By Matt's Gallery on 7 February 2019
In Memory of Susan Hiller 7 March 1940 – 28 January 2019 “In all my work I was attempting to erase the supposed boundary between dream life and waking life. Because what I do… is to pull out for scrutiny those images or ideas which are visual, visible, but are rendered invisible and therefore marginalized.” Susan Hiller, […]
Posted in News | Tagged 1980, A Murder of Crows, A---Z, Aalto Natives, Alice Channer, Alison Turnbull, Anne Bean, Anne Duffau, artist residency, Bad Mantra, Benedict Drew, Birmingham, Blackrock, Bloomberg N, Carey Young, Channels, Charlotte Higgins, City Art Centre, Copenhagen Contemporary, COUM Transmissions, Daniel Sturgis, Danielle Arnaud, David Troostwyk, Dilston Grove, Dominic Johnson, Drawing Biennial 2019, Drawing Room, Edinburgh, Erkka Nissinen, Fotogalleriet, gendersick, Genesis P-Orridge, Govan Project Space, Graham Fagen, Hail the new Etruscan, Helen Mirra, heterochromia iridum, Ikon, IMT Gallery, Jordan Baseman, Kerry Trengove, Kiasma, Kipper Kids, Large Glass, Lindsay Seers, Lydney Park Estate, Marianna Simnett, Mark Wallinger, Martello Street, Matt's Gallery, Matthew Krishanu, MAXXI, Melanie Jackson, Midlands Arts Centre, Mike Nelson, Nathaniel Mellors, obituary, Oona Grimes, Oslo, Radio Influenza, Richard Grayson, Robin Klassnik, Rome, Space studios, Stephen Cripps, Susan Hiller, Tate Britain, Tate Collection, Tate Modern, The Coral Reef, Tomico Lemos Auad, Ulay, Venice Biennale, Wellcome, Work in Progress
By Matt's Gallery on 4 December 2018
Upcoming John Walter, Booze Guitar, Matt’s Gallery, 92 Webster Road, London, 8-16 December, Private View 7 December 6-9pm Read more. In 2019… Matt’s Gallery thanks Ron Henocq Fine Art for their generous support. Artists’ News Lindsay Seers, Every Thought There Ever Was, Focal Point Gallery, Southend-on-Sea, until 23 December 2018 It’s your last chance to see this major […]
Posted in News | Tagged 20:50, A Virus Walks into a Bar, Aalto Natives, Alter Heroes Coalition, Anne Bean, Another Country, Artist in Residence, Benedict Drew, Blood in My Milk, Bloomberg New Contemporaries, Bonington Gallery, Booze Guitar, Bow Gamelan Ensemble, Camberwell Space, Camberwell UAL, CAPSID, City Art Centre, City Art Centre Edinburgh, Cooper Gallery, Daniel Sturgis, Danielle Arnaud, David Osbaldeston v The Serving Library, David Troostwyk, Dean Kenning, Dialogues with People, Digital commission, Duncan of Jordanstone College of Art & Design, Dundee, Ecstasy in Norwich, Edinburgh, Elizabeth Magill, Erkka Nissinen, Every Thought There Ever Was, Focal Point Gallery, Graham Fagen, Great Noises that Fill the Air, Hayward Gallery, Headland, HOME Manchester, Hospitalfield, House Taken Over, Imogen St, IMT Gallery, Job Opportunity, John Hansard Gallery, John Walter, Jordan Baseman, Julian of Norwich, L'Atteso, leah capaldi, Lindsey Seers, London, Low Form, LOWER.GREEN, Marianna Simnett, Marked, Matt's Gallery, MAXXI, Melanie Jackson, Mike Nelson, Mimosa House, Nathaniel Mellors, New Museum, New York, OGR Torino, Oona Grimes, Public Engagement Officer, Radio Influenza, Richard Wilson, Rome, Ron Henocq, Shape Shifters, Shooting and Fishing, SLG, Snow Crash, South London Gallery, Southend-on-Sea, Spanish flu, Stuttgart, Susan Hiller, Tasmania, The Anti Ecstatic Machines, The MAC, The New Art Gallery Walsall, The Public is Warned, The Serving Library, The Unconformity, TSL, Wellcome, Württembergischer Kunstverein Stuttgart |
By Matt's Gallery on 2 October 2018
