By Matt's Gallery on 2 August 2019
Matt’s Gallery is closed throughout August and will reopen in September. Upcoming Susan Hiller, Ghost / TV, Matt’s Gallery, London. Private view 22 September 3-6pm, 25 September -27 October 2019, Wed-Sun 12- 6pm Matt’s Gallery presents Ghost / TV an exhibition of objects and video by Susan Hiller that continues her investigations into the numinous, the ephemeral, […]
Posted in News | Tagged Adrien Tirtiaux, Alain Ayers, Alain Robbe-Grillet, Allan Sekula, Amberes, Andrea Fraser, Anne-Mie Van Kerckhoven, Antwerp, ArtMonthly, Bart Prinsen, Brian Catling, British Museum, Broadside Etchings, Cevdet Erek, Chantal Peñalosa, Danny Devos, David Austen, David Lamelas, David Osbaldeston, Dog Show, Erkka Nissinen, Eva Donckers, Georges Smits, Gordon Matta-Clark, Graham Fagen, Hayley Newman, Hugo Roelandt, Imogen Stidworthy, Ink, installation, Jimmie Durham, John Hansard Gallery, Jordan Baseman, Kathryn Klassnik, Katrin Kamrau, Laure Prouvost, Laurie Parsons, leah capaldi, Lindsay Seers, Linen, Luc Deleu, Luc Tuymans, M HKA, Mariner, Marlene Dumas, Mathieu Verhaeghe, Matt's Gallery, Micheal Stanley, Michèle Matyn, Mike Nelson, Nathaniel Mellors, Nicola Bealing, Nicolás Uriburu, Oil, Paul Hendrikse, Philip K Dick, Possesions_inc, Radio Influenza, Ria Pacquée and items from the Roberto Bolaño Archive., Richard Grayson, Rinus Van de Velde, Roberto Bolano, Robin Klassnik, Rose Finn-Kelcey, Ruth Sacks, Slave's Lament, Sophie Podolski, Southwark Park Galleries, Spray Paint, Stephen Willats, Susan Hiller, Tate Britain, The Arts Institute, The Asset Strippers, The Edge, The Foundling Museum, The Rime of the Ancient Mariner, Venice Biennale, video, video still, Walter Swennen |
By Matt's Gallery on 6 August 2018
Upcoming The series of 10-day shows continues from September onwards, plus other events at Matt’s Gallery, London Bronwen Buckeridge, Widowhood, Matt’s Gallery, London, 2 September 2018, 2-6pm Widowhood is a live audio performance with racing pigeons and the pigeon men who train them. The work is driven by an interest in the complex relationship racing pigeons […]
Posted in News | Tagged A Woman's Place at Knole, Aesthetica Short Film Festival, Again more things (a table ruin), Alberto Giacometti, Alison Turnbull, Allison Janae, Allison Janae Hamilton, Alter Heroes Coalition, Arts Catalyst, Attenborough Arts Centre, auto-bituary, BANFF, Benedict Drew, Borbala Szanto, Bronwen Buckeridge, Cibelle Cavalli Bastos, Constan, David Brooks, David Collens, Dear Climate, Dieter Roth, Dundee, Earagail Arts Festival, Eighty Circles Through Canada, Ellie Ga, Erkka Nissinen, Every Thought Ther, exhibition, Focal Point Gallery, FRONT International, Gabriela Salazar, General Rehearsal, Generator Projects, Gery Georgieva, Graham Fagen, Guerre/Jardin, Gwanju Biennial, Hara Woltz, Hayley Newman, Hellmouth, Henry Moore, Hospitalfield, I don't know what I'm doing but I'm trying very hard, I live without living in me, Indicators: Artists on Climate Change, Japanese Paintings, Jenny Kendler, Jo Bruton, Jo Stockham, John Hansard Gallery, John Moores Painting Prize, John Moores Painting Prize 2018, Juan Cruz, Justin Brice Guariglia, KADIST, Kent Monkman, Kiasma, Knole House, leah