By Matt's Gallery on 30 November 2016
Current Leah Capaldi, Lay Down, Matt’s Gallery’s new temporary space, 11 November – 18 December 2016, Friday – Sunday, 12 – 6pm Lay Down is the first major solo show by artist Leah Capaldi. The exhibition opens Matt’s Gallery’s temporary new space in Bermondsey, marking a new era for the gallery as it moves south […]
Posted in News | Tagged 12-hour action group, 1970s, 22/2/1992, 5A Studios, A Crack in the Light, A Tale I Know Nothing About, abstract film, abstraction, activism, Adele Patrick, Al Gunby, Alison Turnbull, Amelia Jones, American West, An Introduction to Bliss for Two Voices with Chorus, Angus Braithwaite, Anne Bean, Art Council England, Art Seen Contemporary Projects and Editions, Artangel, Arthur Manzo, Artist News, Artists News, audio, Barbara Capaldi, Benedict Drew, Bergen Triennale, Bermondsey, Bill Roberts, binaural, Blackout, Blackpool, Bless Klepcharek, Body, Bogota, Bolder 2, British Art Show 8. Southampton City Art Gallery, CCA, Centre of Contemporary Art, Centro de Memoria, Cheyenne, Close-Up Cinema, Cloud Diagram, Columbia, commission, Concreta Magazine, Cooper Gallery, Cowboy, Cyprus, decima street, Dee Smith, Derry, Divided Self, Dolph Projects, Domestique, Duncan of Jordanstone College of Art & Design, Dundee, dystopia, East London, Edge of Frame: Elemental Animation, Elias Bate, Eliza Gluckman, Elliot Ross, embodiment, Essex Road, Essex Road III, EXCHANGE, femininity, film, Fiona Crisp, gender codes, Glasgow Women's Library, Glynn Vivian Art Gallery, Gordon Raeburn, Graham Fagen. NEON: The Charged Line, Grundy Art Gallery, Hackney Council, Hayley Newman, Imogen Stidworthy, Imperfect geometry for a concrete quarry, installation, Jason Moffat, Jennet Thomson, John Frankland, John Hansard Gallery, Jonathan Bassett, Jonathan Caruana, Jordan Baseman, Josh Gardener, Kalkbrottet, KAPUT, landscape, Laura Mulvey, Lawrence Leaman, lay down, leah capaldi, lecture, Lee Smith, Liberties, Limhamn, Lindsay Seers, Little Boy, Liverpool, London, London Short Film Festival, Londonderry, Lucy Day, Lynda Morris, Mabley Green, Malmo, Mansion, Marina Vishmidt, Mas Arte Mas Accion, Matt's Gallery, Mike Nelson, motherhood, Multiplicities II, Negative Capability, Nicosia, North East Contemporary Arts Network, North London, Nowhere Less Now, of other spaces: where does gesture become event?, online commission, Paul Russell, Paz y Reconciliacion, PEER, Penzance, performance, petition, photography, possessions_inc, Price and Myers, Re:Bandera, Richard Grayson, Roddy Canas, sculpture, Sequencer, sex, Sex Discrimination Act, Shoreditch Park, somantic effects, Southampton, spectatorship, swansea, Sweden, systems of representation, The Artangel Collection, The Crazy House, The Dissolution of the Western Empire, the horror of the modern world, The Saw Tooth Wave, This Is Tomorrow, Thomas More, Tim Lucas, Tintype, University of Brighton, Utopia, video, wales, Walker Art Gallery, Wapiti, War/Garden (after Tubby), West Taylor, women, Wyoming, Wyoming State Archive |
By Matt's Gallery on 1 August 2012
Revolver, a new curatorial initiative at Matt’s Gallery, opens. Roy Voss, Cast opens at Dilston Grove. Projects elsewhere include Lindsay Seers’ Artangel commission, Imogen Stidworthy in Busan Biennale and Nathaniel Mellors in Media City Seoul.
