Natural History Museum London
April 2018
By Matt's Gallery on 3 April 2018
Upcoming Jo Bruton, Run, Matt’s Gallery, 92 Webster Road, London, 7 – 15 April, Private View 6 April 6-9pm Jo Bruton’s second show at Matt’s Gallery sees the artist expanding her practice as a painter into a series of printed wallpapers. Hand painted, digitally produced and then pasted to the walls of the gallery, the piece has […]
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November 2010
By Matt's Gallery on 1 November 2010
Nathaniel Mellors first museum show opens in the Netherlands; Richard Grayson shows his recent Matt’s Gallery work in Switzerland; and Ben Rivers’ Slow Action will be next at Matt’s Gallery.
Posted in News | Tagged Alison Turnbull, Animate Projects, aspex, Ben Rivers, British Art Show 7, British Council Collection, British Pavilion, Camden Arts Centre, Centre of Contemporary Art Znaki Czasu, Centre Pompidou, Châtelet Theatre, David Roberts Art Foundation, De Hallen, Dis-covery, EFTERBILLEDER [Persistence of Vision], FACT, FLAMIN Productions Development Award, For St Agnes, Graham Fagen, Imogen Stidworthy, It has to be this way 1.5, It has to be this way 2, Jennet Thomas, Jordan Baseman, Kunstmuseum des Kantons Thurgau, Kunstpavillon, Leonard Hutton Galleries, Lindsay Seers, Liverpool Biennial, Los Angeles Animation Festival, Manifesta, Mead Gallery, Mike Nelson, Modern Love, More Pricks than Kicks, Nathaniel Mellors, National Gallery Denmark, Natural History Museum London, Never the Same River (Possible Futures Probably Pasts), Nottingham Contemporary, Ourhouse, Palais de Tokyo, Parallel Remix, Paul Hamlyn Award, Rencontres Internationales Paris/Berlin/Madrid, Richard Grayson, Rough Machine commissions, Roy Voss, School of Change, Seeing Colour, Simon Oldfield Gallery, Slow Action, St Agnes Park, St John's College Oxford, Steps into the Arcane, Tate Britain, The Golden Space City of God, The Work, Venice Biennale, Wadi Hilweh Information Centre, Willie Doherty | Leave a response
September 2010
By Matt's Gallery on 1 September 2010
Artists’ news and projects this month includes: Mike Nelson’s The Coral Reef is on show at Tate Britain; Lindsay Seers is showing at Mead Gallery, Warwick; and Polytechnic curated by Richard Grayson is on at Raven Row.
Posted in News | Tagged Alison Turnbull, Artists' Laboratory, aspex, Available Light Collective, Bat Yam Museum of Contemporary Art (MoBY), Beaconsfield, Beamclub, British Art Show 7, British Council Collection, British Pavilion, COLLABORATORS2, David Roberts Art Foundation, De Hallen, Emporte Moi, Five Years, FLAMIN Productions Development Award, Frieze Art Fair, Gallery Live At Sion Hill, Gasworks, Hayley Newman, Ian McKeever, Imogen Stidworthy, It has to be this way 1.5, It has to be this way 2, Jennet Thomas, Jordan Baseman, Juan Cruz, Kiasma, Korean International Art Fair, Kunstmuseum des Kantons Thurgau, Leonard Hutton Galleries, Lindsay Seers, Liverpool Biennial, Lucy Gunning, Manifesta, Matthew Tickle, Mead Gallery, Melanie Jackson Hydrarchy: Power and Resistance at Sea, Melbourne Underground Film Festival, Michael Curran, Mike Nelson, Modern Love, More Pricks than Kicks, Musee d'Art Contemporain du Val-de-Marne, Nathaniel Mellors, National Gallery of Denmark, Natural History Museum London, Observatory, Ourhouse, Parallel Remix, Paul Burwell, Polytechnic, Provenance, Raven Row, Richard Grayson, ROOM, Roy Voss, Royal Academy, San Francisco International Festival of Short Films, School of Change, Signals, Simon Oldfield Gallery, St John's College Oxford, Statens Museum for Kunst, STATIC Gallery, Steps into the Arcane, TAPS: Improvisations with Paul Burwell, Tate Britain, The Dandy Doctrine, The Golden Space City of God, The Pleasure Dame, The Truth Was Always There, Venice Biennale, What I Thought at The Time, Willie Doherty | Leave a response