- Matt’s Gallery
- Return to menu
- News
- April 2021
- March 2021
- December 2020
- August 2020
- June 2020
- April 2020
- February 2020
- December 2019
- October 2019
- August 2019
- June 2019
- April 2019
- February 2019
- December 2018
- October 2018
- August 2018
- June 2018
- April 2018
- February 2018
- December 2017
- October 2017
- August 2017
- July 2017
- April 2017
- February 2017
- December 2016
- October 2016
- August 2016
- June 2016
- April 2016
- February 2016
- December 2015
- October 2015
- August 2015
- June 2015
- April 2015
- February 2015
- November 2014
- October 2014
- August 2014
- June 2014
- April 2014
- February 2014
- December 2013
- October 2013
- August 2013
- June 2013
- April 2013
- February 2013
- December 2012
- October 2012
- August 2012
- June 2012
- March 2012
- January 2012
- November 2011
- August 2011
- July 2011
- June 2011
- April 2011
- December 2010
- November 2010
- September 2010
- July 2010
- May 2010
- March 2010
- January 2010
- December 2009
- November 2009
- September 2009
- July 2009
- May 2009
- March 2009
- January 2009
- November 2008
- September 2008
- July 2008
- May 2008
- January 2008
- May 2007
Simon Oldfield Gallery

July 2011
By Matt's Gallery on 1 July 2011
Last chance to see: Imogen Stidworthy (.) at Matt’s Gallery. Forthcoming exhibition: Emma Hart, TO DO. Elsewhere, Mike Nelson and Nathaniel Mellors are both exhibiting in La Biennale di Venezia, and Jo Bruton is showing new paintings in London.
Posted in News | Tagged (.), Alison Turnbull, Anne Bean, Ben Rivers, British Art Show 7, British Pavilion, Carl von Weiler, CCA, Contemporary Art at WOMAD, CRAC Alsace, Dilston Grove, Emma Hart, EROI, Fiona Crisp, Focal Point Gallery, Fondazione Antonio Ratti, Fondazione Sandretto Re Rebaudengo, For a Republic of Dreams, Forcemeat, Friendship of the Peoples, Galerie Arena, Galleria d'Arte Moderna, Giving Soul, Graham Fagen, Hayward Project Space, If only you could see us now: the Robert Chipperfield Bequest, ILLUMInations, Imogen Stidworthy, Jimmie Durham, Jo Bruton, la Biennale di Venezia, Lindsay Seers, Lucy Gunning, Melanie Jackson, Mike Nelson, Nathaniel Mellors, Outrageous Fortune, Rachel Withers, Richard Grayson, Roy Voss, Rugby Art Gallery and Museum, Sack Barrow, Scottish Summer Exhibition, Simon Oldfield Gallery, Southampton City Art Gallery, Susan Hiller, Suzanne Treister, The Flemming Collection, The Golden Space City of God, The Provisional Texture of Reality, The Trilogy (Extramission 2), Transition Gallery, Un'Expressione Geografica, Unfinished Business, WAKE: visible tracks of turbulence, Wallington Hall, Wallspace, Willie Doherty, Working Against the System | Leave a response

June 2011
By Matt's Gallery on 1 June 2011
All the latest from Matt’s Gallery: Mike Nelson is representing Great Britain in Venice and Imogen Stidworthy’s exhibition at the gallery continues. Nathaniel Mellors is also showing in Venice, and has contributed to major group shows in Prague, Turin, and The British Art Show 7.
Posted in News | Tagged (.), A Midsummer Night's Dram, AE Harris Factory, Alison Turnbull, Anne Bean, Ben Rivers, British Art Show 7, British Pavilion, Bury Art Gallery, Cafe Oto, CCA, Contemporary Art at WOMAD, Cove Park Residency, David Osbaldeston, Devonport Gallery, Dilston Grove, Dis-covery, Eastside Projects, Fondazione Sandretto Re Rebaudengo, Friendship of the Peoples, Giving Soul, Graham Fagen, ILLUMInations, Imogen Stidworthy, Intersection: Intimacy and Spectacle, It has to be this way 2, Jennet Thomas, Jo Bruton, Jordan Baseman, la Biennale di Venezia, Lindsay Seers, Lofoten International Art Festival, McKenzie, Melanie Jackson, Mike Nelson, Narrative Show, Nathaniel Mellors, Outpost, Paul Burwell, Paul Rooney, Prague Quadrennial, Radar, Roy Voss, Rugby Art Gallery and Museum, Scottish Summer Exhibition, Sentences, Simon Oldfield Gallery, Slow Action, Southbank Centre, St John's College Oxford, TAPS and PAST: Improvisations with Paul Burwell, The Flemming Collection, The Trilogy (Extramission 2), The Un-knitted Lives of Young Girls, This is not a performance or a lecture, Transition Gallery, Un'Expressione Geografica, WAKE: visible tracks of turbulence, Working Against the System | Leave a response

