By Matt's Gallery on 1 December 2010
Next exhibition at Matt’s Gallery: Slow Action by Ben Rivers. Other artists’ news includes Jordan Baseman winning an award at the Los Angeles Animation Festival; Mike Nelson At Camden Arts Centre and Willie Doherty in Manifesta 8.
Posted in News | Tagged Aberdeen Art Gallery, Animate Projects, Anne Bean, aspex, Ben Rivers, Best Laid Plans, British Art Show 7, British Pavilion, Camden Arts Centre, Centre Pompidou, Châtelet Theatre, Coming of Age, David Roberts Art Foundation, De La Warr Pavilion, Dis-covery, EFTERBILLEDER [Persistence of Vision], FACT, Garage, ICA London, Imogen Stidworthy, It has to be this way 1.5, Jaroslaw Kozlowski, Jennet Thomas, Jimmie Durham, Jordan Baseman, Kunstmuseum des Kantons Thurgau, Kunstpavillon, Lindsay Seers, Los Angeles Animation Festival, Manifesta, Melanie Jackson, Mike Nelson, More Pricks than Kicks, Moving Portraits, Nathaniel Mellors, Never the Same River (Possible Futures, Nikolaj Copenhagen Contemporary Art Center, Nottingham Contemporary, Palais de Tokyo, Paul Hamlyn Award, Paul Rooney, Probably Pasts), Rencontres Internationales Paris/Berlin/Madrid, Richard Grayson, Rough Machine commissions, Slow Action, Sorrow and Obsession, St John's College Oxford, Steps into the Arcane, Tate Britain, The Art Exchange, The Drawing Room, The Golden Space City of God, The Great North Museum, The Life of the Mind: Love, The New Art Gallery Walsall, The New Décor, The Trouble with Sculpture, The Urpflanze (1.1), The Work, Venice Biennale, Willie Doherty |
By Matt's Gallery on 1 November 2010
Nathaniel Mellors first museum show opens in the Netherlands; Richard Grayson shows his recent Matt’s Gallery work in Switzerland; and Ben Rivers’ Slow Action will be next at Matt’s Gallery.
Posted in News | Tagged Alison Turnbull, Animate Projects, aspex, Ben Rivers, British Art Show 7, British Council Collection, British Pavilion, Camden Arts Centre, Centre of Contemporary Art Znaki Czasu, Centre Pompidou, Châtelet Theatre, David Roberts Art Foundation, De Hallen, Dis-covery, EFTERBILLEDER [Persistence of Vision], FACT, FLAMIN Productions Development Award, For St Agnes, Graham Fagen, Imogen Stidworthy, It has to be this way 1.5, It has to be this way 2, Jennet Thomas, Jordan Baseman, Kunstmuseum des Kantons Thurgau, Kunstpavillon, Leonard Hutton Galleries, Lindsay Seers, Liverpool Biennial, Los Angeles Animation Festival, Manifesta, Mead Gallery, Mike Nelson, Modern Love, More Pricks than Kicks, Nathaniel Mellors, National Gallery Denmark, Natural History Museum London, Never the Same River (Possible Futures Probably Pasts), Nottingham Contemporary, Ourhouse, Palais de Tokyo, Parallel Remix, Paul Hamlyn Award, Rencontres Internationales Paris/Berlin/Madrid, Richard Grayson, Rough Machine commissions, Roy Voss, School of Change, Seeing Colour, Simon Oldfield Gallery, Slow Action, St Agnes Park, St John's College Oxford, Steps into the Arcane, Tate Britain, The Golden Space City of God, The Work, Venice Biennale, Wadi Hilweh Information Centre, Willie Doherty |
By Matt's Gallery on 1 September 2010
Artists’ news and projects this month includes: Mike Nelson’s The Coral Reef is on show at Tate Britain; Lindsay Seers is showing at Mead Gallery, Warwick; and Polytechnic curated by Richard Grayson is on at Raven Row.
