Lucy Day

Fiona Crisp, Material Sight, 2018. Installation view at Northern Gallery for Contemporary Art. Image courtesy the artist and Matt's Gallery, London.

June 2018

By Matt's Gallery on 31 May 2018

Current Richard Grayson, By Our Own Hand, Matt’s Gallery, Nine Elms, The Residence, 42-44 Ponton Road, SW8 5BA, Opening Event: Friday 1 June 4 – 8pm, exhibition continues 2 – 3 June 2018, 12 – 5pm By Our Own Hand is the first exhibition in Matt’s Gallery’s new space in Nine Elms. In 2019 Matt’s Gallery will open at Bellway’s The […]

Posted in News | Tagged 16 Nicholson Street Gallery, A to B in MK, A Woman's Place at Knole, Abroath, Again, Alberta Whittle, Alberto Giacometti, Alice Day Williams, Alison Turnbull, All the World's a Sunny Day, Allison Janae Hamilton, Am I Not A Man and A Brother, Andrew Gilbert, Andrew Hairstans, Anina Major, Another Country, Arts Catalyst, Arts Council Collection, Attenborough Arts Centre, Auth Rangelay Yaar, Banner Repeater, Barbara Casavecchia, Baron Sackville, BBC Radio 4, Belfast, Belgium, Bellway, Ben Rivers, Benedict Drew, Bermondsey, Bernice Donszelmann, Beth Collar, Birthe Jorgensen, Blackpool, Borbala Szanto, Boredom Is Always Counter-Revolutionary, Boulby Underground Laboratory, Brigid McLeer, British Council, British Museum, Bruce McLean, Bury Place, Butterflies in Colombia, By Our Own Hand, Capital Crime, Cast Iron Radio, Channels, Charing Cross Hospital, Choco, CJ Mahony, Constantine Brancusi, Contemporary Art Society, Contemporary Art Society Special Collection Scheme, Cornwall, Dana Hargrove, David Brooks, David Collens, Dawn Gavin, De La Warr Pavilion, Dear Climate, Deeper in the Pyramid, Dieter Roth, Durham University, Eight Colourful Friends, Eighty Circles Through Canada (The Last Possessions Of An Orcadian Mountain Man) (2013), Elaine Rutherford, Eliza Gluckman, Ellie Ga, Emily Orley, Emily Speed, Erkka Nissinen, Esther Leslie, Euan Gray, Every Thought There Ever Was, extinction, Fathom, Fiona Crisp, Focal Point Gallery, Gabriela Salazar, General Rehearsal, Ghost Strata, Glasgow, Graham Fagen, Grand Union, Groundwork, Grundy Art Gallery, Guy Debord, Hara Woltz, Hayley Newman, Helen Robertson, Henry Moore, Homage to Marcel Duchamp (2017), Hospitalfield, If Mimicry Minded, Illuminations (2018), In My Shoes, In the Future, Indicators: Artists on Climate Change, Institute for Computational Cosmology, Irineu Destourelles, James Baldwin, James O’Leary, Jane Rendell, Japanese Paintings, Jenni Lomax, Jenny Kendler, Jo Bruton, Jo Stockholm, Joey Holder, John Beadle, John Hansard Gallery, John Moore Painting Prize 2018, Juan Cruz, Justin Brice Guariglia, KADIST, Katherine Ka Yi Liu, Katja Hilevaara, Kent, Kiasma, Knole House, Krabi, Kristen Kreider, Laboratori Nazionali del Gran Sasso, Landing Girls, leah capaldi, Lindsay Seers, Lionheart, Liu Xiaodong, Liverpool, Liverpool John Moores University, London, Longing and Consolidation, Longside Gallery, Louise Bourgeois, Lubaina Himid, Lubaina Himid MBE, Lucy Day, Lucy Gunning, Maria Fusco, Mark Dion, Marvin Gaye Chetwynd, Mary Mattingly, Material Sight, Matt's Gallery, Maya Lin, Meg Webster, Melanie Jackson, Melanie Wilson, Mike Nelson, milk, Milton Keynes, Milton Keynes Community Collaborators, MMOMA, More Things (a table ruin) (2014), Moscow Museum of Modern Art, Mosfellsbaer, Naomi Pearce, Nathaniel Mellors, National Art Gallery of The Bahamas, New York, Nicola Bealing, Nine Elms, Nora Lawrence, Nottingham, Officine Grandi Riparazioni, OGR, Orlando, Outpatients Unit, Overlay, Pacific rainforest, Pawel Althamer, Petrovka Street gallery, Plans & Records, possessions_inc, Primary, Psi Girls (1999), Rasheed Araeen, Redway, REMAINS, Representation of the People Act, Richard Grayson, Richard Guzman, Rodic Davidson Architects, Ron Heneocq Fine Art, Rosalind Davies, Routledge, Roy Voss, Sackville-West, Sao Paulo, Sarah Diver, Scotland, Sherrie Levine, Social Facts, Sonia Farmer, Southampton, Southend-on-Sea, Steve Rowell, Storm King Art Center, Susan Hiller, tatami, Tavares Strachan, Thailand, The Aalto Natives, The Bahamas, The Creative Critic: Writing as/about Practice, The MAC, The Residence, The Slave's Lament, The Walker Art Gallery, Tim Etchells, Turin, University of Leicester, V-A-C Foundation, V&A Wallpaper Archive, Venice Biennale, Virginia Woolf, Vita Sackville-West, Wandsworth, Watou Arts Festival, We Suffer to Remain, Whitstable Biennale, Willem de Kooning, Willie Doherty, Yorkshire Sculpture Park | Leave a response