Upcoming at Matt’s Gallery, 92 Webster Road, SE16 4DF Borbala Szanto, Hyphen, Matt’s Gallery, London, private view 5 October 6-9pm, exhibition open daily 12-6pm, 6-14 October 2018 Read more. Rebecca Lennon, WORDS ARE ANGULAR SHARP, TENANT, Matt’s Gallery, London, private view 19 October 6-9pm, exhibition open daily 12-6pm, 20-28 October 2018 November 2018 Jo Stockham, […]
Posted in News | Tagged Aesthetica Film Festival, Alison Turnbull, Amikam Toren, Angus Braithwaite, Anne Bean, Art Licks Weekend, Art Licks Weekend 2018, Art Seen, Beirut, Benedict Drew, Blanca Huertas, Bonington Gallery, Borbala Szanto, Bow Arts Trust, British Council, David Osbaldeston, Edinburgh, Erkka Nissinen, Focal Point Gallery, Fort Worth, Fort Worth Contemporary Arts, Graham Fagen, Gwangju Biennale, Imogen Stidworthy, Jennet Thomas, Jo Bruton, Jo Stockham, John Moores Painting Prize 2018, Jordan Baseman, Knole House, leah capaldi, Lindsay Seers, London, Lucy Gunning, Marianna Simnett, Marina Warner, Mas Arte Mas Accion, Matt's Gallery, MAXXI, Middlesbrough, Middlesbrough Art Weekender, Mike Nelson, Mimosa House, Naomi Pearce, Nathaniel Mellors, New Museum, New York, Nicosia, Nottingham, OGR Torino, Punto y Raya Festival, Rebecca Lennon, Richard Grayson, Richard Wilson, Royal Scottish Academy of Art and Architecture, RSA, South Korea, Southend-on-Sea, Storm King Art Center, Stuttgart, Sursock Museum, Texas, The Bower, The Nunnery, The Serving Library, Tina Keane, Torino, V-A-C Foundation, Venice, Webster Road, Wellcome, WKV, Wroclaw, Württembergischer Kunstverein Stuttgart, York |
By Matt's Gallery on 3 April 2018
Upcoming Jo Bruton, Run, Matt’s Gallery, 92 Webster Road, London, 7 – 15 April, Private View 6 April 6-9pm Jo Bruton’s second show at Matt’s Gallery sees the artist expanding her practice as a painter into a series of printed wallpapers. Hand painted, digitally produced and then pasted to the walls of the gallery, the piece has […]
Posted in News | Tagged A Woman's Place at Knole, Acme Fire Station, Again, Alberta Whittle, Alberto Giacometti, Alfacar, Alice May Williams, Alison Turnbull, All The Wor, All the World's a Sunny Day, Allison Janae Hamilton, Am I Not A Man and A Brother, Andrew Gilbert, Andrew Hairstans, Andy Fisher, Anil Seth, Anina Major, Another Country: Aspects of Scottish Emigration to the United States, April, Art Monthly, Arts Catalyst, Artur Zmijewski, Avatar Therapy, Banner Repeater, Barbara Kruger, Baron Sackville, BBC Radio 4, Benedict Drew, Benjamin Swaim, Bermondsey, Berwick Visual Arts, Beth Forde, Birthe Jorgensen, British Council, Candice Lin, Caspar Heinemann, Cecil Collins, Channels, Chris Frith, CJ Mahony, Collyer Bristow Gallery, Colombia, Constantine Brancusi, Contemporary Art Society, Dana Hargrove, David Austen, David Brooks, David Collens, Dawn Gavin, De La Warr Pavilion, Dear Climate, Deeper in the Pyramid, Dieter Roth, Doris McCarthy Gallery, Dr Blanca Huertas, Durham University, Edward Hopper, Eighty Circles Through Canada (The Last Possessions of An Orcadian Mountain Man), Elaine Rutherford, Elena Bajo, Elisabeth Frink, Eliza Gluckman, Ellie Ga, Emily Speed, Emma Bolland, Erkka Nissinen, Esther Leslie, Euan Gray, Fiction as Method, Finnish Pavilion, Fiona Banner, Fiona Crisp, Focal Point Gallery, Futures & Fictions, Gabriela Salazar, Galeria Moises Perez De Albeniz, Galerie Crevecoeur, Gallery 4, Gallery of Modern Art (GoMA), General Rehearsal, Gerard Byrne, Ghetto Priest, Glasgow, Graham Fagen, Grand Union, Grundy Art Gallery, Hans-Peter