Posted in News | Tagged Alison Turnbull, Artists' Laboratory, aspex, Available Light Collective, Bat Yam Museum of Contemporary Art (MoBY), Beaconsfield, Beamclub, British Art Show 7, British Council Collection, British Pavilion, COLLABORATORS2, David Roberts Art Foundation, De Hallen, Emporte Moi, Five Years, FLAMIN Productions Development Award, Frieze Art Fair, Gallery Live At Sion Hill, Gasworks, Hayley Newman, Ian McKeever, Imogen Stidworthy, It has to be this way 1.5, It has to be this way 2, Jennet Thomas, Jordan Baseman, Juan Cruz, Kiasma, Korean International Art Fair, Kunstmuseum des Kantons Thurgau, Leonard Hutton Galleries, Lindsay Seers, Liverpool Biennial, Lucy Gunning, Manifesta, Matthew Tickle, Mead Gallery, Melanie Jackson Hydrarchy: Power and Resistance at Sea, Melbourne Underground Film Festival, Michael Curran, Mike Nelson, Modern Love, More Pricks than Kicks, Musee d'Art Contemporain du Val-de-Marne, Nathaniel Mellors, National Gallery of Denmark, Natural History Museum London, Observatory, Ourhouse, Parallel Remix, Paul Burwell, Polytechnic, Provenance, Raven Row, Richard Grayson, ROOM, Roy Voss, Royal Academy, San Francisco International Festival of Short Films, School of Change, Signals, Simon Oldfield Gallery, St John's College Oxford, Statens Museum for Kunst, STATIC Gallery, Steps into the Arcane, TAPS: Improvisations with Paul Burwell, Tate Britain, The Dandy Doctrine, The Golden Space City of God, The Pleasure Dame, The Truth Was Always There, Venice Biennale, What I Thought at The Time, Willie Doherty |
By Matt's Gallery on 1 May 2010
Richard Grayson exhibits Messiah, originally commissioned by Matt’s Gallery in 2004, at 17th Biennale of Sydney, 12 May-1 August 2010, curated by David Elliott. Mike Nelson selected to represent Britain at the 2011 Venice Biennale. British Pavilion at the Venice Biennale is commissioned by the British Council. Jennet Thomas All Suffering SOON TO END! (installation […]
Posted in News | Tagged Alexander and Bonin, Alison Turnbull, All Suffering SOON TO END!, Animate Projects, Baillieu Library, Banned Books in Australia, Beaconsfield, Biennale of Sydney, British Pavilion, Bury St Edmunds Art Gallery, Carolyn Thompson, Castlefield Gallery, Darwin Now, David Osbaldeston, Embassy Gallery, Emporte Moi, Hayley Newman, It has to be this way 2, Jennet Thomas, Jordan Baseman, Lack, Lindsay Seers, Lucy Gunning, McKenzie, Mead Gallery, Melanie Jackson, Memories are Made of This: Sound and Museum at Liverpool Sound City, Messiah, Michael Curran, Mike Nelson, Modern Art Oxford, MONITOR, Musee d'Art Contemporain du Val-de-Marne, Nathaniel Mellors, Nature's Great Experiment, On the Edge of the World, Out of Time (The Light of Day/The Action of Play, Paul Rooney, Richard Grayson, Roy Voss, Royal Botanic Garden, Sameness & DIfference, Seven Ages of Britain, St Andrew's Church, Statens Museum for Kunst, Susan Hiller, Tate Britain, The Drawing Room, The Russian Club, The Urpflanze (Part 1), Venice Biennale, Wellcome Collection's Identity Project, Willie Doherty |
By Matt's Gallery on 1 March 2010
Richard Grayson exhibits Messiah, originally commissioned by Matt’s Gallery in 2004, at 17th Biennale of Sydney, 12 May-1 August 2010, curated by David Elliott. Mike Nelson selected to represent Britain at the 2011 Venice Biennale. The British Pavilion at the Venice Biennale is commissioned by the British Council Jennet Thomas All Suffering SOON TO END! […]