Posted in News | Tagged 408 tons of imperfect geometry, A drawing while waiting for an idea, A Matter of Life and Death and Singing, Alison Turnbull, Amikam Toren, Andrew Kötting, Anne Bean, Artangel, Brian Catling, Busan Biennial, Cast, CCA, Crazee Golf, David Osbaldeston, Dilston Grove, dOCUMENTA (13), Dutch Pavilion in Venice, Emma Hart, European Live Art Archive, Gallerei Festiviteten, Gary Stevens, Glasgow Print Studio, GoMA, Graham Fagen, Hayley Newman, Here comes Franz, I Would Breathe Water, Imogen Stidworthy, Jarman Award, Jimmie Durham, Jordan Baseman, Juneau Projects, Large Glass, Layla Curtis, Lindsay Seers, Liverpool Biennial, Lucy Gunning, M HKA, Malmö Konsthall, Media City Seoul, Mike Nelson, Møte (Meeting), Nathaniel Mellors, Neugerriemschneider, Niet Normaal: Difference on Display, Northern Art Prize, Nowhere Less Now, On the Edge of the World, Oriel Myrrdin Gallery, Ourhouse E3 feat BAD COPY, Paul Carter, Paul Rooney, Pursuit of Perfection: the Politics of Sport, Revolver, Richard Grayson, Richard Wilson, Robin Klassnik, Roy Voss, Salle de Bains, Sarah Scout Presents, SF Shorts, South London Gallery, space that saw (platform for a performance in two parts), Susan Hiller, Tales of the City, The all-resistant eye, The Bluecoat, The London Open, The Medium is the Message: words in printmaking since the 1960s, The Tin Tabernacle, Tintype Gallery, Victory Gallery and Museum, What We Have Done What We Are About To Do, Whitechapel Gallery, Whitstable Biennale, Willie Doherty, Zacheta National Gallery of Art |
By Matt's Gallery on 1 August 2011
Forthcoming exhibitions: Emma Hart at Matt’s Gallery and Brian Catling, QUILL TWO, Matt’s Gallery at Dilston Grove. Other news includes Nathaniel Mellors winning the Cobra Art Prize; Imogen Stidworthy is shortlisted for the Jarman Award, and Mike Nelson and Susan Hiller are in a group show at MoMA PS1, New York.
Posted in News | Tagged Alison Turnbull, Alma Enterprises, ArtPace, Ben Rivers, Bournemouth Arts by the Sea Festival, Brian Catling, British Art Show 7, British Pavilion, Carl von Weiler, CCA, Centro Andaluz de Arte Contemporaneo, City Gallery, Cobra Art Prize, Comma Press, CRAC Alsace, Dark Matters, Dilston Grove, Disturbance, Dublin City Gallery The Hugh Lane, Edinburgh Documentary Film Festival, Ellipse, Emma Hart, EROI, Fiona Crisp, Focal Point Gallery, Fondazione Antonio Ratti, Fondazione Sandretto Re Rebaudengo, For a Republic of Dreams, Galerie Arena, Galleria d'Arte Moderna, Gallery TPW, Government Art Collection: Selected by Cornelia Parker: Richard of York Gave Battle in Vain, Graham Fagen, Hayley Newman, Helmsdale, Hypercolon, I will talk with anyone who will talk with me, If only you could see us now: the Robert Chipperfield Bequest, Imogen Stidworthy, Ingleby Gallery, Jarman Award, Jimmie Durham, Jordan Baseman, Kenneth Armitage Foundation, la Biennale di Venezia, La chanson, Lemistry: A Celebration of the Work of Stanislaw Lem, Lindsay Seers, Lofoten International Art Festival, Lucy Gunning, Metro Arts, Mike Nelson, MoMA PS1, Mystics or Rationalists?, Nathaniel Mellors, Outrageous Fortune, Paul Rooney, QUILL TWO, Rachel Withers, Richard Grayson, Rugby Art Gallery and Museum, Scottish Summer Exhibition, September 11, SMART Project Space, Southampton City Art Gallery, Susan Hiller, Suzanne Treister, Ten Women who use Film, The Dandy Doctrine, The Flemming Collection, The Golden Space City of God, The Objectivist Studio, The Provisional Texture of Reality, The Trilogy (Extramission 2), This is what I do, Timespan, TO DO, TokyoWonderSite, ubuweb, Un'Expressione Geografica, Unfinished Business, Wallington Hall, Whitechapel Gallery, Whitworth Art Gallery, Willie Doherty |
By Matt's Gallery on 1 July 2011
Last chance to see: Imogen Stidworthy (.) at Matt’s Gallery. Forthcoming exhibition: Emma Hart, TO DO. Elsewhere, Mike Nelson and Nathaniel Mellors are both exhibiting in La Biennale di Venezia, and Jo Bruton is showing new paintings in London.
Posted in News | Tagged (.), Alison Turnbull, Anne Bean, Ben Rivers, British Art Show 7, British Pavilion, Carl von Weiler, CCA, Contemporary Art at WOMAD, CRAC Alsace, Dilston Grove, Emma Hart, EROI, Fiona Crisp, Focal Point Gallery, Fondazione Antonio Ratti, Fondazione Sandretto Re Rebaudengo, For a Republic of Dreams, Forcemeat, Friendship of the Peoples, Galerie Arena, Galleria d'Arte Moderna, Giving Soul, Graham Fagen, Hayward Project Space, If only you could see us now: the Robert Chipperfield Bequest, ILLUMInations, Imogen Stidworthy, Jimmie Durham, Jo Bruton, la Biennale di Venezia, Lindsay Seers, Lucy Gunning, Melanie Jackson, Mike Nelson, Nathaniel Mellors, Outrageous Fortune, Rachel Withers, Richard Grayson, Roy Voss, Rugby Art Gallery and Museum, Sack Barrow, Scottish Summer Exhibition, Simon Oldfield Gallery, Southampton City Art Gallery, Susan Hiller, Suzanne Treister, The Flemming Collection, The Golden Space City of God, The Provisional Texture of Reality, The Trilogy (Extramission 2), Transition Gallery, Un'Expressione Geografica, Unfinished Business, WAKE: visible tracks of turbulence, Wallington Hall, Wallspace, Willie Doherty, Working Against the System |
By Matt's Gallery on 1 June 2011
All the latest from Matt’s Gallery: Mike Nelson is representing Great Britain in Venice and Imogen Stidworthy’s exhibition at the gallery continues. Nathaniel Mellors is also showing in Venice, and has contributed to major group shows in Prague, Turin, and The British Art Show 7.
