By Matt's Gallery on 28 July 2017
Upcoming Marianna Simnett, Worst Gift, Matt’s Gallery, private view 03 September 3 – 6pm, exhibition runs 06 September – 22 October 2017, Wednesday – Sunday, 12 – 6pm Matt’s Gallery is pleased to present Worst Gift, a new film installation by Marianna Simnett. Comprising video, liquid, light and sound, Worst Gift continues Simnett’s ongoing exploration of female […]
Posted in News | Tagged @MattsGalleryLondon, 57th Venice Biennale, Australia, Benedict Drew, Bianca Beetson, Botox, Braziers Park, Canberra Contemporary Art Space, Catherine Laudenbach, Claudia Chaseling, Close-Up Cinema, Cove Park, De La Warr Pavilion, Erkka Nissinen, Film Installation, Finland, Finnish Pavilion, Gallery of Modern Art (GoMA), Glasgow, Graham Fagen, Imogen Stidworthy, Jay Kochel, Jay Younger, Jordan Baseman, Lindsay Seers, Loch Long, Marianna Simnett, Melanie Jackson, Modern Art Oxford, Museum of Applied Arts & Sciences, Museum of English Rural Life, Nathaniel Mellors, National Galleries Scotland, Palazzo Franchetti, possessions_inc, Rebecca Sellek, Retrospective, Richard Grayson, Rose Finn-Kelcey, Roy Voss, SUPERNORMAL, Susan Hiller, Tasmania, The Mattress Museum, University of Lincoln, Venice, Venice Biennale, Wellcome Collection, Wellcome Trust, Whitechapel Gallery, Willie Doherty |
By Matt's Gallery on 29 June 2017
We are delighted to announce that we have secured another four years of funding as an Arts Council England NPO. Upcoming Willie Doherty, Loose Ends, Matt’s Gallery, private view 02 July 3 – 6pm, exhibition runs 05 – 30 July 2017, Wednesday – Sunday, 12 – 6pm Matt’s Gallery presents Loose Ends, a recent two-screen video installation […]
Posted in News | Tagged @MattsGalleryLondon, 1977, 2013, 31 Women, 57th Venice Biennale, Alison Turnbull, All the World's a Sunny Day, Andaz London, Anne Bean, Art Night 2017, Arts Council England, Arts Council of Ireland, Australia, Benedict Drew, Braddon, Breese Little, Canberra Contemporary Art Space, De La Warr, De La Warr Pavilion, Dmitry Ozerkov, Donegal County Council, Dublin, Erkka Nissinen, Film London Jarman Award, Finnish Pavilion, Flurry, FRAME Visual Art Finland, Gallery of Modern Art (GoMA), Glasstress, Graham Fagen, HYPERactive, ICA, Instagram, Irish Film Institute, Jordan Baseman, Kerlin Gallery, kill switch, Leo Kelly, Letterkenny, Lindsay Seers, London, Loose Ends, Marianna Simnett, Masonic Temple, Matt's Gallery, Maus Contemporary, Melanie Jackson, MONA, MONA Tasmania, Museum of English Rural Life, Nathaniel Mellors, National Galleries Scotland, National Project Award, Nerve Centre, No Return, Orto Botanico, Palazzo Franchetti, Pittsburgh, Polygraphs, possessions_inc, Richard Grayson, Roy Voss, Seventeen, so it is, Stanley Picker Lectures, The Aalto Natives, The Black Sea, The Chapel of House of St. Barnabas, The Mattress Factory, The Needle and the Larynx, The Regional Cultural Centre, The Slave's, The Slave's Lament, The Tickle-Down Syndrome, The Uniformity Queenstown, Venice, Whitechapel Gallery, Willie Doherty |
By Matt's Gallery on 30 March 2017
Upcoming David Batchelor, PSYCHOGEOMETRY, Matt’s Gallery, private view 23 April 3 – 6pm, exhibition runs 26 April – 11 June 2017, Wednesday – Sunday, 12 – 6pm For his first exhibition at Matt’s Gallery, David Batchelor will show his first wall drawings together with an installation of over a hundred spray-painted works on paper. Each […]