April 2018

By Matt's Gallery on 3 April 2018

Upcoming Jo Bruton, Run, Matt’s Gallery, 92 Webster Road, London, 7 – 15 April, Private View 6 April 6-9pm Jo Bruton’s second show at Matt’s Gallery sees the artist expanding her practice as a painter into a series of printed wallpapers. Hand painted, digitally produced and then pasted to the walls of the gallery, the piece has […]

Posted in News | Tagged A Woman's Place at Knole, Acme Fire Station, Again, Alberta Whittle, Alberto Giacometti, Alfacar, Alice May Williams, Alison Turnbull, All The Wor, All the World's a Sunny Day, Allison Janae Hamilton, Am I Not A Man and A Brother, Andrew Gilbert, Andrew Hairstans, Andy Fisher, Anil Seth, Anina Major, Another Country: Aspects of Scottish Emigration to the United States, April, Art Monthly, Arts Catalyst, Artur Zmijewski, Avatar Therapy, Banner Repeater, Barbara Kruger, Baron Sackville, BBC Radio 4, Benedict Drew, Benjamin Swaim, Bermondsey, Berwick Visual Arts, Beth Forde, Birthe Jorgensen, British Council, Candice Lin, Caspar Heinemann, Cecil Collins, Channels, Chris Frith, CJ Mahony, Collyer Bristow Gallery, Colombia, Constantine Brancusi, Contemporary Art Society, Dana Hargrove, David Austen, David Brooks, David Collens, Dawn Gavin, De La Warr Pavilion, Dear Climate, Deeper in the Pyramid, Dieter Roth, Doris McCarthy Gallery, Dr Blanca Huertas, Durham University, Edward Hopper, Eighty Circles Through Canada (The Last Possessions of An Orcadian Mountain Man), Elaine Rutherford, Elena Bajo, Elisabeth Frink, Eliza Gluckman, Ellie Ga, Emily Speed, Emma Bolland, Erkka Nissinen, Esther Leslie, Euan Gray, Fiction as Method, Finnish Pavilion, Fiona Banner, Fiona Crisp, Focal Point Gallery, Futures & Fictions, Gabriela Salazar, Galeria Moises Perez De Albeniz, Galerie Crevecoeur, Gallery 4, Gallery of Modern Art (GoMA), General Rehearsal, Gerard Byrne, Ghetto Priest, Glasgow, Graham Fagen, Grand Union, Grundy Art Gallery, Hans-Peter Feldmann, Hara Woltz, Helen Marten, Henning Bohl, Henry Moore, Hospitalfield, Ian Hamilton Finlay, In the Future, Indicators: Artists on Climate Change, Institute for Computational Comology, Irineu Destourelles, Isobel Wohl, It's all the same fucking day man..., Jakob Kolding, Jala Wahid, James Miranda Barry, Janani Balasubramanian, Jane Evelyn Atwood, Jenny Kendler, Jih-Fie Cheng, JMW Turner, Jo Bruton, John Beadle, John Cunningham, John Hansard, John Smith, Jonathan Trayner, Jordan Baseman, Julien Ceccaldi, Justin Brice Guariglia, KADIST, Katharina Poos, Katherine Angel, Katherine Ka Yi Liu, kennardphillips, Kiasma, Kirsten Cooke, Knole House, Laboratori Nazionale del Gran Sasso, Leo Kelly, Linda Stupart, Lindsay Seers, Lionheart, Lisson Gallery, London, Louise Bourgeois, Lubaina Himid, Lucy Day, MA BIBLIOTHEQUE, Margot Norton, Maria Abramovic, Mark Dion, Mary Mattingly, Mas Arte Mas Accion, Material Sight, Matt's Gallery, May, Maya Lin, Meg Webster, Melanie Jackson, Melanie Wilson, Mieke Bal, Mike Nelson, milk, Minnesota, MMOMA, MONA, More Things (a table ruin), Moscow Museum of Modern Art, Muirhead Bone, Nathaniel Mellors, National Art Gallery of The Bahamas, National Gallery of Victoria, Natural History Museum London, New Museum, NGV Triennial, Nicholas Brooks, Nick Mwaluko, Nora Lawrence, Northern Gallery of Contemporary Art, Officine Grandi Riparazioni, On Violence, Orlando, Ourhouse, ourneys with 'The Waste Land', Patrick Heron, Paul Buck, Paul Nash, Paula Rego, Pavel Büchler, Pawel Althamer, Plans & Records, Polygraphs, possessions_inc, Primary, Progressive Rocks, Project/Number, Project/Numebr, Rebecca Jagoe, Renaud Jerez, Repeater Books, Representation of the People Act, Richard Grayson, Richard Guzman, Ridinghouse, Ron Henocq Fine Art, Roy Voss, Rudy Loewe, Sackler Centre for Consciousness, Saint John's Art Center, Sarah Diver, Sarah Wood., Sharon Kivland, Sherrie Levine, Skye Arundhati-Thomas, Social Facts, Sonia Farmer, Special Collection Scheme, Sternberg Press, Steve Rowell, Storm King Art Center, Suffering, Sump, Susan Hiller, Tacita Dean, Tai Shani, Talking Art 2, Tavares Strachan, The Aalto Natives, The Bahamas, The MAC, The New Art Gallery Walsall, The Slave's Lament, the stars above the ocean the ocean beneath the stars, The Way T, The Way Things Are, Timothy Dixon, Toronto, Totah, Travis Alabanza, Turin, Turner Contemporary, UCL, V-A-C Foundation, Vanessa Place, Venice Biennale, violence, Virginia Woolf, Vita Sackville-West, Viznar, Vladimir Nabokov, We Suffer to Remain, Wellcome Trust, Willie Doherty, Williem de Kooning | Leave a response