capaldi, Letterkenny Regional Cultural Centre, Lindsay Seers, Longing and Consolidation, Louise Bourgeois, Mark Dion, Mary Mattingly, Matt's Gallery, Maya Lin, Meg Webster, Melanie Jackson, Michael Curran, Mike Nelson, Mimosa House, MMOMA, Moscow Museum of Modern Art, Muriel Spark, Naomi Pearce, Nathaniel Mellors, Nora Lawrence, OilY, Pawel Althamer, photography, Pigeon Race, Portrait of a Sculptor, possessions_inc, Primary, Rebecca Lennon, REMAINS, Richard Grayson, robotics, Rodic Davidson Architects, Ron Henocq Fine Art, Sarah Diver, shame, Sherrie L, Southend-on-Sea, Steve Rowell, Storm King Art Center, Summerhall, Super Sohrab, Super Taus, Sursock Museum, Tabita Rezaire, Tavares Strachan, The Anti Ecstatic Machines, The Gluts, The MAC, The Mothership residency, The Walker Art Gallery, Tomas Klassnik, Tomaso Binga, University of Leicester, V-A-C, V-A-C Collection, Vancouver, video, Watou Arts Festival, Whitechapel Gallery, Widowhood, Willem de Kooning, Willie Doherty, Yolanda López |
By Matt's Gallery on 31 January 2017
Current Ian McKeever, Against Architecture, Matt’s Gallery, private view 05 February 3 – 6pm, exhibition runs 09 February – 19 March 2017, Thursday – Sunday, 12 – 6pm For his fourth exhibition at Matt’s Gallery, Ian McKeever is exhibiting a selection from two recent series, Eagduru and Against Architecture (both 2012-13), which combine painting and […]
Posted in News | Tagged 12-hour action group, AftroScots, Against Architecture, Alberta Whittle, alchemy, Alexis Hunter, Alice Oswald, Ambika P3, An Introduction to Bliss for Two Voices with Chorus, Annabel Nicolson, Anne Bean, Artangel, astrology, At the Center of the World, audio, Benedict Drew, Blackout, Bluecoat, Bolder 2, Bryan Biggs, Cabinet 62, canada, Casebooks, Coleman Project Space, Cooper Gallery, Cullinan Richards, Deeper in the Pyramid, Dr Lauren Kassell, Dr Natalie Kaoukji, Dundee, Eagduru, Elizabeth Magill, Emit, Esther Leslie, Evaporations, Fargo, Fargo Film Festival, galerie de l'UQAM, Galleri Susanne Ottesen, Gallery 4, Gallery of Modern Art, Georgina Starr, Glasgow, Glynn Vivian Art Gallery, GoMA, Graham Fagen, Hackney Council, Ham and Mustard and other forms of Abstract Expressionism, Hammer Museum, Hanna Tuulikki, He Chengyao, HTBA, Hull, Hull Time Based Arts, Humber Street Gallery, Ian McKeever, Imogen Stidworthy, Imperfect geometry for a concrete quarry, Irineu Destourelles, Jeremy Deller, Jimmie Durham, John Akomfrah, John Frankland, John Latham, Jordan Baseman, Jordanstone College of Art & Design, Kalkbrottet, KAPUT, Limhamn, Linder, Lindsay Seers, Liverpool, London, louise dery, Mabley Green, Mark Leckey, Mary Kelly, Matt's Gallery, Melanie Jackson, Michael Maziere, milk, montreal, Mother Tongue, Negative Capability, North East Contemporary Arts Network, Nowhere Less Now 7, of other spaces: where does gesture become event?, painting, PEER, Performance Magazine Online, Polygraphs, Portrait of Alvera Coke (AKA Mama Tosh), possessions_inc, Post Reality, power, prophecy, Public View, Rayanne Bushell, Re-Rooted, Richard Grayson, Richard Napier, Rita Harris, ROOT Festival, Rose English, sculpture, Simon Forman, Sion Parkinson, Sonia Boyce, swansea, Sweden, Tako Taal, The Artangel Collection, The Slave's Lament, University of Cambridge, University of Westminster, USA, Verlag der Buchhandlung Walter Konig, video, wales, Walker Art Gallery, Yinka Shonibare, Yoko Ono |