Posted in News | Tagged Alison Turnbull, Ambika P3, Angus Cameron, Anne Bean, Arts Catalyst, At the Center of the World, Blackout, Bluecoat, Coleman Project Space, Comar, Cove Park, David Batchelor, David Osbaldeston, Drawing Biennial 2017, Drawing Room, Emit: A Dialogue Through Time, Five Easy Pieces, Flurry, Galerie L'Uqam, Gallery 4, gallery modern art Glasgow, GoMA, Graham Fagen, Hammer Museim, Imogen Stidworthy, Isle of Mull, Jimmie Durham, Jordan Baseman, Large Glass, Lindsay Seeres, Liverpool Hope University, Matt's Gallery, Melanie Jackson, Michael Curran, Montclair Film Festival, montreal, Museum of English Rural Life, National Galleries Scotland, Polygraphs, possessions_inc, Psychogeometry, Public View, Richard Grayson, Susan Sontag, The Slave's Lament, We are the space |
By Matt's Gallery on 31 January 2017
Current Ian McKeever, Against Architecture, Matt’s Gallery, private view 05 February 3 – 6pm, exhibition runs 09 February – 19 March 2017, Thursday – Sunday, 12 – 6pm For his fourth exhibition at Matt’s Gallery, Ian McKeever is exhibiting a selection from two recent series, Eagduru and Against Architecture (both 2012-13), which combine painting and […]
Posted in News | Tagged 12-hour action group, AftroScots, Against Architecture, Alberta Whittle, alchemy, Alexis Hunter, Alice Oswald, Ambika P3, An Introduction to Bliss for Two Voices with Chorus, Annabel Nicolson, Anne Bean, Artangel, astrology, At the Center of the World, audio, Benedict Drew, Blackout, Bluecoat, Bolder 2, Bryan Biggs, Cabinet 62, canada, Casebooks, Coleman Project Space, Cooper Gallery, Cullinan Richards, Deeper in the Pyramid, Dr Lauren Kassell, Dr Natalie Kaoukji, Dundee, Eagduru, Elizabeth Magill, Emit, Esther Leslie, Evaporations, Fargo, Fargo Film Festival, galerie de l'UQAM, Galleri Susanne Ottesen, Gallery 4, Gallery of Modern Art, Georgina Starr, Glasgow, Glynn Vivian Art Gallery, GoMA, Graham Fagen, Hackney Council, Ham and Mustard and other forms of Abstract Expressionism, Hammer Museum, Hanna Tuulikki, He Chengyao, HTBA, Hull, Hull Time Based Arts, Humber Street Gallery, Ian McKeever, Imogen Stidworthy, Imperfect geometry for a concrete quarry, Irineu Destourelles, Jeremy Deller, Jimmie Durham, John Akomfrah, John Frankland, John Latham, Jordan Baseman, Jordanstone College of Art & Design, Kalkbrottet, KAPUT, Limhamn, Linder, Lindsay Seers, Liverpool, London, louise dery, Mabley Green, Mark Leckey, Mary Kelly, Matt's Gallery, Melanie Jackson, Michael Maziere, milk, montreal, Mother Tongue, Negative Capability, North East Contemporary Arts Network, Nowhere Less Now 7, of other spaces: where does gesture become event?, painting, PEER, Performance Magazine Online, Polygraphs, Portrait of Alvera Coke (AKA Mama Tosh), possessions_inc, Post Reality, power, prophecy, Public View, Rayanne Bushell, Re-Rooted, Richard Grayson, Richard Napier, Rita Harris, ROOT Festival, Rose English, sculpture, Simon Forman, Sion Parkinson, Sonia Boyce, swansea, Sweden, Tako Taal, The Artangel Collection, The Slave's Lament, University of Cambridge, University of Westminster, USA, Verlag der Buchhandlung Walter Konig, video, wales, Walker Art Gallery, Yinka Shonibare, Yoko Ono |
By Matt's Gallery on 30 November 2016
Current Leah Capaldi, Lay Down, Matt’s Gallery’s new temporary space, 11 November – 18 December 2016, Friday – Sunday, 12 – 6pm Lay Down is the first major solo show by artist Leah Capaldi. The exhibition opens Matt’s Gallery’s temporary new space in Bermondsey, marking a new era for the gallery as it moves south […]