Posted in News | Tagged (.), A Midsummer Night's Dram, AE Harris Factory, Alison Turnbull, Anne Bean, Ben Rivers, British Art Show 7, British Pavilion, Bury Art Gallery, Cafe Oto, CCA, Contemporary Art at WOMAD, Cove Park Residency, David Osbaldeston, Devonport Gallery, Dilston Grove, Dis-covery, Eastside Projects, Fondazione Sandretto Re Rebaudengo, Friendship of the Peoples, Giving Soul, Graham Fagen, ILLUMInations, Imogen Stidworthy, Intersection: Intimacy and Spectacle, It has to be this way 2, Jennet Thomas, Jo Bruton, Jordan Baseman, la Biennale di Venezia, Lindsay Seers, Lofoten International Art Festival, McKenzie, Melanie Jackson, Mike Nelson, Narrative Show, Nathaniel Mellors, Outpost, Paul Burwell, Paul Rooney, Prague Quadrennial, Radar, Roy Voss, Rugby Art Gallery and Museum, Scottish Summer Exhibition, Sentences, Simon Oldfield Gallery, Slow Action, Southbank Centre, St John's College Oxford, TAPS and PAST: Improvisations with Paul Burwell, The Flemming Collection, The Trilogy (Extramission 2), The Un-knitted Lives of Young Girls, This is not a performance or a lecture, Transition Gallery, Un'Expressione Geografica, WAKE: visible tracks of turbulence, Working Against the System |
By Matt's Gallery on 1 March 2010
Richard Grayson exhibits Messiah, originally commissioned by Matt’s Gallery in 2004, at 17th Biennale of Sydney, 12 May-1 August 2010, curated by David Elliott. Mike Nelson selected to represent Britain at the 2011 Venice Biennale. The British Pavilion at the Venice Biennale is commissioned by the British Council Jennet Thomas All Suffering SOON TO END! […]
Posted in News | Tagged 176 Zabludowicz Collection, 303 Gallery, Aberdeen University, All Suffering SOON TO END!, Animate Projects, Anne Bean, Arnolfini, Arts Council Collection, AV Festival, BALTIC, Beaconsfield, Biennale of Sydney, British Pavilion, Building a Nation, Cafe Carbon, Cafe Oto, Carolyn Thompson, Castlefield Gallery, Catalyst Arts, CCA, Crash, Crossing Zones, David Osbaldeston, ekleksographia, Fiona Crisp, Fordham Gallery, Gagosian Gallery, Galerie Raum Mit Licht, Glasgow Sculpture Studios, Glimmer: The 8th Hull International Short Film Festival, Gstaad Film Festival, Hands On, Haus der Kultuern der Welt, Hayley Newman, Ian Breakwell, Imogen Stidworthy, Impressions Gallery, International Festival of Artists' Films, Jennet Thomas, Jimmie Durham, John Frankland, John Rylands Library, Jordan Baseman, Lucy Gunning, Melanie Jackson, Messiah, Metal, Michael Curran, Mike Nelson, MONITOR, Nathaniel Mellors, National Review of Live Art 2010, Nature's Great Experiment, Newlyn Art Gallery, Out of Time (The Light of Day/The Action of Play, Picture This, Quiver of Arrows, Red Jail, Richard Grayson, Richard Wilson, Roy Voss, Seven Ages of Britain, Subterrania, Tate Britain, The Arches, The Drawing Room, The Elusive State of Happiness, The Gathering, The Gluts, The Library of Babel/In and Out of Place, The Most Powerful Thing in this World..., The Provincial Forge, The Quad Gallery, The Russian Club, The Urpflanze (Part 1), Universal Miniature Golf (The Promised Land), Vane Contemporary Art, Venice Biennale, William Blake and the Naked Tea Party, Yorkshire Sculpture Park |
![Don't forget: Graham Fagen (@graham_fagen)'s Lockdown Rainbows and Flags continues on MattFlix until 21 May 🌈
Watch now at mattflix.video
[ID: gif of Graham Fagen's Indian ink artworks depicting rainbows and flags including the Union Jack, the USA flag, and the LGBTQIA+ flag, distorted and leaky due to the movement of the ink over the damp pages]](https://news.mattsgallery.org/wp-content/plugins/instagram-feed/img/placeholder.png)