Feldmann, Hara Woltz, Helen Marten, Henning Bohl, Henry Moore, Hospitalfield, Ian Hamilton Finlay, In the Future, Indicators: Artists on Climate Change, Institute for Computational Comology, Irineu Destourelles, Isobel Wohl, It's all the same fucking day man..., Jakob Kolding, Jala Wahid, James Miranda Barry, Janani Balasubramanian, Jane Evelyn Atwood, Jenny Kendler, Jih-Fie Cheng, JMW Turner, Jo Bruton, John Beadle, John Cunningham, John Hansard, John Smith, Jonathan Trayner, Jordan Baseman, Julien Ceccaldi, Justin Brice Guariglia, KADIST, Katharina Poos, Katherine Angel, Katherine Ka Yi Liu, kennardphillips, Kiasma, Kirsten Cooke, Knole House, Laboratori Nazionale del Gran Sasso, Leo Kelly, Linda Stupart, Lindsay Seers, Lionheart, Lisson Gallery, London, Louise Bourgeois, Lubaina Himid, Lucy Day, MA BIBLIOTHEQUE, Margot Norton, Maria Abramovic, Mark Dion, Mary Mattingly, Mas Arte Mas Accion, Material Sight, Matt's Gallery, May, Maya Lin, Meg Webster, Melanie Jackson, Melanie Wilson, Mieke Bal, Mike Nelson, milk, Minnesota, MMOMA, MONA, More Things (a table ruin), Moscow Museum of Modern Art, Muirhead Bone, Nathaniel Mellors, National Art Gallery of The Bahamas, National Gallery of Victoria, Natural History Museum London, New Museum, NGV Triennial, Nicholas Brooks, Nick Mwaluko, Nora Lawrence, Northern Gallery of Contemporary Art, Officine Grandi Riparazioni, On Violence, Orlando, Ourhouse, ourneys with 'The Waste Land', Patrick Heron, Paul Buck, Paul Nash, Paula Rego, Pavel Büchler, Pawel Althamer, Plans & Records, Polygraphs, possessions_inc, Primary, Progressive Rocks, Project/Number, Project/Numebr, Rebecca Jagoe, Renaud Jerez, Repeater Books, Representation of the People Act, Richard Grayson, Richard Guzman, Ridinghouse, Ron Henocq Fine Art, Roy Voss, Rudy Loewe, Sackler Centre for Consciousness, Saint John's Art Center, Sarah Diver, Sarah Wood., Sharon Kivland, Sherrie Levine, Skye Arundhati-Thomas, Social Facts, Sonia Farmer, Special Collection Scheme, Sternberg Press, Steve Rowell, Storm King Art Center, Suffering, Sump, Susan Hiller, Tacita Dean, Tai Shani, Talking Art 2, Tavares Strachan, The Aalto Natives, The Bahamas, The MAC, The New Art Gallery Walsall, The Slave's Lament, the stars above the ocean the ocean beneath the stars, The Way T, The Way Things Are, Timothy Dixon, Toronto, Totah, Travis Alabanza, Turin, Turner Contemporary, UCL, V-A-C Foundation, Vanessa Place, Venice Biennale, violence, Virginia Woolf, Vita Sackville-West, Viznar, Vladimir Nabokov, We Suffer to Remain, Wellcome Trust, Willie Doherty, Williem de Kooning |
By Matt's Gallery on 28 September 2017
Current Marianna Simnett, Worst Gift, Matt’s Gallery, until 22 October 2017, Wednesday – Sunday, 12 – 6pm Matt’s Gallery is pleased to present Worst Gift, a new film installation by Marianna Simnett. Comprising video, liquid, light and sound, Worst Gift continues Simnett’s ongoing exploration of female subjectivity and bodily integrity as they relate to the power dynamics […]