November 2010
By Matt's Gallery on 1 November 2010
Nathaniel Mellors first museum show opens in the Netherlands; Richard Grayson shows his recent Matt’s Gallery work in Switzerland; and Ben Rivers’ Slow Action will be next at Matt’s Gallery.
Posted in News | Tagged Alison Turnbull, Animate Projects, aspex, Ben Rivers, British Art Show 7, British Council Collection, British Pavilion, Camden Arts Centre, Centre of Contemporary Art Znaki Czasu, Centre Pompidou, Châtelet Theatre, David Roberts Art Foundation, De Hallen, Dis-covery, EFTERBILLEDER [Persistence of Vision], FACT, FLAMIN Productions Development Award, For St Agnes, Graham Fagen, Imogen Stidworthy, It has to be this way 1.5, It has to be this way 2, Jennet Thomas, Jordan Baseman, Kunstmuseum des Kantons Thurgau, Kunstpavillon, Leonard Hutton Galleries, Lindsay Seers, Liverpool Biennial, Los Angeles Animation Festival, Manifesta, Mead Gallery, Mike Nelson, Modern Love, More Pricks than Kicks, Nathaniel Mellors, National Gallery Denmark, Natural History Museum London, Never the Same River (Possible Futures Probably Pasts), Nottingham Contemporary, Ourhouse, Palais de Tokyo, Parallel Remix, Paul Hamlyn Award, Rencontres Internationales Paris/Berlin/Madrid, Richard Grayson, Rough Machine commissions, Roy Voss, School of Change, Seeing Colour, Simon Oldfield Gallery, Slow Action, St Agnes Park, St John's College Oxford, Steps into the Arcane, Tate Britain, The Golden Space City of God, The Work, Venice Biennale, Wadi Hilweh Information Centre, Willie Doherty | Leave a response

September 2010
By Matt's Gallery on 1 September 2010
Artists’ news and projects this month includes: Mike Nelson’s The Coral Reef is on show at Tate Britain; Lindsay Seers is showing at Mead Gallery, Warwick; and Polytechnic curated by Richard Grayson is on at Raven Row.
Posted in News | Tagged Alison Turnbull, Artists' Laboratory, aspex, Available Light Collective, Bat Yam Museum of Contemporary Art (MoBY), Beaconsfield, Beamclub, British Art Show 7, British Council Collection, British Pavilion, COLLABORATORS2, David Roberts Art Foundation, De Hallen, Emporte Moi, Five Years, FLAMIN Productions Development Award, Frieze Art Fair, Gallery Live At Sion Hill, Gasworks, Hayley Newman, Ian McKeever, Imogen Stidworthy, It has to be this way 1.5, It has to be this way 2, Jennet Thomas, Jordan Baseman, Juan Cruz, Kiasma, Korean International Art Fair, Kunstmuseum des Kantons Thurgau, Leonard Hutton Galleries, Lindsay Seers, Liverpool Biennial, Lucy Gunning, Manifesta, Matthew Tickle, Mead Gallery, Melanie Jackson Hydrarchy: Power and Resistance at Sea, Melbourne Underground Film Festival, Michael Curran, Mike Nelson, Modern Love, More Pricks than Kicks, Musee d'Art Contemporain du Val-de-Marne, Nathaniel Mellors, National Gallery of Denmark, Natural History Museum London, Observatory, Ourhouse, Parallel Remix, Paul Burwell, Polytechnic, Provenance, Raven Row, Richard Grayson, ROOM, Roy Voss, Royal Academy, San Francisco International Festival of Short Films, School of Change, Signals, Simon Oldfield Gallery, St John's College Oxford, Statens Museum for Kunst, STATIC Gallery, Steps into the Arcane, TAPS: Improvisations with Paul Burwell, Tate Britain, The Dandy Doctrine, The Golden Space City of God, The Pleasure Dame, The Truth Was Always There, Venice Biennale, What I Thought at The Time, Willie Doherty | Leave a response