Musee d’Art Contemporain du Val-de-Marne
By Matt's Gallery on 1 September 2010
Artists’ news and projects this month includes: Mike Nelson’s The Coral Reef is on show at Tate Britain; Lindsay Seers is showing at Mead Gallery, Warwick; and Polytechnic curated by Richard Grayson is on at Raven Row.
Posted in News | Tagged Alison Turnbull, Artists' Laboratory, aspex, Available Light Collective, Bat Yam Museum of Contemporary Art (MoBY), Beaconsfield, Beamclub, British Art Show 7, British Council Collection, British Pavilion, COLLABORATORS2, David Roberts Art Foundation, De Hallen, Emporte Moi, Five Years, FLAMIN Productions Development Award, Frieze Art Fair, Gallery Live At Sion Hill, Gasworks, Hayley Newman, Ian McKeever, Imogen Stidworthy, It has to be this way 1.5, It has to be this way 2, Jennet Thomas, Jordan Baseman, Juan Cruz, Kiasma, Korean International Art Fair, Kunstmuseum des Kantons Thurgau, Leonard Hutton Galleries, Lindsay Seers, Liverpool Biennial, Lucy Gunning, Manifesta, Matthew Tickle, Mead Gallery, Melanie Jackson Hydrarchy: Power and Resistance at Sea, Melbourne Underground Film Festival, Michael Curran, Mike Nelson, Modern Love, More Pricks than Kicks, Musee d'Art Contemporain du Val-de-Marne, Nathaniel Mellors, National Gallery of Denmark, Natural History Museum London, Observatory, Ourhouse, Parallel Remix, Paul Burwell, Polytechnic, Provenance, Raven Row, Richard Grayson, ROOM, Roy Voss, Royal Academy, San Francisco International Festival of Short Films, School of Change, Signals, Simon Oldfield Gallery, St John's College Oxford, Statens Museum for Kunst, STATIC Gallery, Steps into the Arcane, TAPS: Improvisations with Paul Burwell, Tate Britain, The Dandy Doctrine, The Golden Space City of God, The Pleasure Dame, The Truth Was Always There, Venice Biennale, What I Thought at The Time, Willie Doherty |
By Matt's Gallery on 1 July 2010
Richard Grayson exhibits Messiah, originally commissioned by Matt’s Gallery in 2004, at 17th Biennale of Sydney, 12 May-1 August 2010, curated by David Elliott. Mike Nelson selected to represent Britain at the 2011 Venice Biennale. The British Pavilion at the Venice Biennale is commissioned by the British Council. Next exhibition at Matt’s Gallery The next […]
Posted in News | Tagged Alison Turnbull, Architectural Fictions, Biennale of Sydney, British Council, British Council Collection, Darwin Now, Dilston Grove, Edinburgh Sculpture Workshop, Emporte Moi, FACT, Fiona Crisp, Five Years, Hayley Newman, It has to be this way 1, It has to be this way 2, Jordan Baseman, Kunstmuseum des Kantons Thurgau, Lindsay Seers, Magazine 10, Matthew Tickle, Mead Gallery, Melbourne Underground Film Festival, Messiah, Mike Nelson, Musee d'Art Contemporain du Val-de-Marne, Observatory, On the Edge of the World, Paul Burwell, Paul Rooney, Richard Grayson, Roy Voss, Seeing Colour, South Hill Park Bracknell Gallery, St John's College Oxford, Statens Museum for Kunst, Steps into the Arcane, Susan Hiller, TAPS: Improvisations with Paul Burwell, Tatton Park Biennial, The Crystal Palace Destroyed, The Persistence of Vision, Venice Biennale, What I Thought at The Time, WORKS|PROJECTS |
By Matt's Gallery on 1 May 2010
Richard Grayson exhibits Messiah, originally commissioned by Matt’s Gallery in 2004, at 17th Biennale of Sydney, 12 May-1 August 2010, curated by David Elliott. Mike Nelson selected to represent Britain at the 2011 Venice Biennale. British Pavilion at the Venice Biennale is commissioned by the British Council. Jennet Thomas All Suffering SOON TO END! (installation […]
Posted in News | Tagged Alexander and Bonin, Alison Turnbull, All Suffering SOON TO END!, Animate Projects, Baillieu Library, Banned Books in Australia, Beaconsfield, Biennale of Sydney, British Pavilion, Bury St Edmunds Art Gallery, Carolyn Thompson, Castlefield Gallery, Darwin Now, David Osbaldeston, Embassy Gallery, Emporte Moi, Hayley Newman, It has to be this way 2, Jennet Thomas, Jordan Baseman, Lack, Lindsay Seers, Lucy Gunning, McKenzie, Mead Gallery, Melanie Jackson, Memories are Made of This: Sound and Museum at Liverpool Sound City, Messiah, Michael Curran, Mike Nelson, Modern Art Oxford, MONITOR, Musee d'Art Contemporain du Val-de-Marne, Nathaniel Mellors, Nature's Great Experiment, On the Edge of the World, Out of Time (The Light of Day/The Action of Play, Paul Rooney, Richard Grayson, Roy Voss, Royal Botanic Garden, Sameness & DIfference, Seven Ages of Britain, St Andrew's Church, Statens Museum for Kunst, Susan Hiller, Tate Britain, The Drawing Room, The Russian Club, The Urpflanze (Part 1), Venice Biennale, Wellcome Collection's Identity Project, Willie Doherty |
![Currently on show at @ikongallery, Birmingham in 'A Very Special Place: Ikon in the 1990s' is Alison Turnbull's 1990 work on canvas, 'The Echoing Green'.
A survey exhibition featuring works by 40 artists who showed at Ikon in the 1990s, 'A Very Special Place' looks back at the eclecticism of the gallery's programme during that period of time.
Until 30 August 2021 at Ikon Gallery, Birmingham. Open Tue-Sun, 11am-5pm, free entry. Link in @ikongallery's bio for more info.
[ID: A landscape-orientated oil painting with three fields of colour. Around the perimeter of the canvas is painted a light grey. In the centre of the canvas is a chartreuse rectangular field of colour atop a pale pink rectangular colour field. These occupy around 2/3 of the total height and 8/10 of the total width of the canvas. The work is by artist Alison Turnbull, is titled 'The Echoing Green' and was completed in 1990.]](https://news.mattsgallery.org/wp-content/plugins/instagram-feed/img/placeholder.png)