Posted in News | Tagged 57th Venice Biennale, Acme Fire Station, Alexander and Bonin, Alvar Aalto, Art Licks Weekend, Art Licks Weekend 2017, Arts Catalyst, Arts Council England, ASC Gallery, Austrian Cultural Forum, Benedict Drew, Berwick Visual Arts, Bloomsbury, Charlie Fox, Dane Sutherland, Darren Banks, De La Warr Pavilion, DisObey, Erkka Nissinen, Esther Leslie, Finland, Finnish Pavilion, Fiona Crisp, Frequency Festival, Galerie Peter Kilchmann, Gallery of Modern Art (GoMA), Graham Fagen, Grundy Art Gallery, Holly Antrum, Imogen Stidworthy, India Harvey, Joe Graham, Jordan Baseman, Joseph Mallord William Turner, KELDER, Laura Dee Milnes, leah capaldi, Leo Chadburn, Lincoln Voices, Lindsay Seers, Lucinda Chua, Lucy Clout, Making Milk: The Past, Marianna Simnett, Melanie Jackson, Modern Art Oxford, MONA, Mona Hatoum, MONITOR, Museum of Applied Arts & Sciences, Nathaniel Mellors, National Galleries Scotland, National Gallery Jamaica, Palazzo Franchetti, possessions_inc, Present and Future of Our Primary Food, Retrospective, Richard Grayson, Rose Finn-Kelcey, Roy Voss, Sluice Biennale 2017, Steven Dickie, Susan Hiller, Tate, The Aalto Natives, The New Art Gallery Walsall, The Slave's Lament, Turner, Unconcious Archives, University of Lincoln, Venice Biennale, Wellcome Collection, Wellcome Trust, Willie Doherty |
By Matt's Gallery on 28 July 2017
Upcoming Marianna Simnett, Worst Gift, Matt’s Gallery, private view 03 September 3 – 6pm, exhibition runs 06 September – 22 October 2017, Wednesday – Sunday, 12 – 6pm Matt’s Gallery is pleased to present Worst Gift, a new film installation by Marianna Simnett. Comprising video, liquid, light and sound, Worst Gift continues Simnett’s ongoing exploration of female […]
Posted in News | Tagged @MattsGalleryLondon, 57th Venice Biennale, Australia, Benedict Drew, Bianca Beetson, Botox, Braziers Park, Canberra Contemporary Art Space, Catherine Laudenbach, Claudia Chaseling, Close-Up Cinema, Cove Park, De La Warr Pavilion, Erkka Nissinen, Film Installation, Finland, Finnish Pavilion, Gallery of Modern Art (GoMA), Glasgow, Graham Fagen, Imogen Stidworthy, Jay Kochel, Jay Younger, Jordan Baseman, Lindsay Seers, Loch Long, Marianna Simnett, Melanie Jackson, Modern Art Oxford, Museum of Applied Arts & Sciences, Museum of English Rural Life, Nathaniel Mellors, National Galleries Scotland, Palazzo Franchetti, possessions_inc, Rebecca Sellek, Retrospective, Richard Grayson, Rose Finn-Kelcey, Roy Voss, SUPERNORMAL, Susan Hiller, Tasmania, The Mattress Museum, University of Lincoln, Venice, Venice Biennale, Wellcome Collection, Wellcome Trust, Whitechapel Gallery, Willie Doherty |
By Matt's Gallery on 29 June 2017
We are delighted to announce that we have secured another four years of funding as an Arts Council England NPO. Upcoming Willie Doherty, Loose Ends, Matt’s Gallery, private view 02 July 3 – 6pm, exhibition runs 05 – 30 July 2017, Wednesday – Sunday, 12 – 6pm Matt’s Gallery presents Loose Ends, a recent two-screen video installation […]
Posted in News | Tagged @MattsGalleryLondon, 1977, 2013, 31 Women, 57th Venice Biennale, Alison Turnbull, All the World's a Sunny Day, Andaz London, Anne Bean, Art Night 2017, Arts Council England, Arts Council of Ireland, Australia, Benedict Drew, Braddon, Breese Little, Canberra Contemporary Art Space, De La Warr, De La Warr Pavilion, Dmitry Ozerkov, Donegal County Council, Dublin, Erkka Nissinen, Film London Jarman Award, Finnish Pavilion, Flurry, FRAME Visual Art Finland, Gallery of Modern Art (GoMA), Glasstress, Graham Fagen, HYPERactive, ICA, Instagram, Irish Film Institute, Jordan Baseman, Kerlin Gallery, kill switch, Leo Kelly, Letterkenny, Lindsay Seers, London, Loose Ends, Marianna Simnett, Masonic Temple, Matt's Gallery, Maus Contemporary, Melanie Jackson, MONA, MONA Tasmania, Museum of English Rural Life, Nathaniel Mellors, National Galleries Scotland, National Project Award, Nerve Centre, No Return, Orto Botanico, Palazzo Franchetti, Pittsburgh, Polygraphs, possessions_inc, Richard Grayson, Roy Voss, Seventeen, so it is, Stanley Picker Lectures, The Aalto Natives, The Black Sea, The Chapel of House of St. Barnabas, The Mattress Factory, The Needle and the Larynx, The Regional Cultural Centre, The Slave's, The Slave's Lament, The Tickle-Down Syndrome, The Uniformity Queenstown, Venice, Whitechapel Gallery, Willie Doherty |