Posted in News | Tagged 12-hour action group, 1970s, 22/2/1992, 5A Studios, A Crack in the Light, A Tale I Know Nothing About, abstract film, abstraction, activism, Adele Patrick, Al Gunby, Alison Turnbull, Amelia Jones, American West, An Introduction to Bliss for Two Voices with Chorus, Angus Braithwaite, Anne Bean, Art Council England, Art Seen Contemporary Projects and Editions, Artangel, Arthur Manzo, Artist News, Artists News, audio, Barbara Capaldi, Benedict Drew, Bergen Triennale, Bermondsey, Bill Roberts, binaural, Blackout, Blackpool, Bless Klepcharek, Body, Bogota, Bolder 2, British Art Show 8. Southampton City Art Gallery, CCA, Centre of Contemporary Art, Centro de Memoria, Cheyenne, Close-Up Cinema, Cloud Diagram, Columbia, commission, Concreta Magazine, Cooper Gallery, Cowboy, Cyprus, decima street, Dee Smith, Derry, Divided Self, Dolph Projects, Domestique, Duncan of Jordanstone College of Art & Design, Dundee, dystopia, East London, Edge of Frame: Elemental Animation, Elias Bate, Eliza Gluckman, Elliot Ross, embodiment, Essex Road, Essex Road III, EXCHANGE, femininity, film, Fiona Crisp, gender codes, Glasgow Women's Library, Glynn Vivian Art Gallery, Gordon Raeburn, Graham Fagen. NEON: The Charged Line, Grundy Art Gallery, Hackney Council, Hayley Newman, Imogen Stidworthy, Imperfect geometry for a concrete quarry, installation, Jason Moffat, Jennet Thomson, John Frankland, John Hansard Gallery, Jonathan Bassett, Jonathan Caruana, Jordan Baseman, Josh Gardener, Kalkbrottet, KAPUT, landscape, Laura Mulvey, Lawrence Leaman, lay down, leah capaldi, lecture, Lee Smith, Liberties, Limhamn, Lindsay Seers, Little Boy, Liverpool, London, London Short Film Festival, Londonderry, Lucy Day, Lynda Morris, Mabley Green, Malmo, Mansion, Marina Vishmidt, Mas Arte Mas Accion, Matt's Gallery, Mike Nelson, motherhood, Multiplicities II, Negative Capability, Nicosia, North East Contemporary Arts Network, North London, Nowhere Less Now, of other spaces: where does gesture become event?, online commission, Paul Russell, Paz y Reconciliacion, PEER, Penzance, performance, petition, photography, possessions_inc, Price and Myers, Re:Bandera, Richard Grayson, Roddy Canas, sculpture, Sequencer, sex, Sex Discrimination Act, Shoreditch Park, somantic effects, Southampton, spectatorship, swansea, Sweden, systems of representation, The Artangel Collection, The Crazy House, The Dissolution of the Western Empire, the horror of the modern world, The Saw Tooth Wave, This Is Tomorrow, Thomas More, Tim Lucas, Tintype, University of Brighton, Utopia, video, wales, Walker Art Gallery, Wapiti, War/Garden (after Tubby), West Taylor, women, Wyoming, Wyoming State Archive |
By Matt's Gallery on 5 October 2016
Matt’s Gallery’s new space in Bermondsey opens with Leah Capaldi’s Lay Down Matt’s Gallery’s new temporary space on Decima Street in Bermondsey opens with Leah Capaldi’s solo show Lay Down on Saturday 29th October 2016 from 3 – 6pm. Join us to celebrate a new era in Matt’s Gallery’s 36 year history, as […]
Posted in News | Tagged 12-hour action group, 1786, 2016, 22/2/1992, A Crack in the Light, A Drama in Time, abstract art, Aesthetica Film Festival, Aesthetica Short Film Festival, Alison Turnbull, American West, An Introduction to Bliss for Two Voices with Chorus, Animal Condensed, Animal Expanded, Anne Bean, Anthony Bale, archive, Art Seen Contemporary Projects, Artist in Residence, BAFTA, Benedict Drew, Bergen Triennale, Bermondsey, Birckbeck School of Arts, Blackout, Blackpool, Block 336, Bloomsbury Festival, Body, Bogota, Boulby, Bow Gamelan Ensemble, breastmilk, British, British art, British Art Show 8, Brixton, Bronwen Buckeridge, California, Calton Hill, Calton Road, Centro de Memoria, Cheyenne, China, City of Malmo, Cloud Diagram, Collage, Columbia, Columbian flag, Concreta Magazine, Conway Hall, Cooper Gallery, Cyprus, decima street, Dee Smith, Deeper in the Pyramid, Dolph Projects, Domestique, Dublin, Duncan of Jordanstone College of Art & Design, Dundee, Durden and Ray, Edinburgh, Edinburgh Festival, Ellen Zweig, Episode 