By Matt's Gallery on 1 April 2015
Matt Stokes’ solo show Madman in a Lifeboat continues to 24 May 2015. Jennet Thomas launches the UK tour of THE UNSPEAKABLE FREEDOM DEVICE which continues throughout April. Plus exhibitions for Alison Turnbull, Hayley Newman, Imogen Stidworthy, Jordan Baseman, Nathaniel Mellors, Melanie Jackson, David Osbaldeston and Benedict Drew.
Posted in News | Tagged Alison Turnbull, Art Seen, Benedict Drew, Bronwen Buckeridge, Common, Cube, David Cheeseman, David Osbaldeston, De Hallen, Dilston Grove, Graham Fagen, Grand Union, Hands Off!, Hayley Newman, Hayward Gallery, Hayward Touring, Imogen Stidworthy, Jennet Thomas, Jordan Baseman, Leisure Land Golf, Lincoln University, Lindsay Seers, Matt Stokes, Melanie Jackson, Nathaniel Mellors, Outpost, Peter Liversidge, Primary, Rebecca Birch, Roy Voss, Scotland+Venice, Sequence VII, Site Gallery, The Black Rock Project, Venice Biennale, Whitechapel Gallery |
By Matt's Gallery on 1 November 2010
Nathaniel Mellors first museum show opens in the Netherlands; Richard Grayson shows his recent Matt’s Gallery work in Switzerland; and Ben Rivers’ Slow Action will be next at Matt’s Gallery.
Posted in News | Tagged Alison Turnbull, Animate Projects, aspex, Ben Rivers, British Art Show 7, British Council Collection, British Pavilion, Camden Arts Centre, Centre of Contemporary Art Znaki Czasu, Centre Pompidou, Châtelet Theatre, David Roberts Art Foundation, De Hallen, Dis-covery, EFTERBILLEDER [Persistence of Vision], FACT, FLAMIN Productions Development Award, For St Agnes, Graham Fagen, Imogen Stidworthy, It has to be this way 1.5, It has to be this way 2, Jennet Thomas, Jordan Baseman, Kunstmuseum des Kantons Thurgau, Kunstpavillon, Leonard Hutton Galleries, Lindsay Seers, Liverpool Biennial, Los Angeles Animation Festival, Manifesta, Mead Gallery, Mike Nelson, Modern Love, More Pricks than Kicks, Nathaniel Mellors, National Gallery Denmark, Natural History Museum London, Never the Same River (Possible Futures Probably Pasts), Nottingham Contemporary, Ourhouse, Palais de Tokyo, Parallel Remix, Paul Hamlyn Award, Rencontres Internationales Paris/Berlin/Madrid, Richard Grayson, Rough Machine commissions, Roy Voss, School of Change, Seeing Colour, Simon Oldfield Gallery, Slow Action, St Agnes Park, St John's College Oxford, Steps into the Arcane, Tate Britain, The Golden Space City of God, The Work, Venice Biennale, Wadi Hilweh Information Centre, Willie Doherty |
By Matt's Gallery on 1 September 2010
Artists’ news and projects this month includes: Mike Nelson’s The Coral Reef is on show at Tate Britain; Lindsay Seers is showing at Mead Gallery, Warwick; and Polytechnic curated by Richard Grayson is on at Raven Row.
Posted in News | Tagged Alison Turnbull, Artists' Laboratory, aspex, Available Light Collective, Bat Yam Museum of Contemporary Art (MoBY), Beaconsfield, Beamclub, British Art Show 7, British Council Collection, British Pavilion, COLLABORATORS2, David Roberts Art Foundation, De Hallen, Emporte Moi, Five Years, FLAMIN Productions Development Award, Frieze Art Fair, Gallery Live At Sion Hill, Gasworks, Hayley Newman, Ian McKeever, Imogen Stidworthy, It has to be this way 1.5, It has to be this way 2, Jennet Thomas, Jordan Baseman, Juan Cruz, Kiasma, Korean International Art Fair, Kunstmuseum des Kantons Thurgau, Leonard Hutton Galleries, Lindsay Seers, Liverpool Biennial, Lucy Gunning, Manifesta, Matthew Tickle, Mead Gallery, Melanie Jackson Hydrarchy: Power and Resistance at Sea, Melbourne Underground Film Festival, Michael Curran, Mike Nelson, Modern Love, More Pricks than Kicks, Musee d'Art Contemporain du Val-de-Marne, Nathaniel Mellors, National Gallery of Denmark, Natural History Museum London, Observatory, Ourhouse, Parallel Remix, Paul Burwell, Polytechnic, Provenance, Raven Row, Richard Grayson, ROOM, Roy Voss, Royal Academy, San Francisco International Festival of Short Films, School of Change, Signals, Simon Oldfield Gallery, St John's College Oxford, Statens Museum for Kunst, STATIC Gallery, Steps into the Arcane, TAPS: Improvisations with Paul Burwell, Tate Britain, The Dandy Doctrine, The Golden Space City of God, The Pleasure Dame, The Truth Was Always There, Venice Biennale, What I Thought at The Time, Willie Doherty |
By Matt's Gallery on 1 January 2010
Forthcoming exhibition at Matt’s Gallery: Jennet Thomas. Elsewhere, Mike Nelson is showing at Gagosian Gallery and the Zabludowicz Collection, London. Click for more details.
Posted in News | Tagged 176 Zabludowicz Collection, 303 Gallery, AKINCI, All Suffering SOON TO END!, Amikan Toren, Anthony Reynolds Gallery, Architectural Intervention, Arnolfiini, Artsway, BALTIC, Buried, David Osbaldeston, De Hallen, De La Warr Pavilion, Dundee Science Centre, Face History, Film & Video, Fiona Crisp. Subterrania, Gagosian Gallery, Glasgow Sculpture Studios, Glynn Vivian Art Gallery, Gstaad Film Festival, Ian Breakwell, Imogen Stidworthy, Impressions Gallery, International Festival of Artists' Films, Jennet Thomas, Jimmie Durham, John Rylands Library, Jordan Baseman, Kurimanzutto, LoBe, Locus+, Mike Nelson, Nathaniel Mellors, Newlyn Art Gallery, Paul Carter, Recente Aanwinsten, Richard Grayson, The Elusive State of Happiness, The Fruitmarket Gallery, The Most Powerful Weapon in this World..., The Photographer's Gallery, The Provincial Forge, The Quad Gallery, The Russian Club Gallery, Wellcome Collection's Identity Project, Willie Doherty |
![Willie Doherty's solo exhibition WHERE is currently on show at Ulster Museum (@ulstermuseum). WHERE offers an overview of Doherty’s career and explores his interest in borders, both real and imagined, a subject that has dominated his work for over four decades.
From early in his career Doherty has responded to his native city of Derry/ Londonderry, its hinterland and his experience of the Troubles. More recently, Doherty has revisited the borderlands near Derry and made Where / Dove (2020), a new work commissioned for this exhibition and now in the Ulster Museum collection.
Until 12 September 2021, 10am-5pm Tue-Sun at Ulster Museum, Belfast.
[ID: A two-channel video installation, with black background. The left-hand channel shows trees in the foreground and a hazy sky in the background. The right-hand channel shows a person wearing a navy hoodie and black jacket looking into the middle distance, with a distant expression on their face. They are standing on a single-track road, with grass verge and thickets either side. The light is cold in both images.]](https://news.mattsgallery.org/wp-content/plugins/instagram-feed/img/placeholder.png)