Posted in News | Tagged 176 Zabludowicz Collection, 303 Gallery, Aberdeen University, All Suffering SOON TO END!, Animate Projects, Anne Bean, Arnolfini, Arts Council Collection, AV Festival, BALTIC, Beaconsfield, Biennale of Sydney, British Pavilion, Building a Nation, Cafe Carbon, Cafe Oto, Carolyn Thompson, Castlefield Gallery, Catalyst Arts, CCA, Crash, Crossing Zones, David Osbaldeston, ekleksographia, Fiona Crisp, Fordham Gallery, Gagosian Gallery, Galerie Raum Mit Licht, Glasgow Sculpture Studios, Glimmer: The 8th Hull International Short Film Festival, Gstaad Film Festival, Hands On, Haus der Kultuern der Welt, Hayley Newman, Ian Breakwell, Imogen Stidworthy, Impressions Gallery, International Festival of Artists' Films, Jennet Thomas, Jimmie Durham, John Frankland, John Rylands Library, Jordan Baseman, Lucy Gunning, Melanie Jackson, Messiah, Metal, Michael Curran, Mike Nelson, MONITOR, Nathaniel Mellors, National Review of Live Art 2010, Nature's Great Experiment, Newlyn Art Gallery, Out of Time (The Light of Day/The Action of Play, Picture This, Quiver of Arrows, Red Jail, Richard Grayson, Richard Wilson, Roy Voss, Seven Ages of Britain, Subterrania, Tate Britain, The Arches, The Drawing Room, The Elusive State of Happiness, The Gathering, The Gluts, The Library of Babel/In and Out of Place, The Most Powerful Thing in this World..., The Provincial Forge, The Quad Gallery, The Russian Club, The Urpflanze (Part 1), Universal Miniature Golf (The Promised Land), Vane Contemporary Art, Venice Biennale, William Blake and the Naked Tea Party, Yorkshire Sculpture Park |
By Matt's Gallery on 1 January 2010
Forthcoming exhibition at Matt’s Gallery: Jennet Thomas. Elsewhere, Mike Nelson is showing at Gagosian Gallery and the Zabludowicz Collection, London. Click for more details.
Posted in News | Tagged 176 Zabludowicz Collection, 303 Gallery, AKINCI, All Suffering SOON TO END!, Amikan Toren, Anthony Reynolds Gallery, Architectural Intervention, Arnolfiini, Artsway, BALTIC, Buried, David Osbaldeston, De Hallen, De La Warr Pavilion, Dundee Science Centre, Face History, Film & Video, Fiona Crisp. Subterrania, Gagosian Gallery, Glasgow Sculpture Studios, Glynn Vivian Art Gallery, Gstaad Film Festival, Ian Breakwell, Imogen Stidworthy, Impressions Gallery, International Festival of Artists' Films, Jennet Thomas, Jimmie Durham, John Rylands Library, Jordan Baseman, Kurimanzutto, LoBe, Locus+, Mike Nelson, Nathaniel Mellors, Newlyn Art Gallery, Paul Carter, Recente Aanwinsten, Richard Grayson, The Elusive State of Happiness, The Fruitmarket Gallery, The Most Powerful Weapon in this World..., The Photographer's Gallery, The Provincial Forge, The Quad Gallery, The Russian Club Gallery, Wellcome Collection's Identity Project, Willie Doherty |
By Matt's Gallery on 1 December 2009
Jennet Thomas All Suffering Soon to End (production still) 2009, showing at Matt’s Gallery 11 April-6 June 2010. Jimmie Durham’s exhibition Obsidiana will be showing at Kurimanzutto, Mexico City 11 November 2009-6 February 2010. Amikam Toren’s Carrots & Refreshments can be seen at Noga Gallery of Contemporary Art, Tel-Aviv 18 December 2009-22 January 2010. Matt’s […]
Posted in News | Tagged 30th Anniversary, All Suffering SOON TO END!, Amikam Toren, Fiona Crisp, Jennet Thomas, Jimmie Durham, Mike Nelson, Nathaniel Mellors, Richard Wilson, Terry Smith, Willie Doherty |