5, Esther Leslie, EXCHANGE, femininity, film, Film and Drama Studio, Fiona Crisp, Fluid Physicalities, Fraser Muggeridge, Gdansk, Gdansk City Gallery 2, Graham Fagen, Grundy Art Gallery, Hayley Newman, Heart Beat Ear Drum, Imogen Stidworthy, Imperfect geometry for a concrete quarry, Irish independence, Jacob's Ladder, Jamaica, Jennet Thomas, Johann Jacobs Museum, Jordan Baseman, Kalkbrottet, Kerlin Gallery, Keynes Library, Kingston, lay down, leah capaldi, Lee Smith, Leith, Leverhume, Liberties, Limhamn, London, Loose Ends, Los Angeles, Lucy Gluckman, Malmo, Malmö Konsthall, Mansion, Margaret Tatcher, Mas Arte Mas Accion, Matt's Gallery, Matt’s Gallery + BLACKROCK, Melanie Jackson, Mike Nelson, motherhood, Move, Negative Capability, NEON: The Charged Line, New Church, New Orleans, New Orleans Film Festival, New Street, New Town, Nicosia, North East Contemporary Arts Network, Norwich, Norwich University of the Arts, November, Now it is Permitted: 24 Wayside Pulpits, October, of other spaces: where does gesture become event?, Official Selection, oil on canvas, Old Street Dust (polychrome), Old Town, online commission, Oracle, painting, Patrick Geddes, Paul Burwell, Paz y Reconciliacion, Penzance, performance, performance lecture, photography, Poland, possessions_inc, Queen Mary University, Re:Bandera, Richard Grayson, Richard Wilson, Robert Burns, Roger Buergel, Roy Voss, Savanah-La-Mar, SE1, September, Sequencer, sex, Sex Discrimination Act, solo show, Solzhenitsyn's bread, sound piece, Stephan McNeilly, Suzhou, Suzhou Documents, Sweden, Swedenborg House, The Ground, The Grundy Gallery, The Live Authenticity Flesh, The Roselle, The Unspeakable Freedom Device, This Is Tomorrow, two-screen video, Unreliable Matriarchs, Unspeakable Freedom >> Tastes like Chicken, USA, Utah, video still, Wapiti, War/Garden (after Tubby), What I thought I saw saw me, Willie Doherty, Window Gallery, Wyoming, Wyoming State Archives, York, Z'EV |
By Matt's Gallery on 1 August 2016
Matt’s Gallery welcomes new Deputy Director Soraya Rodriguez Soraya Rodriguez has been appointed as the new Deputy Director of Matt’s Gallery, “I’m thrilled to be joining Matt’s Gallery at such an exciting time and looking forward to building on its unique legacy.” She joins us having founded and directed Zoo Art Fair from 2004 – […]
Posted in News | Tagged 2 Avenue de Grande-Bretagne, A Drama in Time, Alison Turnbull, Alison Turnbull and Lindsay Seers, An Introduction to Bliss for Two Voices with Chorus, Benedict Drew, Blackrock, Blackrock Residency Programme, British Art Show 8, Cloak, Collyer Bristow Gallery, Concreta Magazine, decima street, Dovecot Studios, Edinburgh Festival, Fiona Crisp, Gag, Graham Fagen, Hayley Newman, Imogen Stidworthy, Imperfect geometry for a concrete quarry, iwillmedievalfutureyou#4, Kalkbrottet, Kerlin Gallery, lay down, leah capaldi, Liberties, Limhamn, Loose Ends, Malmo, Margate, Matt's Gallery, Melanie Jackson, Mike Nelson, Monaco, Nathaniel Mellors, Negative Capability, North East Contemporary Arts Network, Norwich University of the Arts, Nouveau Musée National de Monaco offsite project, Patrick Goddard, possessions_inc, Richard Grayson, Sally O'Reilly, Seeing Round Corners, Soraya Rodriguez, The Scottish Endarkment: Art and Unreason 1945 to the Present, This Is Tomorrow, Turner Contemporary, Willie Doherty |
By Matt's Gallery on 1 October 2015
Gerard Hemswoth’s solo exhibition of recent works continues at Matt’s Gallery until 1 November 2015. Plus exhibitions for Jordan Baseman, Benedict Drew, Alison Turnbull, Hayley Newman, Imogen Stidworthy, Nathaniel Mellors, Richard Grayson, Mike Nelson, Matthew Tickle Jennet Thomas and Jimmie Durham.