By Matt's Gallery on 30 March 2017
Upcoming David Batchelor, PSYCHOGEOMETRY, Matt’s Gallery, private view 23 April 3 – 6pm, exhibition runs 26 April – 11 June 2017, Wednesday – Sunday, 12 – 6pm For his first exhibition at Matt’s Gallery, David Batchelor will show his first wall drawings together with an installation of over a hundred spray-painted works on paper. Each […]
Posted in News | Tagged Alison Turnbull, Ambika P3, Angus Cameron, Anne Bean, Arts Catalyst, At the Center of the World, Blackout, Bluecoat, Coleman Project Space, Comar, Cove Park, David Batchelor, David Osbaldeston, Drawing Biennial 2017, Drawing Room, Emit: A Dialogue Through Time, Five Easy Pieces, Flurry, Galerie L'Uqam, Gallery 4, gallery modern art Glasgow, GoMA, Graham Fagen, Hammer Museim, Imogen Stidworthy, Isle of Mull, Jimmie Durham, Jordan Baseman, Large Glass, Lindsay Seeres, Liverpool Hope University, Matt's Gallery, Melanie Jackson, Michael Curran, Montclair Film Festival, montreal, Museum of English Rural Life, National Galleries Scotland, Polygraphs, possessions_inc, Psychogeometry, Public View, Richard Grayson, Susan Sontag, The Slave's Lament, We are the space |
By Matt's Gallery on 31 January 2017
Current Ian McKeever, Against Architecture, Matt’s Gallery, private view 05 February 3 – 6pm, exhibition runs 09 February – 19 March 2017, Thursday – Sunday, 12 – 6pm For his fourth exhibition at Matt’s Gallery, Ian McKeever is exhibiting a selection from two recent series, Eagduru and Against Architecture (both 2012-13), which combine painting and […]
Posted in News | Tagged 12-hour action group, AftroScots, Against Architecture, Alberta Whittle, alchemy, Alexis Hunter, Alice Oswald, Ambika P3, An Introduction to Bliss for Two Voices with Chorus, Annabel Nicolson, Anne Bean, Artangel, astrology, At the Center of the World, audio, Benedict Drew, Blackout, Bluecoat, Bolder 2, Bryan Biggs, Cabinet 62, canada, Casebooks, Coleman Project Space, Cooper Gallery, Cullinan Richards, Deeper in the Pyramid, Dr Lauren Kassell, Dr Natalie Kaoukji, Dundee, Eagduru, Elizabeth Magill, Emit, Esther Leslie, Evaporations, Fargo, Fargo Film Festival, galerie de l'UQAM, Galleri Susanne Ottesen, Gallery 4, Gallery of Modern Art, Georgina Starr, Glasgow, Glynn Vivian Art Gallery, GoMA, Graham Fagen, Hackney Council, Ham and Mustard and other forms of Abstract Expressionism, Hammer Museum, Hanna Tuulikki, He Chengyao, HTBA, Hull, Hull Time Based Arts, Humber Street Gallery, Ian McKeever, Imogen Stidworthy, Imperfect geometry for a concrete quarry, Irineu Destourelles, Jeremy Deller, Jimmie Durham, John Akomfrah, John Frankland, John Latham, Jordan Baseman, Jordanstone College of Art & Design, Kalkbrottet, KAPUT, Limhamn, Linder, Lindsay Seers, Liverpool, London, louise dery, Mabley Green, Mark Leckey, Mary Kelly, Matt's Gallery, Melanie Jackson, Michael Maziere, milk, montreal, Mother Tongue, Negative Capability, North East Contemporary Arts Network, Nowhere Less Now 7, of other spaces: where does gesture become event?, painting, PEER, Performance Magazine Online, Polygraphs, Portrait of Alvera Coke (AKA Mama Tosh), possessions_inc, Post Reality, power, prophecy, Public View, Rayanne Bushell, Re-Rooted, Richard Grayson, Richard Napier, Rita Harris, ROOT Festival, Rose English, sculpture, Simon Forman, Sion Parkinson, Sonia Boyce, swansea, Sweden, Tako Taal, The Artangel Collection, The Slave's Lament, University of Cambridge, University of Westminster, USA, Verlag der Buchhandlung Walter Konig, video, wales, Walker Art Gallery, Yinka Shonibare, Yoko Ono |