By Matt's Gallery on 30 November 2016
Current Leah Capaldi, Lay Down, Matt’s Gallery’s new temporary space, 11 November – 18 December 2016, Friday – Sunday, 12 – 6pm Lay Down is the first major solo show by artist Leah Capaldi. The exhibition opens Matt’s Gallery’s temporary new space in Bermondsey, marking a new era for the gallery as it moves south […]
Posted in News | Tagged 12-hour action group, 1970s, 22/2/1992, 5A Studios, A Crack in the Light, A Tale I Know Nothing About, abstract film, abstraction, activism, Adele Patrick, Al Gunby, Alison Turnbull, Amelia Jones, American West, An Introduction to Bliss for Two Voices with Chorus, Angus Braithwaite, Anne Bean, Art Council England, Art Seen Contemporary Projects and Editions, Artangel, Arthur Manzo, Artist News, Artists News, audio, Barbara Capaldi, Benedict Drew, Bergen Triennale, Bermondsey, Bill Roberts, binaural, Blackout, Blackpool, Bless Klepcharek, Body, Bogota, Bolder 2, British Art Show 8. Southampton City Art Gallery, CCA, Centre of Contemporary Art, Centro de Memoria, Cheyenne, Close-Up Cinema, Cloud Diagram, Columbia, commission, Concreta Magazine, Cooper Gallery, Cowboy, Cyprus, decima street, Dee Smith, Derry, Divided Self, Dolph Projects, Domestique, Duncan of Jordanstone College of Art & Design, Dundee, dystopia, East London, Edge of Frame: Elemental Animation, Elias Bate, Eliza Gluckman, Elliot Ross, embodiment, Essex Road, Essex Road III, EXCHANGE, femininity, film, Fiona Crisp, gender codes, Glasgow Women's Library, Glynn Vivian Art Gallery, Gordon Raeburn, Graham Fagen. NEON: The Charged Line, Grundy Art Gallery, Hackney Council, Hayley Newman, Imogen Stidworthy, Imperfect geometry for a concrete quarry, installation, Jason Moffat, Jennet Thomson, John Frankland, John Hansard Gallery, Jonathan Bassett, Jonathan Caruana, Jordan Baseman, Josh Gardener, Kalkbrottet, KAPUT, landscape, Laura Mulvey, Lawrence Leaman, lay down, leah capaldi, lecture, Lee Smith, Liberties, Limhamn, Lindsay Seers, Little Boy, Liverpool, London, London Short Film Festival, Londonderry, Lucy Day, Lynda Morris, Mabley Green, Malmo, Mansion, Marina Vishmidt, Mas Arte Mas Accion, Matt's Gallery, Mike Nelson, motherhood, Multiplicities II, Negative Capability, Nicosia, North East Contemporary Arts Network, North London, Nowhere Less Now, of other spaces: where does gesture become event?, online commission, Paul Russell, Paz y Reconciliacion, PEER, Penzance, performance, petition, photography, possessions_inc, Price and Myers, Re:Bandera, Richard Grayson, Roddy Canas, sculpture, Sequencer, sex, Sex Discrimination Act, Shoreditch Park, somantic effects, Southampton, spectatorship, swansea, Sweden, systems of representation, The Artangel Collection, The Crazy House, The Dissolution of the Western Empire, the horror of the modern world, The Saw Tooth Wave, This Is Tomorrow, Thomas More, Tim Lucas, Tintype, University of Brighton, Utopia, video, wales, Walker Art Gallery, Wapiti, War/Garden (after Tubby), West Taylor, women, Wyoming, Wyoming State Archive |