Posted in News | Tagged Aesthetica Short Film Festival, Alison Turnbull, Anne Bean, Art on the Underground, Benedict Drew, Blackrock Residency, British Art Show, British Art Show 8, Collyer Bristow Gallery, David Osbaldeston, Dilston Grove, Gerard Hemsworth, Graham Fagen, Hatton Gallery, Hayley Newman, Imogen Stidworthy, Jennet Thomas, Jordan Baseman, Kyiv Biennial, La Biennale de Lyon Art, La Panacee, Leeds Art Gallery, Lindsay Seers, Matthew Tickle, Melanie Jackson, Mike Nelson, Paul Rooney, QUAD Derby, Richard Grayson, Roy Voss, Royal Botanic Garden Edinburgh, Scotland+Venice, Susan Hiller, The Collection Lincoln, UTS Gallery Sydney, Venice Biennale, Wysing Arts Centre |
By Matt's Gallery on 1 August 2015
Matt’s Gallery’s Autumn Programme launches with a solo exhibition of recent works by Gerard Hemsworth. Also in September the first public event as part of The Blackrock Artist Residency Programme will see works by residency artists Rebecca Birch, Bronwen Buckeridge, David Cheeseman and Roy Voss sited throughout the Lydney Park Estate on the edge of the Forest of Dean, Gloucestershire. Plus exhibitions for Alison Turnbull, Hayley Newman, Imogen Stidworthy, Melanie Jackson, Jennet Thomas, Paul Rooney, Richard Grayson, Mike Nelson, Matthew Tickle, Anne Bean, Lindsay Seers and Benedict Drew.
Posted in News | Tagged Alison Turnbull, Angus Braithwaite, Anne Bean, Benedict Drew, Berwick Film and Media Festival, Blackrock Residency, Bronwen Buckeridge, Channels, Collyer Bristow Gallery, David Cheeseman, David Osbaldeston, Dilston Grove, Dojima River Biennale, Focal Point Gallery, Gerard Hemsworth, Graham Fagen, Grundy Art Gallery, Hatton Gallery, Hayley Newman, ICA, Imogen Stidworthy, Imperial War Museum London, Jennet Thomas, Jordan Baseman, La Biennale de Lyon Art, La Panacee, Lindsay Seers, Lofoten International Art Festival, Matthew Tickle, Melanie Jackson, Mike Nelson, Ormston House, Paul Rooney, QUAD Derby, Rebecca Birch, Richard Grayson, Roy Voss, Scotland+Venice, Supernormal Festival, Susan Hiller, UTS Gallery Sydney, Venice Biennale, Whitechapel Gallery, X Marks the Bokship |
By Matt's Gallery on 1 June 2015
Matt’s Gallery’s Summer Programme launches with X Marks the Bökship partnering with Matt’s Gallery to present The Crystal Set, a series of recording sessions, workshops and broadcasts from a cast of artists and publishers. In July, David Osbaldeston’s site-specific installation for Matt’s Gallery (Office), The Top & Bottom of It. Mechanism for a Future Reference will open to the public on the first Thursday of each month by prior arrangement. Plus exhibitions for Alison Turnbull, Hayley Newman, Imogen Stidworthy, Melanie Jackson, Jennet Thomas, Anne Bean, Richard Grayson, Mike Nelson and Benedict Drew.
Posted in News | Tagged Alison Turnbull, Anne Bean, Benedict Drew, Collyer Bristow Gallery, David Osbaldeston, Dojima River Biennale, DZIALDOV, EM15 Venice, Focal Point Gallery, Graham Fagen, Grundy Art Gallery, Hayley Newman, Hayward Touring, Imogen Stidworthy, Imperial War Museum London, Jennet Thomas, Jordan Baseman, La Panacee, Lindsay Seers, Melanie Jackson, Mike Nelson, Ormston House Limerick, QUAD, Richard Grayson, Roy Voss, Scotland+Venice, University of Lincoln, Venice Biennale, Whitechapel Open |