Leah Capaldi, Lay Down , 2016. Image courtesy of Matt's Gallery and the artist. Photograph by Jonathan Bassett.

December 2016

By Matt's Gallery on 30 November 2016

Current Leah Capaldi, Lay Down, Matt’s Gallery’s new temporary space, 11 November – 18 December 2016, Friday – Sunday, 12 – 6pm Lay Down is the first major solo show by artist Leah Capaldi. The exhibition opens Matt’s Gallery’s temporary new space in Bermondsey, marking a new era for the gallery as it moves south […]

Posted in News | Tagged 12-hour action group, 1970s, 22/2/1992, 5A Studios, A Crack in the Light, A Tale I Know Nothing About, abstract film, abstraction, activism, Adele Patrick, Al Gunby, Alison Turnbull, Amelia Jones, American West, An Introduction to Bliss for Two Voices with Chorus, Angus Braithwaite, Anne Bean, Art Council England, Art Seen Contemporary Projects and Editions, Artangel, Arthur Manzo, Artist News, Artists News, audio, Barbara Capaldi, Benedict Drew, Bergen Triennale, Bermondsey, Bill Roberts, binaural, Blackout, Blackpool, Bless Klepcharek, Body, Bogota, Bolder 2, British Art Show 8. Southampton City Art Gallery, CCA, Centre of Contemporary Art, Centro de Memoria, Cheyenne, Close-Up Cinema, Cloud Diagram, Columbia, commission, Concreta Magazine, Cooper Gallery, Cowboy, Cyprus, decima street, Dee Smith, Derry, Divided Self, Dolph Projects, Domestique, Duncan of Jordanstone College of Art & Design, Dundee, dystopia, East London, Edge of Frame: Elemental Animation, Elias Bate, Eliza Gluckman, Elliot Ross, embodiment, Essex Road, Essex Road III, EXCHANGE, femininity, film, Fiona Crisp, gender codes, Glasgow Women's Library, Glynn Vivian Art Gallery, Gordon Raeburn, Graham Fagen. NEON: The Charged Line, Grundy Art Gallery, Hackney Council, Hayley Newman, Imogen Stidworthy, Imperfect geometry for a concrete quarry, installation, Jason Moffat, Jennet Thomson, John Frankland, John Hansard Gallery, Jonathan Bassett, Jonathan Caruana, Jordan Baseman, Josh Gardener, Kalkbrottet, KAPUT, landscape, Laura Mulvey, Lawrence Leaman, lay down, leah capaldi, lecture, Lee Smith, Liberties, Limhamn, Lindsay Seers, Little Boy, Liverpool, London, London Short Film Festival, Londonderry, Lucy Day, Lynda Morris, Mabley Green, Malmo, Mansion, Marina Vishmidt, Mas Arte Mas Accion, Matt's Gallery, Mike Nelson, motherhood, Multiplicities II, Negative Capability, Nicosia, North East Contemporary Arts Network, North London, Nowhere Less Now, of other spaces: where does gesture become event?, online commission, Paul Russell, Paz y Reconciliacion, PEER, Penzance, performance, petition, photography, possessions_inc, Price and Myers, Re:Bandera, Richard Grayson, Roddy Canas, sculpture, Sequencer, sex, Sex Discrimination Act, Shoreditch Park, somantic effects, Southampton, spectatorship, swansea, Sweden, systems of representation, The Artangel Collection, The Crazy House, The Dissolution of the Western Empire, the horror of the modern world, The Saw Tooth Wave, This Is Tomorrow, Thomas More, Tim Lucas, Tintype, University of Brighton, Utopia, video, wales, Walker Art Gallery, Wapiti, War/Garden (after Tubby), West Taylor, women, Wyoming, Wyoming State Archive | Leave a response

Lucy Day

December 2016

Follow us on Instagram

mattsgallerylondon

Like us on Facebook

Follow us on Twitter

Support Matt’s Gallery