Miranda Barry, Janani Balasubramanian, Jane Evelyn Atwood, Jenny Kendler, Jih-Fie Cheng, JMW Turner, Jo Bruton, John Beadle, John Cunningham, John Hansard, John Smith, Jonathan Trayner, Jordan Baseman, Julien Ceccaldi, Justin Brice Guariglia, KADIST, Katharina Poos, Katherine Angel, Katherine Ka Yi Liu, kennardphillips, Kiasma, Kirsten Cooke, Knole House, Laboratori Nazionale del Gran Sasso, Leo Kelly, Linda Stupart, Lindsay Seers, Lionheart, Lisson Gallery, London, Louise Bourgeois, Lubaina Himid, Lucy Day, MA BIBLIOTHEQUE, Margot Norton, Maria Abramovic, Mark Dion, Mary Mattingly, Mas Arte Mas Accion, Material Sight, Matt's Gallery, May, Maya Lin, Meg Webster, Melanie Jackson, Melanie Wilson, Mieke Bal, Mike Nelson, milk, Minnesota, MMOMA, MONA, More Things (a table ruin), Moscow Museum of Modern Art, Muirhead Bone, Nathaniel Mellors, National Art Gallery of The Bahamas, National Gallery of Victoria, Natural History Museum London, New Museum, NGV Triennial, Nicholas Brooks, Nick Mwaluko, Nora Lawrence, Northern Gallery of Contemporary Art, Officine Grandi Riparazioni, On Violence, Orlando, Ourhouse, ourneys with 'The Waste Land', Patrick Heron, Paul Buck, Paul Nash, Paula Rego, Pavel Büchler, Pawel Althamer, Plans & Records, Polygraphs, possessions_inc, Primary, Progressive Rocks, Project/Number, Project/Numebr, Rebecca Jagoe, Renaud Jerez, Repeater Books, Representation of the People Act, Richard Grayson, Richard Guzman, Ridinghouse, Ron Henocq Fine Art, Roy Voss, Rudy Loewe, Sackler Centre for Consciousness, Saint John's Art Center, Sarah Diver, Sarah Wood., Sharon Kivland, Sherrie Levine, Skye Arundhati-Thomas, Social Facts, Sonia Farmer, Special Collection Scheme, Sternberg Press, Steve Rowell, Storm King Art Center, Suffering, Sump, Susan Hiller, Tacita Dean, Tai Shani, Talking Art 2, Tavares Strachan, The Aalto Natives, The Bahamas, The MAC, The New Art Gallery Walsall, The Slave's Lament, the stars above the ocean the ocean beneath the stars, The Way T, The Way Things Are, Timothy Dixon, Toronto, Totah, Travis Alabanza, Turin, Turner Contemporary, UCL, V-A-C Foundation, Vanessa Place, Venice Biennale, violence, Virginia Woolf, Vita Sackville-West, Viznar, Vladimir Nabokov, We Suffer to Remain, Wellcome Trust, Willie Doherty, Williem de Kooning | Leave a response

Graham Fagen, Roselle, 2006. Image courtesy of the artist.

December 2017

By Matt's Gallery on 1 December 2017

Matt’s Gallery is moving to Ron Henocq Fine Art Matt’s Gallery is pleased to announce that in January 2018 it will move to Ron Henocq Fine Art, 92 Webster Road, Bermondsey, London, SE16 4DF. Located next door to Coleman Project Space and a few minutes walk from CGP London/Dilston Grove, 92 was home to the artists Roger Shaw and […]

Posted in News | Tagged ACME, ALEX, Alex Gartenfeld, Alexander and Bonin, Alexis Hunter, Andrea Zittel, Andy Warhol, Anna Oppermann, Atlantic Dialogue, Atlantic Project, Barbara Kruger, Berlin, Bermondsey, Bermondsey Artist Group, Berwick Visual Arts, Beth Forde, Bexhill On Sea, Bill Woodrow, Bruce Neuman, Burns Unbroke, Cafe Gallery, Carolee Schneemann, CASS Sculpture Foundation, Castrato, CGP London, Channels, Coleman Project Space, David Austen, De La Warr Pavilion, Dieter Roth, Dilstion Grove, Edinburgh, Eduardo Paolozzi, El Paso, Elaine Sturtevant, Esslingen, Everything at Once, Gabriel Hartley, Galerie Peter Kilchmann, Gean Moreno, Gerard Byrne, Glasgow, GoMA, Graham Fagen, Grundy Art Gallery, Hans-Peter Feldmann, Hito Steyerl, Home, Home (Waiting), Ian Hamilton Finlay, ICA, Imogen Stidworthy, Institute for Contemporary Art, Jane Evelyn Atwood, Jaroslaw Kozlowski, Joseph Mallord William Turner, Joyce Pensato, kennardphillips, Kiluanji Kia Henda, Legacies, Leo Kelly, Lindsay Seers, Lisson Gallery, Liu Chuang, MAAS, Marie Lund, Martin Kippenberger, Matt's Gallery, Mayflower 400, Melanie Jackson, Miami, Michael Curran, Mike Nelson, MONA, Mona Hatoum, Muirhead Bone, Museum of Applied Arts and Science, Museum Villa Merkel, New York, Nilbar Gures, Nine Elms, No Return, Pablo Picasso, Pennsylvania, Philip Guston, Phillip King, Polygraphs, possessions_inc, Queenstown, Richard Grayson, Rita McBride, Roger Shaw, Ron Henocq Fine Art, Rosemanrie Tockel, Roy Voss, Ryoji Ikeda, SAPLM, Sean Steadman, South Bank, Southwark Park, SPACE, Stanley Picker Traineeship, steel, Stephanie Seidel, Suffering, Summerhall, SUPERFLEX, Susan Hiller, Switzerland, Tasmania, Tesumi Kudo, The Drowned, The Everywhere Studio, The New Art Gallery Walsall, The Sleeping Procession, The Store Studios, The Unconformity, The Vinyl Factory, The Way Things Are, THIS IS A VOICE, Tom Trevor, tools that see (possessions of a thrif) - compressor, Ursula Biemann, Wang Shang, Webster Road, Wellcome Collection, West Sussex, Willie Doherty, Words and Colors, Yves Klein, ZAK | BRANKICA, Zurich | Leave a response

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