By Matt's Gallery on 30 November 2016
Current Leah Capaldi, Lay Down, Matt’s Gallery’s new temporary space, 11 November – 18 December 2016, Friday – Sunday, 12 – 6pm Lay Down is the first major solo show by artist Leah Capaldi. The exhibition opens Matt’s Gallery’s temporary new space in Bermondsey, marking a new era for the gallery as it moves south […]
Posted in News | Tagged 12-hour action group, 1970s, 22/2/1992, 5A Studios, A Crack in the Light, A Tale I Know Nothing About, abstract film, abstraction, activism, Adele Patrick, Al Gunby, Alison Turnbull, Amelia Jones, American West, An Introduction to Bliss for Two Voices with Chorus, Angus Braithwaite, Anne Bean, Art Council England, Art Seen Contemporary Projects and Editions, Artangel, Arthur Manzo, Artist News, Artists News, audio, Barbara Capaldi, Benedict Drew, Bergen Triennale, Bermondsey, Bill Roberts, binaural, Blackout, Blackpool, Bless Klepcharek, Body, Bogota, Bolder 2, British Art Show 8. Southampton City Art Gallery, CCA, Centre of Contemporary Art, Centro de Memoria, Cheyenne, Close-Up Cinema, Cloud Diagram, Columbia, commission, Concreta Magazine, Cooper Gallery, Cowboy, Cyprus, decima street, Dee Smith, Derry, Divided Self, Dolph Projects, Domestique, Duncan of Jordanstone College of Art & Design, Dundee, dystopia, East London, Edge of Frame: Elemental Animation, Elias Bate, Eliza Gluckman, Elliot Ross, embodiment, Essex Road, Essex Road III, EXCHANGE, femininity, film, Fiona Crisp, gender codes, Glasgow Women's Library, Glynn Vivian Art Gallery, Gordon Raeburn, Graham Fagen. NEON: The Charged Line, Grundy Art Gallery, Hackney Council, Hayley Newman, Imogen Stidworthy, Imperfect geometry for a concrete quarry, installation, Jason Moffat, Jennet Thomson, John Frankland, John Hansard Gallery, Jonathan Bassett, Jonathan Caruana, Jordan Baseman, Josh Gardener, Kalkbrottet, KAPUT, landscape, Laura Mulvey, Lawrence Leaman, lay down, leah capaldi, lecture, Lee Smith, Liberties, Limhamn, Lindsay Seers, Little Boy, Liverpool, London, London Short Film Festival, Londonderry, Lucy Day, Lynda Morris, Mabley Green, Malmo, Mansion, Marina Vishmidt, Mas Arte Mas Accion, Matt's Gallery, Mike Nelson, motherhood, Multiplicities II, Negative Capability, Nicosia, North East Contemporary Arts Network, North London, Nowhere Less Now, of other spaces: where does gesture become event?, online commission, Paul Russell, Paz y Reconciliacion, PEER, Penzance, performance, petition, photography, possessions_inc, Price and Myers, Re:Bandera, Richard Grayson, Roddy Canas, sculpture, Sequencer, sex, Sex Discrimination Act, Shoreditch Park, somantic effects, Southampton, spectatorship, swansea, Sweden, systems of representation, The Artangel Collection, The Crazy House, The Dissolution of the Western Empire, the horror of the modern world, The Saw Tooth Wave, This Is Tomorrow, Thomas More, Tim Lucas, Tintype, University of Brighton, Utopia, video, wales, Walker Art Gallery, Wapiti, War/Garden (after Tubby), West Taylor, women, Wyoming, Wyoming State Archive |
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